Hundreds of new wines & spirits – 17th Annual Kosher Wine & Food Experience returns to Chelsea Piers
Kosher Food & Wine Experience (KFWE) returns to Cheslea Piers NYC for 17th Annual visit previewing 100s of new Kosher wines, spirits, top chefs, caterers, restaurants.
NJ based Royal Wine Corp, the largest producer and importer of premier kosher wines and spirits kicks off the 17th Annual Kosher Food & Wine Experience (KFWE) with a return to Chelsea Piers in NYC, Feb 6.
17th Annual Kosher Food & Wine Experience returns to Chelsea Piers in NYC, Feb 6.
The ‘not-to be missed’ event featuring a vast array of premier wines and spirits from around the globe – filling Pier 60 from end to end – will also highlight Royal Wine’s growing portfolio of Passover wines to consumers, industry professionals and oenophiles alike.
“KFWE has been a key influencer in determining which wines will grace America’s Passover Seder tables, showing wines ranging in price from $6 to $500,” says Gabriel Geller, PR Director, Royal Wine Corp.
“The show’s success underscores the fact that the kosher food and beverage industry is exploding at a warp speed and shows no sign of slowing down…”
“…The takeaway from every sold-out event to-date – there’s no culinary or wine-making envelope that can’t be pushed,” adds Geller.
Guests will enjoy six hours of nonstop wine and food tasting
Thousands of bottles of wine representing more than 60 wineries from the world’s best-regarded regions will be poured throughout the evening for all to taste and savor.
Novelties include: Rimapere Sauvignon Blanc from New Zealand’s Marlborough
region, part of the Edmond de Rothschild Heritage estates; Razi’el, the new winery of the Ben Zaken family and owners of Israel’s flagship boutique winery Domaine du Castel, will be present with its traditional method rosé sparkling wine and its award-winning blend of Syrah and Carignan.
While Royal Wine has had an impressive selection of prestigious wines from Bordeaux such as Château Giscours and Pontet-Canet, the kosher wine importer, négociant and distributor continues to add outstanding names to its repertoire. Château Bellefont-Belcier, a Grand Cru Classé from Saint-Emilion, is the latest producer to join the kosher wine bandwagon with a kosher cuvée 2020 vintage – an excellent vintage for the region. Château Léoville Poyferré, a Grand Cru Saint Julien which has been making kosher cuvées since 1999 will also be present at KFWE with its 2020 vintage, marking the 200th anniversary of ownership by the Cuvelier family.
There are many great appellations in France beyond Bordeaux, such as the Rhône Valley. One of Rhône’s most respected estates will be represented at the wine show with the introduction of its first two kosher wines: Raymond Usseglio Châteauneuf-du-Pape, and Raymond Usseglio Châteauneuf-du-Pape Vieilles Vignes.
From Tuscany, Villa Mangiacane will present Magnificus, a Super Tuscan blend of Sangiovese, Merlot and Cabernet Sauvignon.
Herzog Wine Cellars, Royal Wine’s own winery located in Oxnard, CA, will showcase its line of award-winning wines, including the value line Baron Herzog as well as its high-end Napa Valley-grown Herzog Generation VIII. David Galzignato, Herzog’s new Senior Director of Winemaking Operations, will be on hand at KFWE 2023 to answer questions about the many wines he oversees.
KFWE Gourmet Food
In addition, a cornucopia of gourmet food representing a variety of cuisines including classical French, Japanese, steakhouse favorites, traditional Jewish cooking, nouveau American, charcuterie, fusion, Caribbean, authentic barbecue, and Mexican, as well as a variety of decadent desserts and specialty coffees will be served
KFWE VIP
VIP guests will enjoy exclusive amenities including an exclusive selection of curated wines and spirits as well as a mouthwatering menu catered by Reserve Cut.
Tickets: https://kfwe.com/
General Admission – $160.76 incl. fees; VIP Guests – $240.33 incl. fees
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Thanksgiving in NYC: the perfect stuffing bread DOES exist – and it’s… [Recipe here]
This Thanksgiving in NYC, the perfect stuffing bread DOES exist – and it’s brioche. As in St Pierre Brioche Thanksgiving Stuffing
No Thanksgiving spread is complete without a hearty stuffing. While add-ins are a matter of preference, choosing the right bread is crucial. One underrated choice is eggy, rich brioche – and with St Pierre Bakery, you don’t need to go to France to get it.
Thanks to its butter and egg content, St Pierre’s Brioche Loaf provides the perfect balance of crisp toastiness while remaining soft and creamy inside, while its lightly sweet flavor adds a decadent quality that can still lean savory. Attached below is an approachable recipe for stuffing allowing for all the craveable crunch for the whole family with minimal effort required.
St Pierre Brioche Thanksgiving Stuffing
By @BrandiMilloy
Ingredients
1 loaf St. Pierre Brioche Bread
1/2 cup unsalted butter
1 medium onion, diced
3/4 cup celery, diced
3/4 cup carrots, diced
1 cup mushrooms, diced
2 large eggs
1 tbsp. fresh rosemary, chopped
3 sprigs fresh thyme, just the leaves
1 tbsp. fresh sage, chopped
1 small apple (granny smith works well), peeled and diced
Salt and pepper
Directions
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Preheat oven to 350 F. Cut brioche bread into 1” cubes and bake for about 10-15 minutes until toasted.
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Meanwhile, into a pot over medium high heat add butter until melted. Add onion, celery and carrots and cook until everything starts to soften, about 7 minutes. Add mushrooms and cook for 2 minutes longer. Remove from heat and set aside.
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Into a bowl whisk together the eggs, herbs, apples, mushrooms, and salt and pepper. Add your cooked vegetables and mix to combine.
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Pour mixture on top of toasted bread and stir to combine. Bake stuffing for about 45 minutes. If your stuffing starts to get too brown, cover until finished baking. Enjoy!
As America’s favorite brioche brand, St Pierre’s products are widely available via grocery stores nationwide as well as Walmart.
