Yum! Jordan’s Skinny Mixes Reveals Tasty New Flavors in Exclusive Interview for ExpoWest 2023
Say yes if you love coffee. Say yes again if you love cocktails. Say yes a third time if you love ‘em, but wanna be healthier and save some money.
If you said yes to *any* of the above, you’re going to want to listen, because we just had twenty minutes with the woman who makes all those things happen for you.
This week at ExpoWest 2023 Jordan’s Skinny Mixes has a lot to share!
Jordan’s Skinny Mixes Margaritas
Their Naturally Sweetened line of margarita mixes is made with real lime juice and sweetened with agave and contains 75 % less sugar and calories than other leading brands. The four margarita mixes flavors are Classic, Peach, Spicy, and Strawberry Key Lime, and they do not contain any artificial sweeteners, flavors, or colors.
Jordan’s Skinny Mixes natural line of skinny syrups is available in 4 guilt-free flavors, including Vanilla Bean, Salted Caramel, Cinnamon Dolce, and Chocolate Mocha
Their natural line of skinny syrups is available in 4 guilt-free flavors, including Vanilla Bean, Salted Caramel, Cinnamon Dolce, and Chocolate Mocha, for your coffee, tea, protein shakes, baking, or just about anything.
Jordan’s Skinny Mixes was founded in 2009 by female entrepreneur Jordan Engelhardt. The beverage brand was created with the simple desire to enjoy a margarita that wasn’t loaded with sugar and empty calories. Now with over 100 products, this female-led team is on a mission to craft beverages that cut the sugar and keep the fun from coffee ‘til cocktails.
Skinny Mixes can now be found in over 13,000 specialty retail locations across the United States, Canada, Australia, and Europe, including Target stores, Skinnymixes.com, and Amazon.
Jordan Engelhardt is an impressive person, so when I had the chance to meet up and have a conversation, it was an easy yes.
Just to give us some background, what were you up to before launching back in 2009?
Back in 2009 I was a recent college graduate working in real estate as an appraiser. I launched this product [Jordan’s Skinny Mixes] right when the recession was basically at its peak. It had just started and the market crashed pretty heavily in Florida where I was living at the time.
So I found myself without work, and this idea that I felt pretty strongly about.
What are some of the biggest changes you’ve navigated in the industry over those 10 years?
Oh, there’s been a lot. The world has evolved much more to natural products, which is why we’re here at Expo West as we just have launched our new natural line so this is pretty big for us.
Also, the customization of flavors over the years have just gotten more and more prevalent.
Millennials, and the population in general, really like the variety of flavors, and being able to customize everything. And then Covid really drove at-home consumption of coffee. So I think all of those trends over the last 10 years have really helped drive this company’s growth.
When Covid forced everyone to stay home, did that become a “lucky opportunity” for the business and boost at-home coffee drinking?
It was certainly fortunate in some ways, but in many other ways [not as much]. We were selling to many grocery accounts. We’re selling to a lot of specialty stores which had no choice but to close their doors. So we lost quite a bit of distribution during that time, but were able to make up for it online [with website e-commerce]. So [with market] penetration and trying to drive consumer growth, in that capacity, yes, it was fortunate. But it was also a little bit scary [for us], like many other businesses at the same time.
What is the biggest misconception in general about skinny mixes?
People don’t necessarily understand the versatility of our syrup and how you can not only use it for coffee, but you can use it for baking and protein shakes, and just anything.
Flavored syrups are great for iced teas. You can simply just add a dash to water and transform your water.
Once we got the samples this week, the amount of random things we’ve tried [the skinny mixes] with just to see how it’d go.
I love it! It’s part of the fun and part of the great relationship we have with our consumers. They
have so much fun experimenting and making these recipes, and then including us on that.
So [experimenting with the syrups on different foods] just became a benefit over the years. It’s certainly something we think about now.
We have this really amazing closed Facebook group that has really active members. It’s called “Skinny mixes. Share your recipe”. You can see the amount of creativity that our users come up with and then they share their recipes.
One person put it with sweet potatoes, they used it on egg sandwiches. Interesting wild things that you would never think about.
Can you share a little bit about the inspiration behind the line and how you develop the flavors?
Yes, of course. We have a great relationship with our consumers, and they asked for it. When they ask, we listen. We do a lot of innovation. We launch a lot of flavors.
So that’s where it came from and it’s really done. We’ve gotten into Target with this line. We take a lot of pride in listening to what our customers want, and this is what they wanted
What’s the development process like for these flavors?
We have several partnerships with different food labs and beverage labs. We start by verbally explaining to them what we’re looking for. We have a big panel at our company and we just do a lot of tasting. It often takes quite a bit of time because we take a lot of pride in making sure it tastes exactly what we were visualizing.
We can come up with anything from “Mermaid” to “Unicorn”. The different food labs across the country are amazing and they make it happen.
It’s a slow, methodical approach. Then we have a larger tasting panel and we keep going until we find just the right mix.
That’s incredible. What’s the timeline from concept to finished product?
It varies widely. It could take a couple of months or it could take over a year. Probably on average, about 4 to 6 months.
Do you ever try to create flavors and they don’t end up working out?
Oh, it happens all the time, especially in the beginning. We’re innovating constantly. Trends change fairly quickly. We’ve been fortunate with a robust website where we can test things quite easily and pivot.
Are there any teases as to what flavors might be next?
Well at the show we’re launching our naturally sweetened flavors. French vanilla, caramel, peppermint, mocha and pumpkin spice. Maybe some new seasonal offerings after that. We’re constantly innovating, constantly looking at new categories.
Switching over to coffee, what inspired you to launch coffee syrups?
12 years ago the company started with cocktail mixes. With the popularity of Starbucks and people going through the drive through and having what they thought was guilt-free drinks but was not necessarily guilt free.
They didn’t realize how many calories they are consuming with their Frappuccino or their latte.
It immediately seemed like another way to really help people not have such a sugar laden beverage every single day.
That’s why the coffee syrup was developed. Since cocktail mixes are so seasonal, coffee syrup is something that consumers consume daily. So it was a natural extension for the product line with the coffee syrup
You have some new coffee flavors launching as well
Listening to the trends and looking at the popularity of the most popular flavors just through our [tasting] panel. and you know, just having a great team that’s out and about, and looking at menus, and using some common sense, if you will, and reading up on trends, it’s then a 3 prong process.
