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Oscar Nominee Laura Linney Sets 2023 Broadway Return In New Play By ‘Proof’ Playwright David Auburn

Oscar Nominee Laura Linney best known for her acclaimed film roles, multiple Tony and Emmy nonimations sets her Broadway return in the new Pplay By ‘Proof’ Playwright David Auburn

Laura Linney will return to Broadway Spring 2023 in a new play by Pulitzer Prize winner David Auburn (Proof).

The Manhattan Theatre Club production of Summer, 1976

will reteam the writer with his Proof director Daniel Sullivan.

Summer, 1976 will begin previews on Tuesday, April 4, 2023 at the Samuel J. Friedman Theatre.

Additional casting, the opening night date and creative team for Summer, 1976 will be announced soon.

MTC describes Summer, 1976 as:

a “deeply moving, insightful piece…

is about connection, memories, and the small moments that can change the course of our lives. Over one fateful summer, an unlikely friendship develops between Diana, a fiercely iconoclastic artist and single mom, and Alice, a free-spirited yet naive young housewife. As the Bicentennial is celebrated across the country, these two young women in Ohio navigate motherhood, ambition, and intimacy, and help each other discover their own independence.”

Linney is a five-time Tony Award nominee, most recently for 2020’s My Name is Lucy Barton, and a four-time Emmy winner, most recently for her starring role in Showtime’s The Big C.

Sullivan and Linney have worked together on Broadway several times, including 2017’s The Little Foxes. In addition to Proof, Sullivan directed Auburn’s 2012 play The Columnist.

Hamptons: Warrant headlines at NY’s Patchogue Theatre Sat Oct 15

Warrant headlines at NY’s Patchogue Theatre Sat Oct 15

At its core, WARRANT is an American rock band through and through.

Hitting it big in 1989, the Hollywood, CA based band rose through the ranks of the local Sunset Strip scene to the level of multiplatinum selling, chart-topping success.

The band first came into the national spotlight with their debut album Dirty Rotten Filthy Stinking Rich.

This album produced Radio and MTV chart toppers “Down Boys,” “Sometimes She Cries,” and the massive hit “Heaven” which reached #1 in Rolling Stone and #2 on the Billboard Hot 100 for two weeks in a row.

The single “Heaven” enjoyed Gold sales and the Album went Platinum in Canada as well, eventually selling over 3 million copies. The band toured the globe performing 262 shows in support of DRFSR and closed the year with a Platinum Home Video.

Warrant has been headlining festivals, casinos and fairs all over the country in support of their latest CD Louder Harder Faster and the 30 year anniversary of their debut album Dirty Rotten Filthy Stinking Rich.

The band is fired up and tighter than every musically!

These rockers can’t wait to play not only ALL the hits fans know & love like “Cherry Pie,”  “Uncle Tom’s Cabin,” and “I Saw Red,,” but also new tunes/videos like “Louder Harder Faster” & “I Think I Will Just Stay Here & Drink.”