The Rise of Mushroom Coffee: A New Era in Health-Conscious Brewing
In today’s health-focused culture, where wellness transcends mere goals to become a lifestyle, mushroom coffee is emerging as a leading trend. This innovative beverage combines the classic energizing effects of coffee with components often linked to the reputed benefits of medicinal mushrooms. Such a blend makes mushroom coffee a more mindful, health-oriented option for daily consumption, resonating especially with those who weave wellness into their daily routines.
The uniqueness of mushroom coffee lies in its ability to enhance the usual coffee experience by potentially offering additional benefits. For those who find regular coffee too acidic, mushroom coffee presents a more stomach-friendly option. Additionally, it incorporates adaptogenic mushrooms, which are believed to help the body better manage stress. This attribute makes mushroom coffee especially enticing to wellness enthusiasts and those seeking a natural way to support their body’s stress response.
Finding a coffee that delivers on both taste and health promises can be a daunting task. Leading the initiative is More.Longevity & Wellbeing with its Coffee Superfood Blends. These products are meticulously developed, selecting each ingredient for its quality and scientific backing, ensuring they contribute effectively to the blend. Flavors such as Salted Caramel Vanilla and Mocha are designed to mask the natural earthiness of mushroom, making the beverage more enjoyable while enhancing its appeal. The addition of adaptogens and essential vitamins in the blends aims to support overall health by boosting immunity, enhancing energy, and improving mental clarity.
The company’s commitment to radical transparency ensures that consumers receive a product free from unnecessary fillers and additives, affirming a respect for consumer health and environmental sustainability. This level of honesty and ecological consideration is becoming increasingly important to consumers who prefer products that are both healthy and environmentally conscious.
As the trend continues to carve a niche within the beverage market, consumers are presented with expanding choices. It’s no longer just about picking a brand; it involves selecting a philosophy and a level of quality that resonates with personal health values and taste preferences. The coffee not only invites coffee lovers to rethink their daily mug but also serves as a gateway to a more mindful and intentional morning routine.
Are NYers falling in love with New Wine? Dancing Wines from Cynthia Russell, Lauren Russell
Are NYers falling in love with New Wine? Dancing Wines from Cynthia Russell, Lauren Russell in Dry Creek Valley, Sonoma County.
The team at Dancing Wines is developing a collection of sensory brands that celebrate life through taste, touch and aroma – inspiring you to find your inner dance and show the world what truly moves you.
Dancing Wines’ red wine trio includes Old Vine, Duo and Estate — three limited-release wines made from hand-picked grapes that showcase the full breadth of the Dancing estate.
Today’s conversation with the dynamic Mother / Daughter team Cynthia and Lauren Russell from Dancing Wines ha been edited for length and clarity.
For the full, un-edited conversation, visit our YouTube channel here.
Joe Winger: What is the most important message you’d like to share today?
Lauren Russell: I think one of them is dancing is art and art is life.
Another is love needs no explanation. I think really the thread between those is we’re trying to create a product and an experience that brings people together and invites them to find their inner dance, which is something we say a lot.
So we want to encourage people to find their unique rhythms. And wine is also really lovely because it is a vehicle that brings people together to enjoy a moment and diverse people together.
I think my Mom [Cynthia] can speak to this as well, but one of the things we thought about when first exploring wine was just how daunting the whole atmosphere is around the consumption of it and the buying and using all the right adjectives.
Especially for my generation I feel like there’s a bit of a learning curve. So I think one thing we really want people to take away from the brand is just like, just enjoy it. Love needs no explanation and you can’t drink wine when your mouth is full of adjectives. We’ve created a great wine just for you to be able to enjoy and to describe however you want and enjoy whenever you want.
Cynthia: Yeah, I think the measures we created we have a beautiful heritage property that the soil and the climate create this great wine. And me being of an older generation where wine was very intimidating, even though I know a lot about it.
And drinking it for a very long time. I’ve lived in France. I’ve lived in California. It’s still when you order in a restaurant, you’re scared. Do I know enough? I’m going to be embarrassed. Is this the right pairing? And what the good news is that wine making in the world has become so sophisticated that if you are buying wine from a place that is special, including all.
Sonoma or France or Italy, the wines are good, they’re really good and all you have to do is be comfortable with yourself and enjoying it. And so that’s what we’re trying to do is take a product that has thousands of years of history as being a part of our culture and make you comfortable with just having fun, enjoying it and celebrating what wine can do to bring people together.
Joe Winger: You have a really unique story that you restored a vineyard up in Dry Creek. Can you talk about experience and what you learned from the restoration?
Cynthia: We lucked out. It was a Covid purchase. We spent a lot of time as a family together in very small confined spaces drinking a lot of wine.
We [thought we] might end up needing a place where we have more outdoor space and can be together. So we bought this property more as a farm and then discovered that it was a unique part of the world.
Zinfandel grapes have been growing in this small region for over 150 years.
It was called America’s grape back in the time I think [the] 1850s. Okay, we have these vineyards. They’re really old.
There was one owner at this property for 60 years, an older Italian gentleman. And a lot of the area is multi generation, fourth generation Italian families who came over and cultivated this grape.
We never intended to make wine and yet we were scared to let this history and heritage die.
So we took classes and tried to figure out, can we make wine?
It’d be such a shame to let this history go in this special place.
We made a great discovery, which was that you don’t have to be an expert on wine. You just have to have great soil and a great climate.
Then we launched from there.
Lauren: We’re always towing the line between the respective tradition and traditional winemaking and the land and all of the old vines and creating something new.
She [Mom, Cynthia] always brings a lens of respect for the older generation and ways of life and what wine has meant to her throughout her life.
I’m always pushing the other direction. We always land somewhere in the middle.
You’ll see that in the brands, it has really playful branding and packaging. But, our winemaking is a bit more traditional. We’re a sustainable vineyard but we have old vines and we respect what the land has to offer and what it’s been offering in that region for a long time.
It creates a better product and brand for us because we get to cater to both audiences.
Joe Winger: You have a collection of sensory brands. Can you talk about what that collection is, what inspired the idea, and what we should be looking for?
