Nolita brings NYC flavor to The Ritz-Carlton, Naples with Executive Chef Satish Yerramilli and Pizza Chef Chef Gabriele Candela
The Ritz-Carlton, Naples celebrates the debut of Nolita, the latest culinary experience for the newly renovated resort known for its exceptional culinary offerings.
Drawing inspiration from its namesake neighborhood in New York, Nolita features artisan pastas made in-house from 00 durum wheat and semolina, as well as hand-tossed pizzas and a menu of familiar Italian classics influenced by family recipes.
By day, Nolita offers an expanded breakfast buffet, transitioning to a menu of timeless Italian fare for lunch.
By night, the lively bar complements a dinner menu of classic dishes such as veal parmigiana, vongole, and spaghetti with meatballs.
Boozy ice creams and timeless desserts complete the menu including Limoncello Strawberry Cheesecake and Tiramisu.
Executive Chef Satish Yerramilli has selected talented Chef Lola Riboleau as Restaurant Chef, bringing her passion and attention to detail to the new restaurant.
“Like the Nolita neighborhood in Manhattan, Nolita has a wonderful, casual vibe.
Our menu reflects the recipes of blended families and traditions,
where dishes featuring red sauce sit on the table alongside white wine sauce.
Those old conventions do not apply,”
Chef Yerramilli
“And the pizzas… everyone has an opinion about the perfect crust, but the pizza at Nolita is a must.”
Leading the Pizza Kitchen is Chef Gabriele Candela, a third-generation pizza chef who honed his skills in his grandfather’s Palermo, Sicily pizzeria.
With experience at renowned pizzerias including L’Antica Pizzeria da Michele in Naples, Italy, Chef Candela prioritizes top-quality ingredients such as 48-hour fermented flour, San Marzano D.O.P tomatoes, and Fior Di Latte mozzarella.
His signature ‘light as air’ focaccia, a cherished family recipe, graces the Nolita menu.
“The introduction of Nolita bolsters the resort’s four-decade legacy
as the premier dining destination in Naples,
now with eight unique on-property bars and restaurants for our guests and local residents,”
Mark Ferland
Ritz-Carlton Area General Manager
“The Ritz-Carlton, Naples remains the iconic Florida resort where memories are made, and Nolita provides the perfect setting for sharing moments with friends and family in Naples.”
Located on the resort’s Beach Level, Nolita joins recent additions to The Ritz-Carlton, Naples: Sofra, Moka, and the Lobby Bar.
Inspired by the shared plates of the Eastern Mediterranean, Sofra features a vegetable forward menu highlighting the coastal flavors of Turkey, Greece, Israel, and Jordan.
Moka, influenced by bustling Italian cafes, presents delightful coffee drinks curated by a third-generation roasting family.
The Lobby Bar, steeped in tradition, offers a Master Sommelier-curated menu of Champagnes and wines, expertly paired with light bites crafted by Executive Chef Satish Yerramilli.
Nolita is open daily for breakfast, lunch, and dinner, with reservations available for dinner service at www.NolitaNaples.com or +1 (239) 598-3300.
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NYC’s Newest Margarita: Hailee Steinfeld Launches Angel Margarita: A Premium Ready-to-Drink Margarita Cocktail with Premium Beers Group
Hailee Steinfeld Launches Angel Margarita: A Premium Ready-to-Drink Margarita Cocktail with Premium Beers Group
Academy Award-nominated actress, multi-platinum recording artist, and producer Hailee Steinfeld, in partnership with Premium Beers Group, a leader within the alcohol industry in Mexico, proudly announces the launch of Angel Margarita.
Hailee Steinfeld falls in love with flavor
Hailee Steinfeld has openly expressed her love for margaritas, often sharing glimpses of her favorite citrusy cocktail on social media. Whether enjoying a classic lime margarita or experimenting with fun flavors like spicy or strawberry, she appreciates the drink’s refreshing and vibrant appeal. Her enthusiasm for margaritas perfectly complements her fun-loving personality, making it a go-to choice for celebrations and casual outings alike.
This premium ready-to-drink margarita cocktail is made with 100% Agave Tequila from the rich soil of Jalisco, Mexico.