For tix and more info: http://www.patchoguetheatre.org/events/2022-10-15-warrant

New York City Opera Presents Lucia di Lammermoor at Bryant Park September 2

New York City Opera Presents Lucia di Lammermoor NYCO’s Final Summer 2022 Show at Bryant Park Picnic Performances September 2, 2022
New York City Opera will present an abridged version of Donizetti’s classic Lucia di Lammermoor on Friday, September 2, 2022 at 7pm as part of Bryant Park Picnic Performances presented by Bank of America.
Entry is on a first-come, first-served basis.
Performances are designed to be enjoyed casually – no tickets required – with ample seating available and free picnic blankets for audience members to borrow.
For more information, visit bryantpark.org/picnics.
Think Romeo and Juliet but set in Scotland. Donizetti’s brilliant score is the height of drama and the pinnacle of the Bel Canto style in this abridged version starring world-renowned soprano Sarah Coburn, the captivating tenor WooYoung Yoon, and the legendary bass-baritone Mark Delavan.
It is directed by Shayna Leahy and conducted by City Opera Music Director Maestro Constantine Orbelian, The complete cast includes Coburn (Lucia), Delavan (Enrico), Yoon (Sir Edgardo di Ravenswood), Tair Tazhigulov (Raimondo Bidebent), Elissa Pfaender (Alisa), Ziwen Xiang (Arturo), and Samuel Ng (Normanno).
Entry is on a first-come, first-served basis. Performances are designed to be enjoyed
The performance is approximately one hour and thirty minutes with one intermission.
Attendees may bring their own food or purchase from on-site food and beverage vendors near the Lawn. At most performances, attendees can purchase food from a rotating line-up of local NYC vendors curated by Hester Street Fair. COVID-19 vaccinations and masks are not currently required but Bryant Park will continue to monitor and follow updated New York City and New York State COVID-19 guidelines throughout the summer as necessary.
For anyone unable to attend in person, a free livestream broadcast of the performance will be available nationwide via Bryant Park’s website and social media platforms.
New York City Opera was famously dubbed “The People’s Opera” by Mayor Fiorello LaGuardia at its founding in 1943. More than 75 years later, City Opera continues its historic mission to inspire audiences with innovative and theatrically compelling opera, nurture the work of promising American artists, and build new audiences through affordable ticket prices and extensive outreach and education programs.​ Picnic Performances continues the tradition of opera in Bryant Park.
The 2022 Picnic Performances season is possible due to the generous support of Bank of America. “Bank of America is a long-standing supporter of the arts because we believe that a thriving arts and cultural community benefits both society and the economy,” said José Tavarez, President, Bank of America New York City. “So we are thrilled to once again sponsor Picnic Performances and combine our commitment to the arts with our partnership with Bryant Park. Together we’re helping New York City’s iconic cultural scene to thrive, while promoting green spaces and providing free access to live New York City music, dance and theater.”

Audra McDonald returns to Broadway Starring in Ohio State Murders

Emmy, Grammy, and Six-time Tony Award winner Audra McDonald will return to Broadway this season starring in Ohio State Murders by Adrienne Kennedy, directed by Tony Award winner Kenny Leon (Fences, A Soldier’s Play).

The production will be the first show to play at the newly re-named and renovated James Earl Jones Theatre (formerly the 110-year-old Cort Theatre at 138 West 48th St.) with previews beginning on Friday, November 11, 2022 and opening on Thursday, December 8, 2022 for a strictly limited engagement.

Full casting, creative team and ticket on-sale information through Telecharge will be announced at a later date. This inaugural production is proudly presented by Jeffrey Richards, Lincoln Center Theater, Rebecca Gold, Jayne Baron Sherman, Hunter Arnold, Irene Gandy, Kevin Ryan/Lisa Alexander Taylor, Marc David Levine, Concord Theatricals, The Nederlander Organization and The Shubert Organization.

“One of the finest living American playwrights…” (The New York Times), Obie Lifetime Achievement Award Winner, and a member of the Theater Hall of Fame, Adrienne Kennedy will make her Broadway debut with this production at age 91. Earlier this year, Kennedy was awarded the Gold Medal for Drama from the Academy of Arts and Letters, which is awarded to those who have achieved eminence in an entire body of work.

Only four other dramatists have been awarded the Gold Medal:  Edward Albee, Tennessee Williams, Eugene O’Neill and Arthur Miller. Ms. Kennedy has been contributing to American theater for over six decades, and is best known for her plays such as Funnyhouse of a Negro (Obie Award), June and Jean in Concert (Obie Award)and Sleep Deprivation Chamber (Obie Award) and numerous other plays and books.

“I am so thrilled. It’s only taken me 65 years to make it to Broadway!”

said Kennedy.

“I’m honored and humbled to be part of Adrienne Kennedy’s long-overdue Broadway debut in the newly dedicated James Earl Jones Theatre with Kenny Leon,” said McDonald. “This timeless play has a powerful resonance and relevance today, and we can’t wait to share it with the world.”

When writer Suzanne Alexander (Audra McDonald) returns to her alma mater as a guest speaker, in which she explores the violence in her works, a dark mystery unravels. Adrienne Kennedy’s Ohio State Murders is an intriguing and unusual suspense play, as well as a social pertinent look at the destructiveness of racism in our society.

The renaming of the Cort Theatre to the James Earl Jones Theatre was announced by The Shubert Organization, Inc. in March of 2022 in recognition of Mr. Jones’s lifetime of immense contributions to Broadway and the entire artistic community. Shubert has performed extensive renovation and construction work on the 110-year-old theatre, including construction of a new, contemporary wing.

www.ohiostatemurdersbroadway.com

Follow Ohio State Murders on social media @ohiomurdersbway.

