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Cocktail magic, competition, celebration: Vietnam Cocktail Festival 2024 at iconic Sheraton Saigon Grand Opera Hotel

Cocktail magic, competition, celebration: Vietnam Cocktail Festival 2024 at iconic Sheraton Saigon Grand Opera Hotel.

MC Petey Majik hosted the 2-day Vietnam Cocktail Festival 2024 June 14-15 celebrating with flavor, masterclasses, magic, competition.  Tracie May captured it all.

Photos courtesy of Nick Middleton @glam.foodbev 

Tracie May at Vietnam Cocktail Festival 2024

Tracie May at Vietnam Cocktail Festival 2024

A  spectacular 2-day summer celebration, welcomed over 1000 cocktail enthusiasts and connoisseurs alike to the iconic Sheraton Saigon Grand Opera Hotel.

The vibrant cocktail carnival featured a dazzling array of over 130 cocktails from 36 premium global spirits, liqueurs and mixer brands. 

Fernet Branca poured at event

Fernet Branca poured at Vietnam Cocktail Festival 2024

A gathering of Vietnam’s top mixologists, innovative concoctions were expertly mixed by a combination of the country’s most respected bartenders and up-and-coming talents. 

Cocktail Carnival part of Vietnam Cocktail Festival 2024

At the heart of the festival was a showcase of Vietnam’s craftsmanship and creativity, where seasoned mixologists flexed their skills to craft tantalizing libations. 

The Botanist at Vietnam Cocktail Festival 2024

The Botanist at Vietnam Cocktail Festival 2024

From classic cocktails with a Vietnamese twist to avant-garde creations pushing the boundaries of flavor, each drink was a testament to the artistry and innovation within Vietnam’s ever-growing cocktail scene.

For guests inspired to continue the cocktail adventure at home, Mercantile Vietnam provided the option for attendees to purchase a bottle of their favorite brand from the event and have it shipped directly to their door.  

Entertainment Extravaganza

The event’s charismatic MC Petey Majik led the carnival atmosphere and captivated the audience with a spellbinding magic show accompanied by igniting cocktail flaring performances from the talented Chương and Phước.  

Tracie May with Clase Azul at Vietnam Cocktail Festival 2024

Tracie May with Clase Azul at Vietnam Cocktail Festival 2024

On Friday, the stage was taken over with a charismatic live performance from Vietnam’s premier DJ and saxophone duo Omar and Pierre. The party continued Saturday with the contagious energy of DJ PIA.

Interactive Masterclasses and Exclusive Tasting Room

For spirits connoisseurs the festival also offered a wealth of knowledge with 4 optional interactive masterclasses hosted per day, where industry experts from Lady Triệu, Bruichladdich, Jose Cuervo, Highland Park and Lý Gia Viên shared their craft and insights with eager participants. 

Tracie May with Michelin Star Chef:Owner of Ănăn Saigon Peter Cường Franklin

Tracie May with Michelin Star Chef:Owner of Ănăn Saigon Peter Cường Franklin

Luxury spirits aficionados could enhance their experience further and purchase tickets to enter the event’s Exclusive Room, featuring personalized tastings from 8 of the world’s super and ultra-premium brands, with a combined retail price of over 600 Million VND.

Competitive Spirit

One of the highlights of the festival was the highly anticipated Best Cocktail, Best Bartender and Best Brand Competitions with guests encouraged to vote for their favorites.

Bartenders from across the country battled it out for top honors.

With precision, flair, and a dash of showmanship, contestants dazzled spectators with their signature creations, showcasing the ingenuity and talent within Vietnam’s cocktail community.

Shanky’s Whip at Vietnam Cocktail 2024

Shanky’s Whip at Vietnam Cocktail 2024

On Saturday 15th June, the 2024 winners were announced: Mai Thanh Phong’s “Banh Mi Saigon” cocktail, made with Matusalem Rum, won Best Cocktail.

Nguyen Tuan Cuong, who works at Yugen Bar and is sponsored by Shanky’s Whip, was named Best Bartender. Also, Jägermeister was awarded Best Brand of the event.

Cultural Fusion

Beyond the cocktails themselves, the festival served as a social celebration of cultural fusion, from modern Vietnamese influences to global trends, the event highlighted the diverse tapestry of brands and the pioneering people shaping the country’s dynamic cocktail scene.

Vietnam’s Cocktail Revolution

As the final glasses were raised and the last drops were savored, the Vietnam Cocktail Festival 2024 left an indelible mark on the hearts and palates of all those who attended. With its vibrant energy, innovative spirit, and unwavering passion for mixology, the festival has undoubtedly cemented its place as a must-attend event on the global cocktail calendar, promising even more excitement and inspiration in the years to come.

Cheers to the next chapter of Vietnam’s cultural cocktail revolution! 

Awards were announced on Saturday, June 15th, at 8 PM

Best Cocktail of the Event 2024

  • Cocktail Name: Bánh Mì Sài Gòn
  • Bartender Name: Mai Thanh Phong
  • Brand Name: Matusalem Rum
  • Bar Name: Madam Kew Bar

Best Bartender of the Event 2024

  • Bartender’s Name: Nguyen Tuan Cuong
  • Brand Name: Shanky’s Whip
  • Bar Name: Yugen Bar

Best Brand of the Event 2024

  • Brand Name: Jägermeister

Participating Brands:

  • Large Exhibitors: Lady Triệu, Jose Cuervo, Cointreau
  • Medium Exhibitors: Bushmills, Naked Malt, Kaibutsu, 1800, Campari, RCR Crystalleria Italiana.
  • Small Exhibitors: Kurayoshi Matsui, Duncan taylor, Lark Distillery, Hangar 1 Vodka, Maestro Dobel, Bruichladdich Distillery Company, Passoa, The Botanist, No3 London Dry Gin, Dictador The Arthouse Spirit Brand, Colombian Gin, Stranger & Sons Gin, Fernet Branca, Espolon Tequila, Michter’s, Shanky’s Whip, Gran Centenario Tequila, Jägermeister, The Kyoto, Drumshanbo Gunpowder Irish Gin, Matusalem, Brookies Byron Gin, Ly Gia Vien, Torani, Fentimans, Mercantile.

Participating Bars (in collaboration with brands):

  • Kraken x The Dot Bar
  • Sexton x Dram Bar
  • Wild Turkey x Lost Birds Bar
  • Glenrothes x Firkin Bar

Master Classes: Lady Trieu, Bruichladich, Jose Cuervo, Ly Gia Vien, Highland Park

Photos courtesy of Nick Middleton @glam.foodbev 

NYC Foodies Head to Colorado: Winemaker Ben Parsons from The Ordinary Fellow reveals Wine, Food and Nature in Palisade CO

NYC Foodies Head to Colorado: Winemaker Ben Parsons from The Ordinary Fellow reveals wine, food and nature

Ben Parsons, Winemaker and Owner of The Ordinary Fellow in Palisade, Colorado

Ben Parsons, Winemaker and Owner of The Ordinary Fellow in Palisade, Colorado

Today’s conversation has been edited for length and clarity.  For the full, un-edited conversation, visit our YouTube channel here

Joe Winger: 

Just to touch on background a little bit, you were the winemaker and founder of a very successful urban winery, the Infinite Monkey Theorem

Then you chose to move on to where you are now at The Ordinary Fellow

What was that transition like for you?

Ben Parsons: 

The Infinite Monkey Theorem was really about disrupting the wine industry and trying to make wine fun and relevant and accessible. 

We were the first ones in the U.S. to put wine in the can. We started kegging in 2008. 

It was really about creating these urban winery spaces, just a tap room for a craft brewery in a city where everyone could come down and enjoy. 

After 11 years of taking that to a 100,000 case production distributed in 42 states, there was a really good opportunity for me to get back to what I wanted to do, which is being in a vineyard.

Even though that might sound like a cliche, there is something quite romantic about farming and being surrounded by nature and really trying to make the very best wine you can from Colorado fruit that you grow and putting it in a bottle versus buying someone else’s wine and putting it in a can, they’re like two very different things.

I had an opportunity to take over a vineyard in southwest Colorado down in the Four Corners just outside of Cortez, where the Four Corners meet. 

It was in disrepair and hadn’t been pruned in four years. So I got back in there and now it’s looking really good.

So that’s taken 4 years.  Yeah it’s relatively small. It’s 13 acres of Riesling, Chardonnay, Cabernet Sauvignon. 

Sits at 6,000 feet elevation. So very high for a commercial vineyard. And it’s beautiful. 

It sits on a national monument called the Yucca House, which is an un-excavated ancestral Pueblan ruin from between the 10th and 12th century.

Starts at Mesa Verde, which most people are familiar with for the ancestral cliff dwellings from the Pueblans down there. It’s just a beautiful location. 

Yeah, two very different things, but kind of coming full circle almost as to what I got me into the industry in the beginning, back in the late 90s.

And now back there, but doing it on my own.

 

Palisade Colorado Winemaker Ben Parsons takes a Vineyard Tour

 

Joe Winger: 

Your famous quote in the wine world: “I miss being in the vineyard”

So for our audience, who’s going to go to wine country this weekend or this summer, when they take a vineyard tour, what should they be looking at?

Ben Parsons: 

As to how wine gets from a vineyard and a grape to a bottle. Most people think it just ends up on a grocery store shelf and that is not the case.

It’s really the idea that you could grow something from rootstock, farm it, suffer the vagaries of agricultural production, deal with all of those challenges,  do it in a sustainable way. 

Ben Parsons, Winemaker and Owner of The Ordinary Fellow in Palisade, Colorado

Ben Parsons, Winemaker and Owner of The Ordinary Fellow in Palisade, Colorado

Determine when you’re going to pick that fruit. Take it into the winery. Ferment it. Turn it into wine. Age it in a barrel. Bottle it. Decide on the branding. Decide on the naming. Come up with a label design. 

Take it to all of those small awesome restaurants that everyone wants to hang out at because they’re making great food and getting good press.

You see my wine or I see my wine on someone else’s table, drinking it and to think where that came from.

And how many times those grapes got moved from a to b and then back, from b to c and then c to d whether it be like shoveling grapes with a pitchfork for a destemmer. 

Or shoveling fermented grapes into a press with a Home Depot bucket.

Or picking that case up and taking it from here to here, that got handled so many times, so much went into that, that I think there’s a huge disconnect amongst most consumers. 

Palisade Colorado Winemaker Ben Parsons on the Area’s Natural Beauty

Joe Winger: 

You chose to be in Palisade, Colorado making your wine. 

Tell us a little bit about the region and why someone should come visit you in Colorado?

Ben Parsons: 

Palisade is beautiful. It’s on the Western slope of Colorado. It’s about a 4 hour drive West of Denver over the mountains.

About 4 1/2 hours East of Salt Lake City. 

It’s an American Viticultural Area designate called the Grand Valley and it’s pretty stunning. 

You come through this Canyon called the Back Canyon on the North side, you have these book cliff mountains that  rise above you on the South side, you have the Colorado River, and it’s a very niche microclimate. It’s definitely an agricultural community.

What a lot of people don’t realize, because they just drive straight past on I-70 is it’s proximity to all things good, outdoorsy. 

Within 28 minutes I could be at a local ski resort called Powderhorn. It got 32 feet of snow last year 

I’m an hour and a half from Aspen.

I’m an hour and 20 minutes from Moab. 

I’m a 10 minute drive from Fruita, which has the best mountain biking in the world. 

It’s all old Indian territory. There’s wild mustangs up on the book cliffs. 

It’s known for its fruit. It’s actually known for its peaches, believe it or not.  Some of the best peaches grown anywhere in the United States. Arguably the best. 

But it’s a very small microclimate. 

Palisade is around 4,500 feet elevation. There’s about 26 wineries you can tour and visit. Take a few days, spend a weekend. 

There’s some good local restaurants, growing their own produce and making real good farm to table food.

Grand Junction is a city that in the last 5 years has really exploded. 

And Grand Junction is 10 minutes from Palisade. It went through a series of boom and busts during the oil shale boom business back in the day, but now it’s strongly focused on tourism.

Lots of people are leaving the front range of Denver, Colorado Springs and  moving to the Western slope for a kind of quality of life.

Also we have a lot of California transplants because it is cheaper to live. You are outdoors all the time. You can travel long distances very quickly.  I put 42,000 miles on my car this year delivering wine all over the state of Colorado. 

I feel like the state and this particular area has a lot going for it.  Definitely more than enough to fill a long weekend or a week’s trip. 

Exploring vineyards, food, farms, outdoor opportunities. 

Taking a trip to Moab, it’s really pretty. It’s one of the reasons I moved here. 

I’d been in the city for a long time. I grew up just South of London in England, but I lived in London for some time and I loved it when I was young.  I love Denver as well.

When I started the Infinite Monkey Theorem, that was really when a lot of people were moving to Denver and it was becoming something substantial. 

It was one of the fastest growing cities in the country at that time. 

I feel like we were a big part of pushing that growth and in tandem with the other food and beverage scene, like craft breweries and good restaurants.

Joe Winger: 

You’ve mentioned different restaurants and food and dinner.  Our audience primarily are foodies.   We’re in Colorado for a wine weekend, we come to the Ordinary Fellow for a wine tasting.

Can you suggest a few places and different cuisines that are a must visit within 20-30 minutes of you?

