Oltrepo Pavese shines with authentic Italian wine pairing at Harlem’s Sottocasa Pizzeria.
Tonight some of NYC’s top wine and lifestyle writers joined the Oltrepò Pavese to talk and taste through the wines and culture of Oltrepo Pavese, the north-west Italian region of Lombardy, Italy.
A visit to Italy’s Oltrepo Pavese
Oltrepò Pavese is a wine region in the north-western Italian region of Lombardy.
The main grape varieties grown in this area are Barbera, Dolcetto, and Chardonnay. Also, they produce Sauvignon Blanc, Riesling Italico, Riesling, and Pinot Nero.
Italian Wine Personality Susannah Gold hosted tonight’s dinner along with the Oltrepo Pavese tourism team.
Taste Harlem’s Authentic Italian at Sottocasa
From their Sottocasa website:
“Located in the heart and soul of New York City—Sottocasa Harlem is owned and operated by husband and wife duo, Elena and Matteo.
With a passion and love for pizza stemming back to their native Italy, Harlem now has it’s own Napoli serving up authentic Neapolitan pizza and amore!”
Harlem’s Sottocasa Italian pizzas were a great choice as pair well with wine.
Their menu includes antipasti, pizze rosse, pizze bianche, and an impressive beer and wine selection.
We tasted through several pizza and wine pairings:
Big Papi’s New York Debut: David Ortiz’s Dominican Ozama Rum Lands in Manhattan With Bold Flavor and Cultural Swagger
In a city that appreciates craftsmanship, culture, and a killer cocktail, there’s a new player on the scene ready to disrupt bar menus from Brooklyn rooftops to Central Park South. Hall-of-Fame legend David “Big Papi” Ortiz—yes, that David Ortiz—is officially entering the world of fine spirits with the launch of Ozama Rum, a 100% Dominican-made, ultra-premium rum that’s already turning heads in the five boroughs.
Far more than just a celebrity vanity label, Ozama Rum is a deeply personal project rooted in Ortiz’s Dominican heritage, shaped by tradition, and tailored for modern palates. Named after the Ozama River in Santo Domingo, the spirit is crafted from start to finish in the Dominican Republic, earning the prestigious Ron Dominicano designation that certifies its authenticity.
“To me, Ozama isn’t just about rum, it’s about identity, pride, and progress,” said Ortiz. “I wanted to build something that celebrates the energy and soul of my people and shows the world what we’re made of. It’s always been important for me to do things the right way, which is why this labor of love has been one of the most rewarding projects of my career. I can’t wait for people to try it! They say that perfection doesn’t exist, but you can get close to it.”
Ozama Rum: Where Craft Meets Culture in a Bottle
Available in three expressions, Ozama Rum brings a polished Dominican sensibility to Manhattan’s world-class cocktail scene—whether you’re sipping at Bemelmans, lounging at Soho House, or unwinding in a Brooklyn brownstone. Each expression is aged for at least a year in oak barrels and bottled on the island, delivering a terroir-driven taste of the Caribbean with unmistakable sophistication.
Ozama Blanco: Bright, citrus-forward, and kissed with white pepper, this platinum-hued rum is clean yet complex. Ideal for refreshing cocktails in Greenwich Village patios or summer spritzes on the rooftop at Le Bain.
Ozama Añejo: Smooth and refined, this copper-colored beauty delivers layers of vanilla, toffee, and a subtle note of chocolate—perfect for pairing with dessert at Eleven Madison Park or sipping solo in a Chelsea loft.
Ozama Gran Añejo: Rich and elegant, with aromas of honey, dates, candied fruits, and fine wood. This is a sipping rum made for slow conversations in the Upper East Side, where the bottle becomes the centerpiece.
Price points are as approachable as the flavor profiles—ranging from $25 to $40 for 700ml—making Ozama accessible luxury in every sense.
A New Spirit for a City of Tastemakers
New York is no stranger to premium spirits. But Ozama enters the market at a moment when consumer interest in rum is booming. According to Global View Research, the global rum market was valued at $11.77 billion in 2022 and is projected to grow 5.6% annually through 2030. That growth is driven by a shift toward artisanal, culturally rooted spirits—just the kind of origin story Manhattan drinkers crave.
And Ortiz isn’t just lending his name. The former MLB star partnered closely with a team of Dominican artisans and Abbott Wolfe, CEO of Drink2Success, to bring this vision to life.
“From day one, David had a clear vision to create an ultra-premium rum that feels authentic, vibrant, and undeniably Dominican—it was important to him to spotlight the Dominican Republic and at the same time give back to the community that raised him,” said Wolfe.