Lauren: All of the products have been and will be inspired by the backdrop of the vineyard.
When we talk about wine, we talk about this kind of multi sensory experience, whether that’s aroma or where you’re having it, who you’re enjoying it with.
We came into wine knowing that it was going to be not just about taste or smell, but about the holistic experience of what wine could do for someone.
Sort of the thread between all of our products are taste, touch and smell. Again, like finding your inner dance and allowing you to express your personality.
We’re launching a trio of fragrances, which are loosely inspired by the terroir and the vineyard.
Cynthia: We have a fresh perspective on Sonoma. Every time we arrive, we have this nose full of these incredible senses:, the smell of moss, crushed grapes, barrel, fire and oak.
Yeah. So we’re like, wow. Every time we arrive, we’re like, wow, this is really cool.
This is so distinct and unique and just elevates your experience of being there.
We are going to bring more experiences to the brand when we can, like having an artist in residence, creating visually beautiful contributions.
We have an art collection there that inspired us to bring art to the brand. It’s largely from a diverse group of artists from the West Coast who are very colorful and young and also push boundaries. So our idea with the senses is like we’re trying to This is a brand that you enter into our world and you get to experience people and life in a way that’s very unique and bold and
Joe Winger: What are both of your backgrounds outside of wine?
Lauren: I was raised in Connecticut and went to Dartmouth for undergrad, was a creative non-fiction writer, so always had that storytelling bent.
After school, I worked at a lot of businesses in marketing. Uber Eats, Refinery29, right before the pandemic, I worked for AB and Bev that was my first kind of foray into alcohol.
Then during COVID, I got my MBA at Columbia. We all got this massive reset of our priorities. I come from an entrepreneurial family. This opportunity arose
Cynthia: We’re a family who really believes in experiences. I have dabbled in many different areas. I went to Scripps college. I actually was a dance major until I was not. I became an international relations major. I lived in France for a while. Then moved to New York City and worked for JP Morgan trading stock, money market securities.
I didn’t find that was my passion, so I went to Harvard Business School and I got a master’s in business. Then I worked for American Express where I started a weekend travel program. It was a little startup within the travel segment of American Express. I got my “sea legs” of starting a business.
I quit that business because I had kids, then I started my own mail order company then I decided again, that maybe I needed a little more education.
I went back and got a doctorate at Columbia in organizational leadership.
I have a consulting firm on the side where I consult leaders and organizations about how to handle complex challenges in a complex world.
So my daughter [Lauren] gets through business school and we decide to marry all these wonderful experiences together and create something really new and unique.
Joe Winger: Let’s talk about your wines.
Lauren: We launched with our rosé which is really beautiful. It’s an intentional rosé. From our Primitivo grapes and we harvested them early and intentionally for rosé.
It has this really beautiful distinct, watermelon, almost Jolly Rancher aroma, and it’s really playful and full, but also dry. And it’s been a really big hit so that was a fun debut for us.
We just launched our trio of reds, and what makes them unique goes into the story about the restoration of the vineyard.
We’re still learning our land and learning from it.
We chose to harvest from different blocks and treat the wines in a similar fashion and bottle them separately to see what personalities they expressed.
One is the Old Vine Zinfandel, which is from our oldest head trained vines which is the deepest, moodiest, richest wine. It’s really lovely.
Then we have an estate wine, which is actually from Primitivo, a different word for Zinfandel. That one is a bit lighter.
Then we have a third, a duo which is a blend of both. And so it’s really helped us to understand. And they are quite different.
They’re obviously all Zinfandels in their expressions, but they’re all quite different.
People say Zinfandel is like a map of the land and I think that’s really true here. Which is super cool.
But we have two forthcoming sparkling wines because I think it really speaks to our ethos about being playful and to my generation.
Cynthia: It’s really fun for us because being on the East coast, Zinfandel is a really unknown varietal and we think it’s underrated. Californians know it’s been around for a long time. It has a lot of possibilities with food. And so what we’re trying to do is bring to light this really good wine and do it in a slightly different way.
We pick ours earlier, trying to have it be less jammy, juicy, heavy; lighter, less alcoholic than some of the more traditional Zinfandels that are on our street.
That’s really trying to address the changes consumer changes.
Our wines are chillable, super easy to eat with most any food, especially ethnic food, spicy food.
2022 was our first vintage. 2023 is already in barrels and we’ll be bottling that in probably in March. But it’s going to be a little different because the climate was different that year.
The rosé was just a fluke. Our winemaker wanted to try a Zinfandel rosé. Most people love it. It’s so distinct and unique.
Our 24 Rosé will come out in March. The reds will come out in the early summer. We’re going to bottle the sparkling in January, but that will be at least a year until you’ll see that. The pétillant naturel will probably be launching at about the same time as the rosé
Lauren: What’s fun about having both an early release sparkling and a [second, additional] later release [sparkling wine] one is going to be lighter, more effervescent, maybe geared towards the younger generation and the other will have that toastier champagne flavor.
Joe Winger: Do you have a favorite wine and food pairing?
Lauren: This one’s so hard. Rosé and oysters or any seafood is just awesome. Sparkling wine and a burger is one of my favorites.
In terms of red, when I think of Zinfandel, it’s Thanksgiving foods. It speaks to the hominess in our story. Bringing everyone around the table. Kind of experiential pairing.
Cynthia: Yeah, that resonates with me.
We have a lot of ethnic food, so it holds up really well to spice, to sweet and sour, salty and sweet. So it’s great with Indian food, Mexican food. Apples in your pork chops.
A burgundy is usually killed instantly by those kinds of flavors. It’s too fragile.
[Ours] is not fragile, but it still has so many nice aromas and flavors to enhance whatever you’re eating.
Lauren: It’s great with pizza. Pizza and a nice glass of Zinfandel
Joe Winger: What’s something magical about Sonoma that you learned through this journey?
Lauren: True of both Zinfandel and Sonoma it always has this underdog energy to Napa. One of the hidden gems, we wake up really early and drive to the Redwood forest to watch the sun rise through the trees.
