The New York Comedy Festival returns to #MakeNYLaugh on Nov 7 – 13
Featuring:
Jo Koy, John Mulaney, Bassem Yousef, JB Smoove, Tracy Morgan, Wanda Sykes, Bill Maher and more!
Created in 2004, the New York Comedy Festival is a seven-day festival featuring more than 200 comedians performing in more than 100 shows at venues throughout all five boroughs of New York City.
The festival is produced by Carolines on Broadway.
WHEN IS THE FESTIVAL?
The Festival runs from Monday, November 7 – Sunday, November 13.
WHERE DOES THE NEW YORK COMEDY FESTIVAL TAKE PLACE?
The New York Comedy Festival takes place at venues including the Beacon Theatre, BMCC Tribeca Performing Arts Center, Carolines on Broadway, Hulu Theater at MSG, Madison Square Garden and Town Hall throughout the five boroughs of New York City and at the UBS Arena at Belmont Park in Elmont, New York.
WHEN IS THE SCHEDULE OF EVENTS ANNOUNCED?
Beginning Monday, August 15, shows taking place in the festival will be announced. Additional shows will be announced in the fall, so check the festival website and follow us on Facebook, Instagram and Twitter for schedule updates.
WHEN DO TICKETS GO ON SALE?
There will be a pre-sale for Citi Card Members that will run from Monday, August 15 at 10:00 AM ET – Friday, August 19 at 10:00 AM ET.
Click here for more information on the Citi Pre-Sale.
Tickets will go on sale to the general public on Friday, August 19 at 12:00 NOON ET.
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Daytime TV Star Thaao Penghlis Seducing Celebrities in His newest Book
Daytime TV Star Thaao Penghlis Seducing Celebrities wants to Give You a Taste at his next dinner party. Read all about it in his new book.
Thaao Penghlis has starred in some of the biggest TV shows of all time – including playing on daytime TV’s “Days of Our Lives”.
Thaao Penghlis new book Seducing Celebrities: One Meal at a Time
Now in Thaao’s new book, Seducing Celebrities: One Meal at a Time he reveals seduction in the dining room by creating incredibly delicious for his famous friends.
Today’s conversation has been edited for length and clarity. For the full, un-edited conversation, visit our YouTube channel here.
Joe Winger
Congratulations on your new book. It’s a tasty read and a fast read.
Thank you for joining us for a conversation today.
Thaao Penghlis:
Thank you for inviting me.
Joe Winger:
You’ve done a lot of work in your life. We’re going to go to food and books as quickly as possible.
When you’re at an airport or in public, what is the most common thing people remember you from?
Thaao Penghlis:
Certainly Days [of our Lives]. There’s a big Armenian contingency out there who always comes at me at the airports, [Days…] was in 152 markets. Especially when you’re in New York and it’s an international port. When Mission [Impossible] was on. I certainly enjoyed that. I think it had a large male audience because of the action and that I liked it was interesting. That kind of prepared me for the masks that I did on Days [of Our Lives]. So it was a real challenge. Working in daytime; I think the biggest challenge is remembering all those lines and giving it some kind of conviction and taking those lines off the page.
And a lot of the time, because there’s too many lines, we’re just on the edge, and so because I have a certain intensity I’m able to cover. I think through all those years people, airports probably are the biggest. I’m going to do a PA [public appearance] at the Grand Canyon in August.
It’s a very special train ride through the Grand Canyon with just 22 fans. It’s going to be a very intimate affair. So over the years, you get the older people who are the real followers, because the youth today have different appetites.
Just like they do with food, they’re not always conscious about what they’re eating. Unless they’re educated about it or they’re raised on good food. And I think today food has become a convenience rather than a celebration.
Joe Winger:
You use wonderful words in your book. It feels almost like poetry. “Food is the magic of our universe.” Can you elaborate on that a little bit?
Thaao Penghlis:
We’ve been given such diversity as far as food is concerned, that we have that many choices, especially in countries that can afford food. But to me, once you’ve grown up tasting octopus – we used to hang it on the [clothes] line for three weeks until it dried out. There’s no blood in the octopus, therefore, it doesn’t rot – that was mouthwatering.
Some of the fruits you have in life, like mangos. When you can appreciate the way they’re being served. It’s not like eating an apple. If you eat a mango and you slice it, then cut it up in quarters, there’s a different texture to it. The flavor. To the eye it becomes attractive. I think food, when you think about what you can control in your life and you are blessed to have it. I think food is magical because of that.
Joe Winger:
One more line of food poetry from your book. “You discover your body’s secrets by the way you feed it and how it feeds you back. “
Thaao Penghlis:
When we who are in the Greek Orthodox church, we go through a fast to the last day [of holidays like Easter] before we go to the church and get the bread and the wine.
You start to appreciate the food that you can’t have because of its limitations in the religion. The last day you’ll have olive oil on bread with some sugar, things like that. So when you get to food and understand it, when you stop eating and cleanse your body, sometimes it just juices, you become hungry.
You get to understand what food does to the body by emptying it out. If you don’t eat well, or if you eat late, then the next day, you’re not going to feel great.
So you get to understand what the body can take and what, and when, are the limitations to eating and at what hour, if you drink too much wine.
As an actor, I don’t drink very much. But if I have wine, the next day, my eyes are going to show it. So it tells me something about the kidneys, because the eyes are connected to the kidneys. So it’s understanding how the machine you’ve brought into life carries your soul. How does that express itself in the best way possible?
As actors, we have a responsibility because of that body being presented on camera as a certain responsibility to the producers to the show and to your audience. So you get to understand. I would go through a four day fast with Bela’s broth, Celsius broth. I would find that would cleanse me through the days I did like a liver cleanse, which got rid of stones.
You get to understand what the organs are, that you can do things naturally without having to take all those dreadful medicines and those pills.
The body is all we’ve got. Why have I overcome certain things in my life? It’s always been through nutrition.
Joe Winger:
Your journey, the things you’ve learned, and you touch upon that in the book a little bit, lessons you learn from different actors and producers and people you’ve worked with, but that’s another great lesson is as far as using it as a medicine.
The book is called Seducing Celebrities: One Meal at a Time. It is an enormous undertaking: beautiful pictures, recipes, Hollywood stories, your family. There’s a lot going on.
What inspired you to write the book?
Thaao Penghlis:
The hardcover has all the colored pictures inside. So it has a different dimension to it when you actually see it, because let’s face it, presentation is very important.
So when you see color, when you see something displayed you want to get into it. If something looks like someone just piled something, it’s not attractive to the appetite.
My manager called me one day and he said, “You always talk about food. Why don’t you do a cookbook?”
I went, “Oh, I don’t know how to do a cookbook. Everything that I’ve caught has come out of my head.”
I remembered, I learned when I worked at the UN [United Nations] for a year when I was in the diplomatic corps. In my youth I went into kitchens where they had chefs. I saw presentation. I understood the etiquette of arriving there on time.
45 minutes later you’re having the hors d’oeuvres, maybe it’s champagne, maybe it’s some caviar or whatever they presented.
Then it was time to go into the dining room and sit there. It became a ritual. And so you got to appreciate the time, the presentation that someone put in.
So all these memories came into my head. I said how would you think? How do you think about food? I said it’s really seducing people, isn’t it?
By the way you create an atmosphere, by the way you look at a dish, and by the aroma. So I said, Let’s call it “Seducing.”
I said who have I seduced?
How about celebrities that I’ve met and worked with? That’s how it came about seducing celebrities. One meal at a time.
I always like to serve the first, second and the third course. But usually, I don’t join the guests on the first course, because I’m busy preparing the main course.
So I present the first course to them. Then I’m in the kitchen. The actor, Danny Kaye in the old days. He used to be an expert of Chinese food and around the counter in his kitchen is where his friends sat and he just fed them. That was something that was so gratifying for him.
