Niagara Falls Mayor Robert Restaino has a vision for growing Cataract City’s tourism, while keeping visitors in town longer.
Creating a $150 million “gateway” park downtown that includes an ice rink, indoor arena and outdoor amphitheater.
DOC NYC ANNOUNCES JURY AWARDS FOR 2023
DOC NYC, America’s largest documentary festival, revealed the 2023 award winners for its juried U.S. Competition, International Competition, Metropolis, Kaleidoscope, Shorts, Short List: Features, and Short List: Shorts sections, as well as the #MyJustice Film Award (complete list below). The festival’s Audience Award winner will be announced in the coming days.
TOTAL TRUST RECEIVES INTERNATIONAL COMPETITION GRAND JURY PRIZE
The awards announcement comes on the eve of the closing night of the festival’s hybrid 14th edition. DOC NYC’s online screenings run through November 26, with some 90 features available to stream across the United States, including eight of the festival’s award-winners and more than 100 of the festival’s short films, including all six shorts award-winners. Many of the award winners also have in-person screenings in the final two days of the festival.
For a full schedule of available films, see www.docnyc.net. Ticket and pass information is below.
LUCHA: A WRESTLING TALE TAKES METROPOLIS GRAND JURY PRIZE
For DOC NYC’s competitive sections, five juries selected films from the festival’s U.S. Competition, International Competition, and Kaleidoscope sections, as well as its long-running Metropolis and Shorts lineups, to recognize for their outstanding achievements in form and content. The Short List: Features program—a selection of nonfiction films that the festival’s programming team considers to be among the year’s strongest contenders for Oscars and other awards—vied for awards in five categories: Directing, Producing, Cinematography, Editing, and Score, with a Directing prize also awarded in the Short List: Shorts section. The Short List awards were voted on by two juries of filmmaker peers. New for 2023, the DOC NYC U film student screenings were restyled as a competition.
ZINZINDURRUNKARRATZ WINS KALEIDOSCOPE GRAND JURY PRIZE
JURIED AWARDS, FEATURE FILMS
U.S. Competition: The jury selected from among 10 new American nonfiction films in this section.
Grand Jury Prize: Mediha, directed by Hasan Oswald and produced by Hasan Oswald, Annelise Mecca, Fahrinisa Campana, Alexander Spiess, and Stephen Nemeth. (World Premiere)
Jurors’ statement: “Mediha is a person and a film that you will think about long after it ends. Hasan Oswald’s portrait of Mediha, one of many women and children survivors of the ISIS orchestrated genocide against the Yazidis, is a truly collaborative project in which Mediha tells her own harrowing story, and finds her own activist voice in the process. The film shines a light on the trauma of war and the difficult struggle to overcome it, while exploring the psychological complications of captivity of these women and children. This extremely careful and nuanced portrait of the experience of different generations of women resonated deeply with us. We are proud to give the U.S. Competition Grand Jury Prize to Mediha, and we sincerely congratulate the talent and courage of the team in bringing this story to the world.”
Available online through November 26.
Special Mention: Happy Campers, directed/produced by Amy Nicholson. (World Premiere)
Jurors’ statement: “Amy Nicholson’s Happy Campers is a truly cinematic film with a strong directorial sensibility and a genuine auteur’s stamp that celebrates, mourns, and memorializes a beloved working-class seaside refuge about to undergo redevelopment. The film beautifully captures the life, spirit, and charm of the Inlet View Campground. The U.S. Jury chose it for special mention as the film is a genuine delight to watch in today’s turbulent times.”
Available online through November 26.
Jurors: Violet du Feng (Emmy-winning filmmaker), Meredith Kaulfers (EVP of Current Production, Imagine Documentaries), David Winn (Head of the News & Documentary Emmy Awards)
Films featured in the U.S. Competition section: 36 Seconds: Portrait of a Hate Crime, The Cowboy and the Queen, Happy Campers, How to Come Alive With Norman Mailer, Mediha, Obsessed With Light, The Riot Report, Shaken, Taking Venice, and Tomorrow, Tomorrow, Tomorrow.
International Competition: The jury selected from among 10 new international productions in this section.
Grand Jury Prize: Total Trust, directed by Jialing Zhang, produced by Knut Jäger, Michael Grotenhoff, Saskia Kress, Jialing Zhang. (U.S. Premiere)
Jurors’ statement: “Courageously told with spectacular access, Total Trust speaks to power in its story of the stifling effect that Chinese government surveillance has on its citizens–while also highlighting the voices of resistance. Though the film provides a wealth of new insight into the regime’s policies, the judges were even more captivated by its use of character and emotionally rich scenes to reveal the human consequences of surveillance society. They commended its delicate balancing of the personal and political, notably contrasted in the claustrophobic sense conveyed in the small spaces occupied by its characters and wide shots capturing the massive spectacle of state displays. This is a film that not only explores government’s monitoring as an issue, it skillfully demonstrates its repercussions, particularly on the children who will inherit its legacy. Citing its bravery and artistry, the judges bestow Total Trust with this year’s International Jury Award.”
Available online through November 26.
Special Mention: Al Djanat – The Original Paradise, directed by Chloé Aïcha Boro, produced by Frédéric Féraud, Aïcha Boro, and Faissol Gnonlonfin. (U.S. Premiere)
Jurors’ statement: “Beautifully crafted and edited, Al Djanat – The Original Paradise, follows filmmaker Chloé Aïcha Boro as she returns to her homeland, Burkina Faso, after the death of her uncle. The judges praised Boro’s engaging and seamless tracing of conflicts—family, political and philosophical–in a story that’s both specific and personal yet deeply universal.”