Adam Driver, Filmmaker Noah Baumbach’s ‘White Noise’ Open 60th New York Film Festival

Adam Driver, Filmmaker Noah Baumbach “White Noise” will open the 60th New York Film Festival.

After its world premiere at the Venice Film Festival Film, Noah Baumbach’s feature take of Don DeLillo’s 1985 novel White Noise opens the 60th New York Film Festival, making its North American premiere at Alice Tully Hall on September 30.

In the Netflix movie, Adam Driver plays Jack Gladney, a professor and father-of-four whose comfortable suburban college town life and marriage to the private Babette (Greta Gerwig) are upended after a horrifying accident creates a toxic event.

DeLillo’s novel is known for being a pop-philosophical nightmare on unbounded consumerism, ecological catastrophe, and the American obsession with death.

“In 1985 my father and I drove from Brooklyn to see Kurosawa’s Ran open the 23rd NYFF, the same year that he brought home the hardback of Don DeLillo’s White Noise,” said Baumbach.

“Opening the 60th NYFF with White Noise is truly special for me.

This festival was part of my film education and has been a home for me and many of my movies over the years.

I couldn’t be more excited and honored to return.”

“Opening the 60th edition of the New York Film Festival with Noah Baumbach’s ambitious, funny, and resonant White Noise underscores this Festival’s history of introducing new filmmakers to New York audiences.

A regular attendee of the Festival as a kid, Noah Baumbach saw his indie filmmaking career take off after debuting Kicking and Screaming at NYFF in 1995,” said Eugene Hernandez, Executive Director of the New York Film Festival.

“White Noise will usher in a 60th NYFF selection of films by established directors and vibrant new voices;

we’re looking forward to sharing the communal experience of cinema with audiences at Lincoln Center and in other parts of the city this fall! Stay tuned!”

Baumbach’s previous NYFF Main Slate selections include Kicking and Screaming (NYFF33), The Squid and the Whale (NYFF43), Margot at the Wedding (NYFF45), Frances Ha (NYFF50), The Meyerowitz Stories (New and Selected) (NYFF55), and Marriage Story (NYFF57 Centerpiece). Baumbach’s While We’re Young was a secret screening at NYFF52.

Baumbach co-directed the documentary De Palma with Jake Paltrow, which was a special event at NYFF53.

The NYFF Main Slate selection committee, chaired by Lim, also includes Hernandez, Florence Almozini, K. Austin Collins, and Rachel Rosen.

Presented by Film at Lincoln Center, the New York Film Festival will run from Sept. 30-Oct. 16.

Previous New York Film Festival Opening Night Films:

2021 The Tragedy of Macbeth (Joel Coen, US)
2020 Lovers Rock (Steve McQueen, UK)
2019 The Irishman (Martin Scorsese, US)
2018 The Favourite (Yorgos Lanthimos, Ireland/UK/US)
2017 Last Flag Flying (Richard Linklater, US)
2016 13TH (Ava DuVernay, US)
2015 The Walk (Robert Zemeckis, US)
2014 Gone Girl (David Fincher, US)
2013 Captain Phillips (Paul Greengrass, US)
2012 Life of Pi (Ang Lee, US)
2011 Carnage (Roman Polanski, France/Poland)
2010 The Social Network (David Fincher, US)
2009 Wild Grass (Alain Resnais, France)
2008 The Class (Laurent Cantet, France)
2007 The Darjeeling Limited (Wes Anderson, US)
2006 The Queen (Stephen Frears, UK)
2005 Good Night, and Good Luck (George Clooney, US)
2004 Look at Me (Agnès Jaoui, France)
2003 Mystic River (Clint Eastwood, US)
2002 About Schmidt (Alexander Payne, US)
2001 Va savoir (Jacques Rivette, France)
2000 Dancer in the Dark (Lars von Trier, Denmark)

Final 2 weeks for Broadway’s Tina Turner Musical – Final show Aug 14

Final 2 weeks for Broadway’s smash hit Tina Turner Musical with the final show on August 14

There are two weeks remaining to see the smash hit TINA – THE TINA TURNER MUSICAL at Broadway’s Lunt-Fontanne Theatre (205 West 46th Street).

Following the final Broadway performance on Sunday, August 14, 2022, TINA – THE TINA TURNER MUSICAL will launch a 30-city national tour on September 14, 2022 in Providence, RI, which will mark the sixth global production of the musical.