You’re getting a lot of positive attention at ExpoWest. What in your opinion, makes for a successful trade show?
Taking the step to take the risk to be there and have your branding there; and be open to meeting consumers and buyers in the trade. We try to make it fun. So we serve cocktails, and we’re going to be serving espresso Martinis today. Yesterday we served Margaritas, and we had a speakeasy happy hour. It helps people really understand the brand, and come by and see us. I think that’s most important, really put your brand out there and your brand’s personality and just have fun with it.
Can you talk a little bit about the mission behind Jordan’s Skinny Mixes?
Our mission summarized is crafting beverages that cut the sugar and keep the fun for a healthier, more flavorful lifestyle and to make everyday moments simply sweeter.
What is your biggest call to action for the audience?
I’d love the consumers to experiment at home. I’d love for them to make their latte at home. Make that morning coffee at home. So many people will say it’s going to be a better experience.
Try our products. You’re going to save calories. You’re going to save time. You’re going to save money.
Shop Jordan’s Skinny Mixes products online and view recipes at https://www.skinnymixes.com/
Check out Jordan’s Skinny Mixes latest and greatest recipes by following on Instagram – @skinnymixes, Facebook- @skinnymixes, TikTok – TikTok , and Pinterest – @skinnymixes
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Thanksgiving in NYC: the perfect stuffing bread DOES exist – and it’s… [Recipe here]
This Thanksgiving in NYC, the perfect stuffing bread DOES exist – and it’s brioche. As in St Pierre Brioche Thanksgiving Stuffing
No Thanksgiving spread is complete without a hearty stuffing. While add-ins are a matter of preference, choosing the right bread is crucial. One underrated choice is eggy, rich brioche – and with St Pierre Bakery, you don’t need to go to France to get it.
Thanks to its butter and egg content, St Pierre’s Brioche Loaf provides the perfect balance of crisp toastiness while remaining soft and creamy inside, while its lightly sweet flavor adds a decadent quality that can still lean savory. Attached below is an approachable recipe for stuffing allowing for all the craveable crunch for the whole family with minimal effort required.
St Pierre Brioche Thanksgiving Stuffing
By @BrandiMilloy
Ingredients
1 loaf St. Pierre Brioche Bread
1/2 cup unsalted butter
1 medium onion, diced
3/4 cup celery, diced
3/4 cup carrots, diced
1 cup mushrooms, diced
2 large eggs
1 tbsp. fresh rosemary, chopped
3 sprigs fresh thyme, just the leaves
1 tbsp. fresh sage, chopped
1 small apple (granny smith works well), peeled and diced
Salt and pepper
Directions
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Preheat oven to 350 F. Cut brioche bread into 1” cubes and bake for about 10-15 minutes until toasted.
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Meanwhile, into a pot over medium high heat add butter until melted. Add onion, celery and carrots and cook until everything starts to soften, about 7 minutes. Add mushrooms and cook for 2 minutes longer. Remove from heat and set aside.
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Into a bowl whisk together the eggs, herbs, apples, mushrooms, and salt and pepper. Add your cooked vegetables and mix to combine.
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Pour mixture on top of toasted bread and stir to combine. Bake stuffing for about 45 minutes. If your stuffing starts to get too brown, cover until finished baking. Enjoy!
As America’s favorite brioche brand, St Pierre’s products are widely available via grocery stores nationwide as well as Walmart.
The Rise of Mushroom Coffee: A New Era in Health-Conscious Brewing
In today’s health-focused culture, where wellness transcends mere goals to become a lifestyle, mushroom coffee is emerging as a leading trend. This innovative beverage combines the classic energizing effects of coffee with components often linked to the reputed benefits of medicinal mushrooms. Such a blend makes mushroom coffee a more mindful, health-oriented option for daily consumption, resonating especially with those who weave wellness into their daily routines.
Image courtesy of Freepik
The uniqueness of mushroom coffee lies in its ability to enhance the usual coffee experience by potentially offering additional benefits. For those who find regular coffee too acidic, mushroom coffee presents a more stomach-friendly option. Additionally, it incorporates adaptogenic mushrooms, which are believed to help the body better manage stress. This attribute makes mushroom coffee especially enticing to wellness enthusiasts and those seeking a natural way to support their body’s stress response.
The Rise of Mushroom Coffee, Image Courtesy of Freepik
Finding a coffee that delivers on both taste and health promises can be a daunting task. Leading the initiative is More.Longevity & Wellbeing with its Coffee Superfood Blends. These products are meticulously developed, selecting each ingredient for its quality and scientific backing, ensuring they contribute effectively to the blend. Flavors such as Salted Caramel Vanilla and Mocha are designed to mask the natural earthiness of mushroom, making the beverage more enjoyable while enhancing its appeal. The addition of adaptogens and essential vitamins in the blends aims to support overall health by boosting immunity, enhancing energy, and improving mental clarity.
The Rise of Mushroom Coffee, Image Courtesy of More.Longevity & Wellbeing
The company’s commitment to radical transparency ensures that consumers receive a product free from unnecessary fillers and additives, affirming a respect for consumer health and environmental sustainability. This level of honesty and ecological consideration is becoming increasingly important to consumers who prefer products that are both healthy and environmentally conscious.
As the trend continues to carve a niche within the beverage market, consumers are presented with expanding choices. It’s no longer just about picking a brand; it involves selecting a philosophy and a level of quality that resonates with personal health values and taste preferences. The coffee not only invites coffee lovers to rethink their daily mug but also serves as a gateway to a more mindful and intentional morning routine.
Image Courtesy of Freepik
Are NYers falling in love with New Wine? Dancing Wines from Cynthia Russell, Lauren Russell
Are NYers falling in love with New Wine? Dancing Wines from Cynthia Russell, Lauren Russell in Dry Creek Valley, Sonoma County.
The team at Dancing Wines is developing a collection of sensory brands that celebrate life through taste, touch and aroma – inspiring you to find your inner dance and show the world what truly moves you.
Dancing Wines’ red wine trio includes Old Vine, Duo and Estate — three limited-release wines made from hand-picked grapes that showcase the full breadth of the Dancing estate.