Ben Parsons: 

In Palisade there’s a good restaurant called Pesh. One of the former line cooks at a linear in Chicago started it with his wife, maybe 5-6 years ago. It’s excellent. 

In Grand Junction, where most people stay there’s a few good restaurants started by this guy, Josh Nirenberg, who has been nominated for James Beard award several times for best chef and has one called Bin 707,  Then he just opened a third called Jojo’s. He also has a kind of trendy taco spot called Taco Party, which is a fun name. 

If you like craft cocktails, there’s a new place that opened called Melrose Spirit Company. Guy opened it in a hotel that was recently renovated. Really cute, really excellent cocktails.

Joe Winger: 

Let’s get into the wine geek stuff now and talk about your vineyards. You have Colorado Box Bar, Hawks Nest.

So let’s talk through terroir, soil type, elevation. 

Ben Parsons: 

So Box Bar, It’s in Cortez, sits around between 6,000 feet elevation.

It’s on this weatheral loam that has some clay in it, which has these water retention properties. It is essentially a desert. So you do have to drip irrigate, there’s less than 7 inches of precipitation a year. 

So very little rainfall which is good in some ways in that there is very little disease pressure.

You’re not having to spray. There’s no necessity to spray for powdery mildew or anything down at our vineyards. 

It’s essentially farmed very minimalistically. 

Lagging very sustainably, which I know people appreciate. 

Riesling, Cabernet Sauvignon, Chardonnay. We’re just planting some Chenin Blanc and some Charbonneau, which is an italian red varietal as well. 

Hawk’s Nest is not my own property, but I work with a grower called Guy Drew who planted four different kinds of Pinot Noir and two different kinds of Chardonnay there.

That vineyard is at 6, 800 feet and that is the highest commercial vineyard in North America. 

Similar soil properties as the Box Bar. Making some really good Pinot Noir. 

I think what’s interesting about Colorado is we have a very short growing season, 155 – 165 days.  Napa has 240 days. That’s frost free days. 

So the thing is that we have such high sunlight exposure because of the elevation and the ultraviolet light that we have the same number of degree days as Napa Valley. So we can ripen like Cabernet Sauvignon, but we’re ripening it in a shorter period of time.  That’s fairly unique. 

The Ordinary Fellow is really focusing on traditional French varietals from Chenin Blanc Chardonnay, Cabernet Sauvignon, Syrah.

Most recently we took over a vineyard in Utah so I’m actually farming a vineyard about 1 ½ hour drive from Moab called Montezuma Canyon Ranch. 

That’s this ancient sandstone with a little bit of clay in there that was planted in 2007. 12 acres of Chenin Blanc, Merlot, Riesling Chardonnay.  We made an awesome Utah Rosé vineyard last harvest 2023, which we just released. 

You don’t see that many wines from Utah so that’s why I’m excited about it. 

I think there’s only 6 wineries in Utah and I’m not sure that many of them get their fruit from Utah.

Joe Winger: 

You mentioned that you have one of the highest peak elevation commercial vineyards in North America.

What are the benefits and the disadvantages to such a high elevation?

Ben Parsons: 

If you think about spending any time on a mountain, it can be really warm, but as soon as the sun goes down, it gets very cold. 

So having high elevation vineyards, even though you might be in a quite a hot growing region as soon as the sun goes down, the temperature does drop.

You have a large diurnal temperature shift. 

So in Cortez, in the growth, during the growing season or during ripening, say late September, mid September, late September. We could be 85 to 90 in the day, but 45 to 50 at night, which is a really big temperature swing. 

It basically means that the vine has a kind of chance to just shut down and rest.

From an enology perspective, you can retain more natural acidity in the fruit because it’s not being metabolized by having a lot of sunlight constantly and higher temperature. So we don’t have to make any artificial acid additions or anything like that you may have to do in more established wine regions in the United States. 

Our wines all have really great balance to them and really good acidity. None of them are overdone. They’re not big, jammy, overly alcoholic. 

They’re all well balanced between acids, tannin, alcohol, sugar, but they’re all bone dry. 

There is no fermentable sugar in any of them, which leads to palate weight and mouthfeel, but but they’re not sweet per se. 

Even my Riesling is bone dry.

Joe Winger: 

During the Infinite Monkey Theorem days you led the canned wines movement.  

How does it feel seeing it become so incredibly popular and any big lessons you learned from that experience?

Ben Parsons: 

I genuinely believe that [we led with canned wines].  In 2009 we entered into a R and D project with Ball Corporation, the largest supply of aluminum cans in the world. 

To figure out how to can wine and everyone thought it was stupid and everyone just turned their noses up at it and thought that RTD wine and RTD drinks were stupid.

It’s a tough question because I think that canned wine is good because of its use application, primarily.  Where you can take it and where you can drink it. 

Now, very rarely do I see people putting the best wine they’ve ever made in a can. So I think it’s all about where you want to drink it, who you want to drink it with.  There’s definitely this kind of utility aspect to it. 

Also price point wise, you don’t see that many canned wine, four packs above $16,

I would say so. Yeah, price wise, it’s fairly economical from a sustainability perspective. It makes a lot of sense.

But from an absolute quality perspective, you’re probably still going to be buying bottled wine over canned wine. 

It’s all about where you’re going to consume it. 

Sometimes when I see it I think about when you start any category, there’s always those people that are out there doing it way before anyone else is doing it.  It’s those people that usually don’t reap the benefits of it because they put all of the effort into it. 

I look at LinkedIn occasionally and I’m just baffled by people that think that it’s a new thing.  It just blows my mind. 

Joe Winger: 

You have an excellent sparkling wine and you’ve mentioned England’s excitement about the sparkling. 

Why is England falling in love with sparkling wine? And why should all of us be falling in love with sparkling wine?

Ben Parsons: 

Historically, England has consumed a lot of sparkling wine. 

But in terms of actually growing grapes and making their own sparkling wine, that’s happened in the last 20 years. 

That’s one of those unfortunate advantages of global warming in a kind of isolated geographical area that previously, you wouldn’t have been able to ripen Chardonnay, Pinot Noir, Pinot Meunier.

It would have been a challenge making really good sparkling wine in Kent and Sussex and Southeast England where a lot of it is made. 

But with a few degrees temperature rise, that’s now possible. And it’s the same chalk escarpment as champagne. They’re very close to each other.

They’re just separated by 24 miles of the English Channel, right? 

So they’re actually geographically very close to each other a little further than 24 miles, but climatically very similar. 

So actually, a lot of French champagne houses have bought up land in Kent and Sussex over the last 20 years and have been planting that, and now some of the bubbles are coming out.

Joe Winger: 

When I have an opportunity to speak with an Oregon winemaker, we often talk about the challenges based on their region. Do you feel like you are also in a region [Colorado] that’s more problematic?

Can you share a lesson you’ve learned from solving some of those problems?

Ben Parsons: 

The whole industry because of the shortness of the growing season, it’s always on a knife edge because you can have late spring frosts that can come through a bud break and just wipe you out.

But you can also have these freak-like early winter freezes in October where there’s there’s still fruit hanging or maybe it’s just come off and it goes from 70 degrees in the day to 8 degrees suddenly, and the sap still flowing in the vines and then all of the vines, the trunks split, the cordon split.

That’s what happened in Palisade maybe 3 or 4 years ago now. 

Then in Cortez where Box Bar is, last year we had a hailstorm come through just after the bud break. So our Chardonnay was out and got wiped out. Then the secondary buds pushed and we went from a crop of 36 tons to 10 tons overnight.

That’s just agriculture anywhere. Unfortunately that’s just one of the risks.

Joe Winger: 

Let’s talk about wine. Their flavor profiles. The different bottles you offer.

When we come visit your tasting room in Palisade, Colorado any hints about what they should be excited to taste?

Ben Parsons: 

 

Blanc de Noir

Yeah the sparkling wine, that’s Blanc de Noir, so that’s 100% Pinot Noir. That’s about as geeky as it gets, because that’s single vineyard, single grower, single clone of Pinot Noir. only 8 months in barrel.  The base wine was barrel aged for about 6 months, and then it was entourage, lying on its utilise in a bottle for six months.

Then it’s put on a riddling rack and hand riddled one bottle at a time. Then disgorged by hand, just take the top off, put your thumb over the top of it so nothing comes out and then no dosage.

So again, just super geeky, like really bone dry, like really crisp, great acid. So that is that wine is super hands on.

It’s delicious. It still gets those more developed, brioche-y notes. Texturally it’s very pleasing on the palate. I think we make really good method champignons, bottle fermented sparkling wine. 

 

Chardonnay

A lot of people these days think it’s trendy to not like chardonnay, because they heard somewhere about that, but there are actually some really good Chardonnays out there, which aren’t all aged in new French oak and haven’t all gone through like a creamy buttery secondary fermentation. And I think mine is one of them. It was aged in 8 year old barrels.  So there’s really no influence on it at all. 

It’s all hand harvested or whole cluster pressed. I think that wine has a really pretty texture, like this palette coating texture but it has really good acidity and it smells like a ripe peach or a dried apricot. It’s really pretty.

Pinot Noir

Our red pinot noir.  Again that spent just 9 months in neutral barrels so I think there was a trend like 20 years ago to put everything in a brand new barrel and every winemakers thought it was cool, but you know in the last 5 – 6 years, I think that has changed 

Winemakers are really trying to let the soil and let their vineyards speak for themselves.

Minimal kind of intervention to a certain extent. It is the trend.

Our Pinot Noir has done really well. It’s on the much lighter side. I would say it’s more like a German style Pinot Noir, like lighter with really good acidity, firm tannin. Beautiful aroma.

I think all of our wines are just very well balanced. Very food friendly, very clean. They’re not funky. I’m very proud of that.

Joe Winger: 

I’m assuming balance and the clean is a style choice by you? 

Ben Parsons: 

Balance is easy because it’s done in the vineyard because of the elevation and the retention of acidity.  It’s just about when you pick it. So you’re tasting [the grapes] for flavor and like phenolic ripeness and the seeds being brown, et cetera, but you’re also testing a few for your pH, your titratable acidity and your sugar levels. Then you make an informed decision as to when you’re picking it. 

The cleanliness part of it really just comes down to the fact that I feel like winemakers, even though this doesn’t sound very romantic, you’re almost just like an insurance manager in that you don’t want to mess it up.

So you make informed decisions, preemptively.  You top your barrels, like every 2-3 weeks, you do things to make sure the wine, does not end up flawed  through a secondary characteristic developing.   

Sometimes that’s a flavor enhancer and sometimes that’s good, but when it’s overdone…  I believe there are a lot of wines that they get away with it these days.  To me it’s just bad winemaking.

I’m definitely kind of a minimal interventionist 

Joe Winger: 

I always feel like white wine doesn’t get enough love and respect. People love talking about the complexities of reds.  You make a phenomenal Riesling

Ben Parsons: 

Interestingly I really don’t drink red wine anymore. Occasionally I’ll drink some Pinot Noir, but I much prefer drinking white wines. I think a lot of people in the industry crave acidity, and yeah, my reasoning is a good example.

The general consumer in the U. S. still thinks that all raisins are sweet. I think that’s just a common misconception, that’s purely a stylistic choice from the winemaker, and my choice is to allow the yeast to ferment all of the sugar until there is no residual sugar.

To have a wine with high natural acidity that pairs well with food. That’s my choice as a winemaker. Those are the wines that I enjoy most that kind of just leave your palate just like this rasping acidity. Take the enamel off your teeth, and but have beautiful aroma.

Our Riesling is starting to show some characteristics from being in the bottle for 18 months. Where it gets those kind of, it’s tough to say about making it sound bad, but those more kerosene-y , kind of petroleum, kind of eraser like notes, which are very typical of Riesling, intertwined with really nice citrus and green apple.

Yeah, and like really just good structure. That benefits from growing at elevation here for sure.

Joe Winger: 

Petit Verdot is probably lesser known, less popular, but it deserves all the love anyway. 

Ben Parsons: 

Petit Verdot, interesting, like one of the six red Bordeaux grape varieties. Bordeaux is maritime climate. It’s much cooler than Colorado.

It doesn’t really get the chance to ripen as well as it does here. So when it can ripen, it doesn’t just need to get blended into Cabernet Sauvignon or something to just give it more tannin and more structure. 

Here it can stand alone as a single varietal. 

The greenness is gone. The tannin is not like just rip your face off tannin.  It’s well developed. Like silky, velvety, firm, but not like really dry and like Petit Verdot can be.  Aromatics are very lifted on it, and it’s not a massive red wine by any means.

That’s grown at a vineyard about half an hour from Box Bar called Canyon of the Ancients and that vineyard was planted in 2006.

Unfortunately we only made about 99 cases of that wine. It’s fun to introduce people to wines that they probably haven’t heard of, but wines that that can stand up to any good red wines that you may have heard of.

Palisade Colorado Winemaker Ben Parsons reveals his Favorite Food

Joe Winger: 

Do you identify yourself as a foodie?   Can you pick 1-2 of your bottles and your favorite dish for dinner tonight?

Ben Parsons: 

Yeah I would definitely pair my Riesling with a Thai curry or even a panang curry. I think it does really well with oriental food that has some level of heat to it. But also I think it does really well with a charcuterie plate, some almonds and some cheese. I think you can’t go wrong with that. 