Rolling Stone celebrated the starry opening night, trailing the Queen of Rock & Roll as she joined Katori Hall, Adrienne Warren and the Broadway company onstage at the Lunt-Fontanne Theatre, a performance that would go on to earn Warren a Tony Award, and the New York Times profiled Ms. Turner as she prepared for TINA – THE TINA TURNER MUSICAL to open on Broadway.

Tina Turner Broadway musical final performance

TINA – THE TINA TURNER MUSICAL originally opened on November 7, 2019, was nominated for 12 Tony Awards including Best Musical. Upon its final performance, TINA – THE TINA TURNER MUSICAL will have played 27 preview performances and 482 regular performances.

Produced by Stage Entertainment, James L. Nederlander and Tali Pelman, in association with Tina Turner, there are currently five productions of TINA – THE TINA TURNER MUSICAL running around the world.

The new musical based on the life of legendary artist Tina Turner and presented in association with Tina Turner herself, received its world premiere in April 2018 in London’s West End, where it opened to five-star reviews and has broken box office records at the Aldwych Theatre, before opening on Broadway in November 2019.

In March 2019, the German production opened at Stage Operettenhaus in Hamburg, and the Dutch production opened at the Beatrix Theater, Utrecht, in February 2020.

A third European production opened in Fall 2021 at the Teatro Coliseum in Madrid, Spain and the North American Tour will mark the sixth global production of TINA – THE TINA TURNER MUSICAL.

TINA – THE TINA TURNER MUSICAL currently stars Nkeki Obi-Melekwe as Tina, Nick Rashad Burroughs as Ike, Kayla Davion as Tina (at some performances), Tony Award nominee Myra Lucretia Taylor as Gran Georgeanna, NaTasha Yvette Williams as Zelma and Katie Webber as Rhonda and also features Juliet Benn, Steven Booth, Julius Chase, Milanis Clark, Leandra Ellis-Gaston, Charlie Franklin, Judith Franklin, Josiah Gaffney, Matthew Griffin, Ari Groover, Sheldon Henry, David Jennings, Ethan Joseph, Ross Lekites, Robert Lenzi, Rob Marnell, Stephanie Martignetti, Jhardon DiShon Milton, NaTonia Monét, Deon Releford-Lee, Justin Schuman, Allysa Shorte, Eric Siegle, Carla R. Stewart, Skye Dakota Turner, Anthony Wayne and Michelle West.

Written by Tony Award nominee and Pulitzer Prize winner Katori Hall with Frank Ketelaar and Kees Prins, TINA – THE TINA TURNER MUSICAL is directed by Tony Award nominee Phyllida Lloyd with choreography by Tony Award nominee Anthony van Laast, set and costume designs by Tony Award nominee Mark Thompson, musical supervision, additional music and arrangements by Nicholas Skilbeck, lighting by Tony Award nominee Bruno Poet, sound by Tony Award nominee Nevin Steinberg, projection design by Tony Award nominee Jeff Sugg, orchestrations by Tony Award nominee Ethan Popp, wigs, hair and makeup design by Drama Desk Award winnerCampbell Young Associates, music direction by Alvin Hough Jr. and casting by The Telsey Office. 

Experience Tina Turner’s triumphant story live on Broadway at the exhilarating, undeniable mega hit: TINA – THE TINA TURNER MUSICAL. The Hollywood Reporter raves, “It’s irresistibly uplifting.” People Magazine calls it, “euphoric, moving, and totally joyous.” And the New York Times cheers, “I’ve rarely heard an audience with this mighty a roar.”

Celebrate the unstoppable woman that dared to dream fiercely, shatter barriers, and conquer the world—against all odds. Set to the pulse-pounding soundtrack of her most beloved hits, this electrifying sensation will send you soaring to the rafters. The Daily Beast declares, “prepare to be ecstatically blown away. It’s a miracle the roof hasn’t taken flight to space.”

 

Produced by Stage Entertainment and Ghostlight Records and featuring the original London cast, Tina – The TinaTurner Musical: Original Cast Recording is available worldwide on CD, both online and in stores. The CD features a 20-page booklet, which includes liner notes, synopsis, and production and studio photography. The album was recorded in February 2019 at Angel Studios and RAK Studios, produced by the show’s Music Supervisor Nicholas Skilbeck and Kurt Deutsch, and co-produced by Tom Kelly. To download or stream the album, or order the CD, please visit http://www.ghostlightrecords.lnk.to/riverdeep-tinaturnermusical.

