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Audra McDonald returns to Broadway Starring in Ohio State Murders

Emmy, Grammy, and Six-time Tony Award winner Audra McDonald will return to Broadway this season starring in Ohio State Murders by Adrienne Kennedy, directed by Tony Award winner Kenny Leon (Fences, A Soldier’s Play).

The production will be the first show to play at the newly re-named and renovated James Earl Jones Theatre (formerly the 110-year-old Cort Theatre at 138 West 48th St.) with previews beginning on Friday, November 11, 2022 and opening on Thursday, December 8, 2022 for a strictly limited engagement.

Full casting, creative team and ticket on-sale information through Telecharge will be announced at a later date. This inaugural production is proudly presented by Jeffrey Richards, Lincoln Center Theater, Rebecca Gold, Jayne Baron Sherman, Hunter Arnold, Irene Gandy, Kevin Ryan/Lisa Alexander Taylor, Marc David Levine, Concord Theatricals, The Nederlander Organization and The Shubert Organization.

“One of the finest living American playwrights…” (The New York Times), Obie Lifetime Achievement Award Winner, and a member of the Theater Hall of Fame, Adrienne Kennedy will make her Broadway debut with this production at age 91. Earlier this year, Kennedy was awarded the Gold Medal for Drama from the Academy of Arts and Letters, which is awarded to those who have achieved eminence in an entire body of work.

Only four other dramatists have been awarded the Gold Medal:  Edward Albee, Tennessee Williams, Eugene O’Neill and Arthur Miller. Ms. Kennedy has been contributing to American theater for over six decades, and is best known for her plays such as Funnyhouse of a Negro (Obie Award), June and Jean in Concert (Obie Award)and Sleep Deprivation Chamber (Obie Award) and numerous other plays and books.

“I am so thrilled. It’s only taken me 65 years to make it to Broadway!”

said Kennedy.

“I’m honored and humbled to be part of Adrienne Kennedy’s long-overdue Broadway debut in the newly dedicated James Earl Jones Theatre with Kenny Leon,” said McDonald. “This timeless play has a powerful resonance and relevance today, and we can’t wait to share it with the world.”

When writer Suzanne Alexander (Audra McDonald) returns to her alma mater as a guest speaker, in which she explores the violence in her works, a dark mystery unravels. Adrienne Kennedy’s Ohio State Murders is an intriguing and unusual suspense play, as well as a social pertinent look at the destructiveness of racism in our society.

The renaming of the Cort Theatre to the James Earl Jones Theatre was announced by The Shubert Organization, Inc. in March of 2022 in recognition of Mr. Jones’s lifetime of immense contributions to Broadway and the entire artistic community. Shubert has performed extensive renovation and construction work on the 110-year-old theatre, including construction of a new, contemporary wing.

www.ohiostatemurdersbroadway.com

Follow Ohio State Murders on social media @ohiomurdersbway.

Final 2 weeks for Broadway’s Tina Turner Musical – Final show Aug 14

Final 2 weeks for Broadway’s smash hit Tina Turner Musical with the final show on August 14

There are two weeks remaining to see the smash hit TINA – THE TINA TURNER MUSICAL at Broadway’s Lunt-Fontanne Theatre (205 West 46th Street).

Following the final Broadway performance on Sunday, August 14, 2022, TINA – THE TINA TURNER MUSICAL will launch a 30-city national tour on September 14, 2022 in Providence, RI, which will mark the sixth global production of the musical.

Rolling Stone celebrated the starry opening night, trailing the Queen of Rock & Roll as she joined Katori Hall, Adrienne Warren and the Broadway company onstage at the Lunt-Fontanne Theatre, a performance that would go on to earn Warren a Tony Award, and the New York Times profiled Ms. Turner as she prepared for TINA – THE TINA TURNER MUSICAL to open on Broadway.

Tina Turner Broadway musical final performance

TINA – THE TINA TURNER MUSICAL originally opened on November 7, 2019, was nominated for 12 Tony Awards including Best Musical. Upon its final performance, TINA – THE TINA TURNER MUSICAL will have played 27 preview performances and 482 regular performances.

Produced by Stage Entertainment, James L. Nederlander and Tali Pelman, in association with Tina Turner, there are currently five productions of TINA – THE TINA TURNER MUSICAL running around the world.

The new musical based on the life of legendary artist Tina Turner and presented in association with Tina Turner herself, received its world premiere in April 2018 in London’s West End, where it opened to five-star reviews and has broken box office records at the Aldwych Theatre, before opening on Broadway in November 2019.