Giving Back, the Dominican Way
Ozama Rum’s purpose doesn’t stop at the bottle. Two percent of the brand’s profits will go toward cleaning up the Ozama River and supporting underserved communities along its banks. It’s a gesture that feels at home in a city that values global citizenship and local impact.
Where to Find Ozama in New York City
Available now online at drinkozama.com, Ozama is rolling out this summer at select retailers, bars, and restaurants across Manhattan and Brooklyn. Early interest from high-end mixologists in Tribeca, Williamsburg, and the Upper West Side suggests Ozama will quickly find a place among New York’s finest pours.
Whether it’s mixed into a refined mojito at Dante, poured neat at Maison Premiere, or offered as a pairing in the city’s growing number of Afro-Caribbean culinary spots, Ozama is a rum built for New York sophistication—with a heartbeat from the Dominican Republic.
Final Pour: The Big Apple Meets Big Papi
In a town where everything is fast, curated, and fueled by narrative, Ozama Rum offers something deeper—a bottle with a backstory, a cultural anchor, and the kind of authenticity that New Yorkers respect.
As Ortiz says, “They say that perfection doesn’t exist, but you can get close to it.”
And here in Manhattan, close to perfect is more than enough reason to raise your glass.
Taraji P. Henson Brings Her Moscato for with Manhattan NYC Magic to the High Seas with Princess Cruises
Broadway lights, Harlem hustle, and now—Taraji P. Henson’s Moscato on the open ocean.
The Emmy-nominated, Oscar-nodded powerhouse and entrepreneur has teamed up with Princess Cruises to bring her celebrated Seven Daughters Moscato to the brand’s exclusive Love Lines Premium Liquors Collection. And while Taraji’s roots are D.C. born, New Yorkers know she’s always brought a Manhattan-level boldness to everything she touches—whether it’s a red carpet or a wine glass.
“Seven Daughters is more than just a bottle of wine; it’s a celebration in a glass,” Henson shared. “Our Moscato is inviting, refreshing, and perfect for moments of connection which is what makes this partnership with Princess Cruises so amazing. Now we can experience this feeling with people from around the world, whether they’re toasting under the stars or relaxing on the open sea.”
That connection is something every New Yorker craves—especially when escaping the city’s breakneck pace for a well-earned recharge. With Princess Cruises offering sailings from the Brooklyn Cruise Terminal, it’s never been easier to trade the city skyline for an ocean horizon—glass of Henson’s Moscato in hand.
Featuring notes of tropical fruit and honeysuckle, Seven Daughters offers the kind of bright, celebratory flavor that fits perfectly between a jazz brunch in the West Village and a rooftop toast in Midtown. Now, thanks to Princess Cruises, it’s also a go-to at sea.
“Princess Cruises is committed to curating distinctive, high-quality experiences for our guests, and Seven Daughters aligns seamlessly with that vision,” said Sami Kohen, Vice President of Food and Beverage at Princess Cruises. “Taraji’s Moscato reflects a bold yet approachable style that we know our guests will love.”
Henson’s wine joins an all-star lineup of bottles in the Love Lines Premium Liquors Collection, which includes Jason Momoa and Blaine Halvorson’s Meili Vodka, Camila and Matthew McConaughey’s Pantalones Organic Tequila, Blake Lively’s Betty Booze and Betty Buzz, Liev Schreiber’s Sláinte Irish Whiskey, Jason Aldean’s Melarosa wines, Romero Britto’s Love Prosecco, and Kylie Minogue’s No Alcohol Sparkling Rosé.
But Henson’s addition feels especially New York in spirit—sophisticated, stylish, and full of character. For city dwellers looking to trade the subway for a stateroom, Seven Daughters is an invitation to unwind without leaving the energy behind.
As Strategic Advisor and Creative Collaborator, Henson has helped shape every aspect of the wine’s personality, much like she’s done with her most iconic roles. And just like New York, this Moscato is lively, expressive, and impossible to ignore.
Whether you’re a downtown art dealer, an Upper East Side socialite, or a Brooklyn creative looking to unplug, a Princess cruise with a glass of Taraji’s Moscato might be just the blend of luxury and leisure you didn’t know you needed.
So the next time you’re booking a departure from NYC, remember: this isn’t just another cruise. It’s a chance to sip something special—with a side of Taraji—and toast to life beyond the grid.
Find out more about the Love Lines Premium Liquors Collection and upcoming sailings at www.princess.com.
