NYC Parks Celebrate the Opening of New Cafe in Historic McCarren Park House
NYC Parks Commissioner Sue Donoghue will join the operators of the new McCarren ParkHouse Aaron Broudo and Belvy Klein, and community members to cut the ribbon on a new café in North Brooklyn’s most popular park.
The new eatery is located in the historic McCarren Park House which benefited from more than $3M invested by the operators to expand and upgrade the space to accommodate dining, parks staff operations offices, and new public bathrooms.
McCarren ParkHouse café features four unique vendors operating in unison, offering sandwiches, ice cream, coffee and more, seven days a week.
The planned venue, to be called McCarren Park House (with an address of 855 Lorimer St.), was first announced in January 2020.
It will be operated by the team of Aaron Broudo and Belvy Klein, who were awarded the business by the Parks Department.
They formerly ran Greenpoint’s Brooklyn Night Bazaar venue, and currently operate both the Jacob Riis Park and Rockaway Beach boardwalk concessions.
Appearing in front of Community Board 1’s SLA Review Committee on July 27, where the duo was recommended for a liquor license, additional details surfaced. They will serve coffee in the mornings, from 8 am until 11 am, which is when the restaurant opens. It will close at 11 pm on weekdays and 1 am on weekends, which is when the park itself closes.
The upgraded facility includes more than 100 outdoor seats at picnic tables and 30 seats inside of the building.
Thanks to $3 million in improvements, the building was redesigned to meet the needs of the general public, café patrons, and Parks staff in a seamless space that encourages circulation and access for all.
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Thanksgiving in NYC: the perfect stuffing bread DOES exist – and it’s… [Recipe here]
This Thanksgiving in NYC, the perfect stuffing bread DOES exist – and it’s brioche. As in St Pierre Brioche Thanksgiving Stuffing
No Thanksgiving spread is complete without a hearty stuffing. While add-ins are a matter of preference, choosing the right bread is crucial. One underrated choice is eggy, rich brioche – and with St Pierre Bakery, you don’t need to go to France to get it.
Thanks to its butter and egg content, St Pierre’s Brioche Loaf provides the perfect balance of crisp toastiness while remaining soft and creamy inside, while its lightly sweet flavor adds a decadent quality that can still lean savory. Attached below is an approachable recipe for stuffing allowing for all the craveable crunch for the whole family with minimal effort required.
St Pierre Brioche Thanksgiving Stuffing
By @BrandiMilloy
Ingredients
1 loaf St. Pierre Brioche Bread
1/2 cup unsalted butter
1 medium onion, diced
3/4 cup celery, diced
3/4 cup carrots, diced
1 cup mushrooms, diced
2 large eggs
1 tbsp. fresh rosemary, chopped
3 sprigs fresh thyme, just the leaves
1 tbsp. fresh sage, chopped
1 small apple (granny smith works well), peeled and diced
Salt and pepper
Directions
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Preheat oven to 350 F. Cut brioche bread into 1” cubes and bake for about 10-15 minutes until toasted.
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Meanwhile, into a pot over medium high heat add butter until melted. Add onion, celery and carrots and cook until everything starts to soften, about 7 minutes. Add mushrooms and cook for 2 minutes longer. Remove from heat and set aside.
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Into a bowl whisk together the eggs, herbs, apples, mushrooms, and salt and pepper. Add your cooked vegetables and mix to combine.
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Pour mixture on top of toasted bread and stir to combine. Bake stuffing for about 45 minutes. If your stuffing starts to get too brown, cover until finished baking. Enjoy!
As America’s favorite brioche brand, St Pierre’s products are widely available via grocery stores nationwide as well as Walmart.
The Rise of Mushroom Coffee: A New Era in Health-Conscious Brewing
In today’s health-focused culture, where wellness transcends mere goals to become a lifestyle, mushroom coffee is emerging as a leading trend. This innovative beverage combines the classic energizing effects of coffee with components often linked to the reputed benefits of medicinal mushrooms. Such a blend makes mushroom coffee a more mindful, health-oriented option for daily consumption, resonating especially with those who weave wellness into their daily routines.
The uniqueness of mushroom coffee lies in its ability to enhance the usual coffee experience by potentially offering additional benefits. For those who find regular coffee too acidic, mushroom coffee presents a more stomach-friendly option. Additionally, it incorporates adaptogenic mushrooms, which are believed to help the body better manage stress. This attribute makes mushroom coffee especially enticing to wellness enthusiasts and those seeking a natural way to support their body’s stress response.