Available online through November 26
Jurors: Michael Graversen (filmmaker), Ruchi Mital (producer and founder of Solani Media), David Siev (filmmaker).
Films featured in the International Competition section: Al Djanat – The Original Paradise, The Caravan, Dalton’s Dream, Dancing On The Edge Of A Volcano, The Dmitriev Affair, The Home Game, Le Spectre de Boko Haram, Neirud, Someone Lives Here, and Total Trust.
Metropolis: The jury selected from among eight films in this section, which is dedicated to stories about New Yorkers and New York City.
Grand Jury Prize: Lucha: A Wrestling Tale, directed/produced by Marco Ricci. (World Premiere)
Jurors’ statement: “The story of four members of the Taft High School women’s wrestling team, the Bronx-set Lucha: A Wrestling Tale landed the Metropolis Award for its compelling characters, sense of community, and intimate, but not imposing, approach to the verite style. The judges were especially impressed with the way the film doesn’t shy from the difficult realities faced by the young women, who are allowed to struggle and show their flaws – making them more powerful. Director Marco Ricci follows the story over the course of three years, which allows us to witness the characters’ growth and change, but we never sense intrusiveness, as the film instead bravely lets its moments play out, even the toughest ones.”
Available online through Sunday, November 26.
Jurors: Giselle “Hush” Bailey (filmmaker), Julia Solomonoff (filmmaker and chair of NYU Tisch Grad Film), Amanda Spain (VP of Longform Acquisitions, MSNBC Films).
Films featured in the Metropolis section: Ashima, Confessions of a Good Samaritan, Diversity Plaza, Holding Back The Tide, Lucha: A Wrestling Tale, Nathan-ism, Psychedelicized: The Electric Circus Story, and Scooter Laforge: a life of art.
Kaleidoscope: The jury selected from among five films in this section, which showcases essayistic and formally adventurous documentaries.
Grand Jury Prize: Zinzindurrunkarratz, directed/produced by Oskar Alegria. (New York Premiere)
Jurors’ statement: “In Oskar Alegria’s dreamlike documentary Zinzindurrunkarratz (a brilliant onomatopoeia word) we journey with the filmmaker through a Basque countryside that is transformed into a metaphysical landscape as he attempts to retrieve memories using an old camera. Alegria encourages us to contemplate the distinct dichotomies between past and present, rural and urban, haptic and cerebral. In this way, the film comes together somewhere amidst Alegria’s mind, the screen and our consciousness. In the process, we find ourselves in an ecstatic awareness of the way that silence, sound and image can be together and apart, always transforming. Both entrancing and poignant, Zinzindurrunkarratz made us ponder what constitutes a film, and closely observe our perception. For all of these reasons, we recognize it as the winning Kaleidoscope film at 2023 DOC NYC.”
Available online through November 26.
Jurors: Irena Kovarova (film programmer, producer and writer); José F. Rodriguez (senior film programmer, Tribeca Festival), Lynne Sachs (filmmaker and poet).
Films featured in the Kaleidoscope section: Grasshopper Republic, Megaheartz, The Walk, A Wolfpack Called Ernesto, and Zinzindurrunkarratz.
SHORT LIST: FEATURES AWARDS
DOC NYC’s Short List for Features puts the spotlight on 15 documentaries representing the best of the year.
Directing Award: While We Watched, directed by Vinay Shukla.
Jurors’ statement: “This superbly crafted story of a broadcast journalist in India who is battling a tide of disinformation uses intimate cinematography to drive a gripping dramatic tension. The story is local and yet completely universal. As the film progresses we are reminded that struggles for freedom and protection of truth are occurring all around the world. For its elegant yet painfully perceptive storytelling, the Directing Award goes to While We Watched.”
Available online through November 26.
Producing Award: While We Watched, produced by Vinay Shukla, Khushboo Ranka, and Luke Moody.
Jurors’ statement: “This film seeks the truth behind the veil of politicized ethics, ideology and propaganda. Against the backdrop of a crumbling newsroom, we witness exceptional courage and perseverance day after day. Despite death threats and condemnation, we find a vulnerable and beautiful vision that holds both craft and story close. The Producing Award is presented to While We Watched.”
Available online through November 26.
Editing Award: Going to Mars: The Nikki Giovanni Project, edited by Terra Long and Lawrence Jackman.
Jurors’ statement: “To bring the life, times and work of a fearless American original to the big screen, it takes a rich, deep and wild visual language. The unfettered imagination on display in this film’s editing beautifully evokes the vision of the woman at its heart. The Editing Award goes to Going to Mars: The Nikki Giovanni Project.
Cinematography Award: The Mother of All Lies, cinematography by Hatem Nechi.
Jurors’ statement: “Shooting a tightly focused personal film about a family is difficult; capturing big political events in a compelling way is just as demanding. But when long-ago public crimes poison the home life of three generations, making the connection visible is a virtuoso achievement. For the evocative image-making—of faces, of memories, of re-created, revised and rebuilt history—that makes the political vividly personal, the Cinematography Award goes to The Mother of All Lies.”
Available online through November 26.
Score Award: The Eternal Memory, music by Miguel Miranda and José Miguel Tobar.
Jurors’ statement: “The heart-piercing and unforgettable score for The Eternal Memory exhibits the type of playful togetherness we imagine is at the core of all eternal romances. As we journey through this world, the score is one continuous movement and an expressive thread, crafted with intimacy and delicate respect.”
Special Mention for Editing: The Disappearance of Shere Hite, edited by Eileen Meyer.