Then my Petit Verdot, for example I think there is more tannin in there.  For those of us that like the light grilling you couldn’t go wrong with serving that with a ribeye. It’s delicious.  Or if you’re cooking a little heartier food in the winter, maybe a lasagna.  Something that can really work with that tannin.

I think my wines do well with a lot of different food just because of the balance that they have, they’re not going to overpower the food and vice versa, which is what it’s all about. 

But I also enjoy them, just having a glass on its own, to be honest.  When I get home from work, sometimes I love that.

Joe Winger: 

I’m watching your Instagram videos quite a bit, and it seems like you’re having a lot of fun sharing knowledge, showing your vineyard, showing what it’s like day to day.

Ben Parsons: 

The one time that I do enjoy social media is when you’re in the vineyard or you’re doing something that seems that other people might never have seen before.

I’m in awe of where I am because I feel like it comes across in those videos. It’s pretty down here today, and those are beautiful vineyard sites.

Or if you’re filtering a wine or racking a wine or, trying or shoveling grapes.

Just the imagery comes across and really shows how much work is involved in it. I always struggle when it’s like go take a photo of a bottle of wine in front of a restaurant.  I don’t know how you make that look cool.

Find more about Ben Parson’s The Ordinary Fellow website, instagram

More about Palisade, CO

 

NY FlavR

Cocktail magic, competition, celebration: Vietnam Cocktail Festival 2024 at iconic Sheraton Saigon Grand Opera Hotel

Cocktail magic, competition, celebration: Vietnam Cocktail Festival 2024 at iconic Sheraton Saigon Grand Opera Hotel.

MC Petey Majik hosted the 2-day Vietnam Cocktail Festival 2024 June 14-15 celebrating with flavor, masterclasses, magic, competition.  Tracie May captured it all.

Photos courtesy of Nick Middleton @glam.foodbev 

Tracie May at Vietnam Cocktail Festival 2024

Tracie May at Vietnam Cocktail Festival 2024

A  spectacular 2-day summer celebration, welcomed over 1000 cocktail enthusiasts and connoisseurs alike to the iconic Sheraton Saigon Grand Opera Hotel.

The vibrant cocktail carnival featured a dazzling array of over 130 cocktails from 36 premium global spirits, liqueurs and mixer brands. 

Fernet Branca poured at event

Fernet Branca poured at Vietnam Cocktail Festival 2024

A gathering of Vietnam’s top mixologists, innovative concoctions were expertly mixed by a combination of the country’s most respected bartenders and up-and-coming talents. 

Cocktail Carnival part of Vietnam Cocktail Festival 2024

At the heart of the festival was a showcase of Vietnam’s craftsmanship and creativity, where seasoned mixologists flexed their skills to craft tantalizing libations. 

The Botanist at Vietnam Cocktail Festival 2024

The Botanist at Vietnam Cocktail Festival 2024

From classic cocktails with a Vietnamese twist to avant-garde creations pushing the boundaries of flavor, each drink was a testament to the artistry and innovation within Vietnam’s ever-growing cocktail scene.

For guests inspired to continue the cocktail adventure at home, Mercantile Vietnam provided the option for attendees to purchase a bottle of their favorite brand from the event and have it shipped directly to their door.  

Entertainment Extravaganza

The event’s charismatic MC Petey Majik led the carnival atmosphere and captivated the audience with a spellbinding magic show accompanied by igniting cocktail flaring performances from the talented Chương and Phước.  

Tracie May with Clase Azul at Vietnam Cocktail Festival 2024

Tracie May with Clase Azul at Vietnam Cocktail Festival 2024

On Friday, the stage was taken over with a charismatic live performance from Vietnam’s premier DJ and saxophone duo Omar and Pierre. The party continued Saturday with the contagious energy of DJ PIA.

Interactive Masterclasses and Exclusive Tasting Room

For spirits connoisseurs the festival also offered a wealth of knowledge with 4 optional interactive masterclasses hosted per day, where industry experts from Lady Triệu, Bruichladdich, Jose Cuervo, Highland Park and Lý Gia Viên shared their craft and insights with eager participants. 

Tracie May with Michelin Star Chef:Owner of Ănăn Saigon Peter Cường Franklin

Tracie May with Michelin Star Chef:Owner of Ănăn Saigon Peter Cường Franklin

Luxury spirits aficionados could enhance their experience further and purchase tickets to enter the event’s Exclusive Room, featuring personalized tastings from 8 of the world’s super and ultra-premium brands, with a combined retail price of over 600 Million VND.

Competitive Spirit

One of the highlights of the festival was the highly anticipated Best Cocktail, Best Bartender and Best Brand Competitions with guests encouraged to vote for their favorites.

Bartenders from across the country battled it out for top honors.

With precision, flair, and a dash of showmanship, contestants dazzled spectators with their signature creations, showcasing the ingenuity and talent within Vietnam’s cocktail community.

Shanky’s Whip at Vietnam Cocktail 2024

Shanky’s Whip at Vietnam Cocktail 2024

On Saturday 15th June, the 2024 winners were announced: Mai Thanh Phong’s “Banh Mi Saigon” cocktail, made with Matusalem Rum, won Best Cocktail.

Nguyen Tuan Cuong, who works at Yugen Bar and is sponsored by Shanky’s Whip, was named Best Bartender. Also, Jägermeister was awarded Best Brand of the event.

Cultural Fusion

Beyond the cocktails themselves, the festival served as a social celebration of cultural fusion, from modern Vietnamese influences to global trends, the event highlighted the diverse tapestry of brands and the pioneering people shaping the country’s dynamic cocktail scene.

Vietnam’s Cocktail Revolution

As the final glasses were raised and the last drops were savored, the Vietnam Cocktail Festival 2024 left an indelible mark on the hearts and palates of all those who attended. With its vibrant energy, innovative spirit, and unwavering passion for mixology, the festival has undoubtedly cemented its place as a must-attend event on the global cocktail calendar, promising even more excitement and inspiration in the years to come.

Cheers to the next chapter of Vietnam’s cultural cocktail revolution! 

Awards were announced on Saturday, June 15th, at 8 PM

Best Cocktail of the Event 2024

  • Cocktail Name: Bánh Mì Sài Gòn
  • Bartender Name: Mai Thanh Phong
  • Brand Name: Matusalem Rum
  • Bar Name: Madam Kew Bar

Best Bartender of the Event 2024

  • Bartender’s Name: Nguyen Tuan Cuong
  • Brand Name: Shanky’s Whip
  • Bar Name: Yugen Bar

Best Brand of the Event 2024

  • Brand Name: Jägermeister

Participating Brands:

  • Large Exhibitors: Lady Triệu, Jose Cuervo, Cointreau
  • Medium Exhibitors: Bushmills, Naked Malt, Kaibutsu, 1800, Campari, RCR Crystalleria Italiana.
  • Small Exhibitors: Kurayoshi Matsui, Duncan taylor, Lark Distillery, Hangar 1 Vodka, Maestro Dobel, Bruichladdich Distillery Company, Passoa, The Botanist, No3 London Dry Gin, Dictador The Arthouse Spirit Brand, Colombian Gin, Stranger & Sons Gin, Fernet Branca, Espolon Tequila, Michter’s, Shanky’s Whip, Gran Centenario Tequila, Jägermeister, The Kyoto, Drumshanbo Gunpowder Irish Gin, Matusalem, Brookies Byron Gin, Ly Gia Vien, Torani, Fentimans, Mercantile.

Participating Bars (in collaboration with brands):

  • Kraken x The Dot Bar
  • Sexton x Dram Bar
  • Wild Turkey x Lost Birds Bar
  • Glenrothes x Firkin Bar

Master Classes: Lady Trieu, Bruichladich, Jose Cuervo, Ly Gia Vien, Highland Park

Photos courtesy of Nick Middleton @glam.foodbev 

“Lively, lush, and layered” — Paso Robles’ Serial Wines Expands with Flavor

Paso Robles’ Serial Wines Expands with Flavor and Filmmaking as ‘Official Wine’ at The San Diego International Film Festival

SERIAL WINES, PASO ROBLES FURTHER EXPANDS WITH TWO NEW BLENDS

Serial Wines, within the John Anthony Wine & Spirits portfolio, introduces two new wines in this series of winesshowcasing the exciting and fast-growing Paso Robles AVA: NEW Serial White Blend and NEW Serial Red Blend.

This extension of the Serial Wines collection comes days following the company’s announcement of expansion plans under the new name of John Anthony Wine & Spirits by Founder and CEO, John Anthony Truchard.

Paso Robles' Serial Wines at San Diego International Film Festival

Paso Robles’ Serial Wines at San Diego International Film Festival

The two new blends join Serial Paso Robles Cabernet Sauvignon already in distribution, plus a series of exclusive, AVA-designate and single-vineyard, direct-to-consumer offerings The new blends have been crafted to showcase the incredible biodiversity from Paso Robles—America’s favorite wine region (source: USAToday 2023).

“Creating Serial, a series of wines from the Paso Robles AVA,

has been a very exciting journey since our inaugural release in 2017.

This region has earned its place on the world-class wine stage with outstanding quality and value and we’ve seen demand sky rocket,”

John Anthony Truchard

Founder and CEO

John Anthony Wine & Spirits

“Adding new Serial White Blend and Serial Red Blend to Serial Cabernet really leans into the diverse terroir that Paso has to offer with unique, interesting, and unexpected blends that have exceptional depth and complexity. Exploring and investing in this fast-growing wine region has been rewarding and it was wonderful to see the reception to these wines at the Food & Wine Classic in Aspen—some of the world’s most discerning wine lovers.”

The new 2023 Serial White Blend…is lively, lush, and layered

The new 2023 Serial White Blend, Paso Robles is lively, lush, and layered featuring Chardonnay supported by Viognier, Clairette Blanche, and Albariño.

Refreshingly acidic with a richness that lingers, this White Blend offers round flavors of lemon meringue, white peach, ripe pear, and marmalade, accented with a touch of marzipan on the finish. Gratifyingly complex and balanced, this wine was aged on neutral French oak with a kiss of lightly-toasted Acacia.

2021 Serial Red Blend…melds power with elegance for depth and richness

The Bordeaux-Rhône style 2021 Serial Red Blend is a dynamite blend of Cabernet Sauvignon, Petit Sirah, Syrah, Tempranillo, and Grenache that melds power with elegance for depth and richness. Aged in a blend of French and American oak, this wine boasts explosive flavors of raspberry, strawberry crumble, and vanilla with notes of cedar and fresh leather on a sumptuous finish.

“Serial Wines are made in partnership

with several, small Paso Robles growers across Districts and sub-AVAs that I’ve known, or met through friends of friends

from when I first started my career here,”

Jeff Kandarian

Executive Winemaker

John Anthony Wine & Spirits

“The Serial Tasting Lounge opened in 2022 with multiple District and Vineyard-Designates and it’s become a destination to enjoy the diversity of this winegrowing region right in the heart of downtown Paso Robles. For the new Serial White Blend and Serial Red Blend, we sourced multiple varietals from several growers across the region, as well as our own estate. These new wines will be available nationally, so for those who have yet to visit here, they are an exceptional way to experience Paso’s stunning terroir.”

Paso Robles' Serial Wines as 'Official Wine' at The San Diego International Film Festival

Paso Robles’ Serial Wines as ‘Official Wine’ at The San Diego International Film Festival

Debuted at the 2024 Food & Wine Classic in Aspen last week, the two new blends have unique, original-art labels in contrast to the sleek, matte-black label on Serial Cabernet Sauvignon. The complex and evocative artwork on the new blends reflects the nuances and detail of these wines.

The Serial White Blend label depicts a young woman partially shrouded in fog with breaking clouds, alluding to Paso’s cooler microclimates where the grapes were sourced.

Gracing the Serial Red Blend, a Royal Stag stands stalwart in the pouring rain, symbolizing the regality of the Cabernet Sauvignon grape that anchors this blend and the fertility of the vineyards from which grapes were sourced.

Official Wine Sponsor of The San Diego International Film Festival

Alongside the expansion of the Serial Wines collection, the brand also announces a new partnership with The San Diego International Film Festival as Official Wine Sponsor. Celebrating over 20 years as a premier event on the international film festival circuit, the festival will take place October 16th to 20th, 2024, with pre-festival Film Insider Series events June through August, hosting over 10,000 discerning film lovers in Balboa Park and La Jolla.

“The Serial brand has a lot of layers—from Executive Winemaker Jeff Kandarian’s deep knowledge from his early career in the Paso Robles AVA, to the artistry of the wines showcasing tiny vineyards, and the complexity and versatility of the wines themselves,” said Sarah Montague, Chief Marketing Officer, John Anthony Wine & Spirits.

“So as we looked for a platform that shared Serial’s values of curiosity, discovery, community, and sensory storytelling, film festivals emerged as a perfect fit. We are honored to pour our wines for San Diego International Film Festival goers, celebrate the power of film with every pour, and amplify the enjoyment of every story told with these exceptional wines. ”

To celebrate this exciting partnership, Serial Wines and San Diego International Film Festival are hosting a thrilling opportunity for wine and film aficionados to enter for a chance to win a trip to the October festival. One lucky winner could win a round-trip airfare for two to San Diego, hotel accommodations, and two four-day passes to the San Diego International Film Festival.

Wine lovers can find more details, including rules and how to enter, at https://www.serialwines.com/sdfilmfest.