Finding a coffee that delivers on both taste and health promises can be a daunting task. Leading the initiative is More.Longevity & Wellbeing with its Coffee Superfood Blends. These products are meticulously developed, selecting each ingredient for its quality and scientific backing, ensuring they contribute effectively to the blend. Flavors such as Salted Caramel Vanilla and Mocha are designed to mask the natural earthiness of mushroom, making the beverage more enjoyable while enhancing its appeal. The addition of adaptogens and essential vitamins in the blends aims to support overall health by boosting immunity, enhancing energy, and improving mental clarity.
The company’s commitment to radical transparency ensures that consumers receive a product free from unnecessary fillers and additives, affirming a respect for consumer health and environmental sustainability. This level of honesty and ecological consideration is becoming increasingly important to consumers who prefer products that are both healthy and environmentally conscious.
As the trend continues to carve a niche within the beverage market, consumers are presented with expanding choices. It’s no longer just about picking a brand; it involves selecting a philosophy and a level of quality that resonates with personal health values and taste preferences. The coffee not only invites coffee lovers to rethink their daily mug but also serves as a gateway to a more mindful and intentional morning routine.
Are NYers falling in love with New Wine? Dancing Wines from Cynthia Russell, Lauren Russell
Are NYers falling in love with New Wine? Dancing Wines from Cynthia Russell, Lauren Russell in Dry Creek Valley, Sonoma County.
The team at Dancing Wines is developing a collection of sensory brands that celebrate life through taste, touch and aroma – inspiring you to find your inner dance and show the world what truly moves you.
Dancing Wines’ red wine trio includes Old Vine, Duo and Estate — three limited-release wines made from hand-picked grapes that showcase the full breadth of the Dancing estate.
Today’s conversation with the dynamic Mother / Daughter team Cynthia and Lauren Russell from Dancing Wines ha been edited for length and clarity.
For the full, un-edited conversation, visit our YouTube channel here.
Joe Winger: What is the most important message you’d like to share today?
Lauren Russell: I think one of them is dancing is art and art is life.
Another is love needs no explanation. I think really the thread between those is we’re trying to create a product and an experience that brings people together and invites them to find their inner dance, which is something we say a lot.
So we want to encourage people to find their unique rhythms. And wine is also really lovely because it is a vehicle that brings people together to enjoy a moment and diverse people together.
I think my Mom [Cynthia] can speak to this as well, but one of the things we thought about when first exploring wine was just how daunting the whole atmosphere is around the consumption of it and the buying and using all the right adjectives.
Especially for my generation I feel like there’s a bit of a learning curve. So I think one thing we really want people to take away from the brand is just like, just enjoy it. Love needs no explanation and you can’t drink wine when your mouth is full of adjectives. We’ve created a great wine just for you to be able to enjoy and to describe however you want and enjoy whenever you want.
Cynthia: Yeah, I think the measures we created we have a beautiful heritage property that the soil and the climate create this great wine. And me being of an older generation where wine was very intimidating, even though I know a lot about it.
And drinking it for a very long time. I’ve lived in France. I’ve lived in California. It’s still when you order in a restaurant, you’re scared. Do I know enough? I’m going to be embarrassed. Is this the right pairing? And what the good news is that wine making in the world has become so sophisticated that if you are buying wine from a place that is special, including all.
Sonoma or France or Italy, the wines are good, they’re really good and all you have to do is be comfortable with yourself and enjoying it. And so that’s what we’re trying to do is take a product that has thousands of years of history as being a part of our culture and make you comfortable with just having fun, enjoying it and celebrating what wine can do to bring people together.
Joe Winger: You have a really unique story that you restored a vineyard up in Dry Creek. Can you talk about experience and what you learned from the restoration?
Cynthia: We lucked out. It was a Covid purchase. We spent a lot of time as a family together in very small confined spaces drinking a lot of wine.
We [thought we] might end up needing a place where we have more outdoor space and can be together. So we bought this property more as a farm and then discovered that it was a unique part of the world.
Zinfandel grapes have been growing in this small region for over 150 years.
It was called America’s grape back in the time I think [the] 1850s. Okay, we have these vineyards. They’re really old.
