Screen star and Tony Nominee Gabriel Byrne heads to Broadway with solo show ‘Walking With Ghosts’
Byrne, a two-time Tony nominee, was on Broadway in a 2016 production of Long Day’s Journey Into Night, starring as James Tyrone. He also appeared in A Touch of the Poet in 2005 and A Moon for the Misbegotten in 2000.
The synopsis for Walking with Ghosts reads:
“By turns a sensory recollection of a childhood spent in a now almost vanished Ireland, a subversive commentary on stardom,
and – ultimately – a lyrical homage to the people and landscapes that shape our destinies, Walking with Ghosts reflects a remarkable life’s journey in all its hilarious and heartbreaking facets.”
Byrne’s career includes as an actor, writer and director on both stage and screen, and he has starred in over 80 films.
He earned a Golden Globe win for his work in the television drama In Treatment.
Following its debut at Dublin’s Gaiety Theatre, Walking with Ghosts was then staged for the Edinburgh International Festival.
The production will next have a limited run in London’s West End from September 7-16. Walking with Ghosts was commissioned and first produced by Landmark Productions.
Directed by three-time Emmy award-winning director Price, the creative team also includes Sinéad McKenna (set and lighting designer); Joan O’Clery (costume designer) and Sinéad Diskin (composer & sound designer). Wagner Johnson Productions serve as Executive Producers.
Actor Gabriel Byrne will bring his solo show Walking with Ghosts to Broadway this Fall, with a limited engagement of the production, directed by Lonny Price, beginning performances on Oct. 18 at the Music Box Theatre.
The show officially opens on Thursday, Oct. 27 and runs for 75 performances only.
The production, adapted from Byrne’s memoir of the same name, was announced today by producers Anne Clarke, Mara Isaacs, and Neal Street.
“What an honor to be on Broadway again,
especially in a glorious venue like the Music Box,”
Byrne said.
“It was a real joy to hear laughter in a theatre during the premiere run of Walking with Ghosts in Dublin. I’ve chosen to be honest and unflinching in the recounting of a life from working class Dublin to Hollywood. Although rooted in the local, I hope the play has a universal resonance.”
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Thanksgiving in NYC: the perfect stuffing bread DOES exist – and it’s… [Recipe here]
This Thanksgiving in NYC, the perfect stuffing bread DOES exist – and it’s brioche. As in St Pierre Brioche Thanksgiving Stuffing
No Thanksgiving spread is complete without a hearty stuffing. While add-ins are a matter of preference, choosing the right bread is crucial. One underrated choice is eggy, rich brioche – and with St Pierre Bakery, you don’t need to go to France to get it.
Thanks to its butter and egg content, St Pierre’s Brioche Loaf provides the perfect balance of crisp toastiness while remaining soft and creamy inside, while its lightly sweet flavor adds a decadent quality that can still lean savory. Attached below is an approachable recipe for stuffing allowing for all the craveable crunch for the whole family with minimal effort required.
St Pierre Brioche Thanksgiving Stuffing
By @BrandiMilloy
Ingredients
1 loaf St. Pierre Brioche Bread
1/2 cup unsalted butter
1 medium onion, diced
3/4 cup celery, diced
3/4 cup carrots, diced
1 cup mushrooms, diced
2 large eggs
1 tbsp. fresh rosemary, chopped
3 sprigs fresh thyme, just the leaves
1 tbsp. fresh sage, chopped
1 small apple (granny smith works well), peeled and diced
Salt and pepper
Directions
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Preheat oven to 350 F. Cut brioche bread into 1” cubes and bake for about 10-15 minutes until toasted.
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Meanwhile, into a pot over medium high heat add butter until melted. Add onion, celery and carrots and cook until everything starts to soften, about 7 minutes. Add mushrooms and cook for 2 minutes longer. Remove from heat and set aside.
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Into a bowl whisk together the eggs, herbs, apples, mushrooms, and salt and pepper. Add your cooked vegetables and mix to combine.
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Pour mixture on top of toasted bread and stir to combine. Bake stuffing for about 45 minutes. If your stuffing starts to get too brown, cover until finished baking. Enjoy!