In March 2019, the German production opened at Stage Operettenhaus in Hamburg, and the Dutch production opened at the Beatrix Theater, Utrecht, in February 2020.

A third European production opened in Fall 2021 at the Teatro Coliseum in Madrid, Spain and the North American Tour will mark the sixth global production of TINA – THE TINA TURNER MUSICAL.

TINA – THE TINA TURNER MUSICAL currently stars Nkeki Obi-Melekwe as Tina, Nick Rashad Burroughs as Ike, Kayla Davion as Tina (at some performances), Tony Award nominee Myra Lucretia Taylor as Gran Georgeanna, NaTasha Yvette Williams as Zelma and Katie Webber as Rhonda and also features Juliet Benn, Steven Booth, Julius Chase, Milanis Clark, Leandra Ellis-Gaston, Charlie Franklin, Judith Franklin, Josiah Gaffney, Matthew Griffin, Ari Groover, Sheldon Henry, David Jennings, Ethan Joseph, Ross Lekites, Robert Lenzi, Rob Marnell, Stephanie Martignetti, Jhardon DiShon Milton, NaTonia Monét, Deon Releford-Lee, Justin Schuman, Allysa Shorte, Eric Siegle, Carla R. Stewart, Skye Dakota Turner, Anthony Wayne and Michelle West.

Written by Tony Award nominee and Pulitzer Prize winner Katori Hall with Frank Ketelaar and Kees Prins, TINA – THE TINA TURNER MUSICAL is directed by Tony Award nominee Phyllida Lloyd with choreography by Tony Award nominee Anthony van Laast, set and costume designs by Tony Award nominee Mark Thompson, musical supervision, additional music and arrangements by Nicholas Skilbeck, lighting by Tony Award nominee Bruno Poet, sound by Tony Award nominee Nevin Steinberg, projection design by Tony Award nominee Jeff Sugg, orchestrations by Tony Award nominee Ethan Popp, wigs, hair and makeup design by Drama Desk Award winnerCampbell Young Associates, music direction by Alvin Hough Jr. and casting by The Telsey Office. 

Experience Tina Turner’s triumphant story live on Broadway at the exhilarating, undeniable mega hit: TINA – THE TINA TURNER MUSICAL. The Hollywood Reporter raves, “It’s irresistibly uplifting.” People Magazine calls it, “euphoric, moving, and totally joyous.” And the New York Times cheers, “I’ve rarely heard an audience with this mighty a roar.”

Celebrate the unstoppable woman that dared to dream fiercely, shatter barriers, and conquer the world—against all odds. Set to the pulse-pounding soundtrack of her most beloved hits, this electrifying sensation will send you soaring to the rafters. The Daily Beast declares, “prepare to be ecstatically blown away. It’s a miracle the roof hasn’t taken flight to space.”

 

Produced by Stage Entertainment and Ghostlight Records and featuring the original London cast, Tina – The TinaTurner Musical: Original Cast Recording is available worldwide on CD, both online and in stores. The CD features a 20-page booklet, which includes liner notes, synopsis, and production and studio photography. The album was recorded in February 2019 at Angel Studios and RAK Studios, produced by the show’s Music Supervisor Nicholas Skilbeck and Kurt Deutsch, and co-produced by Tom Kelly. To download or stream the album, or order the CD, please visit http://www.ghostlightrecords.lnk.to/riverdeep-tinaturnermusical.

Tina Turner is a two-time inductee into the Rock and Roll Hall of Fame with Ike Turner in 1991 and as a solo artist in 2021.

The Emmy-nominated feature documentary TINA is now available to stream on HBO Max. A revealing and intimate lookat the life and career of musical icon Tina Turner, TINA charts her improbable rise to early fame, her personal and professional struggles throughout her life and her even more improbable resurgence as a global phenomenon in the 1980s. The feature documentary is from Academy Award-winning directors Dan Lindsay, T.J. Martin and Lightbox, the production company founded by Academy Award-winning producer Simon Chinn and Emmy-winning producer Jonathan Chinn, together with Emmy-nominated producer Diane Becker.

TICKET INFORMATION

Tickets for the final 2 weeks of Broadway’s TINA – THE TINA TURNER MUSICAL are on sale at www.ticketmaster.com.