Jurors’ statement: “This film weaves together a cinematic tapestry that is as elegant as its protagonist. The result is an immersive story that reveals the true story of a woman the patriarchy tried to erase. For its lyrical creativity, a special mention for editing is presented to The Disappearance of Shere Hite.”
Jurors: Su Kim (producer), Mary Manhardt (editor, professor and consultant), Dawn Porter (filmmaker and founder of Trilogy Films).
SHORT FILM AWARDS
Shorts Competition: All new short films playing at the festival were eligible for the Shorts Grand Jury Prize, with the exception of DOC NYC U showcases and Short List: Shorts selections.
Grand Jury Prize: Mountain Man, directed/produced by Arun Bhattarai. (North American Premiere)
Jurors’ statement: “The beautifully crafted, observational Mountain Man impressed the jury with its intimate and almost fable-like story of a glaciologist in Bhutan who regularly leaves his family behind to trek into the country’s sacred mountains to measure the rapidly melting glaciers. With a subtle approach, and an inter-generational lens to this one family’s tale, the jury noted how filmmaker Arun Bhattarai thoughtfully brings the audience a story about climate change and our global interconnectedness to this urgent issue.”
The 2023 winning Short film qualifies for consideration in the Documentary Short Subject category of the annual Academy Awards® without the standard theatrical run (provided the film otherwise complies with the Academy rules).
Special Mention: When a Rocket Sits on the Launch Pad, directed by Bohao Liu, produced by Bohao Liu and Gene Gallerano. (NYC Premiere)
Jurors’ statement: “Exquisitely shot and artistically styled, When A Rocket Sits On The Launch Pad earned the judges’ admiration for its insightful depiction of the hurdles and challenges that Chinese culture places in front of a typical teenage girl.”
Mountain Man screens online as part of the Shorts: Our Climate/Our Crisis program; When a Rocket Sits on the Launch Pad screens online as part of the Shorts: Changing Tides program; both are available through November 26.
Jurors: Aurora Brachman (director/cinematographer), Nick Canfield (filmmaker), Debra McClutchy (filmmaker and archival producer).
Short List: Shorts: DOC NYC’s Short List for Shorts highlights 15 documentary shorts that the festival’s programming team considers the year’s leading awards contenders.
Directing Award: Ayenda, directed by Marie Margolius, produced by Marie Margolius and Connor Schell.
Jurors’ statement: “Thrilling but never sensationalized, Ayenda traces the story of the members of a girls soccer team who flee their home country of Afghanistan—and the Taliban—to continue their pursuit of the sport. The judges praised the filmmaking as elegantly observed and empathetic, commending director Marie Margolius for the intimacy achieved in her interviews, as well as their cinematic execution. The danger feels imminent, and the action unspools humanely, a credit to both the artistry and directive of Margolius and her team in crafting an honest testament to the girls’ bravery.”
Available online in the Shortlist Shorts: New Beginnings program, through November 26.
Jurors: Mark Becker (director, story consultant and editor), Katja Esson (filmmaker), Tyler Walk (editor).
DOC NYC U Competition. DOC NYC U features ten short documentaries from students across the five boroughs. Restyled as a competition for the first time this year, this year’s program featured finalists from Brooklyn College, Columbia University, Hunter College, The New School, New York Film Academy, Pratt Institute, and the School of Visual Arts.
This year’s inaugural competition was adjudicated by veteran documentary and TV series director and producer R.J. Cutler, founder of This Machine.
DOC NYC U Award: I Told You So, directed by Malak AlSayyad and Amaan Stewart, produced by Malak AlSayyad, Amaan Stewart, and Loren Townsley. (Columbia University)
R.J. Cutler’s statement on the selection of I Told You So for the DOC NYC U Award: “For its deep empathy, its boldly personal yet universal honesty, and its unleashing of the power of cinema verite storytelling.”
Available online in the Shorts: DOC NYC U – Portraits program, through November 26.
Special Mention: It Smells Like Springtime, directed/produced by Mackie Mallison. (Pratt Institute)
R.J. Cutler’s statement on the special mention for It Smells Like Springtime: “For its poetic cinematic power, as well as its stunning use of visual and aural landscapes.”
Available online in the Shorts: DOC NYC U – Rebirth program, through November 26.
Subject Matter: DOC NYC partnered with Subject Matter to present a $20,000 grant from Subject Matter to 36 Seconds: Portrait of a Hate Crime, directed by Tarek Albaba, to support the film’s audience outreach and impact efforts, along with a corresponding grant of $20,000 to Our Three Winners, a nonprofit organization that is addressing the topics featured in the film. DOC NYC audience members joined Subject Matter in supporting Our Three Winners with over $4,000 in donations at the world premiere of the film.
#MyJustice: DOC NYC partnered with Odyssey Impact® to present the #MyJustice Film Award to Breaking Silence, directed by Amy Bench and Annie Silverstein, and produced by Amy Bench and Monique Walton. The award comes with a $10,000 cash prize and an Odyssey Impact National Social Impact Campaign, and is made possible with generous support from Paramount/Content for Change Academy.
Odyssey Impact® Statement: “For a female-directed, short documentary
giving viewers, by way of a healed relationship between a deaf father and hearing daughter, a unique insight into the incarcerated deaf community and an inspiring father’s quest to help others and reunite his family. The film reverberates with kindness and compassion that drive towards advocacy for the communication challenges faced by prisoners with hearing disabilities, gives hopeful opportunities for prison reform and healing for families and people carrying unresolved trauma. Breaking Silence’s urgent and uplifting delivery earned it top prize this year for a stand out social justice film with a clear call to action to inspire change.