For more information about Serial’s series of outstanding Paso Robles wines and how to stock them please visit SerialWines.com/Trade.

Experience the Serial Tasting Lounge in downtown Paso Robles or meet us at The San Diego International Film Festival, and learn about other upcoming events at SerialWines.com.

Follow @SerialWines on Facebook and Instagram for Paso Robles wine news from Serial and more chances to win.

About Serial Wines
Serial Wines is a series of wines sourced from across the diverse Paso Robles AVA and its 11 Districts, conceived in 2015 by Vintner, John Anthony Truchard and produced by Executive Winemaker, Jeff Kandarian—who started his career in Paso Robles and has a deep understanding of its terroir.

Working with like-minded, meticulous winegrowers, the Serial Wines collection includes: varietal-specific, nuanced blends, AVA-designate, and single-vineyard releases which express the best of the region.

Part of the John Anthony Wine & Spirits portfolio, Serial Cabernet Sauvignon and NEW Serial White Blend and Serial Red Blend are available at fine wine retailers. An extended selection of limited releases can be purchased online through the winery at SerialWines.com and at the stunning Serial Wines Tasting Lounge within the Historic Odd Fellows Building, downtown Paso Robles—named USA Today‘s 10Best new wineries in 2022.

About The San Diego International Film Festival
The San Diego International Film Festival is the region’s premier film event and one of the leading stops on the independent festival circuit. The Festival offers a totally unique film experience; including world premieres, never before seen studio releases and the best in independent filmmaking.

About John Anthony Wine & Spirits
John Anthony Wine & Spirits, established by Founder and CEO John Anthony Truchard includes John Anthony Vineyards, Serial Wines, Weather Wines, and JaM Cellars. John Anthony Vineyards produces exclusive wines created from small vineyard sites in Oak Knoll District, Carneros, Calistoga and Coombsville regions, all available in the winery’s downtown Napa Tasting Lounge.

Serial Wines is a curated collection of wines from Paso Robles and beyond—lush, and vibrant, sourced from exceptional vineyards in this exciting wine region. Weather Wines is a collection of Burgundian varietal wines grown in their most-perfect microclimates and highlighting the dynamic relationship between vines, terroir, and the elements.

JaM Cellars was founded in 2009 in response to the downturn in the economy and experienced triple-digit growth in its early years by offering wines made in the tradition of great California winemaking at accessible sub $20 price points.

Today, Butter Chardonnay from JaM Cellars is the #2 selling Chardonnay above $13 in the U.S. (source: Nielsen scan data 2024).

NYC take a Weekend trip Tasting Bourbons? This Fredericksburg Virginia Bed & Breakfast Might Be Your Dream Visit, Owen King from Ironclad Distillery shares Delicious Details

NYC take a Weekend trip Tasting Bourbons?This Fredericksburg Virgina Bed & Breakfast Might Be Your Dream Visit, Owen King from Ironclad Distillery shares Delicious Details

Ironclad Inn is the first B & B & B – Bed & Breakfast & Bourbon Tasting Room.

Ironclad Inn is the first B & B & B – Bed & Breakfast & Bourbon Tasting Room

Ironclad Inn is the first B & B & B – Bed & Breakfast & Bourbon Tasting Room

Today’s conversation with Distiller Owen King from Ironclad Distillery has been edited for length and clarity.  For the full, un-edited conversation, visit our YouTube channel here.

 

Owen King, Ironclad Distillery

Owen King, Ironclad Distillery

Joe Winger: 

A lot of really cool things are happening right now. I want to jump into your tasting room, the distillery, we’ll get into bourbon tastings in a few minutes.

But first and foremost, what’s the most important thing with Ironclad right now for you?

Owen King: 

The most important thing about Ironclad for me right now is the same thing it’s always been, trying to make the best bourbon we can

The other thing is spreading the word about our bed and breakfast; and bourbon. It’s a bed and breakfast in Fredericksburg that when you’re there, you can drink bourbon.

Ironclad's famous Old Fashioned cocktail

Ironclad’s famous Old Fashioned cocktail

We make a lot of old fashions there and we always have all these leftover oranges. Now the perfect thing is in the morning you have fresh squeezed orange juice from our [leftover] old fashions.

It’s really working double duty now.

Besides that I just love the fact that we can now expand our distillery up to Fredericksburg. So we can have more people try our bourbon and enjoy our bourbon, which is the goal.

Joe Winger: 

Getting to know you before you jump into Ironclad, I want to use the word “were”, you were a football player and cooking changed your life.

Tell us more about your cooking. Was there a special dish that enhanced your life?

Owen King: 

I’m Italian. So obviously with the Italian genes, we share our love through food. Growing up I cooked a lot.

When I went to college [I cooked] for my teammates.  I’d make dinner for everyone. So when we decided to open the bourbon distillery, I figured, I know how to cook. I think I could probably figure out how to make bourbon. 

I know flavors. I know how things go well together. I think I have a pretty decent palette. 

So putting all those things together to make a great bourbon was the goal. 

Food is one of those things where you never stop improving. I feel the same about bourbon.


FlavRReport.com on YouTube

FlavRReport.com on YouTube


 

Joe Winger: 

Is there a favorite dish?

Owen King: 

Breaded chicken cutlets and spaghetti.

That is how it started. Then I was like “I really like cheese.”  Maybe I could put cheese in with the breadcrumbs and then do that. Then I started expanding.  Chicken Parm.  Making my own sauce.  Thinking I could add something here to make that better.

It’s the same way I look at bourbon.

Thinking, “I like what this person’s doing. Let me see what they’re doing. I can build off that to make it work on my own.”

Creating my own recipes, going from there, just continually tweaking little things here and there.

We’ll make a 5% difference, maybe a 10% difference.

Joe Winger: 

Ironclad Distillery is in Newport News, Virginia. The bed and breakfast Ironclad Inn is in Fredericksburg, Virginia.

For most people when we think of bourbon, we don’t always think of Virginia as the first choice. What would surprise us most about coming down to Virginia for a bourbon tasting and staying the night?

Ironclad Distillery

Ironclad Distillery

Owen King: 

If you’re coming down to Virginia, you have to remember Virginia is the birthplace of American spirits. The first place spirits were made in the new colonies, in the new world, was here in Virginia. 

The first corn liquor which would eventually become bourbon, was made in Virginia.

You can also talk about Elijah Craig, who was from Fairfax County, Virginia, before he moved out to Kentucky. 

On top of that, Kentucky wasn’t a state until 1793. Evan Williams was doing distillation in 1783, and at that point Kentucky was still Virginia. 

The birthplace of bourbon is right here in Virginia.

I’ve been to Kentucky a lot. They talk about the birthplace of bourbon being there in Kentucky.

Maybe the territory it’s in was Kentucky, but it was still Virginia at the time.

Whenever someone comes by, I can tell them the history of actual bourbon, where you’re gonna get the whole story, not just the fantasized story that you get in Kentucky.

Joe Winger: 

I’m incredibly glad you just shared that.

Let’s talk about The Ironclad Bed and Breakfast now. The bourbon tasting room, the event space.

Owen King: 

We wanted to spread our bourbon out around the state. We’ve always really liked Fredericksburg. It’s a beautiful town. It’s got a ton of history to it.

Nothing goes better with bourbon than a good story.

So we can always tell our history while drinking. So with our bed and breakfast, we looked at what the bigger guys were doing. A lot of them were starting to have these places where you could stay [the night] and get an experience to go along with it.

We really wanted to spread our Ironclad experience. 

We have a tasting room. It’s beautifully decorated by my sister. We’ve got a bottle shop where you can pick up pretty much every one of our bourbons that are available. We’ve got a bar so you can try it from our seasonal cocktail menus where we change it five times a year.

We have a winter, a fall, a spring, summer [menu].Then a holiday menu as well. 

No matter what time of year you’re there, you’re trying something that’s going to go well seasonally.  

Everyone likes seasonal drinks.  You don’t want to drink in the fall, what you’d drink in the summer.

We always have an old fashioned and it’s a damn good old fashioned. 

Then we also have an event space. We have weddings. We’ve had 50th birthday parties. 

Ironclad Inn wedding and special events

Ironclad Inn wedding and special events

We’ve had any event that you want to tie into with our bourbon or just if you want a beautiful event space in a building that was built in 1793 we have that as a great option. 

It’s a really cool spot that you can go and see and experience.

It’s something we want to share, our love for bourbon with everyone.

Whether you’re here in Newport News or in Fredericksburg, you’ll get a King family member there to tell you our story and tell you all about our bourbon and show you around.

Ironclad Bottled-in-Bond Straight Bourbon Whiskey

Ironclad Bottled-in-Bond Straight Bourbon Whiskey

Joe Winger: 

Outstanding.  Let’s get to the tasty part now.  You have several amazing bottles.  When someone comes to your tasting room this weekend, what should they be looking forward to? 

Owen King: 

We do a few bottle releases that are once a year for us. One of my favorites. 

A five year, three barrel blend of three 30 gallon barrels. Bottle of Bond.

The history alone is one of my favorite things to talk about.  In 1897 the federal government stepped in because there was people dying from drinking bad whiskey.

They stepped in to “certify” everything in there.

“If you bottle it at four years old and at 100 proof, we will claim that this is a bottle and bond bourbon certified” by the federal government that it is safe to drink.

That story alone is one of my favorites of bourbon lore. 

We just want to make sure that we do that every year that we can.

It’s absolutely one of my favorite bourbons. It’s our four grain mash bill. 70% corn 10% wheat, 10% rye, 10% malted barley. 

So with the corn and the wheat, it adds a nice sweetness to it. But then the rye is there to kind of balance that whole thing out.  Before it gets [to be] a very sweet bourbon, it balances out, a little baking spice, maybe even some clove, maybe a little black pepper.

It balances it out to be a nice, rounded bourbon.

Ironclad Sweeter Creations Maple Syrup Cask

Ironclad Sweeter Creations Maple Syrup Cask

Joe Winger:

Let’s move on to your Maple Syrup Cask

Owen King: 

Absolutely delicious. But this is a cast finish, not a flavored bourbon.  So we’re not adding maple syrup to it. People who drink it might think it’s going to be super sweet and not going to like it. Because they don’t like maple syrup.

This is my version of drinking maple syrup responsibly and not getting diabetes. 

After we empty our barrels, we give them to a maple syrup producer in upstate New York.  He’ll age his maple syrup using our bourbon barrels. 

By doing that through transference, there’s about a gallon of bourbon stuck in the staves of the wood. So when he puts a new liquid in there, that maple syrup is going to absorb into the wood and that bourbon is going to come back out.

Now his maple syrup is picking up that beautiful bourbon flavor and we are picking up all that maple syrup flavor into the wood. 

When he brings those barrels back down to us, we put our aged bourbon back in there and we let him finish in there for about three to six months. 

After we take the bourbon out, it’s now got this beautiful, mild sweetness, but it’s got that hint of maple syrup at the end.

I always say, I don’t want it to be maple syrup with a hint of bourbon. I want it to be bourbon with a hint of maple syrup, which I think it absolutely is.

Ironclad Missouri Toasted Oak Cask

Ironclad Missouri Toasted Oak Cask

Joe Winger: 

The maple syrup is so subtle, almost a tertiary flavor to it. 

Moving on to the Missouri Toasted Oak Cask.

Owen King: 

This is a double oak bourbon.  With double oaking, what you’re going to do is exactly how it sounds. 

You’re going to go from one new charred oak barrel. But instead of a second new charred oak barrel, we’re going to go to a lightly toasted barrel.

So my analogy for this is you’re sitting at a campfire and you’ve got a marshmallow. You’re roasting your marshmallow over the flame and it gets burnt. It catches on fire. So now you’ve got that roasted marshmallow where you’re still gonna eat it because it’s a roasted marshmallow.

So you eat it and it’s still sweet. But it’s got that sort of maybe a bitter acrid note just cause you burnt those sugars. You haven’t toasted them. 

Now you take another marshmallow.  You’re a little more patient this time.  You’re going to stick it down in the coals and you’ll slowly rotate it until you’ve got that perfectly golden brown marshmallow. 

When you taste it, it’s now twice as sweet because you just caramelize those sugars as opposed to burning them. 

It’s the same with a charred oak barrel to a toasted oak barrel.  With that charring of those oaks, you’re gonna you’re still gonna have that sweetness.  We’re amplifying that sweetness with the toasting of the oak. 

With this one you get those softer vanilla flavors like toasted marshmallow. You get a cookie dough flavor,  maybe it’s raw cookie dough without the chocolate chips.

Joe Winger: 

That’s amazing. mmIs there an extra bottle when I come down there, I’m in the tasting room, another good bottle we should ask for?

Owen King: 

Another one that we have right now that is a very limited run.   Very small release is our blueberry mead cask finish

We give our barrels to a meadery in Williamsburg, Virginia and they make this blueberry honey mead.  So now they have this bourbon barrel aged blueberry mead. And when they’re done with them, they give them back to us. 

You’re not necessarily overwhelmed with [a] heavy blueberry flavor but it opens up to this really nice fruitiness and then like a fermented honey flavor on the front end. 

It’s so unique, but it’s great neat on the rocks.

Joe Winger: 

If we come down for the weekend, we visit the distillery in Newport News. What’s a tour like? 

Owen King: 

If people aren’t the biggest bourbon drinker, I want you to walk away saying, “Okay, I found something that is made with bourbon that I like.”