A $45 ticket digital lottery is available at https://lottery.broadwaydirect.com/show/tina-ny. Powered by Broadway Direct, TINA – THE TINA TURNER MUSICAL’s digital lottery will open at 9AM the day before the performance and closed at 3PM the day before the performance. Winners will be notified by email shortly after each drawing and have 60 minutes to claim and pay for tickets online. Seat locations and number of tickets awarded by the lottery are subject to availability. Maximum 2 tickets per entry. Please note, lottery seats may be partial view.

The performance schedule for TINA – THE TINA TURNER MUSICAL is as follows: Tuesday and Thursday at 7pm and Wednesday, Friday and Saturday at 8pm, with matinees on Wednesday and Saturday at 2pm and Sunday at 3PM.

For more information, visit www.TinaOnBroadway.com.

Follow @TinaBroadway on Twitter, Instagram, and Facebook.

Beanie Feldstein’s Final Performance as Fanny Brice in Broadway’s Funny Girl Revival July 31

Beanie Feldstein’s Final Performance as Fanny Brice in Broadway’s Funny Girl Revival July 31

Beanie Feldstein ends her Funny Girl role July 31

Beanie Feldstein ends her run starring as Fanny Brice in Broadway’s Funny Girl July 31, the production’s first original cast member to leave.

The production will continue performances at the August Wilson Theatre with standby Julie Benko taking over the role through September 4 and Glee star Lea Michele set to join the company beginning September 6.

Glee star Lea Michele joins Broadway’s Funny Girl September 6.

Feldstein was originally announced to leave the production September 25, but subsequently announced she would be leaving sooner, saying “the show in a different direction.”

The rising female star made her Broadway debut in 2017’s Hello, Dolly!, playing Minnie Fay.

Funny Girl originally premiered on Broadway in 1964, with a score by Jule Styne and Bob Merrill, and a book by Isobel Lennart, 2022-adapted by Tony winner Harvey Fierstein for this revival.

The original production propelled a young Barbra Streisand to international fame; and the 1968 film adaptation won an Academy Award and a Golden Globe.

In addition to Feldstein, Jane Lynch, Ramin Karimloo, and Tony nominee Jared Grimes.

The company includes Peter Francis James as Florenz Ziegfeld, Ephie Aardema as Mrs. Nadler, Debra Cardona as Mrs. Meeker, Toni DiBuono as Mrs. Strakosh, Martin Moran as Tom Keeney, and Benko as the standby for Fanny Brice.

Benko has gone on as Fanny several times throughout the run, including during Feldstein’s recent bout with COVID-19.

The production is directed by Michael Mayer, who leads a creative team that includes choreography by Ellenore Scott, tap choreography by Ayodele Casel, music supervision and direction by Michael Rafter, scenic design by David Zinn, costume design by Susan Hilferty, lighting design by Kevin Adams, sound design by Brian Ronan, and hair design by Campbell Young Associates. Casting is by Jim Carnahan and Jason Thinger.

The production also includes orchestrations by Chris Walker; dance, vocal, and incidental music arrangements by Alan Williams; additional arrangements by Carmel Dean and David Dabbon; music coordination by Seymour Red Press and Kimberlee Wertz; and vocal supervision by Liz Caplan.

Broadway Twist: Cheyenne Jackson Going ‘Into The Woods’ As Temporary Fill-In For Gavin Creel

Broadway Twist: Cheyenne Jackson Going ‘Into The Woods’ As Temporary Fill-In For Gavin Creel

Cheyenne Jackson will step into the roles of Cinderella’s Prince and Red Riding Hood’s Wolf for a weeklong stint in Broadway’s hit revival Into the Woods, taking over for Gavin Creel during a previously scheduled absence.

Jackson will play the roles from July 24-August 2 while Creel fulfills prior commitments. The latter will return to the production on August 6 following a residence at The O’Neill National Musical Theatre Conference performing the project he wrote, Walk on Through: Confessions of a Museum Novice.

“I’m honored and elated

to have been asked to return to my Broadway roots

and join this enchanted production of Into the Woods alongside these beautiful artists,” Jackson said.

“As a father of two young children, this piece resonates even deeper for me now, and I cannot wait to return to the St James Theatre and go Into the Woods once more.”

The casting was announced today by Jordan Roth, President of Jujamcyn Theaters.

Jackson stars on Fox’s Call Me Kat opposite Mayim Bialik and Leslie Jordan and is perhaps best known to TV audiences for his roles on Glee and American Horror Story. Other credits include HBO’s Watchmen and Apple TV’s The Morning Show, and he next will be seen opposite Cate Blanchett, Jamie Lee Curtis, Jack Black and Kevin Hart in the film Borderlands from Lionsgate.