As America’s favorite brioche brand, St Pierre’s products are widely available via grocery stores nationwide as well as Walmart.
The Rise of Mushroom Coffee: A New Era in Health-Conscious Brewing
In today’s health-focused culture, where wellness transcends mere goals to become a lifestyle, mushroom coffee is emerging as a leading trend. This innovative beverage combines the classic energizing effects of coffee with components often linked to the reputed benefits of medicinal mushrooms. Such a blend makes mushroom coffee a more mindful, health-oriented option for daily consumption, resonating especially with those who weave wellness into their daily routines.
The uniqueness of mushroom coffee lies in its ability to enhance the usual coffee experience by potentially offering additional benefits. For those who find regular coffee too acidic, mushroom coffee presents a more stomach-friendly option. Additionally, it incorporates adaptogenic mushrooms, which are believed to help the body better manage stress. This attribute makes mushroom coffee especially enticing to wellness enthusiasts and those seeking a natural way to support their body’s stress response.
Finding a coffee that delivers on both taste and health promises can be a daunting task. Leading the initiative is More.Longevity & Wellbeing with its Coffee Superfood Blends. These products are meticulously developed, selecting each ingredient for its quality and scientific backing, ensuring they contribute effectively to the blend. Flavors such as Salted Caramel Vanilla and Mocha are designed to mask the natural earthiness of mushroom, making the beverage more enjoyable while enhancing its appeal. The addition of adaptogens and essential vitamins in the blends aims to support overall health by boosting immunity, enhancing energy, and improving mental clarity.
The company’s commitment to radical transparency ensures that consumers receive a product free from unnecessary fillers and additives, affirming a respect for consumer health and environmental sustainability. This level of honesty and ecological consideration is becoming increasingly important to consumers who prefer products that are both healthy and environmentally conscious.
As the trend continues to carve a niche within the beverage market, consumers are presented with expanding choices. It’s no longer just about picking a brand; it involves selecting a philosophy and a level of quality that resonates with personal health values and taste preferences. The coffee not only invites coffee lovers to rethink their daily mug but also serves as a gateway to a more mindful and intentional morning routine.
Are NYers falling in love with New Wine? Dancing Wines from Cynthia Russell, Lauren Russell
Are NYers falling in love with New Wine? Dancing Wines from Cynthia Russell, Lauren Russell in Dry Creek Valley, Sonoma County.
The team at Dancing Wines is developing a collection of sensory brands that celebrate life through taste, touch and aroma – inspiring you to find your inner dance and show the world what truly moves you.
Dancing Wines’ red wine trio includes Old Vine, Duo and Estate — three limited-release wines made from hand-picked grapes that showcase the full breadth of the Dancing estate.
Today’s conversation with the dynamic Mother / Daughter team Cynthia and Lauren Russell from Dancing Wines ha been edited for length and clarity.
For the full, un-edited conversation, visit our YouTube channel here.
Joe Winger: What is the most important message you’d like to share today?
Lauren Russell: I think one of them is dancing is art and art is life.
Another is love needs no explanation. I think really the thread between those is we’re trying to create a product and an experience that brings people together and invites them to find their inner dance, which is something we say a lot.
So we want to encourage people to find their unique rhythms. And wine is also really lovely because it is a vehicle that brings people together to enjoy a moment and diverse people together.
I think my Mom [Cynthia] can speak to this as well, but one of the things we thought about when first exploring wine was just how daunting the whole atmosphere is around the consumption of it and the buying and using all the right adjectives.
Especially for my generation I feel like there’s a bit of a learning curve. So I think one thing we really want people to take away from the brand is just like, just enjoy it. Love needs no explanation and you can’t drink wine when your mouth is full of adjectives. We’ve created a great wine just for you to be able to enjoy and to describe however you want and enjoy whenever you want.
Cynthia: Yeah, I think the measures we created we have a beautiful heritage property that the soil and the climate create this great wine. And me being of an older generation where wine was very intimidating, even though I know a lot about it.
And drinking it for a very long time. I’ve lived in France. I’ve lived in California. It’s still when you order in a restaurant, you’re scared. Do I know enough? I’m going to be embarrassed. Is this the right pairing? And what the good news is that wine making in the world has become so sophisticated that if you are buying wine from a place that is special, including all.