So I understand if it’s done well, and your friends leave. They take it for granted.
People don’t cook these days, or they’re intimidated because of the way you’ve presented it. So therefore let’s take you out instead. So you don’t get that personal touch that I think is so important.
When you sit around your watering hole, as I call it, that “table”, which is something if when I leave this country eventually and go home to Australia, that is one thing I’m going to take with me is that table because it has a huge history to it.
To me the table and how you decorate it and how you present it is very important to the appetite of the person joining you.
Joe Winger:
I’m thinking of your table, sometime in the future when you do move, that could be a heck of an auction item. The amount of people who sat around it and heard stories and shared stories.
Speaking of those stories, you’ve named huge Hollywood stars like Tom Hanks, Rita Wilson George Clooney, amazing actors, Joanna Cassidy, William Hurt.
Your Hollywood life has been so many decades of work and amazing people. What was the process like deciding who makes it into the book and deciding who you had to leave out?
Thaao Penghlis:
You don’t like everybody you’ve worked with and everybody you’ve met, food is very personal
In the old days they serve you poison. In the French 18th century, you’d be sitting there and if you were an enemy, they’d serve you a dish with poison. That’s how they got rid of enemies. But I don’t know.
Dame Edna, who I was best man at his wedding, which is Barry Humphries. He was very particular. He was also a person who loved art. So he would walk around my house looking at what kind of a collection and made his judgment on it.
The same thing with the food, he would taste it. He would give you that quite qualifying look that he approves.
Omar Sharif was different. When I worked with him, we had champagne and caviar every day, because that’s the way he lived.
[He would be] telling me stories of Lawrence of Arabia and many of his other films and I think, because I look like his son, he was very taken not in the beginning. In the beginning, he was quite rude and quite distant. It wasn’t until I was about to start the first scene with him where he comes into the room and when I met him, he was distant, shook my hand and said, “Hello”.
So when he comes into the room, he’s supposed to slug me after something I say.
He says to me, by the way, “Please, when I hit you do not go over this 18th century table and break it. It’s very important that we are respectful about this table.”
And I said, Oh, I’m not going anywhere. And he says, what do you mean?
I said, “Oh, Omar. I said, if you hit me and I go flying off that table, where do you and I go for the next four hours?”
He says “What will you do?
I said, “I’ll probably adjust my tie.”
He started to laugh and that’s how it started.
How do you infiltrate a person’s personality who comes in defensive working with Bill Hurt in “Altered States”.
I had some very difficult dialogue because it was very technical. How do you make it real? I started to do this sequence and he says to me, “Is that how you’re going to do it?
And I said, “Why is that how you’re going to do it?”
And from that moment, he goes, “You’re an arrogant son of a…,”
And I said, “So are you.”
From that moment, we clicked. When we joined hands in Mexico, away from Warner Brothers, we had a good bond.
I never stood for his star attitude. You have to call it. So I don’t like it. When someone brings that, I leave that, I go outside.
Joe Winger:
Doris Roberts, after dinner once wrote you a note. I took that idea as an incredibly loving gesture.
if you could talk a little bit about that note, and then any other amazing gifts from you dinner parties?
Thaao Penghlis:
When I approached Doris and she would write the introduction, her comment was, “Oh, darling, why don’t you do that?”
I said, Doris, you’ve been coming here for dinner for years. So why can’t you just get in touch with your heart and write something pleasant?
And that’s what she wrote.
Because every time she came, it’s like my friends who come over always know they’re going to get a good meal. I never go cheap on the thing. I’ve seen people come in the house with daisies in their hand. I said, “Does this house look like it collects daisies?”
Or they’ll bring me Two Buck Chuck.
I said, are you bringing that so I can put it as a wine for the food, because it’s certainly not going on the table and things like that.
Where people are not experiencing you or contributing and also shows you how cheap it is. And even when Doris, who used to get crates of champagne from Dom Perignon for free, because she was connected to somebody who worked there, she would come in.
She would say “Darling, here’s some Dom Perignon, put it in the fridge.”
I said, “Oh, okay. Thank you.” I think, Oh, this is a person who understands quality.
Then five minutes later, she’s sitting at a chair. She says open the champagne for me, will ya?. So I realized it wasn’t for the house. It was for her. So she didn’t bring anything.
Here’s this woman who makes an enormous amount of money. I’ve studied with her for over 20 years with Katsalis, the director, and then she would come in and sit at the table and she would look at the flowers and then she would look at the presentation of everything and then she would smell the food and so through that experience – you don’t always get respect, you have to earn it.
With her, because of my work as an actor, and because of my success as an actor, and also now writing some people will say to you, “Are you writing another book?
But they say it in such a derogatory way.
Whereas Doris said, “I’m so proud of you.“
I went out with Doris, just the two of us went to movies because she always had to have company. She was like Joan Rivers. She had to have every night filled. She couldn’t stand just being on her own. So when she was invited to my home, she always remembered the presentation and the flavors of that evening.
Joe Winger:
Let’s talk a little bit about what was the process of writing the book like this time?
Thaao Penghlis:
Recipes are in my head.
So I had to cook in my head. For six months I started to think, Oh,I never wrote anything down.
I would call friends and say, “What was your favorite meal I cooked?”
Then I would say, Oh, okay, that’s good; and then I would just test my friends and they would tell me what they like the best.
So I got all these recipes that were still in my head. And I somehow remember what I put in it. My sister in law in Australia says to me, the difference between you and I as chefs is that I have to have a cookbook in front of me. You open the fridge and say, what are we going to eat?
I spent six months going through recipes.
Then finally I said, what did my mother cook? The Greek traditional foods or the Greek desserts. And my sisters are very good at cooking desserts.
Then slowly I collected the foods and started to make them.
Joe Winger:
That’s an incredible journey.
We’ve pushed toward the idea of an impolite or a bad dinner guest. How do we find an appropriate dinner gift? And then what would be a definite no?
Thaao Penghlis:
People will ask me, what can we bring?
It’s a silly question because you can’t bring food. So you, what do you bring wine? Or flowers? Or whatever enhances the atmosphere?
But something that’s not here, but sometimes when they keep asking me that, I say, bring cash. And that always throws them because they take it seriously.
So sometimes I won’t answer that question. I said, “Surprise me. But make it expensive.”
So I like to play with them.
I said to a friend of mine once, your hands are always empty. They never spoke to me for three years after that. They turned around and left.
There’d been guests who arrived when you had a seven o’clock dinner and arrived at 9:30. I’ll open the door and say to them, “I’m sorry, we’ve already had dinner. We’ll talk another time.” And then I closed the door because I find it disrespectful.
It tells you who people are and their consciousness. I don’t like unconscious people, but we’re going through a very difficult time in the world.
And it’s all because people are not conscious of others. It’s always about them. And so to me, the wonderful thing about serving food and expecting something in return, something.
Even if it’s – we used to write notes in the old days, a phone call – but texts now have become such a convenience.
Why don’t you just call me and tell me where I spent two days preparing this, that you can’t afford a five minute phone call, but you’ll text me in one sentence and that’s it.
Things like that I don’t approve of.
I think that kind of communication short changes [the memory of the experience]. I want to be at times where you want to cook again. If you’re not gonna share something about yourselves, call me the next day and say, I had such a wonderful evening. Some people think it’s enough when they leave, or they got here,
But they don’t understand how you complete things. Completion is very important. Just as an actor, you have an arc in your character, it’s complete.
The same thing with food.
When I serve food, it’s complete. I have an order: I have hors d’oeuvres. I have a first course. I have the main course. And then I have dessert and maybe some Greek coffee or tea or whatever people need and the wines.
But I just find people are unbelievable. They don’t understand what it takes to put an evening together.
If you don’t know how to treat me, I’m going to show you. So that’s what I said there.
Joe Winger:
Have you ever played with the idea of a cooking show? Is that something you see at all for yourself?