WWE and Seagrams Just Dropped Boozy, Slam-Worthy Drinks—And Manhattan Is the First Stop
NEW YORK, NY — In a city where everything moves faster, hits harder, and parties louder, WWE is making its boldest off-the-top-rope move yet—launching its first-ever ready-to-drink alcoholic beverage right here in the heart of Manhattan.
WWE and Seagram’s Escapes Spiked just announced a multi-year partnership that’s as wild as a Hell in a Cell match in Madison Square Garden. The result? A brand-new, wrestling-themed lineup of flavored malt beverages, designed for fans who live big and drink bold.
And New York, you’re first in line. From East Village rooftops to uptown bodegas, the Seagram’s Escapes Spiked WWE Series is already popping up across the five boroughs—just in time to raise a can and body slam the summer heat.
The Big Apple Meets the Big Elbow
This isn’t just a licensing deal. It’s a cultural collision between two icons—WWE, the global entertainment empire born in gritty arenas, and Seagram’s, a brand rooted in fun, flavor, and that “no apologies” energy New Yorkers know best.
“Seagram’s has a rich history of innovation and a deep commitment to authenticity, making it the ideal partner to go to market with our first-ever licensed ready-to-drink product,” said Grant Norris-Jones, EVP and Head of Global Partnerships at TKO Group Holdings, WWE’s parent company. “And let’s be honest—there’s no better place to launch than NYC.”
Flavor That Hits Like a Superkick
The new Spiked series isn’t here to sip quietly—it’s here to stand on tables in the Meatpacking District and shout “Let’s get ready to rumble!” at rush hour. The three debut flavors bring serious personality:
Rumble Punch™ – A remix of the fan-favorite Jamaican Me Happy, this tropical knockout blends strawberry, watermelon, lemon, and guava. Perfect for rooftop hangs in SoHo or post-work drinks on the Hudson.
Pineapple Powerhouse™ – With bold pineapple, cherry, and lime, this can packs all the energy of a 2 a.m. dance floor in Hell’s Kitchen.
Slammin’ Blueberry™ – A clean one-two punch of blueberry and lemon, tailor-made for chill park days at Bryant Park or Union Square pre-games.
All three flavors are now stocked across Manhattan—from your corner deli on Lexington to upscale liquor boutiques in the West Village.
WWE Superstars Coming to a Bodega Near You?
This isn’t just about what’s in the can. As an Official Partner of WWE, Seagram’s Escapes Spiked will be front and center at major WWE events—Money in the Bank®, SummerSlam®, and Survivor Series®—and heavily featured in exclusive digital content starring your favorite Superstars.
But NYC gets something even better: in-person appearances from WWE Superstars at select retailers across the city. Think autograph signings, selfie ops, and unexpected encounters with wrestling royalty at your go-to wine shop in the East 60s or downtown bodega.
“Our collaboration with WWE marks an exciting moment for Seagram’s Spiked as we connect with WWE’s global—and very NYC-centric—fanbase,” said Jaime Polisoto, brand director for Seagram’s Escapes. “Our sales team is amped to bring Superstars directly into the city to meet fans where they live.”
From MSG to Madison Ave—This Is New York’s Drink of the Summer
If there was ever a city made for this kind of crossover, it’s NYC. From the gritty legacy of wrestling nights at Madison Square Garden to the rooftop bar culture that defines Manhattan summers, Seagram’s Escapes Spiked WWE Series is built for the urban fight fan, the flavor chaser, and anyone who wants to sip something loud while living larger.
So next time you’re grabbing a six-pack for a rooftop party in Williamsburg, pregaming before a Barclays event, or just need something cold to crush after a subway grind—grab a can and drink like a champion.
Because this summer in NYC, the most electrifying drinks in entertainment have officially entered the ring.
Joe Wehinger (nicknamed Joe Winger) has written for over 20 years about the business of lifestyle and entertainment. Joe is an entertainment producer, media entrepreneur, public speaker, and C-level consultant who owns businesses in entertainment, lifestyle, tourism and publishing. He is an award-winning filmmaker, published author, member of the Directors Guild of America, International Food Travel Wine Authors Association, WSET Level 2 Wine student, WSET Level 2 Cocktail student, member of the LA Wine Writers. Email to: Joe@FlavRReport.com
Bryant Park’s Fever Tree Porch Offers a Mid-City East Oasis of Cocktails, Menu and More
Bryant Park’s “Movie Nights” series started on June 13, marking the second year they returned to the Manhattan greenspace for weekly films since the pandemic started.