Lauren Russell (L) and Cynthia Russell (R) from Dancing Wines Credit: https://instagram.com/DancingSonoma
Today’s conversation with the dynamic Mother / Daughter team Cynthia and Lauren Russell from Dancing Wines ha been edited for length and clarity.
For the full, un-edited conversation, visit our YouTube channel here.
Joe Winger: What is the most important message you’d like to share today?
Lauren Russell: I think one of them is dancing is art and art is life.
Another is love needs no explanation. I think really the thread between those is we’re trying to create a product and an experience that brings people together and invites them to find their inner dance, which is something we say a lot.
So we want to encourage people to find their unique rhythms. And wine is also really lovely because it is a vehicle that brings people together to enjoy a moment and diverse people together.
I think my Mom [Cynthia] can speak to this as well, but one of the things we thought about when first exploring wine was just how daunting the whole atmosphere is around the consumption of it and the buying and using all the right adjectives.
Especially for my generation I feel like there’s a bit of a learning curve. So I think one thing we really want people to take away from the brand is just like, just enjoy it. Love needs no explanation and you can’t drink wine when your mouth is full of adjectives. We’ve created a great wine just for you to be able to enjoy and to describe however you want and enjoy whenever you want.
Source: WeAreDancing.com
Cynthia: Yeah, I think the measures we created we have a beautiful heritage property that the soil and the climate create this great wine. And me being of an older generation where wine was very intimidating, even though I know a lot about it.
And drinking it for a very long time. I’ve lived in France. I’ve lived in California. It’s still when you order in a restaurant, you’re scared. Do I know enough? I’m going to be embarrassed. Is this the right pairing? And what the good news is that wine making in the world has become so sophisticated that if you are buying wine from a place that is special, including all.
Sonoma or France or Italy, the wines are good, they’re really good and all you have to do is be comfortable with yourself and enjoying it. And so that’s what we’re trying to do is take a product that has thousands of years of history as being a part of our culture and make you comfortable with just having fun, enjoying it and celebrating what wine can do to bring people together.
Source: WeAreDancing.com
Joe Winger: You have a really unique story that you restored a vineyard up in Dry Creek. Can you talk about experience and what you learned from the restoration?
Cynthia: We lucked out. It was a Covid purchase. We spent a lot of time as a family together in very small confined spaces drinking a lot of wine.
We [thought we] might end up needing a place where we have more outdoor space and can be together. So we bought this property more as a farm and then discovered that it was a unique part of the world.
Zinfandel grapes have been growing in this small region for over 150 years.
It was called America’s grape back in the time I think [the] 1850s. Okay, we have these vineyards. They’re really old.
There was one owner at this property for 60 years, an older Italian gentleman. And a lot of the area is multi generation, fourth generation Italian families who came over and cultivated this grape.
We never intended to make wine and yet we were scared to let this history and heritage die.
So we took classes and tried to figure out, can we make wine?
It’d be such a shame to let this history go in this special place.
We made a great discovery, which was that you don’t have to be an expert on wine. You just have to have great soil and a great climate.
Then we launched from there.
Source: WeAreDancing.com
Lauren: We’re always towing the line between the respective tradition and traditional winemaking and the land and all of the old vines and creating something new.
She [Mom, Cynthia] always brings a lens of respect for the older generation and ways of life and what wine has meant to her throughout her life.
I’m always pushing the other direction. We always land somewhere in the middle.
You’ll see that in the brands, it has really playful branding and packaging. But, our winemaking is a bit more traditional. We’re a sustainable vineyard but we have old vines and we respect what the land has to offer and what it’s been offering in that region for a long time.
It creates a better product and brand for us because we get to cater to both audiences.
Credit: https://instagram.com/DancingSonoma
Joe Winger: You have a collection of sensory brands. Can you talk about what that collection is, what inspired the idea, and what we should be looking for?
Lauren: All of the products have been and will be inspired by the backdrop of the vineyard.
When we talk about wine, we talk about this kind of multi sensory experience, whether that’s aroma or where you’re having it, who you’re enjoying it with.
We came into wine knowing that it was going to be not just about taste or smell, but about the holistic experience of what wine could do for someone.
Sort of the thread between all of our products are taste, touch and smell. Again, like finding your inner dance and allowing you to express your personality.
We’re launching a trio of fragrances, which are loosely inspired by the terroir and the vineyard.
Cynthia: We have a fresh perspective on Sonoma. Every time we arrive, we have this nose full of these incredible senses:, the smell of moss, crushed grapes, barrel, fire and oak.
Yeah. So we’re like, wow. Every time we arrive, we’re like, wow, this is really cool.
This is so distinct and unique and just elevates your experience of being there.
We are going to bring more experiences to the brand when we can, like having an artist in residence, creating visually beautiful contributions.
We have an art collection there that inspired us to bring art to the brand. It’s largely from a diverse group of artists from the West Coast who are very colorful and young and also push boundaries. So our idea with the senses is like we’re trying to This is a brand that you enter into our world and you get to experience people and life in a way that’s very unique and bold and
Credit: https://instagram.com/DancingSonoma
Joe Winger: What are both of your backgrounds outside of wine?
Lauren: I was raised in Connecticut and went to Dartmouth for undergrad, was a creative non-fiction writer, so always had that storytelling bent.
After school, I worked at a lot of businesses in marketing. Uber Eats, Refinery29, right before the pandemic, I worked for AB and Bev that was my first kind of foray into alcohol.
Then during COVID, I got my MBA at Columbia. We all got this massive reset of our priorities. I come from an entrepreneurial family. This opportunity arose
Cynthia: We’re a family who really believes in experiences. I have dabbled in many different areas. I went to Scripps college. I actually was a dance major until I was not. I became an international relations major. I lived in France for a while. Then moved to New York City and worked for JP Morgan trading stock, money market securities.
I didn’t find that was my passion, so I went to Harvard Business School and I got a master’s in business. Then I worked for American Express where I started a weekend travel program. It was a little startup within the travel segment of American Express. I got my “sea legs” of starting a business.
I quit that business because I had kids, then I started my own mail order company then I decided again, that maybe I needed a little more education.
I went back and got a doctorate at Columbia in organizational leadership.
I have a consulting firm on the side where I consult leaders and organizations about how to handle complex challenges in a complex world.