Thaao Penghlis:
It’s a lot of work. All that preparation. I’ve done it as a guest here and there.
Joan Rivers used to join guests and everything, she always made some wonderful jokes.
Dame Edna would make wonderful jokes.
I’m doing a book signing May 22nd at the Grove in Los Angeles at a Barnes and Noble. I’ve got to do a cooking show. I thought what are we going to cook? Something that’s not difficult.
So I’m going to do a vegetarian dish, which is not in the book, but it’s with shiitake mushroom, truffle oils, mint, basil heirloom tomato, raw peas and pine nuts. Then I will mix that in with the pasta and some olive oil and then some truffle oil and with some herbs and that’s about it.
That’s so convenient and it’s such a delicious dish with Parmesan cheese over it.
Joe Winger:
The book is called Seducing Celebrities: One meal at a time
You breezed over Joan Rivers for a moment and I wanted to touch upon it because In that chapter, you help us see her in a different way than what we always think of her as, especially being in the car with her daughter, Melissa as a young girl.
When I think of Joan Rivers, the stereotype, I think of outrageous, and you have one or two moments beyond her, Barbra Streisand, there’s a little bit of outrageousness there, are there any outrageous moments that you didn’t include that you thought about including?
Thaao Penghlis:
I don’t I don’t mind telling stories, or privately telling stories.
There’s got to be a borderline, just like etiquette. If I’m expecting for people to behave a certain way.
One time, there was a famous guest, which I won’t mention, who was having problems with their daughter, and they were sitting around the table. The phone rang in the middle of dinner, and he answered it, he starts screaming on the phone, and telling his daughter off.
I just lost it, I got up and I said, “If you don’t mind, take your bloody phone call outside, we’re not interested in your private business and how rude of you.”
Because I don’t like people bringing phones into the house.
The inner chatter that goes on with people’s minds, where they’re so distracted with life instead of just being there. Being present.
With Telly Savalas as well. There have been times also with people with Days [of Our Lives] and I couldn’t tell those stories because firstly, I have to work with him again. Secondly, I don’t think it’s everybody’s business.
There was a book that Hustler put out all the stories about those magnificent stars of the [1940s] and talked about their sexual proclivities.
Someone said, “Why would you do that?” Why would you betray your friends that way?
You smash the myth. They spent years creating a myth. But when you start getting into the nitty gritty, you make those people ordinary. And show business is not about being ordinary.
So I try to refrain from telling things that go beyond the norm. I want to be able to see these people later in some time, even though they’re gone,
I still believe we’ll see them on the other side that they did more good for me. Otherwise it’s a matter of respect and keeping someone’s dignity there.
Joe Winger:
Your book starts almost like a love note or a Valentine to growing up with your family. Your mother, your father, their first trip to L. A., to your grandfather George’s herrings and olive oil tin.
Thaao Penghlis:
Yeah, that was something to watch growing up.
To see my grandfather bringing his knowledge of food from the islands of Greece.
What I remember the most, even my grandmother, you’ve come down in the mornings and you can smell the cinnamon toast. She would be dipping wicks into wax and creating candles for the church.
Joe Winger:
Seducing celebrities one meal at a time.
Can you give us a tease about what you’re looking forward to in the future?
Thaao Penghlis:
I just finished exploring the Holy Families.
I did a two week trek up and down the Nile to these sacred places. So I’ve written a story because most of the things we see about religion are postcards or lovely paintings. What do we do when we explore it within ourselves and follow those routes? Something else happened.
I’ve written a teleplay. It’s very interesting the way it begins and where it begins and how it follows through into The Great Escape.
Find Thaao Penghlis’ new book on Amazon at Seducing Celebrities: One Meal at a Time
Tribeca Festival 2024: Kristen Stewart, Jenna Ortega World Premieres, Trey Parker & Matt Stone Doc
Tribeca Festival 2024: Kristen Stewart, Jenna Ortega World Premieres, Trey Parker & Matt Stone Doc
“Diane von Furstenberg: Woman in Charge” To Open the 23rd Edition of the Festival
World Premieres with Jenna Ortega, Lily Gladstone, Michael Cera, Maya Erskine, Kristen Stewart, Demi Moore, Rob Lowe, Renée Elise Goldsberry, Mike Birbiglia, Neil Patrick Harris, Liza Minelli, and More
The 23rd edition of the Tribeca Festival is out with its slate of feature films including world premieres starring Kristen Stewart, Lily Gladstone and Jenna Ortega.
Another high-profile title is Saving Casa Bonita, a new documentary about South Park creators Trey Parker and Matt Stone restoring an iconic Colorado restaurant.
Stewart toplines Sacramento, a road trip comedy directed by Michael Angarano and also starring Michael Cera and Maya Erskine. Jazzy with Gladstone and Jasmine Bearkiller Shangreaux is a companion piece to 2023 indie drama The Unknown Country, in which Gladstone appeared just prior to her Oscar-nominated performance in Killers Of The Flower Moon. Ortega stars in director Tiffany Paulsen’s romantic drama Winter Spring Summer or Fall alongside Marisol Nichols, Percy Hynes White and Adam Rodriguez.
The 2024 Tribeca Festival, presented by OKX, today unveiled its features lineup, offering a diverse array of narrative, documentary, and animated films. Scheduled to run from June 5-16 in New York City, this year’s Festival promises a thoughtfully curated program and includes everything from timely documentaries addressing political and social concerns to independent narratives showcasing award-winning actors. Additionally, the opening night event, presented in partnership with OKX and City National Bank, was announced.
Headlining the Talks is Robert De Niro in conversation with French artist JR about continuing the film icon’s family legacy of art through film. The two will also share a sneak peek of an upcoming project. Emmy Award-nominated actor, author, and producer John Stamos will also join for a fireside chat about his New York Times best-seller, “If You Would Have Told Me,” and a discussion about his creative process for performing across various mediums.
Tribeca kicks off on Wednesday, June 5 with the world premiere of Diane von Furstenberg: Woman in Charge, an intimate look at the life of the fashion designer and cultural luminary. The film captures Diane von Furstenberg’s impact as a creative icon, who challenged the status quo with the bold inquiry, “Why shouldn’t a woman do what a man can do?” Directed by Tribeca alumni Trish Dalton and Sharmeen Obaid-Chinoy, Woman in Charge opens the lineup of features.
The 2024 selection of feature films includes Jazzy with Lily Gladstone; Daddio starring Dakota Johnson and Sean Penn; Firebrand starring Alicia Vikander and Jude Law; Brats, directed by Andrew McCarthy, with Demi Moore, Ally Sheedy, Rob Lowe, Molly Ringwald, and Lea Thompson; Sacramento, directed by Michael Angarano, starring Michael Cera, Kristen Stewart, and Maya Erskine; Winter Spring Summer or Fall starring Jenna Ortega and Percy Hynes White; and Liza: A Truly Terrific Absolutely True Story with Liza Minelli. Comedic stars are in Group Therapy, including Neil Patrick Harris, Mike Birbiglia, and Tig Notaro; All That We Love stars Margaret Cho and Jesse Tyler Ferguson; and Outstanding: A Comedy Revolution features Lily Tomlin, Wanda Sykes, Rosie O’Donnell, Hannah Gadsby, and Joel Kim Booster.
Music documentaries highlight the boldest voices of each generation with They All Came Out To Montreux with Prince, Sting, Carlos Santana, Aretha Franklin, and Keith Richards; Satisfied about Renée Elise Goldsberry; Linda Perry: Let It Die Here with Linda Perry, Dolly Parton, Brandi Carlile, and Christina Aguilera; and Avicii – I’m Tim with Tim ”Avicii” Bergling, Chris Martin and David Guetta. Renée Elise Goldsberry and Linda Perry will be performing following the world premiere of their respective films.