“Breaking Silence” is available online in the Shorts: Inside and Out program, through November 26.
TICKETS AND PASSES
Festival tickets and passes may be purchased at docnyc.net/tickets-and-passes.
In-person Screenings:
Closing Night (South to Black Power) screening: $30 General Public/$25 IFC Center Members
Other festival films: $20 General Admission/$18 Seniors & Children/$16 IFC Center Members, unless otherwise noted.
All screenings in the Short List: Features, Short List: Shorts, and DOC NYC U sections, as well as all Monday-Friday screenings starting before 5:00pm: $13 General Admission/$10 IFC Center members
Online screenings:
$13 General Public/$9 IFC Center Members
Passes and Ticket Packs:
Online Film Pass $250
Grants access to all the films screening on the festival’s virtual platform, November 8-26.
Online Shorts Pass $49
Grants access to all short films screening on the festival’s virtual platform, November 8-26. On sale November 1.
Five-Ticket Package for Online Screenings $50
Ten-Ticket Package for Online Screenings $90
A package of 5 or 10 online tickets at a special discount price.
DOC NYC PRO Day Pass $125
Grants access to a single DOC NYC PRO day-long programming track, plus complimentary access, space permitting, to the Festival Lounge for that day, including the day’s Breakfast and Happy Hour.
SPONSORS
The festival is made possible by:
Leading Media Partners: New York Magazine; The WNET Group
Major Sponsors: A&E IndieFilms; HBO Documentary Films; Netflix
Supporting Sponsors: National Geographic Documentary Films
Signature Sponsors: 11th Hour Racing; Bloomberg Philanthropies; Consulate General of Canada in New York; Frankfurt Kurnit; Hulu; NBC News Studios; National Geographic; NYC Mayor’s Office of Media & Entertainment; Participant
Signature Media Partners: The New Republic; WNYC
Event Sponsors: Amazon MGM Studios; Cowan, DeBaets, Abrahams & Sheppard LLP; 30 for 30 / ESPN Films; Fox Rothschild LLP; Impact Partners; JustFilms | Ford Foundation; Kickstarter PBC; MTV Documentary Films; Odyssey Impact®; Portrait Creative Network; Prestige Custom Awards; Reavis Page Jump LLP; Screen Nova Scotia; Subject Matter; SVA – MFA Social Documentary Film; Telefilm Canada; Village East by Angelika; Wheelhouse Creative
Friends of the Festival: Agile Ticketing; CineSend; DCTV; Fever Content; Posteritati; Ptex; Shiftboard
DOC NYC is produced and presented by IFC Center, a division of AMC Networks.
YOU MIGHT ALSO LIKE
NYC’s Newest Margarita: Hailee Steinfeld Launches Angel Margarita: A Premium Ready-to-Drink Margarita Cocktail with Premium Beers Group
Hailee Steinfeld Launches Angel Margarita: A Premium Ready-to-Drink Margarita Cocktail with Premium Beers Group
Academy Award-nominated actress, multi-platinum recording artist, and producer Hailee Steinfeld, in partnership with Premium Beers Group, a leader within the alcohol industry in Mexico, proudly announces the launch of Angel Margarita.
Hailee Steinfeld falls in love with flavor
Hailee Steinfeld has openly expressed her love for margaritas, often sharing glimpses of her favorite citrusy cocktail on social media. Whether enjoying a classic lime margarita or experimenting with fun flavors like spicy or strawberry, she appreciates the drink’s refreshing and vibrant appeal. Her enthusiasm for margaritas perfectly complements her fun-loving personality, making it a go-to choice for celebrations and casual outings alike.
This premium ready-to-drink margarita cocktail is made with 100% Agave Tequila from the rich soil of Jalisco, Mexico.
Angel Margarita: A Premium Ready-to-Drink Margarita Cocktail
To ensure that each can offers an authentic and refreshing taste experience, Angel Margarita is then fully crafted just moments from the Agave fields.
Blending Hailee’s West Coast style with the deep Mexican roots of her co-founders Jordi Zindel and Rodrigo Hernandez, Angel Margarita will lead the category with its commitment to quality. Angel Margarita will launch with four vibrant and refreshing flavors: Lime, Grapefruit Paloma, Ranch Water, and Wild Berry.
“Margaritas have always been my go-to cocktail,
so making a ready-to-drink version with high-quality ingredients that didn’t compromise on taste was important to me,”
Hailee Steinfeld
co-founder
“After visiting the Blue Agave fields in Jalisco with my partners Jordi and Rodrigo, I was inspired by the region. I am so proud of what we have created together and cannot wait for the world to try Angel Margarita.”
In 2023, premixed cocktails were the fastest-growing spirits category in the US, valued at approximately $2.8 billion, marking a 26.8% increase year over year. Tequila was the second fastest-growing category, valued at $6.5 billion, up 7.9% yearly.
To underscore the excitement and potential of this fast-growing category, Angel Margarita has partnered with Philip Button, Founder and CEO of Seven XV Ventures and Geloso Beverage Group, one of the leading alcohol beverage manufacturers and distributors in North America. With their support, Angel Margarita will begin its launch in Southern California.
“Hailee is the perfect partner to help us share an authentic piece of our culture and redefine the ready-to-drink market through Angel Margarita with a more global audience,” said Jordi Zindel and Rodrigo Hernandez, co-founders at Angel Margarita. “We invite consumers to taste our 100% Agave Tequila premium cocktails and to experience an authentic piece of Mexico in every sip.