Sonoma or France or Italy, the wines are good, they’re really good and all you have to do is be comfortable with yourself and enjoying it. And so that’s what we’re trying to do is take a product that has thousands of years of history as being a part of our culture and make you comfortable with just having fun, enjoying it and celebrating what wine can do to bring people together.
Joe Winger: You have a really unique story that you restored a vineyard up in Dry Creek. Can you talk about experience and what you learned from the restoration?
Cynthia: We lucked out. It was a Covid purchase. We spent a lot of time as a family together in very small confined spaces drinking a lot of wine.
We [thought we] might end up needing a place where we have more outdoor space and can be together. So we bought this property more as a farm and then discovered that it was a unique part of the world.
Zinfandel grapes have been growing in this small region for over 150 years.
It was called America’s grape back in the time I think [the] 1850s. Okay, we have these vineyards. They’re really old.
There was one owner at this property for 60 years, an older Italian gentleman. And a lot of the area is multi generation, fourth generation Italian families who came over and cultivated this grape.
We never intended to make wine and yet we were scared to let this history and heritage die.
So we took classes and tried to figure out, can we make wine?
It’d be such a shame to let this history go in this special place.
We made a great discovery, which was that you don’t have to be an expert on wine. You just have to have great soil and a great climate.
Then we launched from there.
Lauren: We’re always towing the line between the respective tradition and traditional winemaking and the land and all of the old vines and creating something new.
She [Mom, Cynthia] always brings a lens of respect for the older generation and ways of life and what wine has meant to her throughout her life.
I’m always pushing the other direction. We always land somewhere in the middle.
You’ll see that in the brands, it has really playful branding and packaging. But, our winemaking is a bit more traditional. We’re a sustainable vineyard but we have old vines and we respect what the land has to offer and what it’s been offering in that region for a long time.
It creates a better product and brand for us because we get to cater to both audiences.
Joe Winger: You have a collection of sensory brands. Can you talk about what that collection is, what inspired the idea, and what we should be looking for?
Lauren: All of the products have been and will be inspired by the backdrop of the vineyard.
When we talk about wine, we talk about this kind of multi sensory experience, whether that’s aroma or where you’re having it, who you’re enjoying it with.
We came into wine knowing that it was going to be not just about taste or smell, but about the holistic experience of what wine could do for someone.
Sort of the thread between all of our products are taste, touch and smell. Again, like finding your inner dance and allowing you to express your personality.
We’re launching a trio of fragrances, which are loosely inspired by the terroir and the vineyard.
Cynthia: We have a fresh perspective on Sonoma. Every time we arrive, we have this nose full of these incredible senses:, the smell of moss, crushed grapes, barrel, fire and oak.
Yeah. So we’re like, wow. Every time we arrive, we’re like, wow, this is really cool.
This is so distinct and unique and just elevates your experience of being there.
We are going to bring more experiences to the brand when we can, like having an artist in residence, creating visually beautiful contributions.
We have an art collection there that inspired us to bring art to the brand. It’s largely from a diverse group of artists from the West Coast who are very colorful and young and also push boundaries. So our idea with the senses is like we’re trying to This is a brand that you enter into our world and you get to experience people and life in a way that’s very unique and bold and
Joe Winger: What are both of your backgrounds outside of wine?
Lauren: I was raised in Connecticut and went to Dartmouth for undergrad, was a creative non-fiction writer, so always had that storytelling bent.
After school, I worked at a lot of businesses in marketing. Uber Eats, Refinery29, right before the pandemic, I worked for AB and Bev that was my first kind of foray into alcohol.
Then during COVID, I got my MBA at Columbia. We all got this massive reset of our priorities. I come from an entrepreneurial family. This opportunity arose
Cynthia: We’re a family who really believes in experiences. I have dabbled in many different areas. I went to Scripps college. I actually was a dance major until I was not. I became an international relations major. I lived in France for a while. Then moved to New York City and worked for JP Morgan trading stock, money market securities.