Anyone looking to catch a free movie and enjoy the surrounding nature this summer can relax on the lawn in Bryant Park and watch the movies, which will feature the 10 traditional screenings but only on Monday nights.
This year marks the 29th season for the series but unlike last year, it will only run on Mondays, with the traditional 10 screenings.
The lawn opens at 5 p.m. for blankets and picnicking, and event organizers recommend visitors be prepared to claim their spot. The films start at 8 p.m.
The Porch at Bryant Park
Outdoor lounge at Bryant Park offering laid-back seating & a basic menu of American fare & drinks.
Bryant Park Café
This informal outdoor cafe, open during warm-weather months, serves creative American meals.
Daytime TV Star Thaao Penghlis Seducing Celebrities wants to Give You a Taste at his next dinner party. Read all about it in his new book.
Thaao Penghlis has starred in some of the biggest TV shows of all time – including playing on daytime TV’s “Days of Our Lives”.
Thaao Penghlis new book Seducing Celebrities: One Meal at a Time
Now in Thaao’s new book, Seducing Celebrities: One Meal at a Time he reveals seduction in the dining room by creating incredibly delicious for his famous friends.
Today’s conversation has been edited for length and clarity. For the full, un-edited conversation, visit our YouTube channel here.
Joe Winger
Congratulations on your new book. It’s a tasty read and a fast read.
Thank you for joining us for a conversation today.
Thaao Penghlis:
Thank you for inviting me.
Joe Winger:
You’ve done a lot of work in your life. We’re going to go to food and books as quickly as possible.
When you’re at an airport or in public, what is the most common thing people remember you from?
Thaao Penghlis:
Certainly Days [of our Lives]. There’s a big Armenian contingency out there who always comes at me at the airports, [Days…] was in 152 markets. Especially when you’re in New York and it’s an international port. When Mission [Impossible] was on. I certainly enjoyed that. I think it had a large male audience because of the action and that I liked it was interesting. That kind of prepared me for the masks that I did on Days [of Our Lives]. So it was a real challenge. Working in daytime; I think the biggest challenge is remembering all those lines and giving it some kind of conviction and taking those lines off the page.
And a lot of the time, because there’s too many lines, we’re just on the edge, and so because I have a certain intensity I’m able to cover. I think through all those years people, airports probably are the biggest. I’m going to do a PA [public appearance] at the Grand Canyon in August.
It’s a very special train ride through the Grand Canyon with just 22 fans. It’s going to be a very intimate affair. So over the years, you get the older people who are the real followers, because the youth today have different appetites.
Just like they do with food, they’re not always conscious about what they’re eating. Unless they’re educated about it or they’re raised on good food. And I think today food has become a convenience rather than a celebration.
Joe Winger:
You use wonderful words in your book. It feels almost like poetry. “Food is the magic of our universe.” Can you elaborate on that a little bit?
Thaao Penghlis:
We’ve been given such diversity as far as food is concerned, that we have that many choices, especially in countries that can afford food. But to me, once you’ve grown up tasting octopus – we used to hang it on the [clothes] line for three weeks until it dried out. There’s no blood in the octopus, therefore, it doesn’t rot – that was mouthwatering.
Some of the fruits you have in life, like mangos. When you can appreciate the way they’re being served. It’s not like eating an apple. If you eat a mango and you slice it, then cut it up in quarters, there’s a different texture to it. The flavor. To the eye it becomes attractive. I think food, when you think about what you can control in your life and you are blessed to have it. I think food is magical because of that.
Joe Winger:
One more line of food poetry from your book. “You discover your body’s secrets by the way you feed it and how it feeds you back. “
Thaao Penghlis:
When we who are in the Greek Orthodox church, we go through a fast to the last day [of holidays like Easter] before we go to the church and get the bread and the wine.
You start to appreciate the food that you can’t have because of its limitations in the religion. The last day you’ll have olive oil on bread with some sugar, things like that. So when you get to food and understand it, when you stop eating and cleanse your body, sometimes it just juices, you become hungry.
You get to understand what food does to the body by emptying it out. If you don’t eat well, or if you eat late, then the next day, you’re not going to feel great.
So you get to understand what the body can take and what, and when, are the limitations to eating and at what hour, if you drink too much wine.
As an actor, I don’t drink very much. But if I have wine, the next day, my eyes are going to show it. So it tells me something about the kidneys, because the eyes are connected to the kidneys. So it’s understanding how the machine you’ve brought into life carries your soul. How does that express itself in the best way possible?