There was one owner at this property for 60 years, an older Italian gentleman. And a lot of the area is multi generation, fourth generation Italian families who came over and cultivated this grape.
We never intended to make wine and yet we were scared to let this history and heritage die.
So we took classes and tried to figure out, can we make wine?
It’d be such a shame to let this history go in this special place.
We made a great discovery, which was that you don’t have to be an expert on wine. You just have to have great soil and a great climate.
Then we launched from there.
Lauren: We’re always towing the line between the respective tradition and traditional winemaking and the land and all of the old vines and creating something new.
She [Mom, Cynthia] always brings a lens of respect for the older generation and ways of life and what wine has meant to her throughout her life.
I’m always pushing the other direction. We always land somewhere in the middle.
You’ll see that in the brands, it has really playful branding and packaging. But, our winemaking is a bit more traditional. We’re a sustainable vineyard but we have old vines and we respect what the land has to offer and what it’s been offering in that region for a long time.
It creates a better product and brand for us because we get to cater to both audiences.
Joe Winger: You have a collection of sensory brands. Can you talk about what that collection is, what inspired the idea, and what we should be looking for?
Lauren: All of the products have been and will be inspired by the backdrop of the vineyard.
When we talk about wine, we talk about this kind of multi sensory experience, whether that’s aroma or where you’re having it, who you’re enjoying it with.
We came into wine knowing that it was going to be not just about taste or smell, but about the holistic experience of what wine could do for someone.
Sort of the thread between all of our products are taste, touch and smell. Again, like finding your inner dance and allowing you to express your personality.
We’re launching a trio of fragrances, which are loosely inspired by the terroir and the vineyard.
Cynthia: We have a fresh perspective on Sonoma. Every time we arrive, we have this nose full of these incredible senses:, the smell of moss, crushed grapes, barrel, fire and oak.
Yeah. So we’re like, wow. Every time we arrive, we’re like, wow, this is really cool.
This is so distinct and unique and just elevates your experience of being there.
We are going to bring more experiences to the brand when we can, like having an artist in residence, creating visually beautiful contributions.
We have an art collection there that inspired us to bring art to the brand. It’s largely from a diverse group of artists from the West Coast who are very colorful and young and also push boundaries. So our idea with the senses is like we’re trying to This is a brand that you enter into our world and you get to experience people and life in a way that’s very unique and bold and
Joe Winger: What are both of your backgrounds outside of wine?
Lauren: I was raised in Connecticut and went to Dartmouth for undergrad, was a creative non-fiction writer, so always had that storytelling bent.
After school, I worked at a lot of businesses in marketing. Uber Eats, Refinery29, right before the pandemic, I worked for AB and Bev that was my first kind of foray into alcohol.
Then during COVID, I got my MBA at Columbia. We all got this massive reset of our priorities. I come from an entrepreneurial family. This opportunity arose
Cynthia: We’re a family who really believes in experiences. I have dabbled in many different areas. I went to Scripps college. I actually was a dance major until I was not. I became an international relations major. I lived in France for a while. Then moved to New York City and worked for JP Morgan trading stock, money market securities.
I didn’t find that was my passion, so I went to Harvard Business School and I got a master’s in business. Then I worked for American Express where I started a weekend travel program. It was a little startup within the travel segment of American Express. I got my “sea legs” of starting a business.
I quit that business because I had kids, then I started my own mail order company then I decided again, that maybe I needed a little more education.
I went back and got a doctorate at Columbia in organizational leadership.
I have a consulting firm on the side where I consult leaders and organizations about how to handle complex challenges in a complex world.
So my daughter [Lauren] gets through business school and we decide to marry all these wonderful experiences together and create something really new and unique.
Joe Winger: Let’s talk about your wines.
Lauren: We launched with our rosé which is really beautiful. It’s an intentional rosé. From our Primitivo grapes and we harvested them early and intentionally for rosé.
It has this really beautiful distinct, watermelon, almost Jolly Rancher aroma, and it’s really playful and full, but also dry. And it’s been a really big hit so that was a fun debut for us.
We just launched our trio of reds, and what makes them unique goes into the story about the restoration of the vineyard.
We’re still learning our land and learning from it.
We chose to harvest from different blocks and treat the wines in a similar fashion and bottle them separately to see what personalities they expressed.
One is the Old Vine Zinfandel, which is from our oldest head trained vines which is the deepest, moodiest, richest wine. It’s really lovely.