So my daughter [Lauren] gets through business school and we decide to marry all these wonderful experiences together and create something really new and unique.
Credit: https://instagram.com/DancingSonoma
Joe Winger: Let’s talk about your wines.
Lauren: We launched with our rosé which is really beautiful. It’s an intentional rosé. From our Primitivo grapes and we harvested them early and intentionally for rosé.
It has this really beautiful distinct, watermelon, almost Jolly Rancher aroma, and it’s really playful and full, but also dry. And it’s been a really big hit so that was a fun debut for us.
We just launched our trio of reds, and what makes them unique goes into the story about the restoration of the vineyard.
We’re still learning our land and learning from it.
We chose to harvest from different blocks and treat the wines in a similar fashion and bottle them separately to see what personalities they expressed.
One is the Old Vine Zinfandel, which is from our oldest head trained vines which is the deepest, moodiest, richest wine. It’s really lovely.
Credit: https://instagram.com/DancingSonoma
Then we have an estate wine, which is actually from Primitivo, a different word for Zinfandel. That one is a bit lighter.
Then we have a third, a duo which is a blend of both. And so it’s really helped us to understand. And they are quite different.
They’re obviously all Zinfandels in their expressions, but they’re all quite different.
People say Zinfandel is like a map of the land and I think that’s really true here. Which is super cool.
But we have two forthcoming sparkling wines because I think it really speaks to our ethos about being playful and to my generation.
Cynthia: It’s really fun for us because being on the East coast, Zinfandel is a really unknown varietal and we think it’s underrated. Californians know it’s been around for a long time. It has a lot of possibilities with food. And so what we’re trying to do is bring to light this really good wine and do it in a slightly different way.
We pick ours earlier, trying to have it be less jammy, juicy, heavy; lighter, less alcoholic than some of the more traditional Zinfandels that are on our street.
That’s really trying to address the changes consumer changes.
Our wines are chillable, super easy to eat with most any food, especially ethnic food, spicy food.
2022 was our first vintage. 2023 is already in barrels and we’ll be bottling that in probably in March. But it’s going to be a little different because the climate was different that year.
The rosé was just a fluke. Our winemaker wanted to try a Zinfandel rosé. Most people love it. It’s so distinct and unique.
Our 24 Rosé will come out in March. The reds will come out in the early summer. We’re going to bottle the sparkling in January, but that will be at least a year until you’ll see that. The pétillant naturel will probably be launching at about the same time as the rosé
Credit: https://instagram.com/DancingSonoma
Lauren: What’s fun about having both an early release sparkling and a [second, additional] later release [sparkling wine] one is going to be lighter, more effervescent, maybe geared towards the younger generation and the other will have that toastier champagne flavor.
Joe Winger: Do you have a favorite wine and food pairing?
Lauren: This one’s so hard. Rosé and oysters or any seafood is just awesome. Sparkling wine and a burger is one of my favorites.
In terms of red, when I think of Zinfandel, it’s Thanksgiving foods. It speaks to the hominess in our story. Bringing everyone around the table. Kind of experiential pairing.
Cynthia: Yeah, that resonates with me.
We have a lot of ethnic food, so it holds up really well to spice, to sweet and sour, salty and sweet. So it’s great with Indian food, Mexican food. Apples in your pork chops.
A burgundy is usually killed instantly by those kinds of flavors. It’s too fragile.
[Ours] is not fragile, but it still has so many nice aromas and flavors to enhance whatever you’re eating.
Lauren: It’s great with pizza. Pizza and a nice glass of Zinfandel
Source: WeAreDancing.com
Joe Winger: What’s something magical about Sonoma that you learned through this journey?
Lauren: True of both Zinfandel and Sonoma it always has this underdog energy to Napa. One of the hidden gems, we wake up really early and drive to the Redwood forest to watch the sun rise through the trees.
We eat a burrito because we have terrible burritos in New York.
There’s an amazing food community, 3 Michelin star restaurant, chefs, farm to table.
Cynthia: The distinct part of Sonoma is how important nature is to everyone there. It’s not just about wine. It’s incredible nature.
We both traveled a lot, lived in a lot of places. I’ve never seen such natural beauty in such a small area.
Lauren: That’s what the idea of our products is too. We have to bring people here in some way, differently than just having them taste the wine.
So as many dimensions as we can bring people into that realm to experience [00:29:00] that it’s like definitely the dream.
Joe Winger: Whether it’s social media, website, or other ways, what are the best ways for our audience to find and follow Dancing Wine?
Lauren: We have our website, which is wearedancing.com. We also are on Instagram, which is at DancingSonoma.
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DOC NYC ANNOUNCES JURY AWARDS FOR 2023; Big Winners Mediha, Total Trust
DOC NYC ANNOUNCES JURY AWARDS FOR 2023
DOC NYC, America’s largest documentary festival, revealed the 2023 award winners for its juried U.S. Competition, International Competition, Metropolis, Kaleidoscope, Shorts, Short List: Features, and Short List: Shorts sections, as well as the #MyJustice Film Award (complete list below). The festival’s Audience Award winner will be announced in the coming days.
TOTAL TRUST RECEIVES INTERNATIONAL COMPETITION GRAND JURY PRIZE
The awards announcement comes on the eve of the closing night of the festival’s hybrid 14th edition. DOC NYC’s online screenings run through November 26, with some 90 features available to stream across the United States, including eight of the festival’s award-winners and more than 100 of the festival’s short films, including all six shorts award-winners. Many of the award winners also have in-person screenings in the final two days of the festival.
For a full schedule of available films, see www.docnyc.net. Ticket and pass information is below.
LUCHA: A WRESTLING TALE TAKES METROPOLIS GRAND JURY PRIZE
For DOC NYC’s competitive sections, five juries selected films from the festival’s U.S. Competition, International Competition, and Kaleidoscope sections, as well as its long-running Metropolis and Shorts lineups, to recognize for their outstanding achievements in form and content. The Short List: Features program—a selection of nonfiction films that the festival’s programming team considers to be among the year’s strongest contenders for Oscars and other awards—vied for awards in five categories: Directing, Producing, Cinematography, Editing, and Score, with a Directing prize also awarded in the Short List: Shorts section. The Short List awards were voted on by two juries of filmmaker peers. New for 2023, the DOC NYC U film student screenings were restyled as a competition.