Stay up to date on Angel Margarita: www.angelmargarita.com / @angelmargarita
100% Tequila, 100% Angel Margarita.
Angel Margarita stands out with its high standards of craftsmanship and tradition:
- Protected Denomination of Origin sourced and manufactured in Jalisco, Mexico
- Expertly crafted high-quality ingredient list featuring 100% Agave Tequila Blanco, a blend of sparkling water, agave syrup, and natural flavors
- Each 12 oz can is 6% ABV and is gluten-free
- Available in four flavors to start: Lime, Grapefruit Paloma, Ranch Water, and Wild Berry
- Retail = $14.99 / 4-pack, $28.99 / 8-pack variety
About Hailee Steinfeld:
Academy Award-nominated actress, multi-platinum recording musician, and producer Hailee Steinfeld remains a force to be reckoned with in the entertainment industry. Her leading performance in the 2016 critically acclaimed film THE EDGE OF SEVENTEEN garnered her two Critics’ Choice Award nominations and a Golden Globe nomination. Her big-screen debut was in 2010 with the Coen Brothers’ film TRUE GRIT, for which she earned an Oscar nomination at only 14 years old. Up next, she will star alongside Michael B. Jordan in Warner Brothers and Ryan Coogler’s latest film, SINNERS. The supernatural action horror-thriller is set to release globally on April 18, 2025.
About Premium Beers Group:
With over 3 decades of experience, Premium Beers Group has innovated and revolutionized the alcohol category in Mexico. PBG was the first company in Mexico to import 100% malt beers from Europe and introduce craft beer and non-alcoholic beer. Premium Beers Group is the benchmark for excellence and a leader within the premium alcohol category.
About Geloso Group:
A leader in the innovation and development of alcoholic and non-alcoholic beverages, Geloso Group manufactures and distributes premium malt beverages, wines, ciders, beers, and spirits. Geloso Group is a valued supplier and trusted partner recognized for its professionalism and commitment to quality, service, and marketing.
Thanksgiving in NYC: the perfect stuffing bread DOES exist – and it’s… [Recipe here]
This Thanksgiving in NYC, the perfect stuffing bread DOES exist – and it’s brioche. As in St Pierre Brioche Thanksgiving Stuffing
No Thanksgiving spread is complete without a hearty stuffing. While add-ins are a matter of preference, choosing the right bread is crucial. One underrated choice is eggy, rich brioche – and with St Pierre Bakery, you don’t need to go to France to get it.
Thanks to its butter and egg content, St Pierre’s Brioche Loaf provides the perfect balance of crisp toastiness while remaining soft and creamy inside, while its lightly sweet flavor adds a decadent quality that can still lean savory. Attached below is an approachable recipe for stuffing allowing for all the craveable crunch for the whole family with minimal effort required.
St Pierre Brioche Thanksgiving Stuffing
By @BrandiMilloy
Ingredients
1 loaf St. Pierre Brioche Bread
1/2 cup unsalted butter
1 medium onion, diced
3/4 cup celery, diced
3/4 cup carrots, diced
1 cup mushrooms, diced
2 large eggs
1 tbsp. fresh rosemary, chopped
3 sprigs fresh thyme, just the leaves
1 tbsp. fresh sage, chopped
1 small apple (granny smith works well), peeled and diced
Salt and pepper
Directions
-
Preheat oven to 350 F. Cut brioche bread into 1” cubes and bake for about 10-15 minutes until toasted.
-
Meanwhile, into a pot over medium high heat add butter until melted. Add onion, celery and carrots and cook until everything starts to soften, about 7 minutes. Add mushrooms and cook for 2 minutes longer. Remove from heat and set aside.
-
Into a bowl whisk together the eggs, herbs, apples, mushrooms, and salt and pepper. Add your cooked vegetables and mix to combine.
-
Pour mixture on top of toasted bread and stir to combine. Bake stuffing for about 45 minutes. If your stuffing starts to get too brown, cover until finished baking. Enjoy!
As America’s favorite brioche brand, St Pierre’s products are widely available via grocery stores nationwide as well as Walmart.
The Rise of Mushroom Coffee: A New Era in Health-Conscious Brewing
In today’s health-focused culture, where wellness transcends mere goals to become a lifestyle, mushroom coffee is emerging as a leading trend. This innovative beverage combines the classic energizing effects of coffee with components often linked to the reputed benefits of medicinal mushrooms. Such a blend makes mushroom coffee a more mindful, health-oriented option for daily consumption, resonating especially with those who weave wellness into their daily routines.
Image courtesy of Freepik
The uniqueness of mushroom coffee lies in its ability to enhance the usual coffee experience by potentially offering additional benefits. For those who find regular coffee too acidic, mushroom coffee presents a more stomach-friendly option. Additionally, it incorporates adaptogenic mushrooms, which are believed to help the body better manage stress. This attribute makes mushroom coffee especially enticing to wellness enthusiasts and those seeking a natural way to support their body’s stress response.
The Rise of Mushroom Coffee, Image Courtesy of Freepik
Finding a coffee that delivers on both taste and health promises can be a daunting task. Leading the initiative is More.Longevity & Wellbeing with its Coffee Superfood Blends. These products are meticulously developed, selecting each ingredient for its quality and scientific backing, ensuring they contribute effectively to the blend. Flavors such as Salted Caramel Vanilla and Mocha are designed to mask the natural earthiness of mushroom, making the beverage more enjoyable while enhancing its appeal. The addition of adaptogens and essential vitamins in the blends aims to support overall health by boosting immunity, enhancing energy, and improving mental clarity.