Tina Turner is a two-time inductee into the Rock and Roll Hall of Fame with Ike Turner in 1991 and as a solo artist in 2021.

The Emmy-nominated feature documentary TINA is now available to stream on HBO Max. A revealing and intimate lookat the life and career of musical icon Tina Turner, TINA charts her improbable rise to early fame, her personal and professional struggles throughout her life and her even more improbable resurgence as a global phenomenon in the 1980s. The feature documentary is from Academy Award-winning directors Dan Lindsay, T.J. Martin and Lightbox, the production company founded by Academy Award-winning producer Simon Chinn and Emmy-winning producer Jonathan Chinn, together with Emmy-nominated producer Diane Becker.

TICKET INFORMATION

Tickets for the final 2 weeks of Broadway’s TINA – THE TINA TURNER MUSICAL are on sale at www.ticketmaster.com.

A $45 ticket digital lottery is available at https://lottery.broadwaydirect.com/show/tina-ny. Powered by Broadway Direct, TINA – THE TINA TURNER MUSICAL’s digital lottery will open at 9AM the day before the performance and closed at 3PM the day before the performance. Winners will be notified by email shortly after each drawing and have 60 minutes to claim and pay for tickets online. Seat locations and number of tickets awarded by the lottery are subject to availability. Maximum 2 tickets per entry. Please note, lottery seats may be partial view.

The performance schedule for TINA – THE TINA TURNER MUSICAL is as follows: Tuesday and Thursday at 7pm and Wednesday, Friday and Saturday at 8pm, with matinees on Wednesday and Saturday at 2pm and Sunday at 3PM.

For more information, visit www.TinaOnBroadway.com.

Follow @TinaBroadway on Twitter, Instagram, and Facebook.

Beanie Feldstein’s Final Performance as Fanny Brice in Broadway’s Funny Girl Revival July 31

Beanie Feldstein’s Final Performance as Fanny Brice in Broadway’s Funny Girl Revival July 31

Beanie Feldstein ends her Funny Girl role July 31

Beanie Feldstein ends her run starring as Fanny Brice in Broadway’s Funny Girl July 31, the production’s first original cast member to leave.

The production will continue performances at the August Wilson Theatre with standby Julie Benko taking over the role through September 4 and Glee star Lea Michele set to join the company beginning September 6.

Glee star Lea Michele joins Broadway’s Funny Girl September 6.

Feldstein was originally announced to leave the production September 25, but subsequently announced she would be leaving sooner, saying “the show in a different direction.”

The rising female star made her Broadway debut in 2017’s Hello, Dolly!, playing Minnie Fay.

Funny Girl originally premiered on Broadway in 1964, with a score by Jule Styne and Bob Merrill, and a book by Isobel Lennart, 2022-adapted by Tony winner Harvey Fierstein for this revival.

The original production propelled a young Barbra Streisand to international fame; and the 1968 film adaptation won an Academy Award and a Golden Globe.

In addition to Feldstein, Jane Lynch, Ramin Karimloo, and Tony nominee Jared Grimes.

The company includes Peter Francis James as Florenz Ziegfeld, Ephie Aardema as Mrs. Nadler, Debra Cardona as Mrs. Meeker, Toni DiBuono as Mrs. Strakosh, Martin Moran as Tom Keeney, and Benko as the standby for Fanny Brice.

Benko has gone on as Fanny several times throughout the run, including during Feldstein’s recent bout with COVID-19.

The production is directed by Michael Mayer, who leads a creative team that includes choreography by Ellenore Scott, tap choreography by Ayodele Casel, music supervision and direction by Michael Rafter, scenic design by David Zinn, costume design by Susan Hilferty, lighting design by Kevin Adams, sound design by Brian Ronan, and hair design by Campbell Young Associates. Casting is by Jim Carnahan and Jason Thinger.

The production also includes orchestrations by Chris Walker; dance, vocal, and incidental music arrangements by Alan Williams; additional arrangements by Carmel Dean and David Dabbon; music coordination by Seymour Red Press and Kimberlee Wertz; and vocal supervision by Liz Caplan.