Angel Margarita: A Premium Ready-to-Drink Margarita Cocktail
To ensure that each can offers an authentic and refreshing taste experience, Angel Margarita is then fully crafted just moments from the Agave fields.
Blending Hailee’s West Coast style with the deep Mexican roots of her co-founders Jordi Zindel and Rodrigo Hernandez, Angel Margarita will lead the category with its commitment to quality. Angel Margarita will launch with four vibrant and refreshing flavors: Lime, Grapefruit Paloma, Ranch Water, and Wild Berry.
“Margaritas have always been my go-to cocktail,
so making a ready-to-drink version with high-quality ingredients that didn’t compromise on taste was important to me,”
Hailee Steinfeld
co-founder
“After visiting the Blue Agave fields in Jalisco with my partners Jordi and Rodrigo, I was inspired by the region. I am so proud of what we have created together and cannot wait for the world to try Angel Margarita.”
In 2023, premixed cocktails were the fastest-growing spirits category in the US, valued at approximately $2.8 billion, marking a 26.8% increase year over year. Tequila was the second fastest-growing category, valued at $6.5 billion, up 7.9% yearly.
To underscore the excitement and potential of this fast-growing category, Angel Margarita has partnered with Philip Button, Founder and CEO of Seven XV Ventures and Geloso Beverage Group, one of the leading alcohol beverage manufacturers and distributors in North America. With their support, Angel Margarita will begin its launch in Southern California.
“Hailee is the perfect partner to help us share an authentic piece of our culture and redefine the ready-to-drink market through Angel Margarita with a more global audience,” said Jordi Zindel and Rodrigo Hernandez, co-founders at Angel Margarita. “We invite consumers to taste our 100% Agave Tequila premium cocktails and to experience an authentic piece of Mexico in every sip.
Stay up to date on Angel Margarita: www.angelmargarita.com / @angelmargarita
100% Tequila, 100% Angel Margarita.
Angel Margarita stands out with its high standards of craftsmanship and tradition:
- Protected Denomination of Origin sourced and manufactured in Jalisco, Mexico
- Expertly crafted high-quality ingredient list featuring 100% Agave Tequila Blanco, a blend of sparkling water, agave syrup, and natural flavors
- Each 12 oz can is 6% ABV and is gluten-free
- Available in four flavors to start: Lime, Grapefruit Paloma, Ranch Water, and Wild Berry
- Retail = $14.99 / 4-pack, $28.99 / 8-pack variety
About Hailee Steinfeld:
Academy Award-nominated actress, multi-platinum recording musician, and producer Hailee Steinfeld remains a force to be reckoned with in the entertainment industry. Her leading performance in the 2016 critically acclaimed film THE EDGE OF SEVENTEEN garnered her two Critics’ Choice Award nominations and a Golden Globe nomination. Her big-screen debut was in 2010 with the Coen Brothers’ film TRUE GRIT, for which she earned an Oscar nomination at only 14 years old. Up next, she will star alongside Michael B. Jordan in Warner Brothers and Ryan Coogler’s latest film, SINNERS. The supernatural action horror-thriller is set to release globally on April 18, 2025.
About Premium Beers Group:
With over 3 decades of experience, Premium Beers Group has innovated and revolutionized the alcohol category in Mexico. PBG was the first company in Mexico to import 100% malt beers from Europe and introduce craft beer and non-alcoholic beer. Premium Beers Group is the benchmark for excellence and a leader within the premium alcohol category.
About Geloso Group:
A leader in the innovation and development of alcoholic and non-alcoholic beverages, Geloso Group manufactures and distributes premium malt beverages, wines, ciders, beers, and spirits. Geloso Group is a valued supplier and trusted partner recognized for its professionalism and commitment to quality, service, and marketing.
Thanksgiving in NYC: the perfect stuffing bread DOES exist – and it’s… [Recipe here]
This Thanksgiving in NYC, the perfect stuffing bread DOES exist – and it’s brioche. As in St Pierre Brioche Thanksgiving Stuffing
No Thanksgiving spread is complete without a hearty stuffing. While add-ins are a matter of preference, choosing the right bread is crucial. One underrated choice is eggy, rich brioche – and with St Pierre Bakery, you don’t need to go to France to get it.