As actors, we have a responsibility because of that body being presented on camera as a certain responsibility to the producers to the show and to your audience. So you get to understand. I would go through a four day fast with Bela’s broth, Celsius broth. I would find that would cleanse me through the days I did like a liver cleanse, which got rid of stones.
You get to understand what the organs are, that you can do things naturally without having to take all those dreadful medicines and those pills.
The body is all we’ve got. Why have I overcome certain things in my life? It’s always been through nutrition.
Joe Winger:
Your journey, the things you’ve learned, and you touch upon that in the book a little bit, lessons you learn from different actors and producers and people you’ve worked with, but that’s another great lesson is as far as using it as a medicine.
The book is called Seducing Celebrities: One Meal at a Time. It is an enormous undertaking: beautiful pictures, recipes, Hollywood stories, your family. There’s a lot going on.
What inspired you to write the book?
Thaao Penghlis:
The hardcover has all the colored pictures inside. So it has a different dimension to it when you actually see it, because let’s face it, presentation is very important.
So when you see color, when you see something displayed you want to get into it. If something looks like someone just piled something, it’s not attractive to the appetite.
My manager called me one day and he said, “You always talk about food. Why don’t you do a cookbook?”
I went, “Oh, I don’t know how to do a cookbook. Everything that I’ve caught has come out of my head.”
I remembered, I learned when I worked at the UN [United Nations] for a year when I was in the diplomatic corps. In my youth I went into kitchens where they had chefs. I saw presentation. I understood the etiquette of arriving there on time.
45 minutes later you’re having the hors d’oeuvres, maybe it’s champagne, maybe it’s some caviar or whatever they presented.
Then it was time to go into the dining room and sit there. It became a ritual. And so you got to appreciate the time, the presentation that someone put in.
So all these memories came into my head. I said how would you think? How do you think about food? I said it’s really seducing people, isn’t it?
By the way you create an atmosphere, by the way you look at a dish, and by the aroma. So I said, Let’s call it “Seducing.”
I said who have I seduced?
How about celebrities that I’ve met and worked with? That’s how it came about seducing celebrities. One meal at a time.
I always like to serve the first, second and the third course. But usually, I don’t join the guests on the first course, because I’m busy preparing the main course.
So I present the first course to them. Then I’m in the kitchen. The actor, Danny Kaye in the old days. He used to be an expert of Chinese food and around the counter in his kitchen is where his friends sat and he just fed them. That was something that was so gratifying for him.
So I understand if it’s done well, and your friends leave. They take it for granted.
People don’t cook these days, or they’re intimidated because of the way you’ve presented it. So therefore let’s take you out instead. So you don’t get that personal touch that I think is so important.
When you sit around your watering hole, as I call it, that “table”, which is something if when I leave this country eventually and go home to Australia, that is one thing I’m going to take with me is that table because it has a huge history to it.
To me the table and how you decorate it and how you present it is very important to the appetite of the person joining you.
Joe Winger:
I’m thinking of your table, sometime in the future when you do move, that could be a heck of an auction item. The amount of people who sat around it and heard stories and shared stories.
Speaking of those stories, you’ve named huge Hollywood stars like Tom Hanks, Rita Wilson George Clooney, amazing actors, Joanna Cassidy, William Hurt.
Your Hollywood life has been so many decades of work and amazing people. What was the process like deciding who makes it into the book and deciding who you had to leave out?
Thaao Penghlis:
You don’t like everybody you’ve worked with and everybody you’ve met, food is very personal
In the old days they serve you poison. In the French 18th century, you’d be sitting there and if you were an enemy, they’d serve you a dish with poison. That’s how they got rid of enemies. But I don’t know.
Dame Edna, who I was best man at his wedding, which is Barry Humphries. He was very particular. He was also a person who loved art. So he would walk around my house looking at what kind of a collection and made his judgment on it.
The same thing with the food, he would taste it. He would give you that quite qualifying look that he approves.
Omar Sharif was different. When I worked with him, we had champagne and caviar every day, because that’s the way he lived.
[He would be] telling me stories of Lawrence of Arabia and many of his other films and I think, because I look like his son, he was very taken not in the beginning. In the beginning, he was quite rude and quite distant. It wasn’t until I was about to start the first scene with him where he comes into the room and when I met him, he was distant, shook my hand and said, “Hello”.
So when he comes into the room, he’s supposed to slug me after something I say.
He says to me, by the way, “Please, when I hit you do not go over this 18th century table and break it. It’s very important that we are respectful about this table.”