Broadway Twist: Cheyenne Jackson Going ‘Into The Woods’ As Temporary Fill-In For Gavin Creel

Broadway Twist: Cheyenne Jackson Going ‘Into The Woods’ As Temporary Fill-In For Gavin Creel

Cheyenne Jackson will step into the roles of Cinderella’s Prince and Red Riding Hood’s Wolf for a weeklong stint in Broadway’s hit revival Into the Woods, taking over for Gavin Creel during a previously scheduled absence.

Jackson will play the roles from July 24-August 2 while Creel fulfills prior commitments. The latter will return to the production on August 6 following a residence at The O’Neill National Musical Theatre Conference performing the project he wrote, Walk on Through: Confessions of a Museum Novice.

“I’m honored and elated

to have been asked to return to my Broadway roots

and join this enchanted production of Into the Woods alongside these beautiful artists,” Jackson said.

“As a father of two young children, this piece resonates even deeper for me now, and I cannot wait to return to the St James Theatre and go Into the Woods once more.”

The casting was announced today by Jordan Roth, President of Jujamcyn Theaters.

Jackson stars on Fox’s Call Me Kat opposite Mayim Bialik and Leslie Jordan and is perhaps best known to TV audiences for his roles on Glee and American Horror Story. Other credits include HBO’s Watchmen and Apple TV’s The Morning Show, and he next will be seen opposite Cate Blanchett, Jamie Lee Curtis, Jack Black and Kevin Hart in the film Borderlands from Lionsgate.

After making his Broadway debut as an understudy in 2002’s Thoroughly Modern Millie, Jackson made his starring debut in 2005’s Elvis Presley musical All Shook Up. He returned to Broadway in Xanadu (2007), Finian’s Rainbow (2009) and The Performers (2012).

The James Lapine-Stephen Sondheim musical Into the Woods is directed by Lear deBessonet, with music direction by Rob Berman with The Encores! Orchestra, and choreography by Lorin Latarro. The cast includes Sara Bareilles, Brian d’Arcy James, Patina Miller, Phillipa Soo, Joshua Henry, Aymee Garcia, Ta’Nika Gibson, Annie Golden, Albert Guerzon, Brooke Ishibashi, Kennedy Kanagawa, David Patrick Kelly, Julia Lester, Nancy Opel, Cole Thompson, David Turner and Alysia Velez.

Into the Woods is produced by Jujamcyn Theaters; Jordan Roth; New York City Center; Daryl Roth; Hunter Arnold; Concord Theatricals; Nicole Eisenberg; Jessica R. Jenen; Michael Cassel Group; Kevin Ryan; ShowTown Productions; Armstrong, Gold & Ross; Nicole Kastrinos, Executive Producer.

 

Actress Erin Michele Soto Lifts Through Her Trauma to Return to Her Hit TV Series

Actress Erin Michele Soto Lifts Through Her Trauma to Return to Her Hit TV Series

Audiences know Erin Michele Soto from her work in the miniseries Shirley and Shelly and the TV series Studio City, the smash hit and Emmy – winning drama.

Around the world audiences see stars on red carpets, TV and movie screens; and often never consider the challenges these performers face to live their dreams.  


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So many people recognize a star’s good looks, their talent, the laughs and tears from the characters they portray. But the audience doesn’t really get to know the person behind that work.  Today Erin is sharing a deeper look into her journey. 

Erin Michele Soto Reveals Her Bright and Her Dark

Recently we had a chance to sit down with Erin Michele Soto and she revealed the brightest and the darkest moments of her story and the excitement yet to come.

Like so many, Erin moved to Southern California with big Hollywood dreams. But she did not become the struggling cliche.  She had the talent and good fortune to quickly find work as an actress and as a dancer.  

Tragedy on a Celeb-Filled Dance Floor

Erin Michele Soto’s grace on the dance floor quickly brought her attention.  She found A-list work immediately in Modern, Ballet, Jazz dance genres. Stars of the stage, small screen and silver screen all demanded her time, attention and help.

Then as her star was rising, suddenly it all crashed down.  Literally.  One day in the middle of dancing, Erin fell, hit her eye and the trauma from the fall punctured her brain.

The next moments created a chronic ailment that took Erin over a year for her to recover.  The glitz and glamour lifestyle was replaced with being bed-ridden and living a small, dark, lonely  life.

Hearing Soto reflect back today, there’s still a pain in her eyes and her voice.  But a growing strength and courage in her soul.

Was her journey hard?  Yes.  Painful?  Yes.  Encouraging?  No. 

But, Erin wasn’t done yet.