Then we have an estate wine, which is actually from Primitivo, a different word for Zinfandel. That one is a bit lighter.
Then we have a third, a duo which is a blend of both. And so it’s really helped us to understand. And they are quite different.
They’re obviously all Zinfandels in their expressions, but they’re all quite different.
People say Zinfandel is like a map of the land and I think that’s really true here. Which is super cool.
But we have two forthcoming sparkling wines because I think it really speaks to our ethos about being playful and to my generation.
Cynthia: It’s really fun for us because being on the East coast, Zinfandel is a really unknown varietal and we think it’s underrated. Californians know it’s been around for a long time. It has a lot of possibilities with food. And so what we’re trying to do is bring to light this really good wine and do it in a slightly different way.
We pick ours earlier, trying to have it be less jammy, juicy, heavy; lighter, less alcoholic than some of the more traditional Zinfandels that are on our street.
That’s really trying to address the changes consumer changes.
Our wines are chillable, super easy to eat with most any food, especially ethnic food, spicy food.
2022 was our first vintage. 2023 is already in barrels and we’ll be bottling that in probably in March. But it’s going to be a little different because the climate was different that year.
The rosé was just a fluke. Our winemaker wanted to try a Zinfandel rosé. Most people love it. It’s so distinct and unique.
Our 24 Rosé will come out in March. The reds will come out in the early summer. We’re going to bottle the sparkling in January, but that will be at least a year until you’ll see that. The pétillant naturel will probably be launching at about the same time as the rosé
Lauren: What’s fun about having both an early release sparkling and a [second, additional] later release [sparkling wine] one is going to be lighter, more effervescent, maybe geared towards the younger generation and the other will have that toastier champagne flavor.
Joe Winger: Do you have a favorite wine and food pairing?
Lauren: This one’s so hard. Rosé and oysters or any seafood is just awesome. Sparkling wine and a burger is one of my favorites.
In terms of red, when I think of Zinfandel, it’s Thanksgiving foods. It speaks to the hominess in our story. Bringing everyone around the table. Kind of experiential pairing.
Cynthia: Yeah, that resonates with me.
We have a lot of ethnic food, so it holds up really well to spice, to sweet and sour, salty and sweet. So it’s great with Indian food, Mexican food. Apples in your pork chops.
A burgundy is usually killed instantly by those kinds of flavors. It’s too fragile.
[Ours] is not fragile, but it still has so many nice aromas and flavors to enhance whatever you’re eating.
Lauren: It’s great with pizza. Pizza and a nice glass of Zinfandel
Joe Winger: What’s something magical about Sonoma that you learned through this journey?
Lauren: True of both Zinfandel and Sonoma it always has this underdog energy to Napa. One of the hidden gems, we wake up really early and drive to the Redwood forest to watch the sun rise through the trees.
We eat a burrito because we have terrible burritos in New York.
There’s an amazing food community, 3 Michelin star restaurant, chefs, farm to table.
Cynthia: The distinct part of Sonoma is how important nature is to everyone there. It’s not just about wine. It’s incredible nature.
We both traveled a lot, lived in a lot of places. I’ve never seen such natural beauty in such a small area.
Lauren: That’s what the idea of our products is too. We have to bring people here in some way, differently than just having them taste the wine.
So as many dimensions as we can bring people into that realm to experience [00:29:00] that it’s like definitely the dream.
Joe Winger: Whether it’s social media, website, or other ways, what are the best ways for our audience to find and follow Dancing Wine?
Lauren: We have our website, which is wearedancing.com. We also are on Instagram, which is at DancingSonoma.
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Your Summertime Adventures Deserve a Refreshing Taste, Here’s the drink for you
Your summertime adventures deserve a refreshing taste, with healthy results and supporting a good case, taste CaliWater.
This summer many families are going on adventures – from a fun night out, to local road trips to traditional vacations and everything in between. Families are looking for flavor, looking for healthy options, when possible choosing to support social good.
Recently we tasted a solution that solves all of this and more.
CaliWater is the latest celebrity-driven brand on an already crowded grocery shelf to promote flavor, fun and health.
Before you judge it, have you tried cactus water? If not, honestly it’s worth a taste.
Open your mind (and your mouth) to the world of cactus water. Try the taste of CaliWater.