The Rise of Mushroom Coffee, Image Courtesy of More.Longevity & Wellbeing
The company’s commitment to radical transparency ensures that consumers receive a product free from unnecessary fillers and additives, affirming a respect for consumer health and environmental sustainability. This level of honesty and ecological consideration is becoming increasingly important to consumers who prefer products that are both healthy and environmentally conscious.
As the trend continues to carve a niche within the beverage market, consumers are presented with expanding choices. It’s no longer just about picking a brand; it involves selecting a philosophy and a level of quality that resonates with personal health values and taste preferences. The coffee not only invites coffee lovers to rethink their daily mug but also serves as a gateway to a more mindful and intentional morning routine.
Image Courtesy of Freepik
-
Searching for Dad’s perfect gift? Adventure, Family and Lessons ‘Near Death Lessons’ Memoir by Chris Jankulovski on sale at Amazon now
Fathers Day is coming up and every family is searching for Dad’s perfect gift. Chris Jankulovski’s book Near Death Lessons offers story of family, adventure, motivation, and life lessons.
Today I had the opportunity to sit down with Chris Jankulovski (via zoom) to talk about his Father’s Day wishes, business success, family, health concerns, empowerment and more.
The conversation has been edited for length and clarity. Watch the full conversation on our Youtube channel.
Congratulations on your new book, Near Death Lessons.
Thank you. Been a journey to get it out there, but I am so honored and privileged to do this work.
It is an inspiring and a motivating book, and I would say equally important is not only is it inspiring and it’s motivating, but for somebody who wants to break-through, you actually give us the lessons that you use to accomplish it so we can follow those lessons as well.
What was the hardest part of writing the book for you?
Friends tell me, Chris, you gotta write a book, man. Seriously, you’ve got some wild stories. It almost killed me when the tumor bursted in my head. I couldn’t walk, couldn’t talk. I was in bed for three months.
I knew that the moment I could stand upright, I wanna write a book for my sons. I want them to know who their father was. Because yet again, I just confronted a serious adversity where 60% of people normally die on the operating table. I somehow survived it. I’m the lucky 40%, and I just had my operation one month before the birth of my second son, Billy. And I wanted my six year old and my new son to know who their father was.
I’ll give you a timeline. We’ll plot it all, and then we’re gonna give it to a ghost writer who’s gonna somehow be able to direct our story. Then we’ll put the muscles in it, and then we’ll build it all up.
And that’s the journey I went on until I gave it to an editor who completely shut it down and it took me about a a year to correct everything. No kidding.
Okay. So how long from the moment you started with your writer through the editing process, what was the timeline from inception to on the shelf?
Oh wow. So the first year after my brain operation, I’m still writing this book. A year later, I’m in the pool, rehabilitating [with the book] still in front of me.
I’ve got this diagnosis of doctors telling me, Chris, you gotta have these cancers removed asap. They’ve taken off. I don’t know if your kidney is gonna survive removing six cancers. You might be on dialysis. Doom and gloom.
I’ve just gone on a journey of learning how to walk and talk for eight months. I’ve got so many defects going on.
My tongue didn’t half work. I couldn’t even talk. It was affecting my speech. So I’m there in this scenario and at the height of my worst moment in life, I’ve got this outlook. That’s a disaster.
I’m trying to run in the pool because I’m learning how to walk properly and I’m about to confront this adversity again.
I’m thinking: Why am I buying a future that no one knows? This is all just estimates, predictions, guesswork. I don’t have to accept this. What if I dare hope that the best is yet to come? Why don’t I look forward to the life ahead of me? That it’s the best?
And that was the most pivotal moment in my life because, I went from a $4 million house to a $16 million house.
Eight months later, I go off to double my business from 8 million to 16 million. I go off to do all these things, and now I’m in America taking it to another level.
I was in the hospital room, that’s year one by the way. I bargained for my life because things were not looking good, that’s when I decided to take my story public.
And since the moment I’ve taken the story public. I wrote the book initially because I didn’t want to give any advice to my sons because I didn’t want them to hate me from the grave. I didn’t wanna just share my story. I wanted to share the lessons.
I wanted to share the things that have transformed my life. So I hired a resilience consultant, and I said to her, can you please read my book? Put a spotlight on how I respond to adversities compared to a more common response because I just keep bouncing back stronger.
She read my book five times. We ended up having 26 zoom sessions, and then from that we unearthed 11 distinctions. We gave those to instructional designers which then they came back to me with the five life lessons that I shared in the book.
That’s a heck of a journey. Tell us about some of the diagnoses you’ve had all the way back from your teenage years.
So at the age of 19, we went to a specialist clinic to understand what was causing tumors in my eyes. The doctor was puzzled. There was this new genetic testing going on. So I had the genetic test done. I [was diagnosed] with Von hippel-lindau syndrome. A hereditary condition, means maybe your mom and dad have got it. I go, no one’s got it, okay?
The average life expectancy is 30 years, so you’re probably gonna have a short life and you’ve probably got cancers now.
I was like, what? I’m gonna be dead by 30. What do you mean? That was my brutal wake up call and I went to my car and I cried.
I couldn’t relate to anyone with this problem. I told my parents, I told my friends, I couldn’t connect with anyone about this. I just decided to ignore it. I thought if I pretended deep down I never got this, perhaps it would disappear.
So that’s what I did. I ignored it from the ages of 19 to 32 when my first brain tumor finally caught up. And when it did, it almost killed me. It was so big – five centimeters. I had to contour my body to go to the toilet and had these weird electric shocks running down my spine.
When I got the operation, I transformed. I looked at the sky and I said, God, kill me. I’ve had enough of living this victim life. I’ve had enough of being disempowered, always reacting to my circumstances.