Thanks to its butter and egg content, St Pierre’s Brioche Loaf provides the perfect balance of crisp toastiness while remaining soft and creamy inside, while its lightly sweet flavor adds a decadent quality that can still lean savory. Attached below is an approachable recipe for stuffing allowing for all the craveable crunch for the whole family with minimal effort required.
St Pierre Brioche Thanksgiving Stuffing
By @BrandiMilloy
Ingredients
1 loaf St. Pierre Brioche Bread
1/2 cup unsalted butter
1 medium onion, diced
3/4 cup celery, diced
3/4 cup carrots, diced
1 cup mushrooms, diced
2 large eggs
1 tbsp. fresh rosemary, chopped
3 sprigs fresh thyme, just the leaves
1 tbsp. fresh sage, chopped
1 small apple (granny smith works well), peeled and diced
Salt and pepper
Directions
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Preheat oven to 350 F. Cut brioche bread into 1” cubes and bake for about 10-15 minutes until toasted.
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Meanwhile, into a pot over medium high heat add butter until melted. Add onion, celery and carrots and cook until everything starts to soften, about 7 minutes. Add mushrooms and cook for 2 minutes longer. Remove from heat and set aside.
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Into a bowl whisk together the eggs, herbs, apples, mushrooms, and salt and pepper. Add your cooked vegetables and mix to combine.
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Pour mixture on top of toasted bread and stir to combine. Bake stuffing for about 45 minutes. If your stuffing starts to get too brown, cover until finished baking. Enjoy!
As America’s favorite brioche brand, St Pierre’s products are widely available via grocery stores nationwide as well as Walmart.
The Rise of Mushroom Coffee: A New Era in Health-Conscious Brewing
In today’s health-focused culture, where wellness transcends mere goals to become a lifestyle, mushroom coffee is emerging as a leading trend. This innovative beverage combines the classic energizing effects of coffee with components often linked to the reputed benefits of medicinal mushrooms. Such a blend makes mushroom coffee a more mindful, health-oriented option for daily consumption, resonating especially with those who weave wellness into their daily routines.

Image courtesy of Freepik
The uniqueness of mushroom coffee lies in its ability to enhance the usual coffee experience by potentially offering additional benefits. For those who find regular coffee too acidic, mushroom coffee presents a more stomach-friendly option. Additionally, it incorporates adaptogenic mushrooms, which are believed to help the body better manage stress. This attribute makes mushroom coffee especially enticing to wellness enthusiasts and those seeking a natural way to support their body’s stress response.

The Rise of Mushroom Coffee, Image Courtesy of Freepik
Finding a coffee that delivers on both taste and health promises can be a daunting task. Leading the initiative is More.Longevity & Wellbeing with its Coffee Superfood Blends. These products are meticulously developed, selecting each ingredient for its quality and scientific backing, ensuring they contribute effectively to the blend. Flavors such as Salted Caramel Vanilla and Mocha are designed to mask the natural earthiness of mushroom, making the beverage more enjoyable while enhancing its appeal. The addition of adaptogens and essential vitamins in the blends aims to support overall health by boosting immunity, enhancing energy, and improving mental clarity.

The Rise of Mushroom Coffee, Image Courtesy of More.Longevity & Wellbeing
The company’s commitment to radical transparency ensures that consumers receive a product free from unnecessary fillers and additives, affirming a respect for consumer health and environmental sustainability. This level of honesty and ecological consideration is becoming increasingly important to consumers who prefer products that are both healthy and environmentally conscious.
As the trend continues to carve a niche within the beverage market, consumers are presented with expanding choices. It’s no longer just about picking a brand; it involves selecting a philosophy and a level of quality that resonates with personal health values and taste preferences. The coffee not only invites coffee lovers to rethink their daily mug but also serves as a gateway to a more mindful and intentional morning routine.

Image Courtesy of Freepik
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DOC NYC launches with incredible Line-up: Maya Wave, Conspiracy, Cirque De Soleil
DOC NYC launches with incredible Line-up: Maya and the Wave, Conspiracy, Cirque De Soleil
DOC NYC, America’s largest documentary festival — running in-person November 9 – 17 and continuing online through November 27 — announced the first four titles of its 13th edition, including the US Premiere of Maya and the Wave as its Opening Night Film.