I didn’t find that was my passion, so I went to Harvard Business School and I got a master’s in business. Then I worked for American Express where I started a weekend travel program. It was a little startup within the travel segment of American Express. I got my “sea legs” of starting a business.
I quit that business because I had kids, then I started my own mail order company then I decided again, that maybe I needed a little more education.
I went back and got a doctorate at Columbia in organizational leadership.
I have a consulting firm on the side where I consult leaders and organizations about how to handle complex challenges in a complex world.
So my daughter [Lauren] gets through business school and we decide to marry all these wonderful experiences together and create something really new and unique.
Joe Winger: Let’s talk about your wines.
Lauren: We launched with our rosé which is really beautiful. It’s an intentional rosé. From our Primitivo grapes and we harvested them early and intentionally for rosé.
It has this really beautiful distinct, watermelon, almost Jolly Rancher aroma, and it’s really playful and full, but also dry. And it’s been a really big hit so that was a fun debut for us.
We just launched our trio of reds, and what makes them unique goes into the story about the restoration of the vineyard.
We’re still learning our land and learning from it.
We chose to harvest from different blocks and treat the wines in a similar fashion and bottle them separately to see what personalities they expressed.
One is the Old Vine Zinfandel, which is from our oldest head trained vines which is the deepest, moodiest, richest wine. It’s really lovely.
Then we have an estate wine, which is actually from Primitivo, a different word for Zinfandel. That one is a bit lighter.
Then we have a third, a duo which is a blend of both. And so it’s really helped us to understand. And they are quite different.
They’re obviously all Zinfandels in their expressions, but they’re all quite different.
People say Zinfandel is like a map of the land and I think that’s really true here. Which is super cool.
But we have two forthcoming sparkling wines because I think it really speaks to our ethos about being playful and to my generation.
Cynthia: It’s really fun for us because being on the East coast, Zinfandel is a really unknown varietal and we think it’s underrated. Californians know it’s been around for a long time. It has a lot of possibilities with food. And so what we’re trying to do is bring to light this really good wine and do it in a slightly different way.
We pick ours earlier, trying to have it be less jammy, juicy, heavy; lighter, less alcoholic than some of the more traditional Zinfandels that are on our street.
That’s really trying to address the changes consumer changes.
Our wines are chillable, super easy to eat with most any food, especially ethnic food, spicy food.
2022 was our first vintage. 2023 is already in barrels and we’ll be bottling that in probably in March. But it’s going to be a little different because the climate was different that year.
The rosé was just a fluke. Our winemaker wanted to try a Zinfandel rosé. Most people love it. It’s so distinct and unique.
Our 24 Rosé will come out in March. The reds will come out in the early summer. We’re going to bottle the sparkling in January, but that will be at least a year until you’ll see that. The pétillant naturel will probably be launching at about the same time as the rosé
Lauren: What’s fun about having both an early release sparkling and a [second, additional] later release [sparkling wine] one is going to be lighter, more effervescent, maybe geared towards the younger generation and the other will have that toastier champagne flavor.
Joe Winger: Do you have a favorite wine and food pairing?
Lauren: This one’s so hard. Rosé and oysters or any seafood is just awesome. Sparkling wine and a burger is one of my favorites.
In terms of red, when I think of Zinfandel, it’s Thanksgiving foods. It speaks to the hominess in our story. Bringing everyone around the table. Kind of experiential pairing.
Cynthia: Yeah, that resonates with me.
We have a lot of ethnic food, so it holds up really well to spice, to sweet and sour, salty and sweet. So it’s great with Indian food, Mexican food. Apples in your pork chops.
A burgundy is usually killed instantly by those kinds of flavors. It’s too fragile.
[Ours] is not fragile, but it still has so many nice aromas and flavors to enhance whatever you’re eating.
Lauren: It’s great with pizza. Pizza and a nice glass of Zinfandel
Joe Winger: What’s something magical about Sonoma that you learned through this journey?
Lauren: True of both Zinfandel and Sonoma it always has this underdog energy to Napa. One of the hidden gems, we wake up really early and drive to the Redwood forest to watch the sun rise through the trees.
We eat a burrito because we have terrible burritos in New York.