We eat a burrito because we have terrible burritos in New York.
There’s an amazing food community, 3 Michelin star restaurant, chefs, farm to table.
Cynthia: The distinct part of Sonoma is how important nature is to everyone there. It’s not just about wine. It’s incredible nature.
We both traveled a lot, lived in a lot of places. I’ve never seen such natural beauty in such a small area.
Lauren: That’s what the idea of our products is too. We have to bring people here in some way, differently than just having them taste the wine.
So as many dimensions as we can bring people into that realm to experience [00:29:00] that it’s like definitely the dream.
Joe Winger: Whether it’s social media, website, or other ways, what are the best ways for our audience to find and follow Dancing Wine?
Lauren: We have our website, which is wearedancing.com. We also are on Instagram, which is at DancingSonoma.
About the Author
Joe Wehinger (nicknamed Joe Winger) has written for over 20 years about the business of lifestyle and entertainment. Joe is an entertainment producer, media entrepreneur, public speaker, and C-level consultant who owns businesses in entertainment, lifestyle, tourism and publishing. He is an award-winning filmmaker, published author, member of the Directors Guild of America, International Food Travel Wine Authors Association, WSET Level 2 Wine student, WSET Level 2 Cocktail student, member of the LA Wine Writers. Email to: Joe@FlavRReport.comYou Might also like
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Heraclea Olive Oil delivers award-winning flavor, health and heritage, reveals Berk Bahceci
Heraclea Olive Oil delivers flavor, health and heritage, reveals Berk Bahceci
We are here with Berk Bahceci from Heraclea Olive Oil.
Berk joined me for a conversation (via zoom). Below has been edited for length and clarity. Find the full conversation on our YouTube Channel.
I’m excited because I’ve tasted your olive oils and they’re subtle, they’re flavorful, and there’s a great story behind them. And today I wanna touch on all of that and a little bit more.
Tell me a bit about your background and how you got into olive oil
Berk: Sure. I moved to the United States approximately 10 years ago for college. Actually. That’s how my story here started. I studied economics at UCLA and then I went to law school at UC Berkeley.
But the day I started law school, I realized something was off. I started questioning whether I was the material to be an attorney. Three years passed by. I took the bar exam and started working. In my first year I realized, I don’t want to be a lawyer anymore.
I started looking for an exit plan. So I reflected back on myself, my life, my childhood. What is one thing that would make me wanna wake up every day with excitement?
I realized olive oil is out there. My family owned some olive groves before, but we were never doing this with a business mindset. It was just produced and consumed within family and friends. I came up with the idea to tell my family, why don’t we turn this into a business, create a brand around it, and sell it here exclusively in the United States.
The market itself is very dominated by a couple big players from certain countries.
I did more research and realized that Turkey is the fifth largest importer of olive oil into the United States, but you are not seeing any Turkish brands on shelves.
What’s the reason for that? It’s probably because producers in Turkey don’t have the means to come here, establish a distribution center like channels, and move product. Selling in bulk is the easiest and most convenient way for those people.
But I wanted to bring a new way for the Turkish olive oil in the United States with Heraclea that’s how we found it.
We’re definitely gonna get into Turkey in a second. A lot of the people watching this are wine lovers. Region is very important. So tell us about the region that you’re farming
Berk: Region has an impact on olive oil as well. That’s the reason why the European Union has a scheme called Protected Designation of Origin. I’m sure wine lovers and cheese lovers will know, when I say PDO, the red and yellow emblem that you see on certain products sold in specialty food stores.
PDO is basically a stamp given by the European Union, to distinct products. What do I mean by that? So the variety of olive that we work with is called Memecik. There are over 2000 olive varieties in the world.
Do me a favor, say that variety again and spell it for us.
Berk: It’s called Memecik. It is very unknown, very rare because it is specific to the region that we produce.
And that’s why the European Union has given a couple years ago to this region and this olive variety, A P D O certification. For example, in California most growers are bequia, right? If they were to plant Memecik, which they can, in California, they won’t be able to have this PDO certification.
So PDO only comes if Memecik is grown in Milas. That’s a very special thing for us and we are very proud to be working with a very rare variety. So when you buy olive oil, it is for certain that you won’t taste it with any other brand because it’s distinct to Milas.
Just the same way that champagne only comes from the Champagne of France.
Berk: That’s exactly what I was going to say.
When did you realize the magic and the power of the Memecik varietal?
Berk: This PDO certification is so new that we did not found this business upon that, that certification. It was just an added value with the PDO, but we always knew that our olive oil was distinct in its quality.
It has actually recently been approved by International judges in New York International Olive Oil competition, Japan Olive Oil Competition, Istanbul Olive Oil Competition. We got gold and silver medals from all of these. And this is the first year that we are actively participating in these competitions.
It’s a really good moment for us because usually these things don’t happen in the first or second year. [Usually] you’re a producer for multiple years or maybe generations. So we’re really proud about that.
Congratulations. And just to give someone listening or watching an idea, the scale of these competitions.
Can you estimate how many different olive oils are in that competition?
Berk: I would say in the thousands, 2000. Maybe a hundred companies are winning these awards. You’re in the select field of the top 5-10% in the entire world.
The panel is composed of people from all around the world, from all producing regions, Italy, Tunisia, Greece, Turkey, Chile, Argentina. Experts. So it’s a good indication that the product is at a certain level of quality.
So let’s talk about the behind the scenes and the process of making this award-winning olive oil.
Berk: We have around a hundred acres of land with over 10,000 trees that we take care of with a team of seven full-time on the field every day. We don’t use any fertilizers, we don’t use any pesticides. We don’t use any chemicals. One reason is our grows are literally on the on mountains. They’re not plantations.
Many olive oil brands have what people call “olive farms” where the companies do intensive and super, super high density farming, which means that where maybe 10 trees would go. They plant a hundred trees. So it’s very compact, producing very high yield olives, but lacking taste because they’re fed with irrigation all the time.
So the olives get really big when they’re given water every day, whereas our olives don’t have irrigation because it’s on the mountains. Our olives, in comparison, are relatively smaller, which keeps the aroma very vibrant. That’s actually the secret behind it.