We are a distillery that only makes bourbon. 

I want to make sure that everyone who comes here has something they can enjoy.  This isn’t an uppity bourbon bar.

I want someone to come and be able to say,  I’m not the biggest bourbon fan. What kind of cocktails do you have?” We always have a cocktail on every single menu that’s open for everyone. 

Everyone’s going to love it and whether you’re a big bourbon fan or not.  We just really want to be accommodating. We want to be a fun place for everyone to hang out. 

We want to tell our story, the history of the Ironclad ships.  Go through our distillery tour, we’ll show you that. If you want to know the history of Fredericksburg, or the history of What the bed and breakfast is we’ll tell you that.

Nothing pairs better with bourbon than a good story. And we really care about spreading that word.

Joe Winger: 

Whether it’s a romantic getaway, a weekend getaway, why choose your bed and breakfast instead of a hotel?

Owen King: 

While we’ve only had it a short time.  But we’ve been adding things here and there. You’re going to get a fresh orange juice in the morning, made with the oranges that we used for our old fashions [last night]. 

We have our barrel aged maple syrup for your pancakes.  So you’re going to have that maple syrup with a hint of bourbon. 

Ironclad Inn

Ironclad Inn

We really drive home that it’s a bed breakfast and bourbon experience. Get immersed in the bourbon culture.  That’s our goal.

Joe Winger: 

Any favorite bourbon and food pairings?

Owen King: 

Bourbon’s wonderful for food pairings.  

We’ve gone from pasta pairings to pizza pairings.  Anything that’s fatty is a perfect pairing.  Pork belly with a cherry reduction over top of it with one of our bourbons straight 

We have this bourbon cream, Buzz’s Bourbon Cream, where it’s made with our small batch bourbon that’s infused with coffee beans, cacao nibs, and vanilla beans. That one over vanilla ice cream is perfection. 

You’re adding a little booze, some coffee, a little bit of chocolate.

You take a bite and all of a sudden you had three scoops and it’s gone 30 seconds later.

Joe Winger: 

What’s the best way to learn more about Ironclad Distillery and Ironclad Inn?

Owen King: 

We have our website at ironcladdistillery.com. All of our social media Facebook and Instagram

NYC is looking for Sipping Tequila: Mayenda Introduces Reposado Double Cask, A First-of-its-kind Aged Sipping Tequila Infused with Roasted Agave & Agave Miel

Mayenda Introduces Reposado Double Cask, A First-of-its-kind Aged Sipping Tequila Infused with Roasted Agave & Agave Miel

Mayenda, the sipping tequila that goes two steps above, today introduces its newest offering, Mayenda Tequila Reposado Double Cask.

Mayenda Reposado is a sophisticated evolution of Mayenda Blanco

Mayenda Reposado is a sophisticated evolution of Mayenda Blanco — the first tequila made using the brand’s signature process of infusing the finest tequila with both roasted agave and agave miel (honey) before the final distillation step.

Mayenda Introduces Reposado Double Cask, A First-of-its-kind Aged Sipping Tequila

Mayenda Introduces Reposado Double Cask, A First-of-its-kind Aged Sipping Tequila

This naturally deepens the notes of fresh roasted agave and adds herbal complexity with only three ingredients: Blue Weber agave, yeast, and water.


Watch our YouTube Channel

FlavRReport.com on YouTube

FlavRReport.com on YouTube


For Mayenda Reposado Double Cask, the tequila is then aged for six months in a mix of American and European Oak, showcasing Mayenda’s continued commitment to developing innovative tequilas that stand apart from others on the market today.

This elegant sipping tequila will be available in the U.S. and Mexico beginning June 2024.

“With Mayenda Blanco, we knew we had unlocked new possibilities for expressing deeper flavors of the agave, thanks to the two extra steps in our signature process; yet it still felt like we had only scratched the surface of what was possible,” said Jesus Susunaga, Maestro Tequilero at Casa San Nicolás. “When developing our Reposado, we decided to employ a double cask maturation and longer aging process. This resulted in an exceptionally smooth and balanced, aged tequila that maintains the soul of our beloved Blanco.”

Mayenda’s Signature Process: Every Mayenda Tequila is made at Casa San Nicolás (NOM: 1440) in the highlands of Jalisco, using only mature 100% blue weber agave. Mayenda starts the same way as other premium tequilas, but the magic is in the two extra steps. Maestro Tequilero Susunaga and his team steep (or infuse) roasted agave and then agave miel from the cooking process just before the last distillation step. This naturally captures fresh roasted agave notes and herbal complexity that are typically lost in the tequila-making process, creating a soulful sipping tequila with a honeyed and multi-dimensional flavor profile.

 Double Cask Aging in American & European Oak: For Mayenda Reposado Double Cask, Mayenda Blanco is then aged in the finest American and European Oak barrels. Each barrel type enhances the opposing characteristics of the other — one barrel adds impact while the other softens. The dry, spicy and earthy profile of cinnamon, chamomile and red apple in the European Oak is expertly balanced with the rich, fresh, sweeter notes of butterscotch, honeycomb and vanilla in the American Oak.

A Longer (6 Month) Aging Process: While most Reposado Tequilas are aged two to three months, the aging for Mayenda Reposado Double Cask is extended to a minimum of six months to impart the optimal amount of flavor from each cask. A longer aging time brings a more sophisticated, multi-layered and refined flavor profile.

Artful Master Blending: Careful to keep the essence of Mayenda Blanco in every sip, Maestro Tequilero Jesus Susunaga and his team of experts at Casa San Nicolás carefully blend every drop of Mayenda Tequila to ensure the highest quality of consistency, flavor, texture and refinement. Jesus’s extensive experience blending some of the finest aged spirits around the globe has helped him master this delicate craft and pioneer a new type of tequila in Mayenda.

Mayenda Reposado Double Cask may be enjoyed neat or in elevated cocktails such as a Morita Martini or Elevated Paloma. For recipes, visit mayendatequila.com.

Mayenda Reposado Double Cask will be available at select retailers in the United States for SRP $75USD per 750 mL bottle and in Mexico for $1,445 Pesos. Please sip responsibly.

Follow them on social media @mayendatequila and visit their website Mayendatequila.com

NYC Discovers Aphrodise Sparkling Wine, Taste Before Your next Party, Frank Schilling Reveals

NYC Discover Aphrodise Sparkling Wine, You should taste Before Your next Party, Frank Schilling Reveals

Whether it’s a wedding, party, or just drinks with dinner.  We want taste.  Maybe we want a few drinks.  We also want to protect ourselves from tomorrow’s hangover.

It’s hard to find a drink that can take day to night quite like a Greek rosé and Aphrodise wants to prove it to you.

Frank Schilling, Co-Founder of Aphrodise

Frank Schilling, Co-Founder of Aphrodise

Today’s conversation with Frank Schilling from Aphrodise has been edited for length and clarity.  For the full, un-edited conversation, visit our YouTube channel here.

Joe Winger: 

Our audience is foodies. We’re wine lovers. What’s the most important message today you want to share with an audience of foodies and wine lovers?

Frank Schilling: 

I’m an Epicurean myself. I don’t have a lot of pretense around my love of food and wine, I just love great food and wine and I’ve tasted so many great things. 

I’m a character who hasn’t had a meal at home in 22 years. As an internet entrepreneur, I used to work, literally seven days a week for many years and eating out was my escape from my work because it’s the one place my laptop and phone couldn’t rule the day, or the moment.

For me, eating out was that escape and that vacation of the moment. 

I created a life around dining out probably like many of your listeners or viewers. And I have a deep well of respect for great food and wine and also for the people who admire it and chase it, it’s a, it’s one of the great things in life.

I’m always stunned by people who don’t truly love food. I feel like they’re missing something and leaving part of life on the table.

Discovering Aphrodise sparkling wine

Joe Winger: 

You have this new discovery. Let’s talk a little bit about Aphrodise. Tell me about how you discovered the grape varietal?

Frank Schilling: 

I’m a wine lover. I tasted my way through Bordeaux and Burgundy.

All the way through, I could never really tell a Merlot from a Cab.  I’d be lying to you if I said I knew what a Nebbiolo or a Valpolicella was and how all those grapes differed from each other.

I do enjoy great brands of wine. I do understand the difference between years and what impacts a year. 

But when I was building [my restaurant] it was COVID. I was doing some fingertip math and I realized we’re gonna have to start bringing over a lot of sparkling [wine] for mimosas and for brunch. It was 300 seat restaurant, two seatings, 600 seats on a brunch [shift].

You start to do the math and you realize, “Wow, 52 weekends a year, bottomless mimosas. I’m going to need about 3,000 bottles of wine per quarter of champagne. So let’s go out and get some.  We live on an island and supply chain management wasn’t really an option.

So we started to taste through different varieties of champagne

I came to discover what Tom Cruise did in [the movie] “Cocktail”, which is, champagne is like perfume going down, but like sewage on the way back.

It comes from a well meant place, not mean spirited towards the great region of Champagne.

Joining the Aphrodise sparkling wine party

Joining the Aphrodise sparkling wine party

It’s just the nature of Champenois produced wine and that Chardonnay grape that makes a beautiful champagne is such that you just can’t consume a lot of it in the heat or humidity in the sun.

Traditional Champagne vs Aphrodise Sparkling Wine

It just isn’t the type of forgiving libation that lets you function afterwards and you don’t feel good. 

The yeast isn’t good for a lot of people. Not everybody’s impacted the same way but, a large portion of the population doesn’t do well with champagne and heat in sunlight  as a day drink.

The recovery profile isn’t something that people look forward to.

Aphrodise from the grape varietal called Xenomavro

Aphrodise from the grape varietal called Xenomavro

I discovered that I’d had that problem myself for years. The yeast wasn’t working for me. 

So when I discovered Aphrodise, it was a grape varietal called Xenomavro. 

A high altitude grape, Greece’s most noble grape.

It’s a very forgiving drink.  In a sparkling format, it’s something you can drink in the heat, it’s something you can drink in larger quantities, I can tell you that the recovery profile, for me and for many others, is exceptionally good.

Meaning you can drink a lot of it and bounce back and go again. 

As a wine producer, that’s music to your ears. But it’s also nice knowing I’m making people feel better. I’m not putting something in the market that’s going to make you feel sick after overconsumption.

At a party enjoying Aphrodise Sparkling Wine

At a party enjoying Aphrodise Sparkling Wine

Joe Winger: 

Just to give a little backstory.  Frank, I hope you’ll talk to us a little bit about one of your first adventures.  You mentioned you’re an internet entrepreneur, you had some success with website domains. 

Can you explain a little bit about that and maybe a lesson you learned from that journey?

Frank Schilling: 

It’s a lesson that some of your listeners and viewers probably have some experience with.

I registered a domain name back in the dot com era. Then I registered 2 [dot com names], then 10 and I got some generic names like wine.com , cars.com.  Names like those.

I started to realize, wow, these names have value.

I wound up registering a lot of generic names and then I had difficulty managing them because in those early days of the Internet, it was all very unwieldy. The infrastructure for managing those names. 

So I created a lot of that management infrastructure.  Then in the process, grew that business over a 20 year horizon and wound up selling the 3 companies that comprised that enterprise to a company called GoDaddy, which we’ve probably all heard of.

So some of their infrastructure was my infrastructure and is now their infrastructure. 

To the extent you like the new GoDaddy offering for managing domain names, you’re welcome, for the small part I played in helping that become a reality.

In the old days, I was traveling a lot. I had an office in Manchester in the United Kingdom, one in Newport beach in California and my main office here in the Cayman Islands.  I would travel between the offices, New York, Miami and many other cities, just for work all around the world. 

Enjoying Aphrodise Sparkling Wine

Enjoying Aphrodise Sparkling Wine

At the beginning of COVID that all came to a grinding halt.  I sold those businesses and decided that with my love of food, if I was going to stay in the Cayman Islands, I realized I’m gonna have to eat at home more and I realized, the offerings of restaurants wasn’t the depth was hoping for.

So I built the restaurant, as a result of that that then led to Aphrodise.

Joe Winger: 

I love the full circle of it. 

Since we’ve mentioned the restaurant once or twice. Can we hear more about your restaurant Mykonos Cayman?

Frank Schilling: 

Sure.  During COVID lockdowns, there was a new plaza going in on the beach and I had mentally designed a restaurant years ago, but sold the real estate for it.

So when I saw the plaza going up, I was crestfallen. These guys built my dream on their land.  My fantasy of what a place would look like. But then I was happy to learn that the plaza was a strata titled affair. It wasn’t owned by one conglomerate.

So I bought into that plaza so I could control the real estate. Then once I had the real estate I did a sort of “money no object” fit out that left a very residential-looking restaurant really quite beautiful. 

I love the culture of Greece and I love the idea of the long lunch and the lack of pretense in the party and [being] all welcoming, with children, grownups will dance on the table and get really carried away.

The kids are running around. It’s all very loving and family oriented.

Whereas, Ibiza is a little more drug fueled and party, ragey and a little more intense.

I loved the soulful day party of Greece. We’re on an island and the Greeks are on islands. So I thought how nice it would be to bring some of that to my reserved island here in Grand Cayman. Grand Cayman is more of a place you quietly go to escape and enjoy the beach and family.

It’s not really a St. Bart’s where you go to seek out a great party. I always hoped that there’d be room for at least one place like they have in St. Bart’s here. 