Ironically, her body really thought she was finished.  She rarely left the house.  She couldn’t socialize with friends.  She forgot how to do the smallest tasks constantly, things like closing her house door; she would routinely black out as she walked through her neighborhood.

The things most people find common, this talented star was suddenly struggling to complete.

“No One Can See My Pain”

Even worse, her mind was playing tricks on her.  

This normally proud, healthy, optimistic person was suddenly having thoughts of self-harm.  It was a dark time.  The good news is, she knew better.  Luckily, she never acted on those dark, harmful thoughts.

Your Village Supports Your Recovery Journey

To meet Erin is to fall in love with her.  Her energy, her spirit, her intelligence, her motivation.  Luckily, even in her darkest moments after her trauma, Erin’s community rallied to cheer her on and find ways to help her while she struggled to live daily life.  She bravely chose to get professional mental help which also supported her and returned her closer to light and happiness.

She learned to over-power her own thoughts and regain positivity.  She now meditates daily and credits that mental strength with her return to courage and creativity.

“I used my imagination

to get back into the world”

Back on Set

Just over a year after her life-changing trauma, Erin was itching to get back to performing.  The injury focused her true passions in using her voice in acting.  Performing, acting, dancing.  But she was dealing with a very foreign feeling: insecurity.  Could she remember her dialogue?  Could her body move as gracefully as it used to?  Would she feel as comfortable acting as she did before?

As a performer, Erin had to “learn to walk” again.

Erin was eager to return and try.  She chose a small, local theater in SoCal’s modest San Fernando Valley.  

“To her surprise, relief and excitement,

all of her worries went away.”  

To her surprise, relief and excitement, all of her worries went away.  Her mind and body cooperated and she had a blast performing again in front of huge crowds.

“If something brings you joy,

push through your fears”

Today, Erin is busier than ever.  She’s currently working on projects for both stage and screen, taking meetings as an actress for both tv and film.

She credits her friends, family, health professionals and community with helping her overcome her dark moments.  Her continued meditation keeps her mind clear and strong.

As a performer, she’s excited to be in front of an audience – whether you’re watching her in-person on stage, on your television or on the big screen.

With confidence, motivation, discipline and support from your community, everyone can rebound from their challenges and return to what they love.  Erin Michele Soto is a brilliant and inspiring example of this.

Follow Erin Michele Soto on her social media at:

https://www.facebook.com/OfficialErinMicheleSoto

https://www.instagram.com/erinmichelesoto

https://twitter.com/erinmichelesoto

 

Warhol-Basquiat Play ‘The Collaboration’ Sets Winter Broadway Opening; with Paul Bettany & Jeremy Pope Starring

Warhol-Basquiat Play ‘The Collaboration’ Sets Winter Broadway Opening; with Paul Bettany & Jeremy Pope Starring

The Collaboration, Anthony McCarten’s hit London play about artists Andy Warhol and Jean-Michel Basquiat, will make its American premiere on Broadway this winter, with Paul Bettany and Jeremy Pope as the two painters.

The Manhattan Theatre Club production will begin previews at MTC’s Samuel J. Friedman Theatre on Tuesday, November 29, with an opening night set for Tuesday, December 20. Kwame Kwei-Armah directs.

The production will be the second Broadway production of MTC’s 2022-2023 season, following the fall premiere of Martyna Majok’s Cost of Living.

The Collaboration, which made its world premiere in a critically acclaimed production by London’s Young Vic Theatre in January, is set in the summer of 1984, when longtime superstar Warhol and wunderkind Basquiat agreed to work together on what would become one of the most famous exhibitions in the modern art history. As the official synopsis puts it, “But can these two creative giants co-exist, or even thrive?”

Bettany (The Avengers, WandaVision) and Pope (Broadway’s Choir Boy and Ain’t Too Proud) reprise their roles from the London staging.

The announcement was made today by Manhattan Theatre Club, Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) and the Young Vic Theatre, Kwame Kwei-Armah (Artistic Director) and Lucy Davies (Executive Director) by special arrangement with Eleanor Lloyd Productions, Anthology Theatre, Stanley Buchthal, and Denis O’Sullivan

Additional cast members and the creative team for The Collaboration will be announced at a later date. Two additional productions for MTC’s 2022-2023 season, including one at the Samuel J. Friedman Theatre on Broadway and one at MTC at New York City Center – Stage I, will be announced soon.

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