The Flavor
CaliWater comes in two subtle, but very different flavors:
Ginger + Lime
It’s a drink that adds a pop to your tongue.
Tasting-wise, on the nose is heavy lime that for me became a palette cleanser. Got a funky taste in your mouth? This can will save you. The lime notes carry over on your palette and the ginger adds a refreshing zing. The linger lasts, leaving a pleasant and refreshing taste.
Wild Prickly Pear
Tasting-wise, on your nose its a bit sweet and even floral. As you taste, it’s giving your mouth a sweet, refreshing bath similar to a bite of watermelon.
But How Healthy is CaliWater?
The simple answer is: very healthy.
Caliwater contains 5 naturally occurring electrolytes to boost hydration and is packed with skin fortifying antioxidants, anti-inflammatory properties, and 200mg of Prickly Pear Extract which is a proven hangover relief.
Prickly Pear Cactus has shown to lower cholesterol, regulate blood sugar levels, and provides natural anti-viral properties. Known as a “superfruit”, the Prickly Pear Cactus has been the health solution go-to for many all over the world.
Proven Hangover Relief
Let’s repeat an important part. The drinks include 200mg of Prickly Pear Extract which is a proven hangover relief.
Cali water also serves as a fantastic mixer for your favorite cocktail.
Created with passion, love, and a clear mission in mind
Earth-friendly activists Vanessa Hudgens and Oliver Trevena bonded while enjoying a prickly pear margarita.
They launched CaliWater, California cactus water that goes beyond just hydration.
Created with passion, love and a clear mission in mind CaliWater hopes to promote healthy eco-friendly lifestyles and to make the world a better place.
With up to 75% of Americans being considered chronically dehydrated CaliWater offer the tasty yet healthy alternative to water that also presents benefits for health and well-being.
Giving Social Good
CaliWater’s goal is not only to provide health benefits to their customers, but also to raise awareness about the fight against childhood hunger.
Partnering with No Kid Hungry a charity working to stop hungry children, Cali Wter pledges to donate $0.05 for every can purchased with the goal of donating $1,000,000 by April 2022.
Read for a Taste?
You can shop CaliWater here: https://drinkcaliwater.com/
You can also browse your local Erewhon, Alfred, Bevmo, Blueys Market & Cafe, Sunlight Organics, The Pie Hotel, Vintage Grocers.
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Tony Nominee joins! Broadway’s THE SHARK IS BROKEN Announces Full Cast
Broadway’s THE SHARK IS BROKEN Announces Full Cast
The Tony-Award winning team of Sonia Friedman Productions, Scott Landis, and GFour Productions are delighted to announce today, on JAWS Day (48 years since the film opened on June 20, 1975), full casting for THE SHARK IS BROKEN at Broadway’s John Golden Theatre (252 West 45th Street).
Alex Brightman is Richard Dreyfuss
Colin Donnell is Roy Scheider
…joining Ian Shaw as his Father Robert Shaw
Two-time Tony Award nominee Alex Brightman (Beetlejuice, School of Rock) will star as Richard Dreyfuss opposite Colin Donnell(Anything Goes, “Chicago Med”) as Roy Scheider, joining Ian Shaw who will make his Broadway debut portraying his father Robert Shaw, who played “Quint” in JAWS.
Co-written by Ian Shaw and Joseph Nixon, this new Olivier Award-nominated comedy imagines what happened on board “The Orca” when the cameras stopped rolling during the filming of Stephen Spielberg’s blockbuster, JAWS.
FADE IN: The open ocean, 1974. Production on JAWS is delayed…again. The film’s lead actors—theatre veteran Robert Shaw and young Hollywood hotshots, Richard Dreyfuss and Roy Scheider—are crammed into a too-small boat, entirely at the mercy of foul weather and a faulty mechanical co-star. Alcohol flows, egos collide, and tempers flare on a chaotic voyage that just might lead to cinematic magic…if it doesn’t sink them all.
The smash-hit of the 2019 Edinburgh Festival Fringe, THE SHARK IS BROKEN opened at the West End’s Ambassadors Theatre in 2021 to critical acclaim and an Olivier Award nomination for Best Comedy Play, extending its limited run in 2022.