And I said, Oh, I’m not going anywhere. And he says, what do you mean?
I said, “Oh, Omar. I said, if you hit me and I go flying off that table, where do you and I go for the next four hours?”
He says “What will you do?
I said, “I’ll probably adjust my tie.”
He started to laugh and that’s how it started.
How do you infiltrate a person’s personality who comes in defensive working with Bill Hurt in “Altered States”.
I had some very difficult dialogue because it was very technical. How do you make it real? I started to do this sequence and he says to me, “Is that how you’re going to do it?
And I said, “Why is that how you’re going to do it?”
And from that moment, he goes, “You’re an arrogant son of a…,”
And I said, “So are you.”
From that moment, we clicked. When we joined hands in Mexico, away from Warner Brothers, we had a good bond.
I never stood for his star attitude. You have to call it. So I don’t like it. When someone brings that, I leave that, I go outside.
Joe Winger:
Doris Roberts, after dinner once wrote you a note. I took that idea as an incredibly loving gesture.
if you could talk a little bit about that note, and then any other amazing gifts from you dinner parties?
Thaao Penghlis:
When I approached Doris and she would write the introduction, her comment was, “Oh, darling, why don’t you do that?”
I said, Doris, you’ve been coming here for dinner for years. So why can’t you just get in touch with your heart and write something pleasant?
And that’s what she wrote.
Because every time she came, it’s like my friends who come over always know they’re going to get a good meal. I never go cheap on the thing. I’ve seen people come in the house with daisies in their hand. I said, “Does this house look like it collects daisies?”
Or they’ll bring me Two Buck Chuck.
I said, are you bringing that so I can put it as a wine for the food, because it’s certainly not going on the table and things like that.
Where people are not experiencing you or contributing and also shows you how cheap it is. And even when Doris, who used to get crates of champagne from Dom Perignon for free, because she was connected to somebody who worked there, she would come in.
She would say “Darling, here’s some Dom Perignon, put it in the fridge.”
I said, “Oh, okay. Thank you.” I think, Oh, this is a person who understands quality.
Then five minutes later, she’s sitting at a chair. She says open the champagne for me, will ya?. So I realized it wasn’t for the house. It was for her. So she didn’t bring anything.
Here’s this woman who makes an enormous amount of money. I’ve studied with her for over 20 years with Katsalis, the director, and then she would come in and sit at the table and she would look at the flowers and then she would look at the presentation of everything and then she would smell the food and so through that experience – you don’t always get respect, you have to earn it.
With her, because of my work as an actor, and because of my success as an actor, and also now writing some people will say to you, “Are you writing another book?
But they say it in such a derogatory way.
Whereas Doris said, “I’m so proud of you.“
I went out with Doris, just the two of us went to movies because she always had to have company. She was like Joan Rivers. She had to have every night filled. She couldn’t stand just being on her own. So when she was invited to my home, she always remembered the presentation and the flavors of that evening.
Joe Winger:
Let’s talk a little bit about what was the process of writing the book like this time?
Thaao Penghlis:
Recipes are in my head.
So I had to cook in my head. For six months I started to think, Oh,I never wrote anything down.
I would call friends and say, “What was your favorite meal I cooked?”
Then I would say, Oh, okay, that’s good; and then I would just test my friends and they would tell me what they like the best.
So I got all these recipes that were still in my head. And I somehow remember what I put in it. My sister in law in Australia says to me, the difference between you and I as chefs is that I have to have a cookbook in front of me. You open the fridge and say, what are we going to eat?
I spent six months going through recipes.
Then finally I said, what did my mother cook? The Greek traditional foods or the Greek desserts. And my sisters are very good at cooking desserts.
Then slowly I collected the foods and started to make them.
Joe Winger:
That’s an incredible journey.
We’ve pushed toward the idea of an impolite or a bad dinner guest. How do we find an appropriate dinner gift? And then what would be a definite no?
Thaao Penghlis:
People will ask me, what can we bring?
It’s a silly question because you can’t bring food. So you, what do you bring wine? Or flowers? Or whatever enhances the atmosphere?
But something that’s not here, but sometimes when they keep asking me that, I say, bring cash. And that always throws them because they take it seriously.
So sometimes I won’t answer that question. I said, “Surprise me. But make it expensive.”
So I like to play with them.
I said to a friend of mine once, your hands are always empty. They never spoke to me for three years after that. They turned around and left.
There’d been guests who arrived when you had a seven o’clock dinner and arrived at 9:30. I’ll open the door and say to them, “I’m sorry, we’ve already had dinner. We’ll talk another time.” And then I closed the door because I find it disrespectful.