So I built a really big place, 320 seats, super residential, relaxed, welcoming, But completely devoid of pretense.  You can come in, flip flops and shorts, or you can come in a beautiful gown as we’d hope in the evening. 

But we don’t have a lot of structure and posture around it. We want you to feel free when you come. So that, I built that venue here, and you can see it online.

It’s called Mykonos Cayman. We have an Instagram where people can learn about the restaurant.

When you come, please come for a glass of Aphrodise on me. Mention Frank said I could have a glass of Aphrodise

Joe Winger: 

You introduced Aphrodise at the Las Vegas Wedding Show.  How did it go?   Why do you think Aphrodise is the best drink to have at a wedding?

Frank Schilling:

It’s the color of love. It’s a beautiful color of red. 

We took it to the wedding show because I thought that wedding planners would share the same pain point that I discovered as a restaurateur.  Which is, if you want to buy a bottle of great champagne, easy, you go to the liquor store.

But when you start getting up there and you need 100 cases for an event or a series of events, getting that quantity consistently and getting a good product is actually quite difficult. And expensive.

So we thought we’d introduce Aphrodise.

Knowing that we could go directly to the wedding planners and help their fulfillment and execution and deliver a better product.  

Something that people could really lavish in the heat or at an after party where you’re really enjoying the bubbly and then feel better in the morning.  That was really the goal. 

My first champagne experience was at a wedding and I drank a little too much.  For the next day or two, I was laid up.

So we try to bring something to market that is good for people or at least makes them feel good in the moment and helps them recover.

We had a line all day.  I poured a 5,000 servings of Aphrodise that day. People loved it.

Let me tell you, that’s a lot of work, opening bottles. It looks very glamorous. But when you’re really going at velocity, my hands hurt at the end of the day.

We got a lot of upstart business out of that. People were like, “Wow, this stuff is actually quite good.’ 

Joe Winger: 

Let’s talk about flavor profile.

Pouring out 5,000 samples, what’s the most common feedback we get about the flavor, aroma, the mouthfeel, what are we experiencing?

Frank Schilling: 

So when you sip a drink and you talk about mouthfeel or we have a glass of wine or champagne and you have a sip and there’s a little bit of a yeasty, gamey after taste.

For some people in red wine, it can be somewhat desirable. 

In champagne, unfortunately it stays with it as well. 

When you’re having champagne, which is more of a celebratory libation, that’s not a desirable quality. You want to have something that finishes clean in your mouth. 

If you have lots of sips, you’re going to get a good buzz. You want to be able to recover quickly and elegantly without that headache that comes from the yeast and all those elements that bring its flavor.

So the taste of Aphrodise is a very clean mouthfeel and it finishes with a light crisp apple or cherry. Some people taste strawberry. 

It’s a small bubble. Very light charmat, produced in small vats, a naturally produced bubbly effect. It lives in tanks for 3 months and it gains its bubbly in a natural way. 

A little more expensive to produce that way.  Prosecco, for example, will carbonate.  They’ll add carbonation just like you would to a can of soda.

We don’t carbonate. We allow the bubbly to form naturally through the fermentation process, which is how it should be. 

Co-Founders of Aphrodise Sparkling Wine

Co-Founders of Aphrodise Sparkling Wine

Joe Winger:

When it comes to food and wine pairing.  What would be your favorite dish to pair with a glass of Aphrodise?

Frank Schilling: 

Aphrodise is literally the only thing that I drink, and I’m crestfallen when I can’t find it. 

It’s a dark rosé so it goes nicely with meat – a burger or a steak.  Chicken or fish. It’s also a great dessert drink.

I like Aphrodise as a warmup libation and as an after dinner, like celebratory drink if you’re having a party, there’s an after party.

Joe Winger: 

You’ve done a lot in your life. You’ve had a lot of adventures, a lot of successes.

Any inspiration or lessons you can share with the audience?

Frank Schilling: 

The answer is love for people and love for living your best life, love for conviviality. I have a lot of love for the people that I encountered that have helped me in my journey. Those who’ve just been a part of my life, there for a season or there for a reason, as the saying goes, I try to embrace everybody.

See the good in everybody. There are people you click with more than other people. I say yes to everything unless it hurts me. I have a real lust for life and a good energy level.

Joe Winger: 

If you’re loving Frank’s energy and his positivity, you wrote an amazing book. Would you mind giving us a summary of the book and what it was like writing it?

Frank Schilling: 

It’s called Omnia Vincent: the universe wants you to win. 

I wrote the book as I’d sold my businesses. It was during COVID lockdowns and everybody was [going through a] “The end of the world” mood type thing at that time.

You write a book like this for your grandchildren. If one day they want to know more about grandpa and did our success come from or where did our financial wealth come from?

It’s nice for them to know a little about the person who tried hard and maybe you can see something in yourself.  So I really wrote it for my future ancestors.

I want to be the guy who left something for the grandkids and great grandkids to understand a little about my brain. And it’s really just written in short micro chapters. 

Joe Winger:

Because you’re an epicurean, if you’re going to have any plate for dinner tonight, what would it be and why? 

Frank Schilling: 

Tonight I’m actually feeling a Pittsburgh style steak, seared on the outside. I haven’t had good red meat in about a week, and we just got some A5 Wagyu at the restaurant Our chef is a butcher and he’s also a certified Angus ambassador. So he gets great cuts. 

We do a beautiful short rib burger, which is really lean short rib again on the outside with a bit of a char finish.  We have a charcoal grill inside the restaurant, which is beautiful. 

Joe Winger: 

Thank you so much for your time.  If someone wants to learn more, what are the best ways to find and follow websites, social media for Aphrodise?

Frank Schilling: 

DrinkAphrodise on Instagram and the website DrinkAphrodise.com

 

NYC is in Love with “Rich caramel and vanilla”, “Black peppercorn”, “lingering notes of baking spice” Knob Creek Anncs 10 Year Old Rye Whiskey

NYC is in Love with  “Rich caramel and vanilla”, “Black peppercorn”, “lingering notes of baking spice” Knob Creek Anncs 10 Year Old Rye Whiskey

Knob Creek 10 Year Old Rye Whiskey.

Made pre-Prohibition style, Knob Creek 10 Year Old Rye is carefully crafted and patiently aged for a decade in deeply charred barrels delivering a full-bodied rye whiskey.


FlavRReport.com on Youtube

FlavRReport.com on Youtube


Knob Creek 10 Year Old Rye is carefully crafted and patiently aged for a decade

This extra-aged rye whiskey demonstrates Knob Creek’s® unwavering commitment to craftsmanship and bringing whiskey enthusiasts full-flavored whiskey, while expanding its rye portfolio.

Knob Creek’s unwavering commitment to craftsmanship

“Whiskey enthusiasts know when they’re drinking our whiskey,

it’s aged to perfection

and crafted with exceptional full flavor.

We’re excited to bring an extra-aged rye whiskey with even more robust flavors from a decade of aging in our barrels,”

Freddie Noe,

Eighth Generation Master Distiller.

“When my grandfather created Knob Creek® over 30 years ago, he set out with the intention to craft a premium whiskey without shortcuts, and we’re excited to continue his legacy – I know he’d love it, just like our fans will.”



Since the inaugural launch of Knob Creek® Straight Rye Whiskey in 2012, Knob Creek® has consistently been at the forefront of the rye category. Knob Creek® 10 Year Old Rye boasts a bold and complex flavor profile, capturing the essence of Knob Creek’s® traditional rye while delivering deeper notes of rich caramel, creamy vanilla, and robust oak and char notes imparted by additional years spent aging in the barrel.

Knob Creek® 10 Year Old Rye Whiskey is bottled with the following characteristics:

  • Proof: 100
  • Color: Tawny with waves of copper
  • Aroma: Rich caramel and vanilla, deep rye spice, and dried apple
  • Taste: Black peppercorn, creamy vanilla and caramel, and hints of deep oak and char
  • Finish: Smooth, lingering notes of baking spice

Knob Creek® 10 Year Old Rye is now available nationwide with a suggested retail price of $69.99 for a 750mL bottle. Enjoy Knob Creek® 10 Year Old Rye neat, on the rocks or in a cocktail of your choice.

For more information about Knob Creek® 10 Year Old Rye Whiskey and Knob Creek’s® award-winning* bourbon and rye portfolios,

please visit www.KnobCreek.com or visit us on Instagram @KnobCreek.

About Knob Creek® Bourbon
Knob Creek® has set the standard for super-premium whiskey for three decades by crafting extraordinary full-flavored bourbon with a rich taste. Knob Creek® bourbons and ryes are patiently aged to perfection in new, maximum charred American Oak barrels to impart the biggest and fullest flavor on their whiskey. No matter the expression, Knob Creek® is crafted without shortcuts and embodies the pre-Prohibition style that founding distiller Booker Noe created in 1992. Since then, Knob Creek® has lived up to such standards with the introduction of Knob Creek® Straight Rye Whiskey in 2012, and later on, Knob Creek® Single Barrel Select Rye Whiskey. In recent years, Knob Creek® announced the permanent addition of Knob Creek® 12 Year Old Bourbon to its portfolio, launched two limited releases, Knob Creek® 15 Year Old Bourbon and Knob Creek® 18 Year Old Bourbon, and announced the addition of an age statement to its flagship rye whiskey, Knob Creek® 7 Year Old Rye Whiskey.

About Suntory Global Spirits 
As a world leader in premium spirits, Suntory Global Spirits inspires the brilliance of life by delivering great consumer experiences through its world-class portfolio of brands.  Known for its craftsmanship of premium whiskies, including Jim Beam®, Maker’s Mark®, Basil Hayden® and Knob Creek® bourbons; Japanese whiskies, including Yamazaki®, Hakushu®, Hibiki® and Toki™; and leading Scotch brands including Teacher’s, Laphroaig® and Bowmore®, Suntory Global Spirits also produces leading brands such as Courvoisier® cognac, Tres Generaciones®, El Tesoro® and Hornitos® tequila, Roku™ and Sipsmith® gin, Canadian Club® whisky, and is a world leader in ready-to-drink cocktails, with brands like -196 and On The Rocks™ Premium Cocktails.

A global company with approximately 6,000 employees in more than 30 countries, one of Suntory Global Spirits’ core values is Growing for Good and through its Proof Positive sustainability strategy, the company has committed to ambitious goals and investments to promote environmental sustainability in its operations, ensure the company has a positive impact on the communities where employees live and work, and programs to educate and inform consumers to make the right personal choices about drinking. Headquartered in New York City, Suntory Global Spirits is a subsidiary of Suntory Holdings Limited of Japan. For more information on Suntory Global Spirits, its brands, and its commitment to social responsibility, please visit www.suntoryglobalspirits.com and www.drinksmart.com.

Kit Connor, Rachel Zegler are Romeo + Juliet on Broadway Fall 2024

Kit Connor, Rachel Zegler are Romeo + Juliet on Broadway Fall 2024

Shakespeare’s timeless tragedy now belongs to a new generation on the edge.

Seaview is thrilled to announce that Emmy Award winner Kit Connor (“Heartstopper”) and Golden Globe Award winner Rachel Zegler (Spielberg’s West Side Story) will star in the new Broadway production of William Shakespeare’s ROMEO + JULIET, directed by Tony Award winner Sam Gold, with music by Grammy Award winner Jack Antonoff and movement by Tony Award winner Sonya Tayeh 

 

“With the presidential election coming up in November,

I felt like making a show this fall that celebrates youth and hope,

and unleashes the anger young people feel about the world they are inheriting.”

Director Sam Gold 

 

Tickets for ROMEO + JULIET will go on sale to the public in May 2024. To sign up for early access and to be the first to receive updates, sign up at www.romeoandjulietnyc.com 

Romeo + Juliet on Broadway

Romeo + Juliet on Broadway

The youth are fucked. Left to their own devices in their parents’ world of violent ends, an impulsive pair of star-crossed lovers hurtle towards their inescapable fate. The intoxicating high of passion quickly descends into a brutal chaos that can only end one way.

 ROMEO + JULIET will open on Broadway in Fall 2024 and will mark the Broadway debuts of Kit Connor, Rachel Zegler and Jack Antonoff, who in February won his third consecutive Grammy Award for Producer of the Year, becoming only the second producer in history to win three years running. More information including theatre, dates, design team and additional casting will be announced at a later date.

ROMEO + JULIET is produced on Broadway by Seaview. 101 Productions, Ltd will serve as general manager. Casting is by Taylor Williams, CSA.

For more information visit www.romeoandjulietnyc.com

Kit Connor as Romeo

Kit Connor (Romeo). Screen International Star of Tomorrow actor Kit Connor landed his first film role aged eight in the lead role of Tom in Warner Bros. Pictures’ Get Santa (2014). Since then, he has had roles in The Guernsey Literary and Potato Peel Pie Society (2018) and The Mercy (2018). Notably, he played Older Reggie in Rocketman (2019), taking on the role of young Elton John. He also appeared in Little Joe (2019) as Joe. Kit is well-known for voicing Pantalaimon in “His Dark Materials” (2019 -2020) and his TV work also includes “War & Peace” (2016). His theatre credits include Welcome Home, Captain Fox! at the Donmar Warehouse and Fanny & Alexander, where he played Alexander at The Old Vic. Kit is best known for his lead role of Nick Nelson in the global hit TV adaptation of Alice Oseman’s “Heartstopper,” with the third season set to launch this October on Netflix. For season 1, Kit won the Children’s and Family Emmy Award for Outstanding Lead Performance in 2022 and the RTS Award for Leading Actor Male in 2023. Kit voices a role in The Wild Robot for DreamWorks alongside Lupita Nyong’o, Pedro Pascal and Bill Nighy out in September 2024. Kit will also lead the mystery-horror film One of Us and also star in Ace Entertainment’s film A Cuban Girl’s Guide To Tea And Tomorrow opposite Maia Reffico. He will film a leading role in Ray Mendoza and Alex Garland’s new film for A24, Warfare alongside Charles Melton and Joseph Quinn. Kit Connor is represented by Independent Talent Group and WME.