Directed by Guy Masterson, THE SHARK IS BROKEN has scenic and costume design by Duncan Henderson, lighting design by Jon Clark, sound design and original music are by Adam Cork, video design by Nina Dunn, and casting by Jim Carnahan Casting. Beginning performances Tuesday, July 25 after critically acclaimed runs at the Edinburgh Festival Fringe and on London’s West End, THE SHARK IS BROKEN officially opens on Thursday, August 10, 2023, for a strictly limited 16-week engagement.
Tickets are on sale now for THE SHARK IS BROKEN at Telecharge.com (212.239.6200) and range from $49 – $119 (including $2 facility fee) during the specially priced preview performances.
The playing schedule for THE SHARK IS BROKEN is as follows: Monday – Saturday at 8pm, with matinees on Saturday at 2pm. Please note: There will be an added 2pm matinee on Wednesday, August 2 and Wednesday, August 9. Beginning Friday, August 11, the performance schedule is as follows: Tuesday – Friday at 7pm, Saturday at 8pm, with matinees on Wednesday and Saturday at 2pm, and Sunday at 3pm. Please note: There will be no matinee on Sunday, August 13.
For more information, visit TheSharkIsBroken.com
Follow us on social @sharkonbroadway
BIOGRAPHIES
Alex Brightman (Richard Dreyfuss) is a two-time Tony-nominated actor for his performances in Beetlejuice the Musical and School of Rock. Other Broadway credits include Matilda, Big Fish, Wicked and Glory Days.
Alex can be seen on the current (and final) season of “The Blacklist” on NBC as forensic analyst Herbie Hambright. Other TV credits include “Law & Order: SVU,” “Documentary Now!,” “The Good Fight,” “Blue Bloods,” and “Important Things with Demetri Martin.” Alex is the voice of Pugsley/Temeluchus on the acclaimed Netflix animated series “Dead End: Paranormal Park” as well as the voice of Fizzarolli on “Helluva Boss.”
As a writer, Alex has developed series with NBC, Universal, 20th Century, and Warner Brothers. Alex’s play, Everything Is Fine, recently received a developmental reading at Manhattan Theatre Club directed by Cynthia Nixon. He dedicates this performance to those living with chronic pain and illness and urges you to check out and donate to The Arthritis Foundation. Alex has a dog named Kevin and two adorably awesome nieces.
Colin Donnell (Roy Scheider) can most recently be seen as the lead of Peacock’s “Irreverent.” Colin is known for his work as Dr. Connor Rhodes in NBC’s drama “Chicago Med” and as Tommy Merlyn in CW’s “Arrow.” Other appearances include Scott Lockhart in Showtime’s hit series “The Affair”, “Pan Am,” “Person of Interest” and “The Mysteries of Laura.”
His film appearances include Every Secret Thing, which also starred Diane Lane and Elizabeth Banks, and Almost Love opposite Michelle Buteau.
On stage, Colin Donnell recently starred as Russell Hammond in the musical adaptation of Cameron Crowe’s acclaimed show Almost Famous at The Old Globe.
His Broadway work includes Violet, Anything Goes (which garnered him Drama Desk, Outer Critics and Astaire nominations), and Jersey Boys. Among his other notable stage appearances are Follies, Merrily We Roll Along, Lady Be Good at the New York City Center, the Public Theater’s Shakespeare in the Park production of Loves Labours Lost and Meet Me in St. Louis. Additionally, he’s toured with productions of Wicked and Mamma Mia. Born in St. Louis, Donnell is a resident of New York.
Ian Shaw (Co-Writer, Robert Shaw) trained at the Webber Douglas Academy of Dramatic Art, having obtained a BA in American Studies at Sussex University.
Theatre includes War Horse and Common (National Theatre); Widowers’ Houses, The Importance of Being Earnest, Nude with Violin, The Philadelphia Story, andThe Brothers Karamazov (Manchester Royal Exchange); Three Sisters (Nuffield and Theatre Royal Bath); Private Lives and Closer (Birmingham Rep); The Rivals(Derby Playhouse and Philadelphia Walnut St); The Tempest (SRT) and Much Ado About Nothing in London’s West End. Television includes “Sharpe,” “Soldier, Soldier,” “Medics,” “Wuthering Heights,” “The Queen,” “Ghost Hour,” “Silent Witness,” “Cambridge Spies” and the Emmy award-winning “Hiroshima.” Film includes Century, Moondance, The Boys and Girl from County Clare, The Contract and Johnny English Reborn.