“Each year, the Tribeca Festival reflects our culture, capturing the essence of the present moment. We’re thrilled to showcase our 23rd edition, delving into captivating explorations of artificial intelligence with Demis Hassabis, thought-provoking discussions on the future of democracy, and so much more,” Tribeca Co-Founder and CEO Jane Rosenthal. “Storytelling possesses a remarkable ability to bring us together, offering hope in these challenging times. We eagerly anticipate engaging with audiences on difficult yet timely subjects.”
The 23rd edition of Tribeca reflects our activist roots, to showcase a slate of films that speak to today’s political moment and inform voters ahead of the upcoming election. Hacking Hate, directed by Simon Klose, questions the role of social media in amplifying hate speech and extremism. McVeigh, directed by Mike Ott, portrays right-wing extremism with chilling modern implications. America’s Burning, directed by David Smick and narrated by Michael Douglas, dives into the economic root of hate and division.
At the core of our mission is the belief that art can spark change, particularly in the aftermath of global conflicts. The Cranes Call, directed by Laura Warner, spotlights war crimes investigators for the Clooney Foundation for Justice, led by Amal and George Clooney, as they risk their lives traveling across Ukraine to build cases against Russian soldiers and commanders. Antidote, directed by James Jones, digs into the truth about Russian President Vladimir Putin’s deadly regime. Checkpoint Zoo, directed by Joshua Zeman, documents the daring rescue of thousands of animals trapped behind enemy lines in the Russian invasion of Ukraine. As War continues to affect regions like the Middle East and Ukraine, art serves as a powerful reminder of our shared humanity.
“In a year of record high submissions, despite industry-wide challenges, and global tumult, our incredible filmmaking community delivered again with some of the most surprising, inspiring, hilarious, galvanizing, boundary-breaking, and downright entertaining work we’ve had the privilege to feature at the festival,” said Tribeca Festival Director and SVP of Programming Cara Cusumano. “Whether grappling with everything from the crisis of global democracy to the most intimate of human dramas, it was heartening to be reminded of the undeniable power of a great film to illuminate our world.”
For the first time, Tribeca’s signature Viewpoints section of bold original visions and innovative perspectives will be in competition. The interdisciplinary program encompasses U.S. and international films across narrative, documentary, and animation, including the animated feature Boys Go to Jupiter starring Elsie Fisher, Tavi Gevinson, Julio Torres, and Sarah Sherman, and the narrative thriller Darkest Miriam with Britt Lower. Documentaries include Champions of the Golden Valley, directed by Ben Sturgulewski, an inspiring sports fable and portrait of people in profound political and social transition, and Searching for Amani, directed by Debra Aroko, a 13-year-old’s dramatic quest to investigate his father’s mysterious murder in one of Kenya’s largest wildlife conservancies.
The final selections were chosen from a record-breaking number of submissions (13,016). This year’s program includes 103 feature films from 114 filmmakers across 48 countries. The lineup comprises 86 world premieres, two international premieres, six North American premieres, and eight New York premieres. Half of the films in competition are directed by women. Additionally, 35% (36) of feature films are directed by BIPOC filmmakers. There are 30 films directed by first-time filmmakers and 25 directors returning to Tribeca with their latest projects.
The Tribeca Festival is curated by Festival Director and SVP of Programming Cara Cusumano, Artistic Director Frédéric Boyer; VP of Shorts Programming Ben Thompson; Senior Programmers Liza Domnitz, Faridah Gbadamosi, Jarod Neece, José F. Rodriguez; Programmers Casey Baron, Jason Gutierrez, Jonathan Penner, and Madison Egan; VP of Games and Immersive Casey Baltes and Immersive Curator Ana Brzezińska; EVP of Artist Relations Nancy Lefkowitz and VP of Artist Relations Meredith Mohr; Curator of Audio Storytelling Davy Gardner; Music Programmer Vincent Cassous; along with a team of associate programmers; supported and inspired by the legendary Paula Weinstein.
The full feature film lineup is detailed below. For more updates on programming follow @Tribeca and #Tribeca2024 on Twitter, Instagram, Facebook, and LinkedIn.
A Tribeca Membership or 2024 Tribeca Festival passes and ticket packages can be purchased at tribecafilm.com.
ABOUT TRIBECA FESTIVAL
The Tribeca Festival, presented by OKX, brings artists and diverse audiences together to celebrate storytelling in all its forms, including film, TV, music, audio storytelling, games, and immersive. With strong roots in independent film, Tribeca is synonymous with creative expression and entertainment. Tribeca champions emerging and established voices, discovers award-winning talent, curates innovative experiences, and introduces new ideas through exclusive premieres, exhibitions, conversations, and live performances.
The Festival was founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff in 2001 to spur the economic and cultural revitalization of lower Manhattan following the attacks on the World Trade Center. The annual Tribeca Festival will celebrate its 23rd year from June 5–16, 2024 in New York City.
In 2019, James Murdoch’s Lupa Systems bought a majority stake in Tribeca Enterprises, bringing together Rosenthal, De Niro, and Murdoch to grow the enterprise.
ABOUT THE 2024 TRIBECA FESTIVAL PARTNERS
The 2024 Tribeca Festival is presented by OKX and with the support of our partners: AT&T, Audible, Canva, CHANEL, City National Bank, Diageo, Easterseals Disability Services, Indeed, KLM Royal Dutch Airlines, NBC4 and Telemundo 47, NYC Mayor’s Office of Media and Entertainment, National CineMedia, New York Magazine, Spring Studios New York, The Wall Street Journal, Variety, Vulture and WeTransfer.
OPENING NIGHT GALA
Diane von Furstenberg: Woman in Charge, (United States) – World Premiere. Child of a Holocaust survivor, Princess by marriage, and founder of a fashion empire, the many faces of fashion icon Diane von Furstenberg are revealed in this captivating and glamorous documentary portrait, featuring interviews with Oprah Winfrey, Marc Jacobs, Hillary Rodham Clinton and more. Directed by Sharmeen Obaid-Chinoy and Trish Dalton. Produced by Fabiola Beracasa Beckman, Tracy Aftergood, Sean Stuart, Obaid-Chinoy and Dalton. A Hulu Release.
Kit Connor, Rachel Zegler are Romeo + Juliet on Broadway Fall 2024
Kit Connor, Rachel Zegler are Romeo + Juliet on Broadway Fall 2024
Shakespeare’s timeless tragedy now belongs to a new generation on the edge.
Seaview is thrilled to announce that Emmy Award winner Kit Connor (“Heartstopper”) and Golden Globe Award winner Rachel Zegler (Spielberg’s West Side Story) will star in the new Broadway production of William Shakespeare’s ROMEO + JULIET, directed by Tony Award winner Sam Gold, with music by Grammy Award winner Jack Antonoff and movement by Tony Award winner Sonya Tayeh.
“With the presidential election coming up in November,
I felt like making a show this fall that celebrates youth and hope,
and unleashes the anger young people feel about the world they are inheriting.”
Director Sam Gold
Tickets for ROMEO + JULIET will go on sale to the public in May 2024. To sign up for early access and to be the first to receive updates, sign up at www.romeoandjulietnyc.com.
The youth are fucked. Left to their own devices in their parents’ world of violent ends, an impulsive pair of star-crossed lovers hurtle towards their inescapable fate. The intoxicating high of passion quickly descends into a brutal chaos that can only end one way.
ROMEO + JULIET will open on Broadway in Fall 2024 and will mark the Broadway debuts of Kit Connor, Rachel Zegler and Jack Antonoff, who in February won his third consecutive Grammy Award for Producer of the Year, becoming only the second producer in history to win three years running. More information including theatre, dates, design team and additional casting will be announced at a later date.
ROMEO + JULIET is produced on Broadway by Seaview. 101 Productions, Ltd will serve as general manager. Casting is by Taylor Williams, CSA.
For more information visit www.romeoandjulietnyc.com.