There’s an amazing food community, 3 Michelin star restaurant, chefs, farm to table.
Cynthia: The distinct part of Sonoma is how important nature is to everyone there. It’s not just about wine. It’s incredible nature.
We both traveled a lot, lived in a lot of places. I’ve never seen such natural beauty in such a small area.
Lauren: That’s what the idea of our products is too. We have to bring people here in some way, differently than just having them taste the wine.
So as many dimensions as we can bring people into that realm to experience [00:29:00] that it’s like definitely the dream.
Joe Winger: Whether it’s social media, website, or other ways, what are the best ways for our audience to find and follow Dancing Wine?
Lauren: We have our website, which is wearedancing.com. We also are on Instagram, which is at DancingSonoma.
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Hamptons: Warrant headlines at NY’s Patchogue Theatre Sat Oct 15
Warrant headlines at NY’s Patchogue Theatre Sat Oct 15
At its core, WARRANT is an American rock band through and through.
Hitting it big in 1989, the Hollywood, CA based band rose through the ranks of the local Sunset Strip scene to the level of multiplatinum selling, chart-topping success.
The band first came into the national spotlight with their debut album Dirty Rotten Filthy Stinking Rich.
This album produced Radio and MTV chart toppers “Down Boys,” “Sometimes She Cries,” and the massive hit “Heaven” which reached #1 in Rolling Stone and #2 on the Billboard Hot 100 for two weeks in a row.
The single “Heaven” enjoyed Gold sales and the Album went Platinum in Canada as well, eventually selling over 3 million copies. The band toured the globe performing 262 shows in support of DRFSR and closed the year with a Platinum Home Video.
Warrant has been headlining festivals, casinos and fairs all over the country in support of their latest CD Louder Harder Faster and the 30 year anniversary of their debut album Dirty Rotten Filthy Stinking Rich.
The band is fired up and tighter than every musically!
These rockers can’t wait to play not only ALL the hits fans know & love like “Cherry Pie,” “Uncle Tom’s Cabin,” and “I Saw Red,,” but also new tunes/videos like “Louder Harder Faster” & “I Think I Will Just Stay Here & Drink.”
For tix and more info: http://www.patchoguetheatre.org/events/2022-10-15-warrant
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92NY presents Philharmonia Baroque Orchestra with Richard Egarr and Reginald Mobley: Garden of Good & Evil Jan 25 2024
92NY presents Philharmonia Baroque Orchestra with Richard Egarr and Reginald Mobley: Garden of Good & Evil Jan 25 2024
The 92nd Street Y, New York (92NY), one of New York’s leading cultural venues, presents Philharmonia Baroque Orchestra with Richard Egarr and Reginald Mobley: Garden of Good & Evil on Thursday, January 25, at 7:30 pm at the Kaufmann Concert Hall. Tickets start at $30 and are available at https://www.92ny.org/event/philharmonia-baroque-orchestra.
America’s premier Baroque ensemble joins with music director and harpsichordist Richard Egarr and countertenor Reginald Mobley, bringing their compelling program performed to acclaim in the UK. Centered on the creation story, Garden of Good & Evil pairs Handel arias with modern works for Baroque forces by celebrated composers Errollyn Wallen and Tarik O’Regan – jointly commissioned to write new music exploring an aspect of the Biblical creation story. Philharmonia Baroque Orchestra’s blend of authenticity and innovation and juxtaposition of old and new is beautifully illuminated in this musical examination of the most profound of themes.
Handel, Overture to Orlando
Handel, “Al lampo dell’armi” from Giulio Cesare
Handel, “Orride larve … Chiudetevi miei lumi” from Admeto
Handel, Concerto Grosso in A Minor, Op. 6, No. 4, HWV 322
Errollyn Wallen, The Forms (New York premiere)
Tarik O’Regan, The Golden Measure (New York premiere)
Handel, Concerto Grosso in B-flat Major, Op. 6, No. 7, HWV 325
Handel, “O sacred oracles of truth” from Belshazzar
Handel, “Se in fiorito ameno prato” from Giulio Cesare
ABOUT THE ARTISTS
Richard Egarr brings a joyful sense of adventure and a keen, inquiring mind to all his music-making—whether conducting, directing from the keyboard, giving recitals, playing chamber music, or indeed talking about music at every opportunity. After a successful career as Music Director of the Academy of Ancient Music for 15 years, where he succeeded founding director Christopher Hogwood, he joins Philharmonia Baroque Orchestra & Chorale as Music Director.