ZINZINDURRUNKARRATZ WINS KALEIDOSCOPE GRAND JURY PRIZE
JURIED AWARDS, FEATURE FILMS
U.S. Competition: The jury selected from among 10 new American nonfiction films in this section.
Grand Jury Prize: Mediha, directed by Hasan Oswald and produced by Hasan Oswald, Annelise Mecca, Fahrinisa Campana, Alexander Spiess, and Stephen Nemeth. (World Premiere)
Jurors’ statement: “Mediha is a person and a film that you will think about long after it ends. Hasan Oswald’s portrait of Mediha, one of many women and children survivors of the ISIS orchestrated genocide against the Yazidis, is a truly collaborative project in which Mediha tells her own harrowing story, and finds her own activist voice in the process. The film shines a light on the trauma of war and the difficult struggle to overcome it, while exploring the psychological complications of captivity of these women and children. This extremely careful and nuanced portrait of the experience of different generations of women resonated deeply with us. We are proud to give the U.S. Competition Grand Jury Prize to Mediha, and we sincerely congratulate the talent and courage of the team in bringing this story to the world.”
Available online through November 26.
Special Mention: Happy Campers, directed/produced by Amy Nicholson. (World Premiere)
Jurors’ statement: “Amy Nicholson’s Happy Campers is a truly cinematic film with a strong directorial sensibility and a genuine auteur’s stamp that celebrates, mourns, and memorializes a beloved working-class seaside refuge about to undergo redevelopment. The film beautifully captures the life, spirit, and charm of the Inlet View Campground. The U.S. Jury chose it for special mention as the film is a genuine delight to watch in today’s turbulent times.”
Available online through November 26.
Jurors: Violet du Feng (Emmy-winning filmmaker), Meredith Kaulfers (EVP of Current Production, Imagine Documentaries), David Winn (Head of the News & Documentary Emmy Awards)
Films featured in the U.S. Competition section: 36 Seconds: Portrait of a Hate Crime, The Cowboy and the Queen, Happy Campers, How to Come Alive With Norman Mailer, Mediha, Obsessed With Light, The Riot Report, Shaken, Taking Venice, and Tomorrow, Tomorrow, Tomorrow.
International Competition: The jury selected from among 10 new international productions in this section.
Grand Jury Prize: Total Trust, directed by Jialing Zhang, produced by Knut Jäger, Michael Grotenhoff, Saskia Kress, Jialing Zhang. (U.S. Premiere)
Jurors’ statement: “Courageously told with spectacular access, Total Trust speaks to power in its story of the stifling effect that Chinese government surveillance has on its citizens–while also highlighting the voices of resistance. Though the film provides a wealth of new insight into the regime’s policies, the judges were even more captivated by its use of character and emotionally rich scenes to reveal the human consequences of surveillance society. They commended its delicate balancing of the personal and political, notably contrasted in the claustrophobic sense conveyed in the small spaces occupied by its characters and wide shots capturing the massive spectacle of state displays. This is a film that not only explores government’s monitoring as an issue, it skillfully demonstrates its repercussions, particularly on the children who will inherit its legacy. Citing its bravery and artistry, the judges bestow Total Trust with this year’s International Jury Award.”
Available online through November 26.
Special Mention: Al Djanat – The Original Paradise, directed by Chloé Aïcha Boro, produced by Frédéric Féraud, Aïcha Boro, and Faissol Gnonlonfin. (U.S. Premiere)
Jurors’ statement: “Beautifully crafted and edited, Al Djanat – The Original Paradise, follows filmmaker Chloé Aïcha Boro as she returns to her homeland, Burkina Faso, after the death of her uncle. The judges praised Boro’s engaging and seamless tracing of conflicts—family, political and philosophical–in a story that’s both specific and personal yet deeply universal.”
Available online through November 26
Jurors: Michael Graversen (filmmaker), Ruchi Mital (producer and founder of Solani Media), David Siev (filmmaker).
Films featured in the International Competition section: Al Djanat – The Original Paradise, The Caravan, Dalton’s Dream, Dancing On The Edge Of A Volcano, The Dmitriev Affair, The Home Game, Le Spectre de Boko Haram, Neirud, Someone Lives Here, and Total Trust.
Metropolis: The jury selected from among eight films in this section, which is dedicated to stories about New Yorkers and New York City.
Grand Jury Prize: Lucha: A Wrestling Tale, directed/produced by Marco Ricci. (World Premiere)
Jurors’ statement: “The story of four members of the Taft High School women’s wrestling team, the Bronx-set Lucha: A Wrestling Tale landed the Metropolis Award for its compelling characters, sense of community, and intimate, but not imposing, approach to the verite style. The judges were especially impressed with the way the film doesn’t shy from the difficult realities faced by the young women, who are allowed to struggle and show their flaws – making them more powerful. Director Marco Ricci follows the story over the course of three years, which allows us to witness the characters’ growth and change, but we never sense intrusiveness, as the film instead bravely lets its moments play out, even the toughest ones.”
Available online through Sunday, November 26.
Jurors: Giselle “Hush” Bailey (filmmaker), Julia Solomonoff (filmmaker and chair of NYU Tisch Grad Film), Amanda Spain (VP of Longform Acquisitions, MSNBC Films).
Films featured in the Metropolis section: Ashima, Confessions of a Good Samaritan, Diversity Plaza, Holding Back The Tide, Lucha: A Wrestling Tale, Nathan-ism, Psychedelicized: The Electric Circus Story, and Scooter Laforge: a life of art.
Kaleidoscope: The jury selected from among five films in this section, which showcases essayistic and formally adventurous documentaries.
Grand Jury Prize: Zinzindurrunkarratz, directed/produced by Oskar Alegria. (New York Premiere)
Jurors’ statement: “In Oskar Alegria’s dreamlike documentary Zinzindurrunkarratz (a brilliant onomatopoeia word) we journey with the filmmaker through a Basque countryside that is transformed into a metaphysical landscape as he attempts to retrieve memories using an old camera. Alegria encourages us to contemplate the distinct dichotomies between past and present, rural and urban, haptic and cerebral. In this way, the film comes together somewhere amidst Alegria’s mind, the screen and our consciousness. In the process, we find ourselves in an ecstatic awareness of the way that silence, sound and image can be together and apart, always transforming. Both entrancing and poignant, Zinzindurrunkarratz made us ponder what constitutes a film, and closely observe our perception. For all of these reasons, we recognize it as the winning Kaleidoscope film at 2023 DOC NYC.”