Kit Connor as Romeo
Kit Connor (Romeo). Screen International Star of Tomorrow actor Kit Connor landed his first film role aged eight in the lead role of Tom in Warner Bros. Pictures’ Get Santa (2014). Since then, he has had roles in The Guernsey Literary and Potato Peel Pie Society (2018) and The Mercy (2018). Notably, he played Older Reggie in Rocketman (2019), taking on the role of young Elton John. He also appeared in Little Joe (2019) as Joe. Kit is well-known for voicing Pantalaimon in “His Dark Materials” (2019 -2020) and his TV work also includes “War & Peace” (2016). His theatre credits include Welcome Home, Captain Fox! at the Donmar Warehouse and Fanny & Alexander, where he played Alexander at The Old Vic. Kit is best known for his lead role of Nick Nelson in the global hit TV adaptation of Alice Oseman’s “Heartstopper,” with the third season set to launch this October on Netflix. For season 1, Kit won the Children’s and Family Emmy Award for Outstanding Lead Performance in 2022 and the RTS Award for Leading Actor Male in 2023. Kit voices a role in The Wild Robot for DreamWorks alongside Lupita Nyong’o, Pedro Pascal and Bill Nighy out in September 2024. Kit will also lead the mystery-horror film One of Us and also star in Ace Entertainment’s film A Cuban Girl’s Guide To Tea And Tomorrow opposite Maia Reffico. He will film a leading role in Ray Mendoza and Alex Garland’s new film for A24, Warfare alongside Charles Melton and Joseph Quinn. Kit Connor is represented by Independent Talent Group and WME.
Rachel Zegler as Juliet
Rachel Zegler (Juliet) is a dynamic actress and singer who has already established herself as a trailblazer of her generation. At only 17 years old, Rachel earned the role of María Vasquez for Steven Spielberg’s new adaptation of West Side Story out of 30,000 auditions. The film captured Rachel’s motion picture debut alongside Rita Moreno and Ariana DeBose, and earned her an NBR Award for Best Actress along with a Golden Globe Award for Best Actress in a Comedy or Musical. Rachel then starred alongside Zachary Levi, Helen Mirren, and Lucy Liu in D.C. Comics’ Shazam! Fury of the Gods, the sequel to the successful predecessor, Shazam! She can currently be seen leading the highly anticipated prequel The Hunger Games: The Ballad Of Songbirds And Snakes as Lucy Gray Baird, the girl tribute from impoverished District 12. Viola Davis, Peter Dinklage, and Hunter Schafer also star. In 2025, Rachel will be seen as Snow White in Disney’s live-action remake of the classic story, making her one of the first Latina actresses to star in a live-action Disney film. Director Marc Webb said, “Rachel’s extraordinary vocal abilities are just the beginning of her gifts. Her strength, intelligence and optimism will become an integral part of rediscovering the joy in this classic Disney fairy-tale.” She will also be seen in the A24 disaster comedy Y2K, directed by SNL alum Kyle Mooney. In the film penned by Evan Winter, which is set on New Year’s Eve 1999, two high school nobodies decide to crash the last big party before the new millennium. When the clock strikes midnight, the night gets more insane than they ever could have imagined. Rachel stars alongside Mason Gooding, The Kid Laroi and Alicia Silverstone. Rachel has been featured on the covers of Elle, Town & Country, Who What Wear and The Hollywood Reporter and has been profiled by Vogue, Allure, and VMagazine. She is a Forbes “30 Under 30” recipient and has been recognized by Time magazine with inclusion in their Time100Next list, by Variety in their annual “Power of Young Hollywood Impact“ list, and by The Hollywood Reporter with their “Next Generation” list. She was also named one of “Nine Latinx Women in Hollywood Currently Changing the World” by Elle magazine. On Latin representation in entertainment, a subject she is passionate about, Rachel says, “We are not just the quirky side character who occasionally says a word in Spanish, we are the main character.“
Directed by Sam Gold
Sam Gold (Director). Broadway credits include this season’s An Enemy of the People with Jeremy Strong and Michael Imperioli, Macbeth with Daniel Craig and Ruth Negga, King Lear with Glenda Jackson, A Doll’s House, Part 2 (Tony Award Nomination), The Glass Menagerie, Fun Home(Tony Award), The Real Thing, The Realistic Joneses, Seminar. Recent credits: Hamlet (The Public Theatre), Othello (New York Theatre Workshop), The Flick (Playwrights Horizons, Barrow Street Theatre, National Theatre; Lucille Lortel Award nomination), The Glass Menagerie(Toneelgroep, Amsterdam), John (Signature Theatre; Obie Award, Lortel and Drama Desk Award nomination), The Village Bike (MCC Theatre), and Uncle Vanya (Soho Repertory Theatre; Drama Desk nomination), among others.
Music by Jack Antonoff
Jack Antonoff (Music). Described as “anthemic, life affirming pop rock” by the New York Times, Bleachers are fronted by globally celebrated, eleven-time Grammy Award-winning singer, songwriter, musician, and producer, Jack Antonoff. Both with Bleachers and as a songwriter and producer, Antonoff, who, in 2021, was credited by the BBC for having “redefined pop music”, has collaborated with the likes of Taylor Swift, Lana Del Rey, The 1975, Diana Ross, Lorde, St. Vincent, Florence + The Machine, Kevin Abstract and many more. In February 2024, Antonoff won Producer of the Year at the Grammy Awards for an incredible third consecutive year, becoming only the second producer in history to win three years running. Releasing their debut album Strange Desire in 2014, Bleachers have built a huge, passionate following across three studio albums, becoming renowned for their impressive live show and infectious camaraderie. The band’s last album, Take the Sadness Out of Saturday Night took them to new heights, showcasing Antonoff’s immersive songwriting and, as Variety testified, his innate skill at “supersizing personal stories into larger-than-life pop anthems”. Bleachers, the band’s fourth studio album, was released Friday, March 8th, 2024 via Dirty Hit and features singles “Modern Girl,” “Alma Mater,” “Tiny Moves” and “Me Before You.” There’s a rich depth to the band’s sound on Bleachers: it is laid out in bright, soulful technicolor. The album is frontman Antonoff’s distinctly New Jersey take on the bizarre sensory contradictions of modern life, on his position in culture, and on the things he cares about. Sonically, it’s sad, it’s joyful, it’s music for driving on the highway to, for crying to and for dancing to at weddings. There’s something reassuringly touchable and concrete about its sentiment: exist in crazy times but remember what counts.
About the Author
Joe Wehinger (nicknamed Joe Winger) has written for over 20 years about the business of lifestyle and entertainment. Joe is an entertainment producer, media entrepreneur, public speaker, and C-level consultant who owns businesses in entertainment, lifestyle, tourism and publishing. He is an award-winning filmmaker, published author, member of the Directors Guild of America, International Food Travel Wine Authors Association, WSET Level 2 Wine student, WSET Level 2 Cocktail student, member of the LA Wine Writers. Email to: Joe@FlavRReport.comYou Might also like
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NYC Wine: Vino Nobile di Montepulciano’s “The History Teller” led by Antonio Galloni, hosted by the Consorzio and Marina Nordic of IEEM USA – Wine Review
Vino Nobile di Montepulciano Master Class & Guided Tasting “The History Teller” led by Antonio Galloni, hosted by the Consorzio and Marina Nordic of IEEM USA.
Vino Nobile di Montepulciano has a long history and tradition of producing memorable bottles, so today should be a phenomenal event..
As expected, the room was crowded with curious and distinguished palettes. Sommeliers, wine educators, wine critics, wine journalists, importers.
Vino Nobile di Montepulciano Region
The event featured Andrea Rossi, President of the Consorzio del Vino Nobile di Montepulcino and Antonio Galloni, Wine Critic & Founder of Vinous, who led the tasting.