Richard also holds responsibilities as Principal Guest Conductor of Residentie Orkest The Hague and Artistic Partner at The Saint Paul Chamber Orchestra in Minnesota, after having served as Associate Artist with the Scottish Chamber Orchestra. As a conductor, Richard straddles the worlds of historically-informed and modern symphonic performance, making him an ideal fit for PBO’s parallel commitments to early and new music. Richard is already well-known to the musicians and patrons of PBO, having guest conducted the orchestra four times since 2012 in both regular season offerings and the PBO SESSIONS series. In addition to his conducting genius, he is a brilliant harpsichordist and is equally skilled on the organ and fortepiano.
Richard is a beloved teacher and has been on the faculty of The Juilliard School for eight years in their Historical Performance division, has conducted major symphonic orchestras such as London Symphony Orchestra, Lincoln Center Festival Orchestra, Seattle Symphony, and The Philadelphia Orchestra, and regularly gives solo harpsichord recitals at The Kennedy Center, Carnegie Hall, the Smithsonian, and elsewhere.
Born in Lincoln, England, Richard trained as a choirboy at York Minster, was organ scholar at Clare College Cambridge, and later studied with Gustav and Marie Leonhardt in Amsterdam, where he makes his home.
Under the musical direction of Richard Egarr in his second season as Music Director, Philharmonia Baroque Orchestra & Chorale (PBO) is recognized as “America’s leading historically informed ensemble” (The New York Times). Considered the most versatile ensemble of its kind, and performing on period instruments, PBO presents repertoire ranging from early Baroque to late Romantic, as well as new works and major operatic productions. The ensemble engages audiences through its signature Bay Area series, national and international tours, recordings, commissions, and education programs. Having celebrated its 40th anniversary last year, PBO was founded by Laurette Goldberg and led by Music Director Laureate Nicholas McGegan for the past 35 years. Philharmonia is the largest ensemble of its kind in the United States.
PBO’s musicians are leaders in historical performance and serve on the faculties of The Juilliard School, San Francisco Conservatory of Music, Harvard, and Stanford. It welcomes eminent guest artists including mezzo-sopranos Susan Graham and Anne Sofie von Otter, countertenors Anthony Roth Costanzo and Aryeh Nussbaum Cohen, violoncellist Steven Isserlis, and maestros Jonathan Cohen and Jeannette Sorrell. PBO enjoys longstanding artistic collaborations with The Juilliard School, the Mark Morris Dance Group, and the American Modern Opera Company (AMOC), and appears regularly at Disney Hall, Lincoln Center, Norfolk Chamber Festival and Tanglewood. In collaboration with Cal Performances in 2017, PBO produced a fully-staged period opera, Rameau’s Le Temple de la Gloire, and produced a fully-staged, reimagined production of Handel’s Aci, Galatea e Polifemo directed by Christopher Alden and featuring countertenor Anthony Roth Costanzo, bass-baritone Davóne Tines, and soprano Lauren Snouffer in eight sold out performances in January 2020. “Aci” was named Best Operatic Performance in the Bay Area by San Francisco Classical Voice in 2020. PBO also co-produced “Aci” with National Sawdust in Brooklyn, Cath Brittan and Anthony Roth Costanzo in 2017.
Among the most recorded orchestras in the world, PBO boasts a discography of nearly 50 recordings, including a coveted archival performance of mezzo-soprano Lorraine Hunt Lieberson in Berlioz’s Les Nuits D’été, and a GRAMMY®-nominated recording of Haydn symphonies. The orchestra released the world premiere recording of the original version of Rameau’s Le Temple de la Gloire with the unedited libretto by Voltaire in 2018. In 2020, PBO released three groundbreaking recordings: a full collection of commissioned works by Pulitzer Prize winner Caroline Shaw, a selection of arias sung by rising star contralto Avery Amereau, and Handel’s Saul with countertenor Aryeh Nussbaum Cohen.