DOC NYC, America’s largest documentary festival — runs in-person November 9 – 17
Opening Night Film Maya and the Wave, directed by Stephanie Johnes, the film will screen at SVA Theatre on Wednesday, November 9.
Three films making their World Premieres, all currently seeking U.S. distribution, were also announced for the festival’s Closing Night and Centerpiece Presentations.
Maya and the Wave, directed by Stephanie Johnes, profiles Brazilian athlete Maya Gabeira
DOC NYC’S Opening Night presentation, as she overcomes a brush with death to make history in the male-dominated world of big wave surfing.
The screening will be followed by a conversation on stage with Johnes and Gabeira. Maya and the Wave is produced by Johnes and co-producer Jorge Leal, and has worldwide distribution rights available.
“We are elated to open DOC NYC with Stephanie Johnes’s inspiring testament to self-empowerment and boundary-breaking,
in a visually spectacular arena,”
DOC NYC Artistic Director Jaie Laplante.
This year’s in-person DOC NYC event will close with the World Premiere of The Conspiracy from Maxim Pozdorovkin (Our New President, Pussy Riot: A Punk Prayer), an animated documentary that traces almost 250 years of insidious anti-Semitic ideology by following the fates of three Jewish family dynasties.
World Premiere of The Conspiracy from Maxim Pozdorovkin
The film is produced by Allison Stern, Caroline Hirsch, Joe Bender, and Dan Cogan, and features voice-over artists Liev Schreiber, Jason Alexander, Lake Bell, Ben Shenkman, Mayim Bialik and many others.
features voice-over artists Liev Schreiber, Jason Alexander, Lake Bell, Ben Shenkman, Mayim Bialik and many others.
The Conspiracy will screen at SVA Theatre on Thursday, November 17. The screening will be followed by an on-stage Q&A with the filmmakers.
DOC NYC 2015 Lifetime Achievement Award recipient Barbara Kopple returns with her latest work
The first of the festival’s two Centerpiece presentations will be the World Premiere of two-time Academy Award-winning filmmaker (and DOC NYC 2015 Lifetime Achievement Award recipient) Barbara Kopple’s Gumbo Coalition.
Barbara Kopple’s Gumbo Coalition
The film follows two contemporary civil rights leaders, Marc Morial and Janet Murguía, as they work to empower African American and Latino American communities to achieve a more just and equitable country, while weathering the challenges of a global pandemic, the murder of George Floyd and the 2020 presidential election.
Produced by Kopple, David Cassidy, Williams Cole and Ray Nowosielski, Gumbo Coalition will be presented on Saturday, November 12 at SVA Theatre.
The screening will be followed by an on-stage conversation with Kopple, Morial and Murguía and other members of the film team.
Cirque du Soleil: Without a Net plays Sunday, November 13
Also screening as a festival Centerpiece presentation is Cirque du Soleil: Without a Net, playing Sunday, November 13 at SVA Theatre.
Cirque du Soleil: Without a Net
Director Dawn Porter (John Lewis: Good Trouble and a 2016 DOC NYC Robert and Anne Drew Award for Documentary Excellence recipient) received unprecedented behind-the-scenes access to the world’s greatest circus as it worked toward re-opening its flagship Las Vegas production “O” following more than a year of pandemic shutdown.
Porter captures the uncertainty that both performers and crew members face as they strive to return to their world-class standards in time for the (re)opening night curtain.
The film is produced by Porter, Eli Holzman, Aaron Saidman, Mark Burnett and Barry Poznick.
Performers from Cirque du Soleil will be on-hand and a Q&A with the filmmakers will take place after the screening.
The 2022 DOC NYC festival will take place both in person and online starting on Wednesday, November 9
The 2022 DOC NYC festival will take place both in person and online starting on Wednesday, November 9, with in-person screenings and events held at IFC Center, SVA Theatre and Cinepolis Chelsea through Thursday, November 17.
The festival’s online offerings will continue through Sunday, November 27.
The complete lineup of more than 110 documentary features and 100 short films will be announced in the second week of October.
An All Film Pass, offering access to DOC NYC’s full lineup of in-person and online screenings, can be purchased for $995 ($699 early bird discount available through October 12) at www.docnyc.net.