Available online through November 26.
Jurors: Irena Kovarova (film programmer, producer and writer); José F. Rodriguez (senior film programmer, Tribeca Festival), Lynne Sachs (filmmaker and poet).
Films featured in the Kaleidoscope section: Grasshopper Republic, Megaheartz, The Walk, A Wolfpack Called Ernesto, and Zinzindurrunkarratz.
SHORT LIST: FEATURES AWARDS
DOC NYC’s Short List for Features puts the spotlight on 15 documentaries representing the best of the year.
Directing Award: While We Watched, directed by Vinay Shukla.
Jurors’ statement: “This superbly crafted story of a broadcast journalist in India who is battling a tide of disinformation uses intimate cinematography to drive a gripping dramatic tension. The story is local and yet completely universal. As the film progresses we are reminded that struggles for freedom and protection of truth are occurring all around the world. For its elegant yet painfully perceptive storytelling, the Directing Award goes to While We Watched.”
Available online through November 26.
Producing Award: While We Watched, produced by Vinay Shukla, Khushboo Ranka, and Luke Moody.
Jurors’ statement: “This film seeks the truth behind the veil of politicized ethics, ideology and propaganda. Against the backdrop of a crumbling newsroom, we witness exceptional courage and perseverance day after day. Despite death threats and condemnation, we find a vulnerable and beautiful vision that holds both craft and story close. The Producing Award is presented to While We Watched.”
Available online through November 26.
Editing Award: Going to Mars: The Nikki Giovanni Project, edited by Terra Long and Lawrence Jackman.
Jurors’ statement: “To bring the life, times and work of a fearless American original to the big screen, it takes a rich, deep and wild visual language. The unfettered imagination on display in this film’s editing beautifully evokes the vision of the woman at its heart. The Editing Award goes to Going to Mars: The Nikki Giovanni Project.
Cinematography Award: The Mother of All Lies, cinematography by Hatem Nechi.
Jurors’ statement: “Shooting a tightly focused personal film about a family is difficult; capturing big political events in a compelling way is just as demanding. But when long-ago public crimes poison the home life of three generations, making the connection visible is a virtuoso achievement. For the evocative image-making—of faces, of memories, of re-created, revised and rebuilt history—that makes the political vividly personal, the Cinematography Award goes to The Mother of All Lies.”
Available online through November 26.
Score Award: The Eternal Memory, music by Miguel Miranda and José Miguel Tobar.
Jurors’ statement: “The heart-piercing and unforgettable score for The Eternal Memory exhibits the type of playful togetherness we imagine is at the core of all eternal romances. As we journey through this world, the score is one continuous movement and an expressive thread, crafted with intimacy and delicate respect.”
Special Mention for Editing: The Disappearance of Shere Hite, edited by Eileen Meyer.
Jurors’ statement: “This film weaves together a cinematic tapestry that is as elegant as its protagonist. The result is an immersive story that reveals the true story of a woman the patriarchy tried to erase. For its lyrical creativity, a special mention for editing is presented to The Disappearance of Shere Hite.”
Jurors: Su Kim (producer), Mary Manhardt (editor, professor and consultant), Dawn Porter (filmmaker and founder of Trilogy Films).
SHORT FILM AWARDS
Shorts Competition: All new short films playing at the festival were eligible for the Shorts Grand Jury Prize, with the exception of DOC NYC U showcases and Short List: Shorts selections.
Grand Jury Prize: Mountain Man, directed/produced by Arun Bhattarai. (North American Premiere)
Jurors’ statement: “The beautifully crafted, observational Mountain Man impressed the jury with its intimate and almost fable-like story of a glaciologist in Bhutan who regularly leaves his family behind to trek into the country’s sacred mountains to measure the rapidly melting glaciers. With a subtle approach, and an inter-generational lens to this one family’s tale, the jury noted how filmmaker Arun Bhattarai thoughtfully brings the audience a story about climate change and our global interconnectedness to this urgent issue.”
The 2023 winning Short film qualifies for consideration in the Documentary Short Subject category of the annual Academy Awards® without the standard theatrical run (provided the film otherwise complies with the Academy rules).
Special Mention: When a Rocket Sits on the Launch Pad, directed by Bohao Liu, produced by Bohao Liu and Gene Gallerano. (NYC Premiere)
Jurors’ statement: “Exquisitely shot and artistically styled, When A Rocket Sits On The Launch Pad earned the judges’ admiration for its insightful depiction of the hurdles and challenges that Chinese culture places in front of a typical teenage girl.”
Mountain Man screens online as part of the Shorts: Our Climate/Our Crisis program; When a Rocket Sits on the Launch Pad screens online as part of the Shorts: Changing Tides program; both are available through November 26.
Jurors: Aurora Brachman (director/cinematographer), Nick Canfield (filmmaker), Debra McClutchy (filmmaker and archival producer).
Short List: Shorts: DOC NYC’s Short List for Shorts highlights 15 documentary shorts that the festival’s programming team considers the year’s leading awards contenders.
Directing Award: Ayenda, directed by Marie Margolius, produced by Marie Margolius and Connor Schell.
Jurors’ statement: “Thrilling but never sensationalized, Ayenda traces the story of the members of a girls soccer team who flee their home country of Afghanistan—and the Taliban—to continue their pursuit of the sport. The judges praised the filmmaking as elegantly observed and empathetic, commending director Marie Margolius for the intimacy achieved in her interviews, as well as their cinematic execution. The danger feels imminent, and the action unspools humanely, a credit to both the artistry and directive of Margolius and her team in crafting an honest testament to the girls’ bravery.”
Available online in the Shortlist Shorts: New Beginnings program, through November 26.
Jurors: Mark Becker (director, story consultant and editor), Katja Esson (filmmaker), Tyler Walk (editor).
DOC NYC U Competition. DOC NYC U features ten short documentaries from students across the five boroughs. Restyled as a competition for the first time this year, this year’s program featured finalists from Brooklyn College, Columbia University, Hunter College, The New School, New York Film Academy, Pratt Institute, and the School of Visual Arts.