After making his Broadway debut as an understudy in 2002’s Thoroughly Modern Millie, Jackson made his starring debut in 2005’s Elvis Presley musical All Shook Up. He returned to Broadway in Xanadu (2007), Finian’s Rainbow (2009) and The Performers (2012).

The James Lapine-Stephen Sondheim musical Into the Woods is directed by Lear deBessonet, with music direction by Rob Berman with The Encores! Orchestra, and choreography by Lorin Latarro. The cast includes Sara Bareilles, Brian d’Arcy James, Patina Miller, Phillipa Soo, Joshua Henry, Aymee Garcia, Ta’Nika Gibson, Annie Golden, Albert Guerzon, Brooke Ishibashi, Kennedy Kanagawa, David Patrick Kelly, Julia Lester, Nancy Opel, Cole Thompson, David Turner and Alysia Velez.

Into the Woods is produced by Jujamcyn Theaters; Jordan Roth; New York City Center; Daryl Roth; Hunter Arnold; Concord Theatricals; Nicole Eisenberg; Jessica R. Jenen; Michael Cassel Group; Kevin Ryan; ShowTown Productions; Armstrong, Gold & Ross; Nicole Kastrinos, Executive Producer.

 

Billy Crystal Leaves Broadway: Mr Saturday Night – Only 7 Weeks Left – Final Performance Sept 4

Only 7 Weeks Left – See Billy Crystal On Broadway: Mr Saturday Night – Final Performance Sept 4

The Tony-nominated musical comedy, MR. SATURDAY NIGHT, starring Tony and Emmy Award winner Billy Crystal, will play through its announced on-sale date and will end its Broadway run on September 4, 2022.

“Bringing Mr. Saturday Night to the Broadway stage and experiencing the laughter and tears this show generates has truly been one of the high points of my career,” said Billy Crystal.

“It has been a joyous experience

to make my musical comedy debut

at the age of 74,

and I thank everyone involved

my co-writers Lowell Ganz and Babaloo Mandel; director John Rando; our composer and lyricist, Jason Robert Brown and Amanda Green, and our music director David O; my vocal coach David Stroud; our choreographer Ellenore Scott; Scott Pask and our entire design team; our musicians and crew; the best producing partner you could ask for, Jimmy Nederlander; and the fantastic cast, each of whom I have great affection for and who made me so proud to act with every show.

Billy-crystal-mrsaturdaynight-broadway

The character Buddy Young Jr. has been part of my life for many decades and I’m honored that I was able to share him with the audiences at the Nederlander Theatre.”

Following the Broadway run of MR. SATURDAY NIGHT, Billy Crystal will begin pre-production on the AppleTV+ series, “Before.” He will star in and executive produce the series with Academy Award-winning writer Eric Roth and Academy Award-winning director Barry Levinson.

MR. SATURDAY NIGHT is the story of Buddy Young Jr., an outrageous and outspoken comedian who found fame, if not fortune, in the early days of television. Now, some 40 years after his TV career flamed out, Buddy seeks one more shot at the spotlight, and while he’s at it, one last shot at fixing the family he fractured along the way.

The musical, which opened on Wednesday April 27th at the Nederlander Theater, will have played 28 previews and 116 performances when it concludes its run.

MR. SATURDAY NIGHT also features Tony Award winner Randy Graff (City of Angels, Les Misérables) as Elaine Young; David Paymer (City Slickers, Quiz Show, State & Main), who is recreating his Oscar-nominated performance as Buddy’s brother Stan Yankleman; Tony Award nominee Shoshana Bean (Wicked, Waitress) as Susan Young; and Chasten Harmon (The Good Fight, Elementary, Broadway’s Hair) as agent Annie Wells.

The Broadway company also includes Jordan Gelber (Sunday in the Park with George), Brian Gonzales (Aladdin), Mylinda Hull (Dirty Rotten Scoundrels, Sweet Charity), Stephen DeRosa (Gary: A Sequel), Henry Gainza (On Your Feet), Tari Kelly (Groundhog Day) and Tatiana Wechsler (Broadway debut).

In this production, Mr. Crystal returns to the role of Buddy Young Jr. that he portrayed in the original 1992 Columbia Pictures film of the same name, which also marked his directorial debut.

The book for the stage musical is written by Billy Crystal, Lowell Ganz and Babaloo Mandel.