Rachel Zegler as Juliet

Rachel Zegler (Juliet) is a dynamic actress and singer who has already established herself as a trailblazer of her generation. At only 17 years old, Rachel earned the role of María Vasquez for Steven Spielberg’s new adaptation of West Side Story out of 30,000 auditions. The film captured Rachel’s motion picture debut alongside Rita Moreno and Ariana DeBose, and earned her an NBR Award for Best Actress along with a Golden Globe Award for Best Actress in a Comedy or Musical. Rachel then starred alongside Zachary Levi, Helen Mirren, and Lucy Liu in D.C. Comics’ Shazam! Fury of the Gods, the sequel to the successful predecessor, Shazam! She can currently be seen leading the highly anticipated prequel The Hunger Games: The Ballad Of Songbirds And Snakes as Lucy Gray Baird, the girl tribute from impoverished District 12. Viola Davis, Peter Dinklage, and Hunter Schafer also star. In 2025, Rachel will be seen as Snow White in Disney’s live-action remake of the classic story, making her one of the first Latina actresses to star in a live-action Disney film. Director Marc Webb said, “Rachel’s extraordinary vocal abilities are just the beginning of her gifts. Her strength, intelligence and optimism will become an integral part of rediscovering the joy in this classic Disney fairy-tale.” She will also be seen in the A24 disaster comedy Y2K, directed by SNL alum Kyle Mooney. In the film penned by Evan Winter, which is set on New Year’s Eve 1999, two high school nobodies decide to crash the last big party before the new millennium. When the clock strikes midnight, the night gets more insane than they ever could have imagined. Rachel stars alongside Mason Gooding, The Kid Laroi and Alicia Silverstone. Rachel has been featured on the covers of Elle, Town & Country, Who What Wear and The Hollywood Reporter and has been profiled by Vogue, Allure, and VMagazine. She is a Forbes “30 Under 30” recipient and has been recognized by Time magazine with inclusion in their Time100Next list, by Variety in their annual “Power of Young Hollywood Impact“ list, and by The Hollywood Reporter with their “Next Generation” list. She was also named one of “Nine Latinx Women in Hollywood Currently Changing the World” by Elle magazine. On Latin representation in entertainment, a subject she is passionate about, Rachel says, “We are not just the quirky side character who occasionally says a word in Spanish, we are the main character.“

Directed by Sam Gold 

Sam Gold (Director). Broadway credits include this season’s An Enemy of the People with Jeremy Strong and Michael Imperioli, Macbeth with Daniel Craig and Ruth Negga, King Lear with Glenda Jackson, A Doll’s House, Part 2 (Tony Award Nomination), The Glass Menagerie, Fun Home(Tony Award), The Real Thing, The Realistic Joneses, Seminar. Recent credits: Hamlet (The Public Theatre), Othello (New York Theatre Workshop), The Flick (Playwrights Horizons, Barrow Street Theatre, National Theatre; Lucille Lortel Award nomination), The Glass Menagerie(Toneelgroep, Amsterdam), John (Signature Theatre; Obie Award, Lortel and Drama Desk Award nomination), The Village Bike (MCC Theatre), and Uncle Vanya (Soho Repertory Theatre; Drama Desk nomination), among others.

 Music by Jack Antonoff

Jack Antonoff (Music). Described as “anthemic, life affirming pop rock” by the New York Times, Bleachers are fronted by globally celebrated, eleven-time Grammy Award-winning singer, songwriter, musician, and producer, Jack Antonoff. Both with Bleachers and as a songwriter and producer, Antonoff, who, in 2021, was credited by the BBC for having “redefined pop music”, has collaborated with the likes of Taylor Swift, Lana Del Rey, The 1975, Diana Ross, Lorde, St. Vincent, Florence + The Machine, Kevin Abstract and many more. In February 2024, Antonoff won Producer of the Year at the Grammy Awards for an incredible third consecutive year, becoming only the second producer in history to win three years running. Releasing their debut album Strange Desire in 2014, Bleachers have built a huge, passionate following across three studio albums, becoming renowned for their impressive live show and infectious camaraderie. The band’s last album, Take the Sadness Out of Saturday Night took them to new heights, showcasing Antonoff’s immersive songwriting and, as Variety testified, his innate skill at “supersizing personal stories into larger-than-life pop anthems”. Bleachers, the band’s fourth studio album, was released Friday, March 8th, 2024 via Dirty Hit and features singles “Modern Girl,” “Alma Mater,” “Tiny Moves” and “Me Before You.” There’s a rich depth to the band’s sound on Bleachers: it is laid out in bright, soulful technicolor. The album is frontman Antonoff’s distinctly New Jersey take on the bizarre sensory contradictions of modern life, on his position in culture, and on the things he cares about. Sonically, it’s sad, it’s joyful, it’s music for driving on the highway to, for crying to and for dancing to at weddings. There’s something reassuringly touchable and concrete about its sentiment: exist in crazy times but remember what counts.

 

Ella Beatty makes her Broadway debut Appropriate on Broadway March 25

Ella Beatty makes her Broadway debut Appropriate on Broadway March 25

Ella Beatty (“Feud: Capote vs. The Swans”) will make her Broadway debut as “River” in the critically acclaimed hit play, APPROPRIATE, written by Branden Jacobs-Jenkins and directed by Lila Neugebauer. Ms. Beatty will begin performances on March 25, when the production begins its limited extended engagement at the Belasco Theater (111 West 44th Street). 

Ella Beatty joins the “blistering cast” (Jesse Green, New York Times), which also includes original company members Sarah Paulson (“American Horror Story”), Corey Stoll (“Billions,” “House of Cards”), Michael Esper(The Last Ship), Natalie Gold (“Succession”), Graham Campbell (Broadway debut), Alyssa Emily Marvin (Grey House), Lincoln Cohen (Broadway debut), and Everett Sobers (Broadway debut). Ms. Beatty is replacing Elle Fanning, who is not transferring with the production.

Ella Beatty

Ella Beatty

Ella Beatty is a Juilliard-trained actress who can currently be seen starring in the role of “Kerry O’Shea” in the Gus Van Sant-directed, Ryan Murphy-produced FX series, “Feud: Capote vs. The Swans.”  Ella will next be seen in the A24 film, If I Had Legs I’d Kick You, alongside Rose Byrne and A$AP Rocky. Ms. Beatty is represented by CAA and Entertainment 360.

Joining the production as co-producers are Elizabeth Armstrong, Burnt Umber Productions, Eric Christian, Eastern Standard Time, Edgewood Entertainment, Nicole Eisenberg, FutureHome Demar, Marcia Goldberg, Haffner-Wright Theatricals, Kim & Alan Hartman, Nathaniel Hill, HSN Newport, HudsonMann, Hal Luftig Productions, Gabrielle Palitz, Robertson Turchin, Daryl Roth, Ken & Janet Schur, Corey Steinfast, Arielle Tepper, and Barbara Whitman.

Tickets for the limited engagement are currently available at Telecharge.com. The box office at the Belasco Theater will open on March 11th.

APPROPRIATE opened to rave reviews on December 18th and sold out its initial run, adding a three-week extension due to popular demand.  The best-reviewed and best-selling play on Broadway, APPROPRIATE has broken Second Stage’s box office record at the Hayes Theater and is on track to be Second Stage’s most successful Hayes production ever. The production will conclude its run at the Hayes on March 3rd.

APPROPRIATE is produced by Ambassador Theatre Group, Amanda Dubois, Annapurna Theatre, Bad Robot Live, Runyonland, Kristin Caskey, Mike Isaacson and Bee Carrozzini in association with Second Stage Theater (Carole Rothman, President and Artistic Director; Lisa Lawer Post, Executive Director).

APPROPRIATE features scenic design by dots, costume design by Dede Ayite, lighting design by Jane Cox, sound design by Bray Poor and Will Pickens. The Production Stage Manager is Barclay Stiff. Casting is by Jim Carnahan Casting.  General Management by 101 Productions, Ltd.

APPROPRIATE will be performed on the following schedule at the Belasco Theater: Tuesday, Thursday, and Friday at 7pm, Wednesday at 1pm and 7pm, Saturday at 2pm and 8pm, Sunday at 3pm. NOTE: The performance schedule for the week of March 25th is as follows: Monday, Tuesday, Thursday at 7pm, Friday at 8pm, Wednesday at 1pm and 7pm, and Saturday at 2pm and 8pm. NOTE: the performance on Sunday, June 16th will be at 1pm.

Two-time Pulitzer Prize finalist and Obie Award winner Branden Jacobs-Jenkins (An Octoroon) and Drama Desk Award winner Lila Neugebauer (The Waverly Gallery, invite you to one helluva reunion in the darkly comic American family drama, APPROPRIATE.

It’s summer, the cicadas are singing, and the Lafayette family has returned to their late patriarch’s Arkansas home to deal with the remains of his estate. Toni (Paulson), the eldest daughter, hopes they’ll spend the weekend remembering and reconnecting over their beloved father. Bo (Stoll), her brother, wants to recoup some of the funds he spent caring for Dad at the end of his life. But things take a turn when their estranged brother, Franz (Esper), appears late one night, and mysterious objects are discovered among the clutter. Suddenly, long-hidden secrets and buried resentments can’t be contained, and the family is forced to face the ghosts of their past.

For more information please visit: AppropriatePlay.com

Jeremy Jordan and Eva Noblezada: ‘The Great Gatsby’ Sets Spring Broadway Opening

‘The Great Gatsby’ Musical With Jeremy Jordan And Eva Noblezada Sets Spring Broadway Opening

A new musical adaptation of The Great Gatsby starring Smash‘s Jeremy Jordan and Hadestown‘s Eva Noblezada will open on Broadway this spring, producers announced today.

The musical begins previews on Friday, March 29, at The Broadway Theatre, with an opening night set for Thursday, April 25. The announcement was made by lead producer Chunsoo Shin.

Direct from a record-breaking, sold-out world premiere at Paper Mill Playhouse last fall, the show features music and lyrics by Tony Award nominees Nathan Tysen (Paradise Square) & Jason Howland (Beautiful: The Carole King Musical), a book by Kait Kerrigan (The Mad Ones), and is staged by award-winning director Marc Bruni (Beautiful: The Carole King Musical) and choreographer Dominique Kelley (Mariah’s Magical Christmas Special).

The Broadway premiere of The Great Gatsby will feature scenic and projection design by Paul Tate de Poo III, costume design by Linda Cho, lighting design by Cory Pattak, sound design by Brian Ronan, hair & wig design by Charles G. LaPointe & Rachael Geier. Arrangements are by Jason Howland, and Orchestrations are by Jason Howland and Kim Scharnberg. The Music Director is Daniel Edmonds and the music producer is Billy Jay Stein for Strike Audio. Mark Shacket of Foresight Theatrical serves as Executive Producer.

The musical’s world premiere engagement was the highest grossing show in Paper Mill Playhouse history. The production, which ran October 12–November 12, 2023, also broke the theater’s record for ticket sales in a single day, and sold out the entire run before its very first performance.

This production is not to be confused with a Gatsby stage musical announced in 2021 with Florence Welch and Thomas Bartlett attached.

Charlotte St. Martin To Retire As President Of Broadway League After 18 Years

Charlotte St. Martin To Retire As President Of Broadway League After 18 Years

Charlotte St. Martin, whose 18-year leadership of the Broadway League has included both good times – record-setting revenue – and bad – the historic 18-month Covid shutdown – will step down from her role as President effective February 16.

In its announcement today, the League said St. Martin has “decided to retire” from the organization, but will continue to serve in an advisory capacity for special events through the 2024 Tony Awards.

Jason Laks, The League’s Executive Vice President and General Counsel, will serve as Acting President while the Board conducts an official search.

“While there is never a good moment for an executive who has spent a great deal of time in their role to resign, it is the appropriate time for me,” St. Martin said in a statement.

“It is truly the most difficult decision as I love the League, the staff, and of course, the industry that we have supported. I am very proud of our League team and the successes we have shared and know they will continue to provide the League with the highest level of commitment for which they are known. It has been the honor of my career to lead this organization, and I am grateful for all that we have accomplished together.”

During her tenure at The Broadway League, Ms. St. Martin has successfully grown the League and steered the organization through government relations successes, economic shifts, labor challenges and a global pandemic.

Also under her tenure, as the League notes, the trade organization representing theater owners and producers, has created numerous development, mentorship, and educational programs.

In addition to presenting the annual Tony Awards with the American Theatre Wing, the League manages the National High School Musical Theatre Awards.