This year’s inaugural competition was adjudicated by veteran documentary and TV series director and producer R.J. Cutler, founder of This Machine.
DOC NYC U Award: I Told You So, directed by Malak AlSayyad and Amaan Stewart, produced by Malak AlSayyad, Amaan Stewart, and Loren Townsley. (Columbia University)
R.J. Cutler’s statement on the selection of I Told You So for the DOC NYC U Award: “For its deep empathy, its boldly personal yet universal honesty, and its unleashing of the power of cinema verite storytelling.”
Available online in the Shorts: DOC NYC U – Portraits program, through November 26.
Special Mention: It Smells Like Springtime, directed/produced by Mackie Mallison. (Pratt Institute)
R.J. Cutler’s statement on the special mention for It Smells Like Springtime: “For its poetic cinematic power, as well as its stunning use of visual and aural landscapes.”
Available online in the Shorts: DOC NYC U – Rebirth program, through November 26.
Subject Matter: DOC NYC partnered with Subject Matter to present a $20,000 grant from Subject Matter to 36 Seconds: Portrait of a Hate Crime, directed by Tarek Albaba, to support the film’s audience outreach and impact efforts, along with a corresponding grant of $20,000 to Our Three Winners, a nonprofit organization that is addressing the topics featured in the film. DOC NYC audience members joined Subject Matter in supporting Our Three Winners with over $4,000 in donations at the world premiere of the film.
#MyJustice: DOC NYC partnered with Odyssey Impact® to present the #MyJustice Film Award to Breaking Silence, directed by Amy Bench and Annie Silverstein, and produced by Amy Bench and Monique Walton. The award comes with a $10,000 cash prize and an Odyssey Impact National Social Impact Campaign, and is made possible with generous support from Paramount/Content for Change Academy.
Odyssey Impact® Statement: “For a female-directed, short documentary
giving viewers, by way of a healed relationship between a deaf father and hearing daughter, a unique insight into the incarcerated deaf community and an inspiring father’s quest to help others and reunite his family. The film reverberates with kindness and compassion that drive towards advocacy for the communication challenges faced by prisoners with hearing disabilities, gives hopeful opportunities for prison reform and healing for families and people carrying unresolved trauma. Breaking Silence’s urgent and uplifting delivery earned it top prize this year for a stand out social justice film with a clear call to action to inspire change.“Breaking Silence” is available online in the Shorts: Inside and Out program, through November 26.
TICKETS AND PASSES
Festival tickets and passes may be purchased at docnyc.net/tickets-and-passes.In-person Screenings:
Closing Night (South to Black Power) screening: $30 General Public/$25 IFC Center Members
Other festival films: $20 General Admission/$18 Seniors & Children/$16 IFC Center Members, unless otherwise noted.
All screenings in the Short List: Features, Short List: Shorts, and DOC NYC U sections, as well as all Monday-Friday screenings starting before 5:00pm: $13 General Admission/$10 IFC Center members
Online screenings:
$13 General Public/$9 IFC Center MembersPasses and Ticket Packs:
Online Film Pass $250
Grants access to all the films screening on the festival’s virtual platform, November 8-26.Online Shorts Pass $49
Grants access to all short films screening on the festival’s virtual platform, November 8-26. On sale November 1.Five-Ticket Package for Online Screenings $50
Ten-Ticket Package for Online Screenings $90
A package of 5 or 10 online tickets at a special discount price.DOC NYC PRO Day Pass $125
Grants access to a single DOC NYC PRO day-long programming track, plus complimentary access, space permitting, to the Festival Lounge for that day, including the day’s Breakfast and Happy Hour.SPONSORS
The festival is made possible by:
Leading Media Partners: New York Magazine; The WNET Group
Major Sponsors: A&E IndieFilms; HBO Documentary Films; Netflix
Supporting Sponsors: National Geographic Documentary Films
Signature Sponsors: 11th Hour Racing; Bloomberg Philanthropies; Consulate General of Canada in New York; Frankfurt Kurnit; Hulu; NBC News Studios; National Geographic; NYC Mayor’s Office of Media & Entertainment; Participant
Signature Media Partners: The New Republic; WNYC
Event Sponsors: Amazon MGM Studios; Cowan, DeBaets, Abrahams & Sheppard LLP; 30 for 30 / ESPN Films; Fox Rothschild LLP; Impact Partners; JustFilms | Ford Foundation; Kickstarter PBC; MTV Documentary Films; Odyssey Impact®; Portrait Creative Network; Prestige Custom Awards; Reavis Page Jump LLP; Screen Nova Scotia; Subject Matter; SVA – MFA Social Documentary Film; Telefilm Canada; Village East by Angelika; Wheelhouse Creative
Friends of the Festival: Agile Ticketing; CineSend; DCTV; Fever Content; Posteritati; Ptex; Shiftboard
DOC NYC is produced and presented by IFC Center, a division of AMC Networks.
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Financial Guru Michael Dodo is Living His American Dream
Financial Guru Michael Dodo is Living His American Dream
Los Angeles based financier Michael Dodo is fast becoming one of the most sought-after venture capitalists for a range of businesses in need of private equity investment and acute corporate leadership. The Founder and CEO of both The Dodo Group, and beauty brand conglomerate Luxury Brands LLC., he successfully identifies, restructures, nurtures, and drives formerly struggling businesses into financially stable, sustainable, and successful global companies.
Born and raised in Johannesburg South Africa, Michael Dodo earned his Bachelor of Commerce degree from the University of South Africa before launching his career in finance at the Mercantile National Bank of South Africa. With his eye sharply affixed on immigrating to America, and with a mere $300 in his pocket, he arrived in Los Angeles and was soon recruited by Tag-It Pacific, a garment hang tag and label production company, first as their Controller and then quickly promoted to VP of Finance and Operations. He was not only instrumental in taking the company public, but also ran both their Hong Kong and Mexican divisions before parting ways in 2001.
Financial Guru Michael Dodo
He, and a business partner, then purchased Triple L Distribution, a company which soon became the second largest redistributor of dry grocery and equipment supplies to the food service industry in the West. Under Michael’s direction, TLD successfully maintained a fleet of 70 tractor trailers and 5 fully stocked warehouse locations, and the company grew from $16 million to $128 million in annual revenue. He was then approached to step in as CEO of FHI Heat, a prominent professional grade hair tool company, to restructure and cultivate the brand. Shortly thereafter, he purchased West Central Produce, later known as West Central Foodservice, growing the company into one of the largest premium wholesale food, beverage, and restaurant supply distributors on the West Coast, with sales topping $300M per year.