Rossi spoke about the Consorzio and Montepulciano while Galloni explained the Vino Noble di Montepulciano region with intrigue and excitement
The Vino Nobile production zone is positioned between Val di Chiana and Val d’Orcia at altitudes from 820 and 1900 feet.
The climate is influenced by nearby Trasimeno Lake, its soils composed of marine fossils, sandstone, salt rich clay and precious silt deposits.
The Sangiovese grape is locally called Prugnolo Gentile. Within their local Producer community, it’s name is mostly interchangeable.
Montepulciano in Tuscany is the center for Vino Nobile’s vinification efforts where both vinification and aging takes place and are supervised in the municipal area.
Vino Nobile is aged for a minimum of two years, including one year in oak barrels; and three years total in order to earn the title Riserva.
Vino Nobile di Montepulciano Tasting
There were 11 wines tasted in total.
“Alboreto” Vino Nobile di Montepulciano 2020
From Fattoria della Talosa made from 100% Sangiovese.
The vineyard is at 350-400 meters above sea level. After a careful selection of grapes, from the last week of September to the first week of October, the fermentation time is about 15-20 days.
Then malolactic fermentation is in stainless steel. The maturation is for 2 years in big barrels and stainless steel for another 2 months. The finished wine continues to be aged in bottle before release. An easy drinking win, hints of plum, blackberries, a kiss of strawberry and pepper. An excellent start to the day.
Vino Nobile di Montepulciano 2020 docg from Dei
Made from 90% Sangiovese and 10% Canaiolo.
The soil is mostly clay with sand (tuff) and the vineyard is at 300 meters above sea level. Soft pressing of the grapes followed by spontaneous fermentation with the use of indigenous yeasts in stainless steel tanks at a controlled temperature. Maturation on the skins for 15 – 25 days with pump over’s. Aging for at least 24 months of which a minimum of 18 months is in wood. The wine remains in-bottle for some time before release.
On the nose, hints of cherry, plum and violets with a hint of coffee and a touch of vanilla. Pair it with braised beef cheek with mashed potatoes.
“Asinone” Vino Nobile di Montepulciano Selezione 2020
Made from 100% Sangiovese.
The vineyard is at 380 – 400 meters. The soil is clay and silt with embedded fossils. Fermentation is in stainless steel vats for 20 to 25 days with cultured yeasts from the vineyard. Malolactic fermentation in 6,000 to 8,000 French oak vats.
A vibrant wine with hints of red currant, cherry, strawberry, plum, violet. Pair it with ribeye
“La Braccesca” Vino Nobile di Montepulciano 2020
Made from 90% Sangiovese and 10% Merlot.
The vineyard is at 290 meters. The soil is sandy loam. Each grape variety was harvested separately, de-stemmed and delicately crushed. Then transferred into stainless steel vats where alcoholic fermentation took place at a controlled temperature to preserve the fruit’s aromatic profile. Maceration on the skins for 10 days. Malolactic fermentation. Then the following spring, the bottles were aged approximately 12 months. Then bottled in spring 2020 and aged for one additional year in the bottle.
Red currant, strawberries, cherries and a subtle hint of spice and vanilla.
“Vigna d’Alfiero” Vino Nobile di Montepulciano docg Selezione 2020 from Tenuta Valdipiatta
Made from 100% Sangiovese.
Vinification is in steel tanks at controlled temperatures. Maceration on the skins for 20-25 days. Daily pump over and délestage at the beginning and in the middle of fermentation. Spontaneous malolactic fermentation. Fermentation in stainless steel tanks for 20 days. Malolactic fermentation in stainless steel. The wine is aged in French barrels at 20% new oak for 18 months, then aged in bottle before release.
A delicious and complex flavor. Black cherry, dark chocolate, balsamic notes and a touch of vanilla Pair this with duck, roasted and grilled meats.
Vino Nobile di Montepulciano docg 2020 Boscarelli
Made from 85% Sangiovese and 15% Canaiolo.
Alluvial and sandy lime soil with silt, clay and stony structure. The grapes are picked manually. After de-stemming and soft pressing, they are fermented in oak vats. Indigenous yeast is used in the fermentation process that lasts about a week. Aged in Slavonian oak casks, where malolactic fermentation occurs. Maturation takes from 18 to 24 months, then aged in the bottle for several more months before the release.
Strawberry, blueberry and sage notes. Medium body, medium tannin. Suggested pairing: grilled, roasted or braised meat and manchego or other seasoned cheese.
Vino Nobile di Montepulciano docg 2019 Avignonesi
100% Sangiovese.
This bottle is even more special, as it employs Pied de Cuve, a process used by winemakers wanting to use wild yeast from the vineyard to ferment their wines. The process aims to build a population of viable (alive yeast) and vital (strong) in the wild yeast culture in a small volume of wine.
20-25 days of maceration. Pied de cuve used for the first bath of grapes in advance, select yeasts which are naturally present on the skins. Then these grapes become the basic yeast used for the fermentation. At least 18 months in Slavonian oak barrels and then at least 6 months aged in bottle.
On the nose, strawberry and red currant with subtle vanilla and spices. Well-balanced, medium body, ripe cherries and plum. Elegant tannin that creates a nice balance against the flavor and mouthfeel. Surprisingly long finish.
Would pair well with traditional Italian dishes, prosciutto, pecorino.
“Tenuta Calimaia” Vino Nobile di Montepulciano docg 2020 Marchesi Frescobaldi
90% Sangiovese (Prugnolo Gentile) and 10% red grape varieties.
Maturation in oak barrels for 24 months. Bottle aged for 4 additional months.
Intense ruby red in the glass. Nose is vibrant with cherry, sage, cardamom. Dark chocolate. Body is bold and velvety. Heavy tannin. Long dry finish.
“Silineo” Vino Nobile di Montepulciano docg 2020 from Tenute del Cerro
Fermentation and maceration at controlled temperature with daily pump overs.
Goes through malolactic conversion then 18 months of aging.
Cherry and red currant on the nose. Earthy, cedar, vegetal.
Pairs well with roasted chicken, and sharp cheddar.
“Messaggero” Vino Nobile de Montepulciano docg 2018
95% Sangiovese and 5% Canaiolo Nero.
The grapes are handpicked, fermented in small containers to facilitate extraction of the skins. Fermentation is made with natural yeast, in full respect of the area, when the wine is still in contact with the skin, for 18-20 days. Then transferred to Slovenian oak casks for 18 months, then 6 more months in oak. During this period, they decant to make the wine clear and prepare for bottling.
The nose is pronounced with black currant, blackberry, blueberries, spice and leather. Full body, medium tannin, long finish.
Would pair well with aged pecorino, ribeye and game
Vino Nobile di Montepulciano docg 2018 from Villa S. Anna
85% Sangiovese, Mammolo Canaiolo, 8% Colorino, 7% Merlot.
Fermented with a 20 day maceration. Then 24 months in Slavonian oak barrels, French Oak, barriques. After bottling, kept in bottle for another year.
Ruby in the glass, Dark cherry on the nose with tobacco and licorice. Light body, medium tannin, dried cherry, raspberry, crushed herb, medium finish.
Pairs well with game meats, venison, seasoned cheese.
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NYC Parks Preserve Iconic Washington Square Arch
NYC Parks Preserve Iconic Washington Square Arch
NYC Parks conservators and seasonal apprentices are spending three weeks preserving the arch.
Washington Square Arch Preservation Work includes:
– surveying the arch to ensure structural stability of all marble masonry, decorative ornament and sculptural stonework,
– gently cleaning the entire monument of biological growth and pollutants,
– conducting masonry repairs and mortar replacement at the parapet,
– stabilizing the sculptures through chemical stone consolidation,
– applying a graffiti barrier to the lower portion of the arch,
– working with BirdMaster to install an improved roof level bird proofing system.