Joseph Nixon (Co-Writer) is the author (with Brian Mitchell) of the plays Those Magnificent Men (New Perspectives, 2010); Big Daddy vs. Giant Haystacks (The Foundry Group, 2011); Seven Studies in Salesmanship (The Foundry Group, 2013); and the musical The Opinion Makers (Mercury Theatre/Derby Theatre 2013.) He has written material for Joanna Neary, Jo Caulfield, Jerry Sadowitz, and Basil Brush.
Guy Masterson (Director) is a London based, multi-award-winning theatre producer & director with over 150 credits over 30 years. A 29-year veteran of the Edinburgh Festival, he has produced or directed many of its biggest hits including THE SHARK IS BROKEN in 2019 – which was subsequently produced in the West End in 2021 by Sonia Friedman Productions and received an Olivier Nomination for Best New Comedy. His 2009 production of Morecambe also transferred to the West End and won an Olivier Award for Best Entertainment. His 2003 production of 12 Angry Men became the biggest grossing drama at Edinburgh – a record broken by his subsequent productions of One Flew Over The Cuckoo’s Nest (starring Christian Slater), and The Odd Couple (with Bill Bailey and Alan Davies) which he also directed. Other acclaimed productions include Scaramouche Jones, Adolf, Austen’s Women, Absolution and Playing Burton (a solo play about his uncle, Richard Burton). Most recently, he co-directed an award-winning original musical, The Marvelous Elephant Man in Australia. Guy is also internationally renowned for his solo performances of Under Milk Wood, Animal Farm, Shylock and A Christmas Carol (which is to play in NYC over Christmas ‘23). His company, Theatre Tours International, remains the most awarded and nominated independent theatre company presenting at the Edinburgh Festival.
Duncan Henderson (Designer) Productions include Hangman (Two Bins Theatre Company), Bloodlines (Talia Randall), Betrayal, The Polished Scar, Underneath the Lintel (Pretty Villain Prods), Crave (Little Warrior Theatre Prods) and 9 Circle (Theatre Tours International).
Jon Clark (Lighting Design) is a Tony and Olivier award-winning designer. He has designed extensively for the National Theatre, Royal Shakespeare Company, in the West End, on Broadway and with many other companies internationally. Recent theatre: A Doll’s House (Broadway), The Motive and The Cue (National); The Lehman Trilogy, Betrayal, The Inheritance, King Charles III (Broadway & West End); Cyrano de Bergerac (BAM & West End). Recent Opera: Hamlet, The Exterminating Angel (Metropolitan Opera), Lucia di Lammermoor, Written on Skin (Covent Garden).
Adam Cork (Sound Design and Original Music) has written mainly for the stage, blending original composition with sound design to create integrated music/sound scores for many celebrated productions. Adam’s musical London Road (co-authored with Alecky Blythe) premiered at the National Theatre in 2011, won the 2011 Critic’s Circle Award ‘Best Musical’, was nominated for the 2012 Olivier Award ‘Best Musical’, and a film version was released in 2015 (BBC Films/Cuba pictures). In 2010 he received a Tony Award for the music and sound score for Red (Donmar/Broadway), and an Olivier Award in 2011 for King Lear (Donmar), also receiving the Evening Standard ‘Best Design’ Award 2011 for Anna Christie and King Lear (Donmar). In 2010 he was nominated for the Tony Award ‘Best Score’ (Music & Lyrics) for Enron (Broadway/West End). Other theatre includes: Leopoldstadt (Wyndham’s/Longacre) Patriots (Almeida/West End); The Hunt (Almeida), Ink (Almeida/Duke of York’s/MTC); Who’s Afraid of Virginia Woolf? (Harold Pinter); Travesties (Menier Chocolate Factory/Apollo/American Airlines Theatre); No Man’s Land (Wyndham’s); Les Blancs, Three Days In The Country, Phedre, (National); Hughie (Booth Theatre); Photograph 51, Henry V (Noël Coward); Frost/Nixon (Gielgud/Jacobs), Hamlet (Donmar/Broadhurst Theatre); Ivanov (Donmar/Wyndham’s); Six Characters in Search of an Author (Headlong/Gielgud); Richard II, A Streetcar Named Desire , The Chalk Garden, Othello, Creditors, The Wild Duck, Caligula (Donmar); Don Carlos (Gielgud); Romeo & Juliet, The Tempest (RSC); Suddenly Last Summer (West End); Paradise Lost (Headlong). Adam is an Associate Artist of the RSC. Television includes Scores for The Hollow Crown: “Richard II,” “Macbeth” and “Frances Tuesday.” Film includes Scores for London Road, Genius, Hamlet, Macbeth. Radio includes Losing Rosalind, The Luneberg Variation (BBC Radio 4), The Colonel-Bird (BBC World Service), Don Carlos, Othello, On the Ceiling, The Chalk Garden (all BBC Radio 3).