I choose to focus on life. I choose whatever happens. I’m gonna choose to make the most of whatever life I have, but I’m not living like that anymore. So that was a pivotal moment.
I’m now 50, so I’ve had a good run for the last six years. At age seven, my appendix burst, almost killing me. Two weeks in hospital. At the age of 21, I almost drowned.
But one of the first times I crossed over, out of body kind of experience and a different time dimension was a few years later, 25, when I woke up [during] an eye surgery, I felt the needles sliding on my eye, like on an egg, and they’re poking in.
I woke up and flatlined. I was looking down at myself. I could see the machine flat-lining until everything went white. And then I felt like I was in a different time dimension. I just felt ‘Whoa. Where am I? Let’s go. Hey, I’m not going anywhere. It’s my sister’s wedding soon. And then I snapped back into life again with the nurses all about to zap me.
So that was at 25 and then at 32 is the brain tumor. And then two months later was the removal of my right kidney because it was occupied by cancers. Some as large as four and a half, five centimeters. Which is way too dangerous. They’re all very aggressive..
The reason why I called that a near death experience as well is because I survived my cancer battle and it didn’t spread. It killed my dad, it didn’t kill me. And then two years later, I had to remove four large cancers from a remaining left kidney.
A decade later, another six cancerous kidneys. Before that one was the second brain operation to remove two tumors in my head, and that was the most serious.
Let’s talk about a deliberate life. You mentioned it in your book, what does a deliberate life mean to you and what are the main steps? How do we get there?
I have nearly died, came back to life, and every time that happens, it’s like a reset button in my heart.
Everything’s up for grab: my values, my behaviors, my patterns. Because I’m back again. You go through many of these experiences.
Everything you’ve been holding true gets re-evaluated, and therefore, all of it – fears, insecurities, all gets washed away. And what remains is what’s most important and true. For me, every time I go through these experiences, I get an onion layer experience. I get more to the core of who I am and who we are.
All of us, including me, are remarkably powerful. I can’t believe the more I get to me and the core of my authentic me, the more energy, the more light, the more vibrancy, the more drive, the more of everything is there.
I’ve always been spending money looking for advice and solutions outside myself. Deep down, the biggest lessons I’ve learned in my life was when I meditated in silence for three weeks in India. Silence. Every time I nearly died, I’d go into this black void. Vibrancy, energy, and I don’t understand why I’m still consciously pressing, but then when I return, now I know I’m gonna say something really taboo, but life and death coexist in my mind because when I close my eyes and I’m in this black void, if I can meditate to a point where I’m outside of my sense of skin, brain patterns, feelings, and just be presently alert of my awareness.
Man, that’s the same space I go to when I’m in a different time dimension. Hence why I believe that life and death coexist and that fuels me. That just fuels me even more because our mortality is what should fuel all of us. Why? Who are we to take our time for granted here?
This drop of time that we have here, how selfish of us to be caught up in our own doubts and fears and insecurities. We are so much more than that.
There is just this magic and energy in us that wants to drive. Follow that drive, follow that energy. Don’t restrict it. It communicates in feelings and glimpses of vision.
I live a deliberate life because of these adversities, and I keep coming back to life. I wanna optimize. If I’ve got anxiety. If I was to listen to Steve Jobs, live as if it’s your last day of life. I get anxiety. I can’t be strategic, I can’t plan. I’m always challenged every year with my scans.
So the way I play this game is every year when I get a MRI scan for my brain and spine and kidneys and all this stuff. When I get the results of those scans towards the end of the year, I see them as a certificate to go live life to the fullest. So I get this scan results. I go, yes, I’ve got a free run. Then that following year, I’m bolting. I’m a hundred percent, I’ve got one more year to live. I see every year as if it’s another year to live.
What I’ve realized over 30 years of doing this is, I can’t live deliberately, so I can’t live my life to the fullest every year unless I’m living deliberately and I can’t live deliberately unless I have clarity with what I wanna do, because otherwise I’m spending time on all these things that aren’t important.
I linked my goal to an image and I put it on a board because visually I know that the only way my subconscious relates to this is by image and feeling. Now, I know people call it vision boards, but they’ve got it all wrong. You gotta really link an image to a goal. That image needs to excite you. That simple solution allowed me to focus my energy throughout the whole year towards these things.
You offer a ‘free gift’ in your book. Can you give us a sneak peek of what it is?
Since I’m talking about life so much and living life to the fullest I wanted to show people the 10 things that were often affecting me and stopping me from living a life to the fullest.
What does success mean to you? It’s different for everyone and so is living life to the fullest. But, for people who are driven, success-oriented, ambitious people, they would relate mostly to this because that’s who I am.
I wanna spend more time with my family. I wanna smell the roses. I wanna see how far I can go and I wanna see the kind of impact I can make because I don’t wanna just pass and it never even be known that I even existed.
So living life to the fullest means you are embracing your true power. You are embracing and optimizing your most important resource, your time. You are embracing the fact that you’ve got an ability to create.
So if we can do these simple things, we can achieve our dreams. That’s as simple as that. If we’ve got the right mindset, if we stop responding to life as if we have got no control, if we are always victims of it, I’ve been thrown these incredible blows from the universe.
So many battles outside of my control. I refuse to not take responsibility. I actually take responsibility. Look, the tumors happen genetically, but I take responsibility. It’s a game. Okay? It’s just a game. It’s a game of self-empowerment.
Chris Jankulovski’s book, Near Death Lessons on sale at Amazon now.