A lot of people who taste our early harvest olive oil say that it’s a little bit bitter, especially right after the harvest. That comes from the antioxidants that are loaded in it. Because our olives are very small. The density of antioxidants is higher, so that’s why the bitterness comes in.
We just prune the trees, cutting the excessive branches because we’re working in a very scarce, nutrient environment. Like I said, no fertilizers, so you have to keep the trees very optimal by cutting the unnecessary trees and branches so that whatever there is in the soil goes to the fruit.
That’s why our team of seven constantly does these kind of things. These kind of physical touches, no like chemical alteration or anything. Around October we start walking around the grow to determine the day of the harvest. That is the most exciting time of the year
Due to not using fertilizers, we really have to optimize the day of the harvest to maximize our production. So when we determine that day, which is mid-October, usually we start harvesting.
We hire local men and women who are living in nearby villages. We go in with a team of 20 to 30.
We keep it for 90 days until January. We don’t want to go into January. Because fruit flies, conditions and a lot of other things impact the quality.
So we try to finish everything from mid-October until January. We work with a local mill to process our olives. We take two batches every day, one in the afternoon and one at night because we don’t wanna wait in between.
If you start harvest at 8:00 AM and harvest until 4:00 PM the olives that you have harvested at 8:00 AM will have waited nine hours before going into the processing machine. We don’t wanna do that because as the olive waits, fermentation starts and the quality decreases.
So we do two deliveries every day to the local mills, one in the afternoon, and one later in the day. This way we ensure that our olives go right into production within two to four hours of harvest. Believe me, we’re working really hard to maintain that.
Then we store our olive oil in stainless steel tanks in temperature and humidity controlled rooms with nitrogen gas used as a buffer between the olive oil and the rim.
Think of a five ton tank. You fill it out, but there’s always some portion of the tank that is left empty and there’s oxygen in that empty part. When olive oil touches with oxygen in the stainless steel tank as it is stored, oxidation starts, which leads to rancidity, which decreases the quality of the olive oil. So we take that oxygen out by pumping in another gas – of course, food grade safety, no worries there.
That’s the level of attention and care we give to our olive oil.
Let’s switch to the the tasty part. Let’s talk about the flavor of your two bottles. Flavor profiles, aroma, anything you’d like.
Berk: So we have two products right now. We’re bringing in a third one soon.
Olive oil is the white bottle which is made from olives that we harvest starting from October until mid-November.
And the moment that we switch from early to mature harvest is when the olives start turning into this purplish color. As months pass the green olives start to ripen and then change in color. When we see that change into purple, that’s the moment we say, okay, early harvest is done.
Now we’re doing mature harvest and then everything else that we harvest mid-November, till January, is considered mature harvest. That’s the distinction between the two.
The mature harvest is the black bottle. And when it comes to flavor profile, there’s one disclaimer that I wanna make, uh, in general about, uh, these, uh, like.
Flavor profiles. I think to really understand and feel and get this smell. In any olive oil, you have to have a sensory memory, have that experience in your mind, I still remember it.
Here’s an example from my sensory memory:
We had a walnut tree right across the street by our house, and there was a fine paper-like cover, outside of the walnut. Right before they mature, we would take from the tree and taste it and it’s bitter. So that [bitter] taste is in my sensory memory right now.
Same as tomato stems. Like if you touch a tomato plant with your hands and play around and then smell your hands, you’re going to get a very unique tomato stem smell, and that’s like embedded in your mind now. So from now on, every time you taste an olive oil, if there is that distinct smell or taste in it, that’s how you recognize it.
So in our olive oil, early harvest, for example, I get the notes of freshly cut grass, tomato stems, walnuts, banana.
What I was told in this olive oil school that I went to in Spain is, get your hands out there. Touch everything, smell everything. Taste everything. That’s how you develop your sensory memory.
And that’s how you become, as people say, familiar. But you know, like you don’t have to have a certificate to be one. You know, you just go out there and taste stuff and try to. Memorize and remember those smells and tastes.
I was talking to somebody earlier this week about food pairings and he had a similar answer, which was be curious.
Exactly. Taste things, touch things, smell things, and be curious.
I know your website has a cookbook, let’s talk about some of your favorite food pairings with your olive oil
Berk: I love drizzling our early harvest on cheese plates. That’s my favorite thing. Early harvest is more for finishing dishes because it has a bitter aroma to it.
If you cook with it, you may have a bitter taste in the food. Actually, I know people who cook with our early harvest. I know people who drizzle with our mature harvest, so it’s not set in stone.
It really depends on what you like, but generally, early harvest is better for drizzling over salads. Hummus, cheese. Sometimes I dip my bread in it.
That’s a tradition we have in Turkey sometimes, find a piece of bread and dip that into your olive oil, and that’s a good breakfast.
Mature harvest is for everything else. Cooking, baking, marinating. A lot of people are saying that they use it for marinating.
Anything else you want us to discover about olive oil?
Berk: Our goals are twofold. One is, olive oil is a very healthy product for human consumption, There is research showing that the positive effects on health of olive oil, daily consumption of olive oil. We believe that a product that is so healthy for humans should do no harm to the environment.
It’s production should not cause any more trouble to our Mother Nature. That’s why we’re not using fertilizers. That’s why we’re not using pesticides. We think there’s a solution in nature to resolve any problem that these things claim to be curing. That’s number one, producing as environmentally friendly as possible.
Number two is to introduce to the world the intricacies of Turkish cuisine. It is beyond just kebab. It is just one meal in thousands of distinct and unique recipes. And the way that we treat these recipes are not just a list of ingredients.
To us, these are stories from past generations and that Turkish cookbook has 550 very distinct recipes. Each recipe is associated with a specific region or maybe sometimes even a village.
It almost sounds Farm To Table.
Berk: Exactly. That’s the goal. We’re small batch and we have really certain values and principles.
Are there any specific health benefits that you wanna cover?