It tells you who people are and their consciousness. I don’t like unconscious people, but we’re going through a very difficult time in the world.
And it’s all because people are not conscious of others. It’s always about them. And so to me, the wonderful thing about serving food and expecting something in return, something.
Even if it’s – we used to write notes in the old days, a phone call – but texts now have become such a convenience.
Why don’t you just call me and tell me where I spent two days preparing this, that you can’t afford a five minute phone call, but you’ll text me in one sentence and that’s it.
Things like that I don’t approve of.
I think that kind of communication short changes [the memory of the experience]. I want to be at times where you want to cook again. If you’re not gonna share something about yourselves, call me the next day and say, I had such a wonderful evening. Some people think it’s enough when they leave, or they got here,
But they don’t understand how you complete things. Completion is very important. Just as an actor, you have an arc in your character, it’s complete.
The same thing with food.
When I serve food, it’s complete. I have an order: I have hors d’oeuvres. I have a first course. I have the main course. And then I have dessert and maybe some Greek coffee or tea or whatever people need and the wines.
But I just find people are unbelievable. They don’t understand what it takes to put an evening together.
If you don’t know how to treat me, I’m going to show you. So that’s what I said there.
Joe Winger:
Have you ever played with the idea of a cooking show? Is that something you see at all for yourself?
Thaao Penghlis:
It’s a lot of work. All that preparation. I’ve done it as a guest here and there.
Joan Rivers used to join guests and everything, she always made some wonderful jokes.
Dame Edna would make wonderful jokes.
I’m doing a book signing May 22nd at the Grove in Los Angeles at a Barnes and Noble. I’ve got to do a cooking show. I thought what are we going to cook? Something that’s not difficult.
So I’m going to do a vegetarian dish, which is not in the book, but it’s with shiitake mushroom, truffle oils, mint, basil heirloom tomato, raw peas and pine nuts. Then I will mix that in with the pasta and some olive oil and then some truffle oil and with some herbs and that’s about it.
That’s so convenient and it’s such a delicious dish with Parmesan cheese over it.
Joe Winger:
The book is called Seducing Celebrities: One meal at a time
You breezed over Joan Rivers for a moment and I wanted to touch upon it because In that chapter, you help us see her in a different way than what we always think of her as, especially being in the car with her daughter, Melissa as a young girl.
When I think of Joan Rivers, the stereotype, I think of outrageous, and you have one or two moments beyond her, Barbra Streisand, there’s a little bit of outrageousness there, are there any outrageous moments that you didn’t include that you thought about including?
Thaao Penghlis:
I don’t I don’t mind telling stories, or privately telling stories.
There’s got to be a borderline, just like etiquette. If I’m expecting for people to behave a certain way.
One time, there was a famous guest, which I won’t mention, who was having problems with their daughter, and they were sitting around the table. The phone rang in the middle of dinner, and he answered it, he starts screaming on the phone, and telling his daughter off.
I just lost it, I got up and I said, “If you don’t mind, take your bloody phone call outside, we’re not interested in your private business and how rude of you.”
Because I don’t like people bringing phones into the house.
The inner chatter that goes on with people’s minds, where they’re so distracted with life instead of just being there. Being present.
With Telly Savalas as well. There have been times also with people with Days [of Our Lives] and I couldn’t tell those stories because firstly, I have to work with him again. Secondly, I don’t think it’s everybody’s business.
There was a book that Hustler put out all the stories about those magnificent stars of the [1940s] and talked about their sexual proclivities.
Someone said, “Why would you do that?” Why would you betray your friends that way?
You smash the myth. They spent years creating a myth. But when you start getting into the nitty gritty, you make those people ordinary. And show business is not about being ordinary.
So I try to refrain from telling things that go beyond the norm. I want to be able to see these people later in some time, even though they’re gone,
I still believe we’ll see them on the other side that they did more good for me. Otherwise it’s a matter of respect and keeping someone’s dignity there.
Joe Winger:
Your book starts almost like a love note or a Valentine to growing up with your family. Your mother, your father, their first trip to L. A., to your grandfather George’s herrings and olive oil tin.
Thaao Penghlis:
Yeah, that was something to watch growing up.
To see my grandfather bringing his knowledge of food from the islands of Greece.
What I remember the most, even my grandmother, you’ve come down in the mornings and you can smell the cinnamon toast. She would be dipping wicks into wax and creating candles for the church.
Joe Winger:
Seducing celebrities one meal at a time.