Noted for his ‘shimmering voice’ (BachTrack), GRAMMY-nominated American countertenor Reginald Mobley is globally renowned for his interpretation of baroque, classical and modern repertoire, and leads a prolific career on both sides of the Atlantic.
An advocate for diversity in music and its programming, Reginald became the first ever Programming Consultant for the Handel & Haydn Society following several years of leading H&H in its community engaging Every Voice concerts. He holds the position of Visiting Artist for Diversity Outreach with the Baroque ensemble Apollo’s Fire, and is also leading a research project in the UK funded by the AHRC to uncover music by composers from diverse backgrounds.
His American concert schedule includes solos recitals (New York at the Miller Theatre, Chicago (Collaborative Arts Institute)), concerts with orchestras performing Handel’s Messiah with, this year, the Pittsburgh Symphony, Philadelphia and Minnesota orchestras and Carmina Burana with the Chicago Symphony Orchestra as well as regular appearances with the most prestigious baroque ensembles: Philharmonia Baroque Orchestra, Early Music Vancouver, Collegium San Diego, Seraphic Fire, to name but a few. Recent and future highlights include his debut with the Boston Symphony Orchestra at Tanglewood Festival (Andris Nelson), with the Philadelphia Orchestra, and with Orchestre Métropolitain de Montreal, conducted by Masaaki Suzuki.
In Europe, Reginald has been invited to perform with Orchester Wiener Akademie, Balthasar Neumann Chor & Ensemble, Freiburger Barockorchester, I Barocchisti, Bach Society in Stuttgart, Holland Baroque Orchestra, Dutch Bach Society, Monteverdi Choir and English baroque soloists, as well as the City of Birmingham Orchestra and the Budapest Festival Orchestra for a series of performances as Ottone in L’incoronazione di Poppea. He has also engaged in a few projects together with the Academy of Ancient Music in Cambridge, singing the role or Disinganno in Il trionfo del Tempo e del Disinganno and devising a new programme, Sons of England, supported by UKAHRC, which reflects his research under their umbrella, which will be touring in April 2024. Reginald gave a Purcell, Handel and Sancho programme for his solo debut recital in Paris, which he repeated as part of the Bayreuth baroque opera festival in September 2023.
His first solo album with ALPHA Classics was released to great acclaim in June 2023 to coincide with a major series of concerts with pianist Baptiste Trotignon in Paris, York and Liverpool as well as part of both the Aix-en-Provence and BBC PROMS festivals. In addition, Reginald features on several albums with the Monteverdi Choir, Agave Baroque and Stuttgart Bach Society.
Highlights of the 2023/24 Tisch Music Season include:
- Joshua Redman Group release concert of where are we featuring Gabrielle Cavassa
- NY premieres of new work by Tyshawn Sorey and COTTON by composer Damien Geter
- New York concert debuts of the Isidore String Quartet and pianist Tony Siqi Yun
- Pianist Conrad Tao returns to 92NY as part of the global celebration of Rachmaninoff at 150
- Ongoing partnerships continue with concerts from the Curtis Institute of Music, the New York Philharmonic, and Orpheus Chamber Orchestra with special guest artists
- Art of the Guitar Series with Beijing Guitar Duo, David Russell and Manuel Barrueco
- 2023/24 Lyrics & Lyricists series celebrating Howard Ashman, Laura Nyro, Stevie Wonder, andSheldon Harnick in a special event led by Ted Sperling honoring the legacy of three-time Tony Award winner, and Broadway legend, Jason Robert Brown, featuring a one-night-only appearance.
- Expanded American Songbook offerings including exclusive concerts by Audra McDonald, Joshua Henry and Stephanie J. Block
For more information, please visit 92NY.org/Concerts.
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NYC’s Biggest Halloween Parade Returns for 49th Year and You’re Invited
New York Village Halloween Parade Returns for 49th Year and You’re Invited
The iconic New York’s Village Halloween Parade is committed to the cultural and imaginative life of New York City.