The score for MR. SATURDAY NIGHT features music by three-time Tony Award winner Jason Robert Brown (Parade, The Bridges of Madison County) and lyrics by Tony Award nominee Amanda Green (Hands on a Hardbody). Tony Award winner John Rando (Urinetown, On The Town) directs. The production features choreography by Ellenore Scott (Funny Girl).

Based on the Castle Rock Entertainment motion picture, Mr. Saturday Night is written by Billy Crystal, Lowell Ganz and Babaloo Mandel and based on a concept by Billy Crystal. By special arrangement with Warner Bros. Theatre Ventures.

Tickets for all remaining performances are available at Ticketmaster.com.

For more information, please visit MrSaturdayNightOnBroadway.com

Please follow:
@MrSatNightBway on Facebook, Twitter, and Instagram

Broadway Surprise! Emmy nominee Lea Michele takes over Funny Girl from Beanie Feldstein

Broadway Surprise! Emmy nominee Lea Michele takes over Funny Girl from Beanie Feldstein.

The producers today announce that Emmy Award nominee Lea Michele (Spring Awakening, “Glee”) will star as “Fanny Brice” for Broadway’s Funny Girl starting Sept 6 at August Wilson Theatre (245 West 52nd Street).


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Also four-time Tony Award nominee Tovah Feldshuh (Yentl, “Crazy Ex-Girlfriend”) will star as “Mrs. Brice,” alongside Tony & Olivier Award nominee Ramin Karimloo (Anastasia, Les Misérables) as “Nick Arnstein” and 2022 Tony & Drama Desk Award nominee & Chita Rivera Award winner Jared Grimes (A Soldier’s Play, “Manifest”) as “Eddie Ryan,” in FUNNY GIRL beginning Tuesday, September 6, 2022 at Broadway’s August Wilson Theatre (245 West 52nd Street).

 

“Fanny Brice” standby Julie Benko will perform the title role from Tuesday, August 2 – Sunday, September 4, 2022 and on Thursdays beginning Thursday, September 8, 2022.

 

Tickets for FUNNY GIRL are now on sale through Sunday, March 26, 2023 at https://seatgeek.com/funny-girl-tickets.

 

FUNNY GIRL currently stars Beanie Feldstein as “Fanny Brice” through Sunday, July 31, 2022 and five-time Emmy Award winner Jane Lynch as “Mrs. Brice” through Sunday, September 4, 2022, alongside Ramin Karimloo as “Nick Arnstein” and Jared Grimes as “Eddie Ryan.” They are joined by Peter Francis James as “Florenz Ziegfeld,” Ephie Aardema as “Emma/Mrs. Nadler,” Debra Cardona as “Mrs. Meeker,” Toni DiBuono as “Mrs. Strakosh,” Martin Moran as “Tom Keeney,” and an acting company that includes Miriam Ali, Amber Ardolino, Daniel Beeman, Colin Bradbury, Kurt Csolak, John Michael Fiumara, Leslie Donna Flesner, Afra Hines, Masumi Iwai, Aliah James, Jeremiah James, Danielle Kelsey, Stephen Mark Lukas, Alicia Lundgren, John Manzari, Liz McCartney, Connor McRory, Katie Mitchell, Justin Prescott, Mariah Reives, Leslie Blake Walker and Julie Benko.

 

Tony Award winner Michael Mayer directs this brand-new FUNNY GIRL, featuring the classic score by Tony, Grammy and Academy Award winner Jule Styne and lyrics by Tony Award nominee and Grammy Award winner Bob Merrill, (comprising additional songs from Styne & Merrill). The original book by Isobel Lennart, from an original story by Miss Lennart, is revised by Tony Award winner Harvey Fierstein.

 

FUNNY GIRL features choreography by Ellenore Scott, tap choreography by 2022 Drama Desk Award nominee Ayodele Casel, scenic design by Tony Award winner David Zinn, costume design by Tony Award winner Susan Hilferty, lighting design by Tony Award winner Kevin Adams, sound design by Tony Award winner Brian Ronan, hair & wig design by Campbell Young Associates, music direction and supervision by Emmy Award winner Michael Rafter, casting by Jim Carnahan, CSA and Jason Thinger, CSA, orchestrations by Chris Walker, dance, vocal and incidental music arrangements by Alan Williams, additional arrangements by David Dabbon and Carmel Dean and vocal supervision by Liz Caplan.