Dating to 1895, the majestic arch designed by architect Stanford White, is an international symbol of New York City and central gathering place for tourists and New Yorkers alike. The arch was restored in 2003, and this preservation work is part of Parks’ ongoing stewardship.
The Washington Square Arch is one of many monuments throughout the five boroughs that will receive care this summer through NYC Parks’ Citywide Monuments Conservation Program (CMCP), now in its 25th year.
CMCP is an award-winning public/private partnership launched in 1997 and supported by individual, corporate, and foundation grants. Program staff and seasonal conservation apprentices have successfully worked to preserve the city’s rich cultural heritage, and provide graduate-level apprentices with professional training through hands-on work on the nation’s leading collection of public art. For more information, visit the website.
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Sober Curious meets World-Class Flavor with Jøyus Non-alcoholic wines this #SoberOctober
Jøyus non-alcoholic wines are making big moves in the beverage industry. Not just for #SoberOctober, but its award-winning tastes help you celebrate all year-long,
Jøyus non-alcoholic wines not only taste like wine, but great wine. With the industry awards to prove it.
Recently I sat down with Jøyus leader Jessica Selander.
This conversation has been edited for length and clarity. You can find the full, un-edited conversation on our YouTube page.
Can you give us a personal story, maybe that includes the celebration of wine, if you have one?
Jessica Selander: The story is very personal and the funny thing is I get so nervous before talking about things because when I started Joyus, I did not originally [think about] doing things like this, being so face forward.
I thought I would create a product that I was really excited about. Eventually I came to realize, how do I do that without telling the “why did I do it?”
The whole reason that Joyus exists and it influences everything I do is because I’m sober. I quit drinking alcohol 17 years ago now, which just feels like a fantastical amount of time.
For me, it’s been very rewarding. I’m very glad about it. But it was definitely something that was really hard and very personal. It wasn’t something I shared about publicly. So that’s also why this is a journey of getting comfortable talking about my sobriety, my recovery.
I like the taste of wine. I like beautiful glasses. I like the smell of wine. I love the community and people; and hanging out and celebrating. It literally says ’let’s celebrate’ on our bottles. How great sparkling is for summer, but sparkling is such a happy thing.
You know what I mean? Something good happens in your life and people are like, let’s celebrate. Let’s pop some bottles. New Year’s Eve is such a beautiful idea of let’s start over. Whatever happened last year, whatever terrible things went down, there’s a brand new year.
It’s a new idea that we can celebrate either that past year that was good or celebrate the potential of a new year. That’s going to be better and that’s sparkling.
And for me, I didn’t have any options.
I started Joyus nine years ago. People ask me how long the company’s been around and we launched about two years ago. So it took me a very long time to figure it out, to save up the money to do it because as you can imagine, nine years ago, people thought it was crazy.
They’re like, ‘That’s a terrible idea. Nobody wants that’. And I’m like ’I want it’.
Having quit drinking, I had a lot of friends that also didn’t drink. I had a lot of people in my life too, who were just light drinkers – could give or take alcohol. Then I have two kids and there’s a huge percent of the population that quits drinking for nine months [because they’re pregnant], sometimes even longer.
You can get into medications, you’re not supposed to drink on it. Anxiety medication, not supposed to drink on it. Heart medication, cancer treatments. There’s a lot of medical stuff too, that you could go down the list.
So I get a lot of people now who are like, ‘Oh, it’s not alcoholic. It’s trending.’ And that’s a thing now.
Early on in my sobriety, I actually used to drink a lot of soda pop out of glass bottles, and then eventually discovered non alcoholic beer.
Non alcoholic beer is definitely having a really cool movement right now. There’s so many different options for non alcoholic beer, but the beer has always been around.
I was like, this exists and it tastes like beer. What’s up with non-alcoholic wine?
There was one sparkling [non-alcoholic wine] in the entire country and that’s all you could find. There was one white and there was one red and that was it.
For me these options were really sweet. They were very affordable, which is nice, but they didn’t have the complete experience that I was going for. I wanted non alcoholic wine that tastes like wine.
I wanted something that I could bring to a gathering and bring to a get together and have it feel appropriate and look appropriate and just look like everybody else’s [alcoholic] bottles. Smell like everyone else’s bottles that you just wouldn’t even know that it was non alcoholic until you saw it on the label. And that’s what I did.
So after trying to find it for forever, eventually I was like, I’m going to do it myself. And I had no idea that this whole sober curious, non alcoholic world would take off like it has at exactly the right time.
So part of me is very frustrated that it took so long. But part of that too, it was like saving up the money to start the company.
This is a bootstrap company. I like making my own decisions. A side effect after getting to this point is I’m 100% in control of all the decisions, which also means that I can control the quality because [it] is incredibly expensive to make.
Let’s talk about your sober story. What it means to you, how you got there, what your mission is, how that helps others.
Jessica Selander: So for me, I can’t drink alcohol. What happens when I put alcohol in my body is that I make decisions I don’t want to be making.
I tried a lot of things. I tried cutting back and it didn’t work. I tried replacing [the drinks and that didn’t work].
My life became pretty chaotic.
I stopped drinking and once I get my life in order, then everything will be fine. I can drink again.
Then after not drinking for a period of time, I was like, Oh, you know what? There’s actually something to this and it’s something deeper and it’s probably the best thing I ever did, honestly, in my life.
I would not be the person I am today on the inside if I had kept drinking.
I have a wonderful spouse and I’ve got amazing kids and I’m able to be a parent and be a person and do that clear eyed and there’s a lot of my upbringing was not the most positive.
Sober curious, it’s a hashtag now.
I’m not saying alcohol shouldn’t exist. I’m not that kind of person whatsoever.
On a personal level it is so exciting to see other brands pop up. The first time I tried non-alcoholic tequila, it blew my mind. It was amazing. The spirits are interesting because some people build it up from science and some people are de-alkalizing; taking the alcohol out.
So that’s the really interesting thing about this. Normally spirits are completely separate from wine, which are very separate from beer, but in non-alcoholic, we’re all in the same swimming pool and everybody’s doing it differently and everybody’s got their own take and you can try one non-alcoholic whiskey and it’s incredibly different from another one.
Community not competition is one of our core values. Normalizing non drinking is a big one. It’s not necessarily replacing alcohol either. I’ve talked to people in the wine industry who are very offended by the idea of non alcoholic wine. I’m like no, it’s backwards. You’ve got it backwards. Non-alcoholic wine is a love letter to wine. You love wine so much that you still want to have it. You just can’t have this one piece that’s in it [the alcohol], but I want everything else.
I want to cheers that glass with other people. I want to drink that red with a really strong stinky cheese. I want to pop that celebratory cork. I want to Rose all day. I just can’t.
I think that wine is very important culturally. It’s so interesting historically. The process is this fascinating mix of art and science. I love everything about it. Getting deeper and deeper into it too, because I want Joyus to be around for forever and I want to make the best possible non-alcoholic wine.
There’s so much stuff to perfect that I could spend the next 50 years just working on non-alcoholic red – period.
You mentioned you’re seeing other competitors in the marketplace. How many different ways are there to make non-alcoholic wine? Are some ways higher quality than others?
Jessica Selander: I can give tips. Our wine is a dealcoholized or alcohol removed wine, which means it’s gone through the whole winemaking process.
It’s aged, it’s fermented, and then we have removed the alcohol from it. Our bottles also say it’s non alcoholic. Sometimes you’ll see a bottle in the store and it just says non alcoholic on it. It doesn’t say dealcoholized or alcohol removed. They’re interchangeable. That means it wasn’t fermented.
So if you’re looking for a wine that is really going to taste like wine or have that fermented taste, look for dealcoholized or alcohol removed.
[Look at the label on the bottle] look for dealcoholized or alcohol removed, because it could say that it’s a non alcoholic red or a non-alcoholic grape [varietal] and it might just be a juice, that hasn’t been fermented or ages but comes in a wine bottle.