Can you give us a tease about what you’re looking forward to in the future?
Thaao Penghlis:
I just finished exploring the Holy Families.
I did a two week trek up and down the Nile to these sacred places. So I’ve written a story because most of the things we see about religion are postcards or lovely paintings. What do we do when we explore it within ourselves and follow those routes? Something else happened.
I’ve written a teleplay. It’s very interesting the way it begins and where it begins and how it follows through into The Great Escape.
Broadway’s Tony Nominated ‘For Colored Girls…’ Announces Extension to June 5
Three weeks are left to experience one of the best reviewed plays of 2022, the critically acclaimed and reimagined Broadway revival of Ntozake Shange’s groundbreaking for colored girls who have considered suicide/ when the rainbow is enuf, directed and choreographed by Tony Award nominee Camille A. Brown (Once On This Island, Choir Boy, co-director and choreographer of Fire Shut Up in My Bones). The production will play its final performance on Sunday, May 22 at the Booth Theatre (222 West 45th Street).
Tickets are on sale for the show’s final weeks at www.telecharge.com. Discounted tickets are now available to students who present a valid Student ID at $25 per ticket.
for colored girls… is Camille A. Brown’s directorial debut on Broadway. She is the first Black woman to serve as both director and choreographer on Broadway in more than 65 years, bringing a reinvented, joyful and celebratory production of Shange’s seminal work back to its original home at the Booth Theatre, where the play premiered in 1976.
for colored girls… has received three Drama League Award nominations including Outstanding Revival of a Play, Outstanding Direction of a Play – Camille A. Brown and Distinguished Performance Award – Kenita R. Miller. The production has also received three Outer Critics Circle Award nominations including Outstanding Revival of a Play, Outstanding Director of a Play – Camille A. Brown and Outstanding Choreography – Camille A. Brown.
“From African influence to HBCU stepping, Brown’s choreography is a forensic amalgamation of styles that shows all forms of Black dance should be considered tribal in origin,” described Matthew Allen of The Grio.
“Brown’s staging is so attuned to the words and cadences of Shange’s choreopoem, yet so confident in its own interpretive vision, that the characters blossom into their full vibrancy,” praised Laura Collins-Hughes of The New York Times.
“We are so proud to have brought Ntozake Shange’s brilliant choreopoem back to Broadway after 46 years from its original premiere and to have had the opportunity to share Camille’s vision and masterful work with a sensational ensemble of women on stage at the Booth Theatre each night,” said producers Nelle Nugent, Ron Simons and Kenneth Teaton. “As Broadway continues to rebound, we knew it would be challenging and our goal remains to present these voices and introduce a new generation of audiences to the power of theatre and the power of Shange’s words.”
Join the circle as seven women share their stories and find strength in each other’s humor and passion through a fusion of music, dance, poetry and song that explodes off the stage and resonates with all. It’s time for joy. It’s time for sisterhood. It’s time for colored girls.
The cast stars Amara Granderson as Lady in Orange, Tendayi Kuumba as Lady in Brown, Kenita R. Miller as Lady in Red, Okwui Okpokwasili as Lady in Green, Stacey Sargeant as Lady in Blue, Alexandria Wailes as Lady in Purple, and D. Woods as Lady in Yellow. Rachel Christopher, Treshelle Edmond, McKenzie Frye, Kala Ross and Alexis Sims join the company as standbys and understudies.
for colored girls… features set design by Myung Hee Cho, costume design by Sarafina Bush, lighting design by Jiyoun Chang, sound design by Justin Ellington, projection design by Aaron Rhyne, and hair & wig design by Cookie Jordan. The show features original music by Martha Redbone and Aaron Whitby. Deah Love Harriott serves as the Music Director and Tia Allen is the Music Coordinator. The Production Stage Manager is Bernita Robinson and the Assistant Stage Manager is lark hackshaw. The production features casting by Erica Jensen/Calleri Jensen Davis and production supervision by Hudson Theatricals. Christina Franklin serves as the Associate Director and Maleek Washington and Mayte Natalio serve as Associate Choreographers.
Black girl magic is reborn. Ntozake Shange’s for colored girls who have considered suicide/ when the rainbow is enuf is the “landmark of American theater” (The New York Times) that blazed a trail for generations to come. Now, this celebration of the power of Black womanhood returns to Broadway for the first time, reinvented, directed, and choreographed by “a true superstar of theater and dance” (NPR), Tony AwardÒ nominee Camille A. Brown. And her vision is as fearlessly new as it is fiercely now.