 

This bittersweet comedy is the story of the indomitable Fanny Brice, a girl from the Lower East Side who dreamed of a life on the stage. Everyone told her she’d never be a star, but then something funny happened—she became one of the most beloved performers in history, shining brighter than the brightest lights of Broadway. Featuring some of the most iconic songs in theatre history including “Don’t Rain On My Parade,” “I’m the Greatest Star,” and “People,” Michael Mayer’s bold new production marks the first time FUNNY GIRL has returned to Broadway since its debut 58 years ago.

 

Tickets to FUNNY GIRL are available at https://seatgeek.com/funny-girl-tickets. Prices start at $69.00.

Powered by Lucky Seat, a limited number of tickets will be available for every performance of FUNNY GIRL for $47.50 per ticket. Digital lotteries will begin each Monday at 10AM ET and close the day prior to the performance at 10:30 AM ET. Winners will be notified at approximately 11 AM ET the day prior to the performance via email and SMS. Once notified, winners will have a limited time to claim and pay for their ticket(s). Lottery entrants must be 18 years or older. Tickets are non-transferable. All sales final. No exchange, no refunds. Ticket limits and prices are at the sole discretion of the show and are subject to change. For additional rules, and information on how to enter, visit” https://www.luckyseat.com/shows/funnygirl-newyork.

 

FUNNY GIRL is produced by Sonia Friedman Productions, Scott Landis, David Babani, Roy Furman, No Guarantees, Adam Blanshay Productions, Daryl Roth, Stephanie P. McClelland, Lang Entertainment Group, Playing Field, Gavin Kalin, Charles & Nicolas Talar, Fakston Productions, Sanford Robertson, Craig Balsam, Cue to Cue Productions, LenoffFedermanWolofsky Productions, Judith Ann Abrams / Peter May, Hunter Arnold, Creative Partners Productions, Elizabeth Armstrong, Jane Bergère, Jean Doumanian, Larry Magid, Rosalind Productions, Iris Smith, Kevin & Trudy Sullivan, Julie Boardman / Kate Cannova, Heni Koenigsberg / Michelle Riley, Mira Road Productions / Seaview, In Fine Company, Elie Landau, Brian Moreland, Henry R. Muñoz III & Kyle Ferari Muñoz,  MaggioAbrams / Brian & Dayna Lee.

 

Follow FUNNY GIRL on Facebook, Twitter & Instagram @FunnyGirlBway. www.FunnyGirlOnBroadway.com

Warhol-Basquiat Play ‘The Collaboration’ Sets Winter Broadway Opening; with Paul Bettany & Jeremy Pope Starring

Warhol-Basquiat Play ‘The Collaboration’ Sets Winter Broadway Opening; with Paul Bettany & Jeremy Pope Starring

The Collaboration, Anthony McCarten’s hit London play about artists Andy Warhol and Jean-Michel Basquiat, will make its American premiere on Broadway this winter, with Paul Bettany and Jeremy Pope as the two painters.

The Manhattan Theatre Club production will begin previews at MTC’s Samuel J. Friedman Theatre on Tuesday, November 29, with an opening night set for Tuesday, December 20. Kwame Kwei-Armah directs.

The production will be the second Broadway production of MTC’s 2022-2023 season, following the fall premiere of Martyna Majok’s Cost of Living.

The Collaboration, which made its world premiere in a critically acclaimed production by London’s Young Vic Theatre in January, is set in the summer of 1984, when longtime superstar Warhol and wunderkind Basquiat agreed to work together on what would become one of the most famous exhibitions in the modern art history. As the official synopsis puts it, “But can these two creative giants co-exist, or even thrive?”

Bettany (The Avengers, WandaVision) and Pope (Broadway’s Choir Boy and Ain’t Too Proud) reprise their roles from the London staging.

The announcement was made today by Manhattan Theatre Club, Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) and the Young Vic Theatre, Kwame Kwei-Armah (Artistic Director) and Lucy Davies (Executive Director) by special arrangement with Eleanor Lloyd Productions, Anthology Theatre, Stanley Buchthal, and Denis O’Sullivan

Additional cast members and the creative team for The Collaboration will be announced at a later date. Two additional productions for MTC’s 2022-2023 season, including one at the Samuel J. Friedman Theatre on Broadway and one at MTC at New York City Center – Stage I, will be announced soon.

‘Almost Famous’ Musical Sets New Broadway Opening Date, Lands Venue

‘Almost Famous’ Musical Sets New Broadway Opening Date, Lands Venue

Almost Famous, the stage musical based on Cameron Crowe’s 2000 film, will begin previews at Broadway’s Bernard B. Jacobs Theatre on Oct. 3, ahead of a Nov. 3 opening night.