Prior to joining the League, St. Martin was one of the highest-ranking women in the hospitality industry, holding a variety of positions including Executive Vice President of Operations and Marketing, and President and CEO of Loews Anatole Hotel. She served as Chair of the New York Society of Association Executives and also served as Chair of both Meeting Planners International and the Professional Convention Management Association Foundations.

She currently serves on the board of NYC Tourism+ Conventions. She was named to Grain’s New York Business 2019 Hall of Fame.

In a statement, Kristin Caskey, Current Chair, Board of Governors, The Broadway League, said, “Charlotte’s remarkable leadership over these past 18 years will have a lasting impact on the League and the Broadway industry. She championed many of the League’s remarkable initiatives, including Broadway Bridges and Viva! Broadway, as well as expanded critical programs like the Jimmy Awards and Broadway Membership Fellows, among many others.

“When Broadway shut down for two years during the pandemic,” Caskey continued, “it was under Charlotte’s steadfast leadership that the League helped create the Shuttered Venues Operations Grant and the New York City Musical and Theatrical Production Tax Credit, two vitally important initiatives that ensured the successful return of our industry. We are immensely grateful for her tireless efforts and deep devotion to our community. I know I speak on behalf of our membership when we celebrate her indelible legacy and wish her great happiness in this next chapter.”

The League was founded in 1930, and currently represents more than 700 members from nearly 200 national and international markets including theatre owners and operators, producers, presenters, and general managers as well as suppliers of goods and services to the commercial theatre industry.

Broadway Hit ‘Kimberly Akimbo’ Tony-Winning Musical Annc’s Spring Closing

Broadway Hit ‘Kimberly Akimbo’ Tony-Winning Musical Annc’s Spring Closing

Kimberly Akimbo, winner of five 2023 Tony Awards including Best Musical, will play its final Broadway performance on Sunday, April 28, producers announced today.

Remarkably for Broadway, the entire original company, which has been performing together since the musical’s Off Broadway world premiere in 2021, has continued, and will continue, with the production through its final performance.

The universally acclaimed musical, which finds humor, heartbreak and hope in the tale of a teenage girl with a rare (and fictional) rapid-aging genetic condition that likely will take her life before she finishes her adolescence, opened on Broadway November 10, 2022, following its world premiere at the Atlantic Theater Company in November 2021.

Upon closing, Kimberly Akimbo will have played 32 previews and 612 performances on Broadway. The musical will kick off a 75-week, 60-city national tour at the Denver Center for the Performing Arts this September. (The touring cast has not been announced.)

Though the production grossed a big $720,330 for the holiday week ending December 31, figures have been up and down in recent months as the show began to lose some of its original Broadway steam: While once routinely filling more than 90% of seats at the Booth Theatre, more recent figures hover in the 70%-80% range.

Among its many accolades, Kimberly Akimbo scored a Best Actress/Musical Tony for star Victoria Clark, who delivers one of the great stage musical performances in recent memory. As Kimberly, Clark, who began playing the 15-year-old character when she was 62, captures, simultaneously, the nuances of both adolescence and middle age in one astonishing achievement.

In addition to the Best Musical and Leading Actress wins, the production also took Tonys for Bonnie Milligan (Featured Actress/Musical), David Lindsay-Abaire and Jeanine Tesori (score) and, for Lindsay-Abaire, Best Book. The show made Tony history with Tesori’s win, the first time a female has won two Tonys for Best Score (she won with Lisa Kron in 2015 for Fun Home).

In addition to Clark and Milligan, the cast includes Tony nominees Justin Cooley and Steven Boyer, Alli Mauzey, Olivia Elease Hardy, Fernell Hogan, Michael Iskander and Nina White.

The musical is produced by David Stone, The Atlantic Theater Company, James L. Nederlander, LaChanze, John Gore, Patrick Catullo, and Aaron Glick.

92NY presents Philharmonia Baroque Orchestra with Richard Egarr and Reginald Mobley: Garden of Good & Evil Jan 25 2024

92NY presents Philharmonia Baroque Orchestra with Richard Egarr and Reginald Mobley: Garden of Good & Evil Jan 25 2024

The 92nd Street Y, New York (92NY), one of New York’s leading cultural venues, presents Philharmonia Baroque Orchestra with Richard Egarr and Reginald Mobley: Garden of Good & Evil on Thursday, January 25, at 7:30 pm at the Kaufmann Concert Hall. Tickets start at $30 and are available at https://www.92ny.org/event/philharmonia-baroque-orchestra.

America’s premier Baroque ensemble joins with music director and harpsichordist Richard Egarr and countertenor Reginald Mobley, bringing their compelling program performed to acclaim in the UK. Centered on the creation story, Garden of Good & Evil pairs Handel arias with modern works for Baroque forces by celebrated composers Errollyn Wallen and Tarik O’Regan – jointly commissioned to write new music exploring an aspect of the Biblical creation story. Philharmonia Baroque Orchestra’s blend of authenticity and innovation and juxtaposition of old and new is beautifully illuminated in this musical examination of the most profound of themes.

Handel, Overture to Orlando

Handel, “Al lampo dell’armi” from Giulio Cesare

Handel, “Orride larve … Chiudetevi miei lumi” from Admeto

Handel, Concerto Grosso in A Minor, Op. 6, No. 4, HWV 322

Errollyn Wallen, The Forms (New York premiere)

Tarik O’Regan, The Golden Measure (New York premiere)

Handel, Concerto Grosso in B-flat Major, Op. 6, No. 7, HWV 325

Handel, “O sacred oracles of truth” from Belshazzar

Handel, “Se in fiorito ameno prato” from Giulio Cesare

ABOUT THE ARTISTS

Richard Egarr brings a joyful sense of adventure and a keen, inquiring mind to all his music-making—whether conducting, directing from the keyboard, giving recitals, playing chamber music, or indeed talking about music at every opportunity. After a successful career as Music Director of the Academy of Ancient Music for 15 years, where he succeeded founding director Christopher Hogwood, he joins Philharmonia Baroque Orchestra & Chorale as Music Director.

Richard also holds responsibilities as Principal Guest Conductor of Residentie Orkest The Hague and Artistic Partner at The Saint Paul Chamber Orchestra in Minnesota, after having served as Associate Artist with the Scottish Chamber Orchestra. As a conductor, Richard straddles the worlds of historically-informed and modern symphonic performance, making him an ideal fit for PBO’s parallel commitments to early and new music. Richard is already well-known to the musicians and patrons of PBO, having guest conducted the orchestra four times since 2012 in both regular season offerings and the PBO SESSIONS series. In addition to his conducting genius, he is a brilliant harpsichordist and is equally skilled on the organ and fortepiano.

Richard is a beloved teacher and has been on the faculty of The Juilliard School for eight years in their Historical Performance division, has conducted major symphonic orchestras such as London Symphony Orchestra, Lincoln Center Festival Orchestra, Seattle Symphony, and The Philadelphia Orchestra, and regularly gives solo harpsichord recitals at The Kennedy Center, Carnegie Hall, the Smithsonian, and elsewhere.

Born in Lincoln, England, Richard trained as a choirboy at York Minster, was organ scholar at Clare College Cambridge, and later studied with Gustav and Marie Leonhardt in Amsterdam, where he makes his home.

Under the musical direction of Richard Egarr in his second season as Music Director, Philharmonia Baroque Orchestra & Chorale (PBO) is recognized as “America’s leading historically informed ensemble” (The New York Times). Considered the most versatile ensemble of its kind, and performing on period instruments, PBO presents repertoire ranging from early Baroque to late Romantic, as well as new works and major operatic productions. The ensemble engages audiences through its signature Bay Area series, national and international tours, recordings, commissions, and education programs. Having celebrated its 40th anniversary last year, PBO was founded by Laurette Goldberg and led by Music Director Laureate Nicholas McGegan for the past 35 years. Philharmonia is the largest ensemble of its kind in the United States.

PBO’s musicians are leaders in historical performance and serve on the faculties of The Juilliard School, San Francisco Conservatory of Music, Harvard, and Stanford. It welcomes eminent guest artists including mezzo-sopranos Susan Graham and Anne Sofie von Otter, countertenors Anthony Roth Costanzo and Aryeh Nussbaum Cohen, violoncellist Steven Isserlis, and maestros Jonathan Cohen and Jeannette Sorrell. PBO enjoys longstanding artistic collaborations with The Juilliard School, the Mark Morris Dance Group, and the American Modern Opera Company (AMOC), and appears regularly at Disney Hall, Lincoln Center, Norfolk Chamber Festival and Tanglewood. In collaboration with Cal Performances in 2017, PBO produced a fully-staged period opera, Rameau’s Le Temple de la Gloire, and produced a fully-staged, reimagined production of Handel’s Aci, Galatea e Polifemo directed by Christopher Alden and featuring countertenor Anthony Roth Costanzo, bass-baritone Davóne Tines, and soprano Lauren Snouffer in eight sold out performances in January 2020. “Aci” was named Best Operatic Performance in the Bay Area by San Francisco Classical Voice in 2020. PBO also co-produced “Aci” with National Sawdust in Brooklyn, Cath Brittan and Anthony Roth Costanzo in 2017.

Among the most recorded orchestras in the world, PBO boasts a discography of nearly 50 recordings, including a coveted archival performance of mezzo-soprano Lorraine Hunt Lieberson in Berlioz’s Les Nuits D’été, and a GRAMMY®-nominated recording of Haydn symphonies. The orchestra released the world premiere recording of the original version of Rameau’s Le Temple de la Gloire with the unedited libretto by Voltaire in 2018. In 2020, PBO released three groundbreaking recordings: a full collection of commissioned works by Pulitzer Prize winner Caroline Shaw, a selection of arias sung by rising star contralto Avery Amereau, and Handel’s Saul with countertenor Aryeh Nussbaum Cohen.

Noted for his ‘shimmering voice’ (BachTrack), GRAMMY-nominated American countertenor Reginald Mobley is globally renowned for his interpretation of baroque, classical and modern repertoire, and leads a prolific career on both sides of the Atlantic.

An advocate for diversity in music and its programming, Reginald became the first ever Programming Consultant for the Handel & Haydn Society following several years of leading H&H in its community engaging Every Voice concerts. He holds the position of Visiting Artist for Diversity Outreach with the Baroque ensemble Apollo’s Fire, and is also leading a research project in the UK funded by the AHRC to uncover music by composers from diverse backgrounds.

His American concert schedule includes solos recitals (New York at the Miller Theatre, Chicago (Collaborative Arts Institute)), concerts with orchestras performing Handel’s Messiah with, this year, the Pittsburgh Symphony, Philadelphia and Minnesota orchestras and Carmina Burana with the Chicago Symphony Orchestra as well as regular appearances with the most prestigious baroque ensembles: Philharmonia Baroque Orchestra, Early Music Vancouver, Collegium San Diego, Seraphic Fire, to name but a few. Recent and future highlights include his debut with the Boston Symphony Orchestra at Tanglewood Festival (Andris Nelson), with the Philadelphia Orchestra, and with Orchestre Métropolitain de Montreal, conducted by Masaaki Suzuki.

In Europe, Reginald has been invited to perform with Orchester Wiener Akademie, Balthasar Neumann Chor & Ensemble, Freiburger Barockorchester, I Barocchisti, Bach Society in Stuttgart, Holland Baroque Orchestra, Dutch Bach Society, Monteverdi Choir and English baroque soloists, as well as the City of Birmingham Orchestra and the Budapest Festival Orchestra for a series of performances as Ottone in L’incoronazione di Poppea. He has also engaged in a few projects together with the Academy of Ancient Music in Cambridge, singing the role or Disinganno in Il trionfo del Tempo e del Disinganno and devising a new programme, Sons of England, supported by UKAHRC, which reflects his research under their umbrella, which will be touring in April 2024. Reginald gave a Purcell, Handel and Sancho programme for his solo debut recital in Paris, which he repeated as part of the Bayreuth baroque opera festival in September 2023.

His first solo album with ALPHA Classics was released to great acclaim in June 2023 to coincide with a major series of concerts with pianist Baptiste Trotignon in Paris, York and Liverpool as well as part of both the Aix-en-Provence and BBC PROMS festivals. In addition, Reginald features on several albums with the Monteverdi Choir, Agave Baroque and Stuttgart Bach Society.

Highlights of the 2023/24 Tisch Music Season include:

  • Joshua Redman Group release concert of where are we featuring Gabrielle Cavassa
  • NY premieres of new work by Tyshawn Sorey and COTTON by composer Damien Geter
  • New York concert debuts of the Isidore String Quartet and pianist Tony Siqi Yun
  • Pianist Conrad Tao returns to 92NY as part of the global celebration of Rachmaninoff at 150
  • Ongoing partnerships continue with concerts from the Curtis Institute of Music, the New York Philharmonic, and Orpheus Chamber Orchestra with special guest artists
  • Art of the Guitar Series with Beijing Guitar Duo, David Russell and Manuel Barrueco
  • 2023/24 Lyrics & Lyricists series celebrating Howard Ashman, Laura Nyro, Stevie Wonder, andSheldon Harnick in a special event led by Ted Sperling honoring the legacy of three-time Tony Award winner, and Broadway legend, Jason Robert Brown, featuring a one-night-only appearance.
  • Expanded American Songbook offerings including exclusive concerts by Audra McDonald, Joshua Henry and Stephanie J. Block

For more information, please visit 92NY.org/Concerts.

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