Berk: There are a lot. There are a lot of research. I’m not a scientist. I’m not a doctor. But consuming olive oil daily helps with chronic diseases. Cardiovascular diseases. Type 2 diabetes, and many more.
We have lab reports showing the amount of antioxidants in our olive oil, which is around 500 milligrams per liter, which is a high amount. Consuming antioxidants is healthy. Olive oil has anti-inflammatory effects as well.
When you consider all of these things and if you consume fats, why don’t you switch to a healthy alternative where research shows that its consumption helps you.
That’s why as a layman I recommend consuming olive oil on a daily basis.
Berk, you’ve given us a lot of good information. You’ve given us a lot of tasty ideas.
Let’s talk about how to buy and how to, how to where we can buy your olive oil.
Berk: We’re available online at heraclea.co. There is no “m” at the end.
We will very soon be available on Amazon.
If you are in New York, we will soon be available in NoHo. Manhattan. Then if you are in Seattle, very soon we will be available in a grocery chains in Seattle.
Hopefully by end of this year we will be in over a hundred physical locations
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“Sip For Solidarity” To Support Israeli Wineries and Raise Money For Israeli Relief Efforts
“Sip For Solidarity” To Support Israeli Wineries and Raise Money For Israeli Relief Efforts
The world of wine in Israel, perhaps the oldest wine-producing region in the world, has always represented a sense of peace and goodwill but has become collateral damage of the horrible atrocities that occurred on October 7th.
The world of wine in Israel, perhaps the oldest wine-producing region in the world, has always represented a sense of peace and goodwill but has become collateral damage of the horrible atrocities that occurred on October 7th.
To raise awareness and in support of Israel and Israeli wineries, the Israeli Wine Producers Association (IWPA), a trade organization promoting Israeli wineries through wine education and events, is asking consumers to “Sip For Solidarity.”
“Sip For Solidarity”
The massacre has had an immediate, concrete impact, particularly on picking, sorting and winemaking teams. Harvest had begun shortly before the attacks, which meant that the sorting, crushing and fermentation processes, were, in many cases, done under the constant threat of attack and bombardment.
For many wineries, production teams have been hollowed out as the young men and women who normally would be shepherding the crucial winemaking process have called up to help defend the nation.
“Winemaking has its own schedule, unlike other industries where you can pause production or run with limited staff. Grapes grow and ripen when they do; the winemaking process is very hands-on. Without staff, many wineries face an impending crisis.” said Joshua Greenstein, the Vice President of the IWPA.
“Additionally, wine is usually something enjoyed when you go out to eat or to a party, and people in Israel aren’t feeling particularly celebratory these days. It’s catastrophic not just for this years’ sales, but for the vintages harvesting now that won’t be ready for sale for years to come.”
“Buy a bottle of Israeli wine.
…we’re donating 10% of every case shipped from November 1, 2023 – December 31, 2023 to Israeli relief efforts.
Joshua Greenstein,
Vice President of the IWPA
Asked what people can do to help, Mr. Greenstein said:
“Buy a bottle of Israeli wine. Not only will the purchase help the wineries, but we’re donating 10% of every case shipped from November 1, 2023 – December 31, 2023 to Israeli relief efforts.
“…With the wine consuming public’s support, these challenges are surmountable, and wineries will still craft wines that accurately and deliciously reflect the character of the vintage and of Israel, just as they always have.”
#DrinkIsrael
Israel has been able to blend their ancient history with the most modern technology to produce some of the finest wines available and become one of the fastest-growing winemaking regions in the world.
The Israeli Wine Producers Association (IWPA) represents Israeli wines with a unified voice. To communicate, educate, market, and expose US customers and consumers to Israel as a world-class wine region. The IWPA represents 30+ Israeli wineries ranging from boutique to the largest producer. Follow @IsraeliWine for the latest from the IWPA.
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Tony Nominee joins! Broadway’s THE SHARK IS BROKEN Announces Full Cast
Broadway’s THE SHARK IS BROKEN Announces Full Cast
The Tony-Award winning team of Sonia Friedman Productions, Scott Landis, and GFour Productions are delighted to announce today, on JAWS Day (48 years since the film opened on June 20, 1975), full casting for THE SHARK IS BROKEN at Broadway’s John Golden Theatre (252 West 45th Street).
Alex Brightman is Richard Dreyfuss
Colin Donnell is Roy Scheider
…joining Ian Shaw as his Father Robert Shaw
Two-time Tony Award nominee Alex Brightman (Beetlejuice, School of Rock) will star as Richard Dreyfuss opposite Colin Donnell(Anything Goes, “Chicago Med”) as Roy Scheider, joining Ian Shaw who will make his Broadway debut portraying his father Robert Shaw, who played “Quint” in JAWS.
Co-written by Ian Shaw and Joseph Nixon, this new Olivier Award-nominated comedy imagines what happened on board “The Orca” when the cameras stopped rolling during the filming of Stephen Spielberg’s blockbuster, JAWS.
FADE IN: The open ocean, 1974. Production on JAWS is delayed…again. The film’s lead actors—theatre veteran Robert Shaw and young Hollywood hotshots, Richard Dreyfuss and Roy Scheider—are crammed into a too-small boat, entirely at the mercy of foul weather and a faulty mechanical co-star. Alcohol flows, egos collide, and tempers flare on a chaotic voyage that just might lead to cinematic magic…if it doesn’t sink them all.
The smash-hit of the 2019 Edinburgh Festival Fringe, THE SHARK IS BROKEN opened at the West End’s Ambassadors Theatre in 2021 to critical acclaim and an Olivier Award nomination for Best Comedy Play, extending its limited run in 2022.
Directed by Guy Masterson, THE SHARK IS BROKEN has scenic and costume design by Duncan Henderson, lighting design by Jon Clark, sound design and original music are by Adam Cork, video design by Nina Dunn, and casting by Jim Carnahan Casting. Beginning performances Tuesday, July 25 after critically acclaimed runs at the Edinburgh Festival Fringe and on London’s West End, THE SHARK IS BROKEN officially opens on Thursday, August 10, 2023, for a strictly limited 16-week engagement.