The new dates fall a few weeks after those originally announced last month before Almost Famous had landed the venue: The Jacobs currently houses the musical revival of Company, which recently posted a July 31 closing notice.

The Broadway cast will be headed by Chris Wood, Anika Larsen, Solea Pfeiffer, Drew Gehling, Rob Colletti and Casey Likes.

Directed by Jeremy Herrin, with choreography by Sarah O’Gleby, the musical includes a book and lyrics by Crowe, with original music and lyrics by Tom Kitt.

Set in 1973, Almost Famous follows 15-year-old William Miller (Likes), an aspiring music journalist hired by Rolling Stone magazine to go on the road with an up-and-coming band. The official synopsis: “William is thrust into the rock-and-roll circus, where his love of music, his longing for friendship, and his integrity as a writer collide. Almost Famous is about a young man finding his place in the world and the indelible characters he meets along the way. It’s a celebration of community, family, fandom and the power of music.”

The venue and opening date announcement made by producers Lia Vollack and Michael Cassel.

Broadway’s Tony Nominated ‘For Colored Girls…’ Annc’s Extension to June 5

Broadway’s Tony Nominated ‘For Colored Girls…’ Announces Extension to June 5

Three weeks are left to experience one of the best reviewed plays of 2022, the critically acclaimed and reimagined Broadway revival of Ntozake Shange’s groundbreaking for colored girls who have considered suicide/ when the rainbow is enuf, directed and choreographed by Tony Award nominee Camille A. Brown (Once On This Island, Choir Boy, co-director and choreographer of Fire Shut Up in My Bones). The production will play its final performance on Sunday, May 22 at the Booth Theatre (222 West 45th Street).

Tickets are on sale for the show’s final weeks at www.telecharge.com. Discounted tickets are now available to students who present a valid Student ID at $25 per ticket.

for colored girls… is Camille A. Brown’s directorial debut on Broadway. She is the first Black woman to serve as both director and choreographer on Broadway in more than 65 years, bringing a reinvented, joyful and celebratory production of Shange’s seminal work back to its original home at the Booth Theatre, where the play premiered in 1976.

 

for colored girls… has received three Drama League Award nominations including Outstanding Revival of a Play, Outstanding Direction of a Play – Camille A. Brown and Distinguished Performance Award – Kenita R. Miller. The production has also received three Outer Critics Circle Award nominations including Outstanding Revival of a Play, Outstanding Director of a Play – Camille A. Brown and Outstanding Choreography – Camille A. Brown.

 


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“From African influence to HBCU stepping, Brown’s choreography is a forensic amalgamation of styles that shows all forms of Black dance should be considered tribal in origin,” described Matthew Allen of The Grio.

 

“Brown’s staging is so attuned to the words and cadences of Shange’s choreopoem, yet so confident in its own interpretive vision, that the characters blossom into their full vibrancy,” praised Laura Collins-Hughes of The New York Times.

 

“We are so proud to have brought Ntozake Shange’s brilliant choreopoem back to Broadway after 46 years from its original premiere and to have had the opportunity to share Camille’s vision and masterful work with a sensational ensemble of women on stage at the Booth Theatre each night,” said producers Nelle Nugent, Ron Simons and Kenneth Teaton. “As Broadway continues to rebound, we knew it would be challenging and our goal remains to present these voices and introduce a new generation of audiences to the power of theatre and the power of Shange’s words.”

Join the circle as seven women share their stories and find strength in each other’s humor and passion through a fusion of music, dance, poetry and song that explodes off the stage and resonates with all. It’s time for joy. It’s time for sisterhood. It’s time for colored girls.

The cast stars Amara Granderson as Lady in Orange, Tendayi Kuumba as Lady in Brown, Kenita R. Miller as Lady in Red, Okwui Okpokwasili as Lady in Green, Stacey Sargeant as Lady in Blue, Alexandria Wailes as Lady in Purple, and D. Woods as Lady in Yellow. Rachel Christopher, Treshelle Edmond, McKenzie Frye, Kala Ross and Alexis Sims join the company as standbys and understudies.

for colored girls… features set design by Myung Hee Cho, costume design by Sarafina Bush, lighting design by Jiyoun Chang, sound design by Justin Ellington, projection design by Aaron Rhyne, and hair & wig design by Cookie Jordan. The show features original music by Martha Redbone and Aaron Whitby. Deah Love Harriott serves as the Music Director and Tia Allen is the Music Coordinator. The Production Stage Manager is Bernita Robinson and the Assistant Stage Manager is lark hackshaw. The production features casting by Erica Jensen/Calleri Jensen Davis and production supervision by Hudson Theatricals. Christina Franklin serves as the Associate Director and Maleek Washington and Mayte Natalio serve as Associate Choreographers.