If we want more from you, where do we find you? What’s your website? Where do we find you on social media?
I’m building ChrisJankulovski.com and then you’ll be able to access other things.
What does the future look like for you? What are you gonna be up to next?
I’m developing my personal brand and what that represents to the world. What that represents to the American people. What I strive to do in terms of impacting..
I’ll be working very heavily on my business, but I’ll also be putting myself out there to meet people, to talk to people and more media of course.
When I said I’m gonna inspire millions, this is the deal. And that deal isn’t just writing a book. That deal is to connect with people. One-on-one or in groups or to speak, and not because I’m looking to become a speaker, but because I’m looking to deliver this incredible energy, this incredible passion, this incredible lessons and distinctions with no bullshit on what gets results and how what you gotta do to optimize your most important time here on Earth.
Chris, I wish you huge success with the book Near Death Lessons. I think there’s so many lessons about either launching a new life or breaking through. It’s a great New Year’s. Gift and a great Father’s Day gift.
Thank you mate.
-
Niagara Falls mayor, Howard Milstein clash over future park
Niagara Falls mayor, Howard Milstein clash over future park
However, the city doesn’t own the 12 acres of land it is eyeing for its proposed Centennial Park.
Howard Milstein’s Niagara Falls owns the lot and isn’t interested in selling it, even though Restaino says it was an NFR executive who first suggested the location a year ago.
Related:
Post Malone announces Twelve Carat Tour 33-city including NYC’s Madison Square Garden with special guest Roddy Ricch.
Instead, NFR, which has done little to bring new business or attractions to a prime downtown site that it has controlled for 25 years, has a very different idea. The firm is now is pitching a plan to put a data and technology center on a portion of its property and potentially bring hundreds of jobs to the site.
“We firmly believe that eminent domain proceedings are not needed, and we oppose such actions as highly premature,”
NFR Executive Vice President Roger Trevino
“Eminent domain can take years and cost taxpayers millions. It would be completely unnecessary in the face of the opportunities we have been discussing.”
-
Foodies: Where does NYC rank? Manhattan’s La Grande Boucherie Executive Chef Maxime Kien explains the World’s Culinary Scene
Manhattan’s La Grande Boucherie Executive Chef Maxime Kien explains the World’s Culinary Scene and ranks NYC.
Chef Maxime Kien is the new Executive Chef of NYC’s The Group, responsible for La Grande Boucherie, Boucherie Union Square, Boucherie West Village, Petite Boucherie and more.
And by the end of 2023, they’re launching even more restaurants throughout the United States.
Born and raised in the South of France and with 20+ years of fine dining experience in Europe and the United States, today’s conversation is about the world’s culinary scene and where New York City fits on the list among the best.
What do you think of New York City’s culinary scene? Where does it fit within the world’s best?
I’m new in town. I’ve been here for three months. I was fortunate [that] I’ve been in America since 1999, so I was able to come to New York a few times before and I like the vibe of it. I like the atmosphere, I like the speed of it. There’s always something happening. Everybody’s always hustling, people are always in a rush. I lived in London for five years, so it kind of reminds me of that time. I’m really enjoying my time here.
There are few cities around the world like the Big Apple, the mix of everything, the mix of culture.
When you walk down the street, around the corner, all the food, it smells awesome.
[In New York City, ] you have the opportunity to be able to see so many different cultures, so many different foods in just one small area. Then you get on the subway and you can be in Chinatown, you can be in Koreatown, you can go anywhere and taste everything. That’s what I’m enjoying so far.
New York City cuisine can be everything and anything. You can walk home and pass by a little Korean restaurant and the aroma is gonna take you in. Or you can pass by a food stand on the street and the guy’s just doing his job making it smell great and you’re like, ‘I need to try that for lunch.’
[You can find] a shop that makes a beautiful sandwich, [and think] I need to do that. They do ketchup fresh every day. And they slice the prosciutto and the pastrami and that, and you’re like, I need to go and try that.
France for a long time was the culinary center of the world. I’m sure that some of my French colleagues and French chefs might not agree with what I’m going to say, but it’s like, it’s a mix of everything.
Then Spain came up with a lot of tapas and a lot of influences. Asian food has always been there. Even if a lot of Asian chefs, especially in Japan, actually went to Europe to train with famous French chefs to learn techniques. They were introduced to those techniques and used that to develop the culinary scene in Japan, Bangkok, Singapore, Hong Kong. Being able to use the French technique and mix it with some flavors from their own country.
But New York is easily in the top 10 culinary destinations in the world.
Tell us about the next steps of NYC’s The Group launching several restaurants throughout the United States
The company [The Group NYC] started about 11 years ago with the vision of Emil Stefkov, the owner. He opened the first restaurant and the company grew pretty quickly after that.
The company almost quadrupled its size within a few years. Then because of Covid, everything was touch and go. But now we have a few projects coming up. We have Miami, Washington DC and Chicago. We’re gonna add another eight restaurants to the portfolio. We’re gonna double the size of the company within a short amount of time.
Well, there’s a lot of moving parts between developing the kitchen and having a look at the plans — we need to do this, this is where the pantry needs to be here. You know, and they’re talking about many developments and research and the staffing. There’s so many components. It’s not only like ‘We’re gonna open the restaurant.’ There is so much work behind that. You’re looking at the location. You have to think back to seasonal and local [ingredients and menu].
It’s all different food scenes. Even if you have core items from the menu, because they’re your identity, you have to look at every single location as an almost separate entity and be able to say, ‘This dish might not work over there, but it’s gonna work right here.’ So develop all of that and being thoughtful about everything.