Tickets are on sale now for THE SHARK IS BROKEN at Telecharge.com (212.239.6200) and range from $49 – $119 (including $2 facility fee) during the specially priced preview performances.
The playing schedule for THE SHARK IS BROKEN is as follows: Monday – Saturday at 8pm, with matinees on Saturday at 2pm. Please note: There will be an added 2pm matinee on Wednesday, August 2 and Wednesday, August 9. Beginning Friday, August 11, the performance schedule is as follows: Tuesday – Friday at 7pm, Saturday at 8pm, with matinees on Wednesday and Saturday at 2pm, and Sunday at 3pm. Please note: There will be no matinee on Sunday, August 13.
For more information, visit TheSharkIsBroken.com
Follow us on social @sharkonbroadway
BIOGRAPHIES
Alex Brightman (Richard Dreyfuss) is a two-time Tony-nominated actor for his performances in Beetlejuice the Musical and School of Rock. Other Broadway credits include Matilda, Big Fish, Wicked and Glory Days.
Alex can be seen on the current (and final) season of “The Blacklist” on NBC as forensic analyst Herbie Hambright. Other TV credits include “Law & Order: SVU,” “Documentary Now!,” “The Good Fight,” “Blue Bloods,” and “Important Things with Demetri Martin.” Alex is the voice of Pugsley/Temeluchus on the acclaimed Netflix animated series “Dead End: Paranormal Park” as well as the voice of Fizzarolli on “Helluva Boss.”
As a writer, Alex has developed series with NBC, Universal, 20th Century, and Warner Brothers. Alex’s play, Everything Is Fine, recently received a developmental reading at Manhattan Theatre Club directed by Cynthia Nixon. He dedicates this performance to those living with chronic pain and illness and urges you to check out and donate to The Arthritis Foundation. Alex has a dog named Kevin and two adorably awesome nieces.
Colin Donnell (Roy Scheider) can most recently be seen as the lead of Peacock’s “Irreverent.” Colin is known for his work as Dr. Connor Rhodes in NBC’s drama “Chicago Med” and as Tommy Merlyn in CW’s “Arrow.” Other appearances include Scott Lockhart in Showtime’s hit series “The Affair”, “Pan Am,” “Person of Interest” and “The Mysteries of Laura.”
His film appearances include Every Secret Thing, which also starred Diane Lane and Elizabeth Banks, and Almost Love opposite Michelle Buteau.
On stage, Colin Donnell recently starred as Russell Hammond in the musical adaptation of Cameron Crowe’s acclaimed show Almost Famous at The Old Globe.
His Broadway work includes Violet, Anything Goes (which garnered him Drama Desk, Outer Critics and Astaire nominations), and Jersey Boys. Among his other notable stage appearances are Follies, Merrily We Roll Along, Lady Be Good at the New York City Center, the Public Theater’s Shakespeare in the Park production of Loves Labours Lost and Meet Me in St. Louis. Additionally, he’s toured with productions of Wicked and Mamma Mia. Born in St. Louis, Donnell is a resident of New York.
Ian Shaw (Co-Writer, Robert Shaw) trained at the Webber Douglas Academy of Dramatic Art, having obtained a BA in American Studies at Sussex University.
Theatre includes War Horse and Common (National Theatre); Widowers’ Houses, The Importance of Being Earnest, Nude with Violin, The Philadelphia Story, andThe Brothers Karamazov (Manchester Royal Exchange); Three Sisters (Nuffield and Theatre Royal Bath); Private Lives and Closer (Birmingham Rep); The Rivals(Derby Playhouse and Philadelphia Walnut St); The Tempest (SRT) and Much Ado About Nothing in London’s West End. Television includes “Sharpe,” “Soldier, Soldier,” “Medics,” “Wuthering Heights,” “The Queen,” “Ghost Hour,” “Silent Witness,” “Cambridge Spies” and the Emmy award-winning “Hiroshima.” Film includes Century, Moondance, The Boys and Girl from County Clare, The Contract and Johnny English Reborn.
Joseph Nixon (Co-Writer) is the author (with Brian Mitchell) of the plays Those Magnificent Men (New Perspectives, 2010); Big Daddy vs. Giant Haystacks (The Foundry Group, 2011); Seven Studies in Salesmanship (The Foundry Group, 2013); and the musical The Opinion Makers (Mercury Theatre/Derby Theatre 2013.) He has written material for Joanna Neary, Jo Caulfield, Jerry Sadowitz, and Basil Brush.
Guy Masterson (Director) is a London based, multi-award-winning theatre producer & director with over 150 credits over 30 years. A 29-year veteran of the Edinburgh Festival, he has produced or directed many of its biggest hits including THE SHARK IS BROKEN in 2019 – which was subsequently produced in the West End in 2021 by Sonia Friedman Productions and received an Olivier Nomination for Best New Comedy. His 2009 production of Morecambe also transferred to the West End and won an Olivier Award for Best Entertainment. His 2003 production of 12 Angry Men became the biggest grossing drama at Edinburgh – a record broken by his subsequent productions of One Flew Over The Cuckoo’s Nest (starring Christian Slater), and The Odd Couple (with Bill Bailey and Alan Davies) which he also directed. Other acclaimed productions include Scaramouche Jones, Adolf, Austen’s Women, Absolution and Playing Burton (a solo play about his uncle, Richard Burton). Most recently, he co-directed an award-winning original musical, The Marvelous Elephant Man in Australia. Guy is also internationally renowned for his solo performances of Under Milk Wood, Animal Farm, Shylock and A Christmas Carol (which is to play in NYC over Christmas ‘23). His company, Theatre Tours International, remains the most awarded and nominated independent theatre company presenting at the Edinburgh Festival.
Duncan Henderson (Designer) Productions include Hangman (Two Bins Theatre Company), Bloodlines (Talia Randall), Betrayal, The Polished Scar, Underneath the Lintel (Pretty Villain Prods), Crave (Little Warrior Theatre Prods) and 9 Circle (Theatre Tours International).