New York Village Halloween Parade returns for 49th year
New York’s Village Halloween Parade is…
- The nation’s largest public Halloween celebration
- Named as The Greatest Event on Earth by Festivals International for October 31
- Attended by over 2 million people, seen by over 1 million on TV.
- The nation’s only major night Parade.
- Seen LIVE on NY 1 Television.
- Listed as one of the 100 Things to do Before You Die.
- Recipient of the Municipal Arts Society of New York’s Award for making a major contribution to the cultural life of New York City.
- Recipient of a major grant from the National Endowment for the Arts in recognition of Longtime Artistic Achievement.
- Recipient of the Mayor’s Tourism Grant in recognition of the Parade’s major impact on the economic life of New York City and grants from the Manhattan Borough President’s Tourism Initiative.
- Picked by Events International as The Greatest Event on Earth on October 31, and ranked 3rd by Citysearch as the best event in New York City.
- Ranked by Biz Bash as one of the top 10 events in NYC.
It’s committed to the advancement of large-scale participatory events in the belief that such events, when artistically inspired, can play a major role in the resurrection and rejuvenation of the City’s spirit, economy and the life of its people.
The Halloween Parade plays an important part in the life of the City. It is the only Parade in the country that has at its heart an artistic base.
TO WATCH The Village Halloween Parade:
The Parade runs STRAIGHT up 6th Ave. from Canal to West15th Street
- The streets are most crowded between Bleecker and 14th Street, so you might consider getting there early or try another place along the route…(or better yet, put on a costume and join the Parade!)
- The Parade starts at 7:00 pm and ends around 11:00 pm.
- THE PARADE IS A FREE PUBLIC EVENT!
- However, if you want to avoid the crowds and be in a special VIP area to watch the Parade, click here for tickets. BUY TICKETS
Start With These Tips
- Don’t bring your car to the Parade!
- If you are coming in a group, meet somewhere away from the line-up and walk to the line-up together.
- The Parade takes until 9:00pm to move out.
Getting To The Village Halloween Parade
By Subway
What you need to know: Using the subways and buses to get to the Village Halloween Parade 2021
Service changes
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- The L train will run on a normal service schedule on Halloween night, which is about every ~5-8 minutes in the evening. FYI: L trains always run every 20 minutes between 1 and 5 a.m., and that will be the case that evening as well.
- Trains will bypass the Spring St CE in the southbound direction from 5 p.m. to 10 p.m.
- The northbound side of the Spring St CE will be exit-only.
- After 10 p.m., southbound A trains run local from 59 St to Canal St.
- After midnight, northbound A trains operate via the Rutgers Tube.
- After midnight, southbound F trains operate via the Cranberry Tube.
It’s generous spirit has nurtured hundreds of thousands of people who reach into their imaginations and take themselves physically out into public to perform and to celebrate.
They believe public events of this sort give people the opportunity to claim the open spaces of their City for purposes other than work; to inhabit them with a sense of freedom and spontaneity; to play, thus renew their relationship to the environment.
The 2022 Theme is FREEDOM
What is the move and the moment that let’s you forget the world and all its troubles and just sets you FREE? Bring it! To the Parade!
We are encouraging glittery costumes, your best dance moves and anything that allows you to feel light, joyful, free and colorful! We’re gonna lift the spirits of the whole world!
You can join a Special Section of the Parade and dance along with The Brooklyn United Marching Band as they play Freedom! along the route or just join in the open participation part of the Parade!
However you do it! Feel the Joy and Freedom of expression in one of New York’s most iconic and wildly creative events!
“Imagination is the only weapon in the war against reality.”
And Freedom’s not JUST another word…
Volunteer to Animate a Giant Puppet or to Marshal the Parade!
Whether you are a veteran of previous parades, or a newcomer who wants to see the Parade from the inside this year, we welcome you to join us.
There are TWO ways to be part of the magic:
- perform by animating a puppet
- or help with production, crowd control, and procession by being a parade Marshal
No previous experience with 20 foot tall glowing caterpillars or bullhorns is necessary!
The Volunteer Coordinator will be in touch to confirm participation in the weekend workshops.
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