In 2017, he launched his first of two conglomerates – Luxury Brands LLC., positioned as a parent company for beauty, luxury, and lifestyle consumer brands. FHI Heat, and sibling haircare brands STYLUS, NEO BOND, Hair Veil and Daily Beauty, were strategically placed under the Luxury Brands LLC. corporate umbrella., and last spring, Michael’s latest acquisition Youngblood Mineral Cosmetics and Skincare was purchased out of Chapter 11 bankruptcy and added to his growing beauty brand portfolio.
Financial Guru Michael Dodo
Michael’s namesake conglomerate – The Dodo Group, has focus in F&B, a space which Michael has significant career experience. Lodi Canning Company, a 100-year-old plus, farm-to-table vegetable canning company, and Wateria, a 25-year-old, 15-step Drinking Water Purification System both sit under DG and are currently scaling at a tremendous rate.
To say that Michael Dodo has optimized the “American Dream” is an understatement, and we look forward to acutely following his success for many years to come.
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Jill Scott Tours NYC’s Kings Theatre March 22 with ‘Who is Jill Scott? Words & Sounds Vol. 1 23rd Anniversary”
Jill Scott Tours NYC’s Kings Theatre March 22 with ‘Who is Jill Scott? Words & Sounds Vol. 1 23rd Anniversary”
Jill Scott is a three-time Grammy Award-winning singer-songwriter, New York Times best-selling poet, critically acclaimed actor, and multimedia entrepreneur.
She released her much-anticipated debut record, “Who is Jill Scott? Words & Sounds, Vol. 1,” in July 2000, which became a double platinum album that earned Scott several Grammy nominations, including Best New Artist.
“Who is Jill Scott? Words & Sounds, Vol. 1,” plays Brooklyn’s Kings Theater March 22
What started as the 20th-anniversary tour of Jill Scott’s chart-topping, genre-defining album, Who Is Scott?: Words and Sounds Vol I in 2020 ended prematurely due to the COVID-19 pandemic.
Jill Scott tour resumes in 2023
But good news prevails: in 2023, the tour will resume, electrifying auditoriums, theaters, and music halls throughout the nation in celebration of a moment and movement that continues to enthrall music lovers of all ages and backgrounds.
Scott will play the iconic album front to back, with hits from her iconic debut album, such as “Gettin’ in the Way,” “A Long Walk” and other musical stories. The tour, produced by Live Nation Urban, will play in over 20 markets across the country, with special multi-show residencies in Washington, D.C. at the MGM National Harbor on Mother’s Day weekend and Scott’s hometown of Philadelphia at The MET Philadelphia, marking the first time the North Philadelphia native will play at the storied North Philadelphia venue.
The Philadelphia stop also includes a fundraiser at the Arden Theatre in support of her non-profit, the Blues Babe Foundation.
“My band and I were so excited three years ago, but that damn COVID shut us down,” said Scott.
“Now, we outside! Come see me. Come feel again. Relive your favorite moments.
Ya’ll ready to settle down and get with this?!? It’s a lot of love here.”
Though Scott had to pause performances during the pandemic, she celebrated the milestone virtually and continued building her brand as a multimedia entrepreneur, launching “Jill Scott Presents: J.ill the Podcast” in November 2020 alongside co-hosts Laiya St.Clair and Aja Graydon-Dantzler. The universally-loved podcast currently has 80 episodes and continues to grow in popularity and influence. Scott also participated in the first woman vs. woman Verzuz battle in May 2020, starred in Lifetime’s Highway to Heaven and BET+’s The First Wives Club, and in September 2021, she became the face of Nationwide, bringing a fresh take on a familiar campaign and putting her soulful spin on the iconic jingle.
Scott released her much-anticipated debut record, Who is Jill Scott? Words & Sounds, Vol. 1 in July 2000, which became a double platinum album that earned Scott several Grammy nominations, including Best New Artist (2001), Best R&B Album (2001), and Best Female R&B Vocal Performance for three years in a row (2001-2003). The album also cracked Billboard top 10 for R&B/Hip-Hop Albums (2001).
Pre-sales for the Who is Jill Scott? Words & Sounds Vol. 1 23rd Anniversary Tour begin on Tuesday, December 6, 2022, and public on sale begins on Friday, December 9, 2022 at 10am local time.
Visit missjillscott.com for tickets and follow @MissJillScott on social media for the latest updates.
WHO IS JILL SCOTT? WORDS & SOUNDS VOL. 1 TOUR DATES:
Tue Feb 28 — Augusta, GA — Bell Auditorium
Thu Mar 02 — Macon, GA — City Auditorium at Macon Centreplex
Sat Mar 04 — Columbia, SC — The Township Auditorium
Tue Mar 07 — Jacksonville, FL — Moran Theater
Thu Mar 16 — Philadelphia, PA — The Met
Sat Mar 18 — Philadelphia, PA — The Met
Thu Mar 23 — Brooklyn, NY — Kings Theatre
Mon Mar 27 — Newark, NJ — New Jersey Performing Arts Center
Wed Mar 29 — Boston, MA — MGM Music Hall at Fenway
Fri Mar 31 — Detroit, MI — Fox Theatre
Sat Apr 01 — Cleveland, OH — MGM Northfield Park
Sun Apr 23 — Nashville, TN — Nashville Municipal Auditorium
Wed Apr 26 — Memphis, TN — Orpheum Theatre
Fri Apr 28 — Chattanooga, TN — Soldiers & Sailors Memorial Auditorium
Wed May 03 — Savannah, GA — Johnny Mercer Theatre
Fri May 05 — Greensboro, NC — Steven Tanger Center for the Performing Arts
Sat May 06 — Atlanta, GA — Cadence Bank Amphitheatre at Chastain Park
Thu May 11 — Washington DC — The Theater at MGM National Harbor
Sun May 14 — Washington DC — The Theater at MGM National Harbor
Thu Jun 22 — Los Angeles, CA — The Hollywood Bowl