Nina Dunn (Video Design) has designed Video & Projections for a wide range of shows, working internationally and spanning Theatre, Opera, Dance, Musical Theatre, Immersive, Fashion, Opening Ceremonies, Live Events and Public Art And is the Creative Director at PixelLux. She is also an educator within her industry. Work for theatre includes: Bonnie & Clyde, City of Angels, No Man’s Land, Cookies (West End); Spitting Image Live (The Rep); The Trials (Donmar Warehouse); 9 to 5 The Musical (West End, UK and Australian Tour); Othello, Manor, Emperor & Galilean (National Theatre); The Nutcracker, Don Quixote, Lazuli Sky (Birmingham Royal Ballet); Seven Deadly Sins, Bluebeard’s Castle (Teatro Colón Buenos Aires); A Christmas Carol (Nottingham Playhouse / Alexandra Palace); A Museum in Baghdad, Venice Preserved, Miss Littlewood, The Seven Acts of Mercy, Volpone (RSC); Hamlet, The Mountaintop (Young Vic); Extinct (Theatre Royal Stratford East); Shedding a Skin (Soho Theatre); Beauty and the Beast, Cinderella (Imagine Theatre); Plenty, Copenhagen, Fiddler on the Roof, Forty Years On (CFT); L’Orfeo, Der Freischütz, Macbeth (Wiener Staatsoper); Spring Gala (ROH); Phantom of the Opera (Cameron Mackintosh, UK, US and Australian tour); The Rocky Horror Show (European tour), Armstrong and Miller Live (Hat Trick). Awards include Best Video Design for Bonnie & Clyde (Broadway World UK), Best Video and Electronic Content for Alice’s Adventures Underground (Knight of Illumination), Best Design for Cinderella and Beauty and The Beast (UK Pantomime Awards) and a nomination for Best Video Design for THE SHARK IS BROKEN (WhatsOnStage).
Jim Carnahan, CSA (Casting) has cast over 150 Broadway shows. Broadway: Leopoldstadt; A Beautiful Noise; Almost Famous; New York, New York; Funny Girl; Harry Potter; Moulin Rouge! Off-Broadway: Merrily We Roll Along, Little Shop of Horrors. London: Eureka Day, Best of Enemies. Upcoming film: Ari Aster’s Disappointment Blvd.
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Oscar Nominee Laura Linney Sets 2023 Broadway Return In New Play By ‘Proof’ Playwright David Auburn
Oscar Nominee Laura Linney best known for her acclaimed film roles, multiple Tony and Emmy nonimations sets her Broadway return in the new Pplay By ‘Proof’ Playwright David Auburn
Laura Linney will return to Broadway Spring 2023 in a new play by Pulitzer Prize winner David Auburn (Proof).
The Manhattan Theatre Club production of Summer, 1976
will reteam the writer with his Proof director Daniel Sullivan.
Summer, 1976 will begin previews on Tuesday, April 4, 2023 at the Samuel J. Friedman Theatre.
Additional casting, the opening night date and creative team for Summer, 1976 will be announced soon.
MTC describes Summer, 1976 as:
a “deeply moving, insightful piece…
is about connection, memories, and the small moments that can change the course of our lives. Over one fateful summer, an unlikely friendship develops between Diana, a fiercely iconoclastic artist and single mom, and Alice, a free-spirited yet naive young housewife. As the Bicentennial is celebrated across the country, these two young women in Ohio navigate motherhood, ambition, and intimacy, and help each other discover their own independence.”
Linney is a five-time Tony Award nominee, most recently for 2020’s My Name is Lucy Barton, and a four-time Emmy winner, most recently for her starring role in Showtime’s The Big C.
Sullivan and Linney have worked together on Broadway several times, including 2017’s The Little Foxes. In addition to Proof, Sullivan directed Auburn’s 2012 play The Columnist.
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