Black girl magic is reborn. Ntozake Shange’s for colored girls who have considered suicide/ when the rainbow is enuf is the “landmark of American theater” (The New York Times) that blazed a trail for generations to come. Now, this celebration of the power of Black womanhood returns to Broadway for the first time, reinvented, directed, and choreographed by “a true superstar of theater and dance” (NPR), Tony AwardÒ nominee Camille A. Brown. And her vision is as fearlessly new as it is fiercely now.

For more information, visit www.forcoloredgirlsbway.com.

Grace Chorale of Brooklyn in collaboration with Vertical Player Repertory presents “The Constitution”

Grace Chorale of Brooklyn in collaboration with Vertical Player Repertory presents “The Constitution”

Grace Chorale of Brooklyn (Jason Asbury, Music Director), in collaboration with Vertical Player Repertory (Judith Barnes, Artistic Director), presents the in-person premiere of The Constitution, a Secular Oratorio by Benjamin Yarmolinsky on Saturday, May 14, 2022 at 7pm and Sunday, May 15, 2022 at 3pm at St. Ann & The Holy Trinity Church, 157 Montague Street, Brooklyn Heights, NYC.

 

Tickets are $15 for students and seniors, $25 general admission, with the option for a special $45 ticket donation to celebrate Grace Chorale of Brooklyn’s 45th Anniversary, and can be purchased at eventbrite.com/e/the-constitution-a-secular-oratorio-tickets-319185090197.
Aside from the Declaration of Independence, no text epitomizes American ideals as much as the Constitution. Acknowledging the Constitution’s embodiment of 18th century values and language, the composer Ben Yarmolinsky has chosen a corresponding 18th century musical style, the Handelian oratorio, as the model for his setting of The Constitution.

 


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The work comprises choruses, arias, and recitatives, similar to The Messiah, but with a recognizably American sound that combines jazz rhythms, blues, folk, gospel, as well as Handelian flourishes to give voice to the Constitution’s words in a clear, vigorous, and highly singable style. People might leave the performances humming an amendment or two!

About Benjamin Yarmolinsky

Benjamin Yarmolinsky has lived and worked in New York since 1982. He has composed hundreds of works, including operas, chamber music, choral music, musical theater works, orchestral music, film scores, and songs. He is also a classical guitarist and singer and has performed extensively in those capacities.
His most recent works include The Constitution: a secular oratorio; Pentagrams, a chamber work for flute, guitar and piano; The Trial of Anna, an opera based on the 2015 trial of Dr. Anna Stubblefield; The Yarmolinsky Variations, a 50-minute video; and Americana, a program of American folk song arrangements for solo guitar.
Before graduating from Harvard University in 1977, Yarmolinsky spent two years in Paris, studying with the legendary Nadia Boulanger.
From 1978 through 1982, he lived in Morocco where he taught music at the American School of Tangier, immersed himself in the local music, and was friendly with composer Paul Bowles. On returning to New York, he studied at the City University of New York where he earned his Ph.D. in music composition.
In 1989, he was one of the founders of Friends & Enemies of New Music. He currently holds a position of Professor of Music at the City University of New York’s Bronx Community College campus.

 


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About Vertical Player Repertory

Vertical Player Repertory creates ensemble-driven opera theatre in extraordinary venues, bringing theatrical integrity and an unconventional spirit to an eclectic mix of repertoire, in settings that have ranged from a factory courtyard on the Gowanus Canal to the last active shipping port in Brooklyn. A pioneer of the indie opera movement, VPR’s unique vision and adventurous use of place invite both performer and audience to re-imagine the great possibilities of opera.

About Grace Chorale of Brooklyn

Grace Chorale of Brooklyn (GCB) is a 90-member community chorus with a number of significant missions: presenting great choral music to the communities of Brooklyn, providing amateur singers the opportunity to study and perform works drawn from choral music’s rich tradition, and commissioning new music from up-and-coming composers.
GCB is celebrating its 45th anniversary this year, and, under the leadership of Music Director Jason Asbury, our membership, musical partnerships, and range of repertory continue to grow in socially relevant programing, and meaningful collaboration with other musicians, choruses and composers, both local and national. For more information, please go to www.gracechorale.org.
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