Broadway is buzzing again—and this time, it’s not just the neon lights in Times Square. Maybe Happy Ending, the Tony Award-winning musical sensation now playing at the Belasco Theatre, is about to get a heartfelt reboot.
Rising Broadway and Hollywood star Andrew Barth Feldman will take over the role of “Oliver,” the charming Helperbot, for a strictly limited 9-week engagement beginning September 2, 2025.
Following the departure of Darren Criss, Feldman brings a fresh spark to a show already heralded as “Best Theatre of 2024” by virtually every major critic. For anyone craving a show that blends romance, robots, and raw humanity, now’s the time to plug in—because Maybe Happy Ending just got a new beginning.
Andrew Barth Feldman Breathes New Life into Oliver
Taking over a beloved role on Broadway is no small feat—especially one previously inhabited by Darren Criss, a Tony, Emmy, and Golden Globe winner. But for Andrew Barth Feldman, this transition feels more like destiny than substitution.
“I am so in love with this show and with Helen J Shen…
That they trust me with this role, and are giving me the ridiculous gift of sharing it with Helen, i
s an honor beyond words,”
Feldman.
Feldman, known for his powerhouse performance in Dear Evan Hansen and his breakout film role alongside Jennifer Lawrence in No Hard Feelings, brings a youthful sincerity and natural charm that perfectly aligns with Oliver—the lovable, outdated Helperbot with a longing for connection.
This casting change isn’t a mere shuffle—it’s a bold and emotionally grounded choice by a creative team known for innovation. As Will Aronson, Hue Park, and Michael Arden said in a joint statement:
“Andrew is a remarkable talent—emotionally honest, musically gifted, and full of heart…
We fell in love with Andrew’s take on the role of Oliver
when he appeared as the reader in Helen J Shen’s initial audition tape.”
A Show for the Upper West Side, Brooklyn—and Beyond
With its offbeat charm and universal themes of love and human connection, Maybe Happy Ending has captivated audiences across New York—from the chic Upper East Side to the indie enclaves of Brooklyn.
Set in a futuristic Seoul, this original musical tells the story of Oliver and Claire—two aging Helperbots—who unexpectedly rediscover love, purpose, and each other. Critics and audiences alike have praised the show’s daring narrative and lush score, with The New York Times, Time Out NY, and The Washington Post all naming it a top theatrical event of the year.
This production also happens to be a technical and creative powerhouse. With direction by Michael Arden (Parade, Once on This Island) and a creative dream team that includes:
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Set Design by Dane Laffrey
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Costume Design by Clint Ramos
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Lighting by Ben Stanton
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Sound by Peter Hylenski
…this musical is a feast for the eyes, ears, and soul. If you’ve ever questioned whether robots can feel—or whether you still can—this is your sign.
A Broadway Event Backed by Awards and Global Recognition
Already a six-time Tony Award winner, Maybe Happy Ending also boasts accolades from the Drama Desk Awards, Outer Critics Circle, and New York Drama Critics’ Circle.
What began as a Korean-language musical in 2016 has evolved into a cross-cultural Broadway phenomenon. It was first introduced to U.S. audiences at Atlanta’s Alliance Theatre before debuting in NYC in 2024. Now, as the original Broadway cast recording (available via Ghostlight Records) hits streaming platforms, the show’s reach is expanding globally.
If you’re planning to attend, whether from the bustle of Midtown or the artistic heart of Williamsburg, rush and lottery tickets are available, making access more inclusive than ever:
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In-person Rush: $40 at the box office
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Digital Rush: $45 via Telecharge
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Lottery: Enter the day before for a chance at $45 tickets
Looking Ahead: A National Tour and New Horizons
Even as Broadway revels in Feldman’s arrival, producers are already planning for the future. A multi-year North American tour will launch in Fall 2026, beginning in Baltimore before hitting over 30 cities including Los Angeles, Chicago, and San Francisco. With its universal appeal and modular storytelling, Maybe Happy Ending is poised to become the next great American export in musical theater.
And the casting? Still wide open. The creative team hinted at more surprises to come:
“We’re so excited for what Andrew will bring to this next chapter
and can’t wait to see who will plug into Oliver’s charger next.”
Now is the Time to See Maybe Happy Ending
If you live in New York—or are planning a fall visit—you won’t want to miss Andrew Barth Feldman’s limited 9-week engagement. With performances starting September 2 and ending November 1, this is a fleeting, electric chapter in an already unforgettable show.
Whether you’re a Broadway veteran or new to musicals, Maybe Happy Ending is the kind of experience that stays with you—lyrically, emotionally, and maybe even existentially.
So, make a date with destiny at the Belasco Theatre.