What are your goals in the present moment and in the near future to help your company continue to be a leader in the industry?
Jessica Selander: I think goals are accessibility. Normalizing sober drinking. Making [non-alcoholic bottles] easy to find. We do ship off our website, which is great. We’re shipping from Seattle. We ship everything ourselves. If you’re out East, it’s going to take four or five days to get to you.
Also starting to talk to restaurants, getting into more restaurants is a big one. I’ve had anniversary dinners with my spouse and I’m drinking an Arnold Palmer.
I’m calling restaurants and I’m calling grocery stores and they’re still really skeptical that it can be good and that people want it.
Do you think it’s just audience reaching out? Is there a tipping point?
Jessica Selander: Yes, that really helps having people being in a restaurant and saying, “Hey, what do you have that’s an alcoholic?” Because restaurants are saying nobody’s asking for it.
Here I am double digit sober and I had never gone into a restaurant and asked for it.
I would look at the [menu’s] non alcoholic section, which is always juice, soda pop, iced tea and stuff. If it’s not on the menu, I would never ask them for anything. Here I am for over a decade, not telling them that I want this thing. So we started doing more education on social media and online.
If you walk into a restaurant, ask them “What do you have that’s not alcoholic?”
Just pregnant people alone. There’s a large percentage of the population.
Is there science that says a pregnant woman can drink this and have zero concerns?
Jessica Selander: Yes. So this is super interesting. In the United States we’re the most strict in terms of alcohol. If you go to the UK, they have different, actually higher limits for how much alcohol can be in something. The US’s rules come from prohibition when you can’t sell, make, transport alcohol.
The government said once it gets under 0.5%, it’s not alcohol anymore. So that’s where that number comes from and sometimes people see it and say, “Oh, there’s a little bit of alcohol in this.”
There was a study done in Germany where they tested a lot of grocery store items. What they found was there’s a lot of stuff in our grocery stores that had a little bit of alcohol in it. Very ripe bananas, which we feed to toddlers have some alcohol in them. Orange juice is another one.
American hamburger buns. But it also makes sense, bread, yeast and we have more sugar in our products, right? Bread actually has more alcohol than people realize.
Let’s talk about your wine’s flavors and aromas and the winemaking process to get there.
Jessica Selander: I knew what I wanted and I was incredibly picky about it.
We launched with the sparkling white and the sparkling Rose’ and people were asking for a Rose’ with no bubbles.
I thought it would be easy. It was not easy.
Stills are very different from sparkling. I’m a balance of “I know what I want. I’m going for this thing and very focused”, but then I’m also balanced with listening. So we do a lot of focus groups. I do want feedback. I do want opinions.
We were working on it. Everyone’s saying it’s good, it’s great. But I didn’t think it was good enough. We were supposed to launch it in summer and I pushed everything back. Back to the drawing board.
What if we did this? What if that? Talking to people, reading science and chemistry books
Was it like working for the right blend?
Jessica Selander: It’s tweaking so many different things and pieces in the blend. But it doesn’t always work out. If you tweak a blend, sometimes other notes will come forward that you’re not expecting, or sometimes you’ve diminished things that you didn’t intend to diminish.
The still Rose is a great example, it didn’t have that click and so I just kept working on it. And that’s the one that won Double Gold and Best in Class in the San Francisco International Wine Competition, which is one of the biggest and oldest blind tastings in the world and the biggest and oldest blind tasting in the U.S.
Can you share any details and lessons you learned taking on the world of winemaking?
Jessica Selander: There’s so many things. We’re not just making wine. We’re wholesale, we’re distributing, we’re direct to consumer. We have so many different facets.
I could talk for hours about how our wines are very low in sugar and they don’t have the alcohol in them. So our [bottles] probably freeze easier than anything else on the market. So shipping during the winter.
I’ve had conversations with other non alcoholic people too. Everybody’s doing it differently and that’s the hard part too, where I feel like there’s a solution for every problem.
We’ve gotten better and better at winter shipping, but it’s not quite there yet. Figuring out what can we ship in that’s going to have thermal protection, but isn’t going to contribute a ton of garbage. We’ve got the most eco-friendly, innovative winter shippers. They’re made of corn.
They’re expensive as hell, but it’s better than styrofoam. We have to keep everything under 50 pounds for UPS and 12 bottles of sparkling is 51 pounds in these corn shippers.
That thermal protection is still not enough, so we added heat packs.
Let’s talk about your wines.
Jessica Selander: We have four varietals. We’ve got our sparkling white, a sparkling Rosé. Still Rosé, a Cabernet Sauvignon. I love our red a lot. The reds are hard. They’re the most complicated; red wine has the highest alcohol content to begin with.
What flavor notes should we be looking for?
Jessica Selander: It’s definitely an American Cab. More fruit forward. It’s not grape juice. It’s fermented, it’s aged in American oak so you’ll get some green-ness to, like forest floor. The longer it’s been open the more tasting notes you’ll get. I like it more and more throughout the week because the fruit notes settle down. Black currant, cherry, some leather
The still rosé, watermelon, a nice floral to it.
Sparkling rosé. Slightly floral. Some orange blossom to it. Blackberry, but some people say raspberry. Some people say strawberry. They’re very summery
I think sometimes tasting notes feel in excess because we all taste things very differently.
Our audience is foodies. Let’s talk a little bit about some of your favorite meals that you think would pair that your favorite pairings with your wines
Jessica Selander: I bake. I come from a big family, so I can pretty much cook anything.
I heard someone say one time that baking was more science. And cooking was more art and I do agree with that.
Let’s talk about the wine competitions. How you see them, what the experience has been like, and of course, what their results have been.
Jessica Selander: I did not know that competition was as big of a deal as it is [which was a blessing]. So what happened was I was beating my head against the wall being like, “They taste like wine!” And my brother said, nobody believes you. You have to enter them into wine competitions. You need to prove to them in their own landscape that you belong there.
So, here’s this competition. The first one, the sparkling rosé won gold and sparkling white won bronze.
Then I looked deeper into what the competition was [and realized it was the acclaimed San Francisco International Wine Competition & World Spirits Competition ]. It was a blessing because I think I would have been scared to do it. Then [next year] I do it with the Still Rose and the Cab. Then hearing back, you’ve got the highest a non-alcoholic has ever gotten and you’re Still Rose is the best non-alcoholic wine of any varietal entered from all over the world.
I was only wondering if it was even going to place, and here it ends up winning the best.
I was at a grocery store [today] I’ve been trying to get into for two years where the head buyer won’t even try it. So it’s [frustrating] but the more of these awards that we stack up, at some point in time they have to not ignore it. They’ll be like, Oh, this is a real thing.
We haven’t [hit that goal], it’s not normalized yet. We’re in over 300 stores and in almost in every state.
If you want more non-alcoholic near you at a restaurant and grocery store, what are the step-by-step, simple direction
Jessica Selander: This is super easy for people.
So if there’s a grocery store or a local market that you shop at already, you just go into the wine department and say, “Hey, what non-alcoholic wine do you have?” And let them know you want it. Verbally say it
It’s the same thing in restaurants. I do it myself now too, where I get the menu and I’m not seeing what the stuff on it. And I just ask and say, Hey, what non alcoholic stuff do you have?”
Tell us how we can learn more about Joyus. Shopping and following on social media.
Jessica Selander: So all of our social media stuff, our website is DrinkJoyus.com. Our Facebook, our Instagram, our TikTok are all DrinkJoyus
And on the website, there is this Find Joyus store finder map. So you can look on there and find us closest to you and working hard to add new stores pretty much weekly and email, email us. There’s a contact form on the website. Email. If you’re like, Hey, there’s a store by me. I want them to carry you. Email us. And we will call them and we will try, we’ll do our best and we’ll call them again three months later and we’ll call them again.
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