Jon Clark (Lighting Design) is a Tony and Olivier award-winning designer. He has designed extensively for the National Theatre, Royal Shakespeare Company, in the West End, on Broadway and with many other companies internationally. Recent theatre: A Doll’s House (Broadway), The Motive and The Cue (National); The Lehman Trilogy, Betrayal, The Inheritance, King Charles III (Broadway & West End); Cyrano de Bergerac (BAM & West End). Recent Opera: Hamlet, The Exterminating Angel (Metropolitan Opera), Lucia di Lammermoor, Written on Skin (Covent Garden).
Adam Cork (Sound Design and Original Music) has written mainly for the stage, blending original composition with sound design to create integrated music/sound scores for many celebrated productions. Adam’s musical London Road (co-authored with Alecky Blythe) premiered at the National Theatre in 2011, won the 2011 Critic’s Circle Award ‘Best Musical’, was nominated for the 2012 Olivier Award ‘Best Musical’, and a film version was released in 2015 (BBC Films/Cuba pictures). In 2010 he received a Tony Award for the music and sound score for Red (Donmar/Broadway), and an Olivier Award in 2011 for King Lear (Donmar), also receiving the Evening Standard ‘Best Design’ Award 2011 for Anna Christie and King Lear (Donmar). In 2010 he was nominated for the Tony Award ‘Best Score’ (Music & Lyrics) for Enron (Broadway/West End). Other theatre includes: Leopoldstadt (Wyndham’s/Longacre) Patriots (Almeida/West End); The Hunt (Almeida), Ink (Almeida/Duke of York’s/MTC); Who’s Afraid of Virginia Woolf? (Harold Pinter); Travesties (Menier Chocolate Factory/Apollo/American Airlines Theatre); No Man’s Land (Wyndham’s); Les Blancs, Three Days In The Country, Phedre, (National); Hughie (Booth Theatre); Photograph 51, Henry V (Noël Coward); Frost/Nixon (Gielgud/Jacobs), Hamlet (Donmar/Broadhurst Theatre); Ivanov (Donmar/Wyndham’s); Six Characters in Search of an Author (Headlong/Gielgud); Richard II, A Streetcar Named Desire , The Chalk Garden, Othello, Creditors, The Wild Duck, Caligula (Donmar); Don Carlos (Gielgud); Romeo & Juliet, The Tempest (RSC); Suddenly Last Summer (West End); Paradise Lost (Headlong). Adam is an Associate Artist of the RSC. Television includes Scores for The Hollow Crown: “Richard II,” “Macbeth” and “Frances Tuesday.” Film includes Scores for London Road, Genius, Hamlet, Macbeth. Radio includes Losing Rosalind, The Luneberg Variation (BBC Radio 4), The Colonel-Bird (BBC World Service), Don Carlos, Othello, On the Ceiling, The Chalk Garden (all BBC Radio 3).
Nina Dunn (Video Design) has designed Video & Projections for a wide range of shows, working internationally and spanning Theatre, Opera, Dance, Musical Theatre, Immersive, Fashion, Opening Ceremonies, Live Events and Public Art And is the Creative Director at PixelLux. She is also an educator within her industry. Work for theatre includes: Bonnie & Clyde, City of Angels, No Man’s Land, Cookies (West End); Spitting Image Live (The Rep); The Trials (Donmar Warehouse); 9 to 5 The Musical (West End, UK and Australian Tour); Othello, Manor, Emperor & Galilean (National Theatre); The Nutcracker, Don Quixote, Lazuli Sky (Birmingham Royal Ballet); Seven Deadly Sins, Bluebeard’s Castle (Teatro Colón Buenos Aires); A Christmas Carol (Nottingham Playhouse / Alexandra Palace); A Museum in Baghdad, Venice Preserved, Miss Littlewood, The Seven Acts of Mercy, Volpone (RSC); Hamlet, The Mountaintop (Young Vic); Extinct (Theatre Royal Stratford East); Shedding a Skin (Soho Theatre); Beauty and the Beast, Cinderella (Imagine Theatre); Plenty, Copenhagen, Fiddler on the Roof, Forty Years On (CFT); L’Orfeo, Der Freischütz, Macbeth (Wiener Staatsoper); Spring Gala (ROH); Phantom of the Opera (Cameron Mackintosh, UK, US and Australian tour); The Rocky Horror Show (European tour), Armstrong and Miller Live (Hat Trick). Awards include Best Video Design for Bonnie & Clyde (Broadway World UK), Best Video and Electronic Content for Alice’s Adventures Underground (Knight of Illumination), Best Design for Cinderella and Beauty and The Beast (UK Pantomime Awards) and a nomination for Best Video Design for THE SHARK IS BROKEN (WhatsOnStage).
Jim Carnahan, CSA (Casting) has cast over 150 Broadway shows. Broadway: Leopoldstadt; A Beautiful Noise; Almost Famous; New York, New York; Funny Girl; Harry Potter; Moulin Rouge! Off-Broadway: Merrily We Roll Along, Little Shop of Horrors. London: Eureka Day, Best of Enemies. Upcoming film: Ari Aster’s Disappointment Blvd.
Post Views: 4,892
Love this guys of events. Already bought my tix
Very excited about this!
Great event. Excited for next year!
Incredible event. And that charity aspect is really inspiring. But the food? Wow. Good stuff. Cant wait for next year
What a surprising event. Incredible showing of food and wine
Seriously amazing selection of food and wines!
What an incredible event! The wine selections are amazing!
Incredible time. Amazing food.
Great selections of wine. Good people. Great cause.
Incredible event. They should be so proud
Great night. Great charity. Really good staff working the show.
Maybe the best wine show in NYC? Even tho it’s a lil expensive, it’s 100% worth it
Wow. Seriously wow. Incredible line-up of wines, drinks, food
Really puts on a great event. Can’t wait for next year
Incredible event.
Incredible. Great line-up of food and wines and cocktails. Hope to be there again next year.
World-class event. Great date night too.
Amazing event. Looking forward to next year
This event was so crowded. It took way too long to refill my glass. But the food was okay.