In addition to screenings, All Film Passholders get complimentary access to the NBC News Studio Lounge at Cinépolis Chelsea, including daily Breakfasts and Happy Hours. Individual screening tickets, including tickets for Opening Night, Closing Night and Centerpiece screenings, will go on sale when the festival’s full lineup is announced in mid-October.
An Online Film Pass, good for all the festival’s online screenings, will also be available in mid-October.
DOC NYC SPONSORS
The festival is made possible by: Leading Media Partners: New York Magazine; The WNET Group Major Sponsors: A&E IndieFilms; Netflix; NBC News Studios; Warner Bros. Discovery Supporting Sponsors: discovery+; National Geographic Documentary Films; SHOWTIME® Signature Sponsors: Amazon Studios; Bloomberg Philanthropies; Consulate General of Canada in New York; Frankfurt Kurnit; Hulu; NYC Mayor’s Office of Media & Entertainment; National Geographic; Participant Signature Media Partners: The New Republic; WNYC Event Sponsors: Cinepolis; ESPN; Firelight Media; Fox Rothschild LLP; Impact Partners; JustFilms | Ford Foundation; MTV Documentary Films; Odyssey Impact®, Inc.; Reavis Page Jump LLP; SVA – MFA Social Documentary Film; Telefilm Canada; Wheelhouse Creative Friends of the Festival: Agile Ticketing; CineSend; DCTV; Essentia Water; Kickstarter PBC; Ptex; Shiftboard
DOC NYC is produced and presented by IFC Center, a division of AMC Networks. To inquire about sponsor or partnership opportunities for DOC NYC Executive Director Raphaela Neihausen at raphaela@docnyc.net.
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NYC is falling in love with a New Champagne, lets talk with Champagne Jeeper
NYC is falling in love with a New Champagne
It’s easy to fall in love with champagne. Life celebrations. Work success. Life’s best memories (hello weddings, anniversaries, babies, birthdays). If you’re ready to try a new champagne, this is for you.
Today we had the amazing opportunity to talk (via zoom) with Jeeper Champagne’s Camille Cox. This conversation has been edited for length and clarity. For the full conversation, visit our YouTube channel.
Can you share a favorite memory where you celebrated with champagne?
Oh, there’s, God, there’s so many. I can’t even begin to tell you. But the one thing I can say is that you always should carry champagne because in victory you deserve champagne and in defeat you need it. That was Napoleon Bonaparte, if I’m not mistaken?
I think my most memorable toast with champagne are personal victories And, of course, business victories as you can imagine. I’ve been selling champagne for a very long time, and I can name a couple that come to mind. One of them a few years back was getting business at the Delta Airlines lounges. Putting another maison there. At the time, the house that I was working for at the time that was a big victory in itself. And just little victories in life each and every day. Every day is a celebration.
It’s all relative in how you look at it and how you live your life, but I think every day calls for champagne, to be completely honest with you.
I love that, ‘Everyday calls for champagne’. Jeeper has an interesting story behind it based on the end of World War II.
Can you give us just a very brief history lesson of Jeeper that brings us up to present day?
So, as you know, many champagne houses have great stories, and that’s the great thing about Champagne. Every Maison has their story and the fact that you get to go back and find out how it became is super fascinating to me.
When I had the chance to join Jeeper, I went back to look at the story. A family started making champagne in the 1800s. It had its heyday and then it floundered. It changed hands for quite some time. Then a gentleman by the name of Armand Goutorbe, who was working his family vineyards, had to be called to war and ended up in a house in an undisclosed location because everybody was fighting against the resistance at that time.
He happened to be holed up in a place with some American soldiers and they were being bombed and consequently they were all trying to help save each other’s lives. History tells us that Armand was a gentleman who took it upon himself to risk his own life, to pull some American GIs away from the building that was going to be bombed, possibly losing their lives.
In doing so, he impeded his leg and went back to looking over his vineyards in Champagne. The hills aren’t high, but they’re steep. His leg impeded his day-to-day operations. The US army got ahold of the story and some of the soldiers that he saved wanted to pay tribute to him and in all humbleness to thank him for saving their lives. So the US military gave him a Willie’s Jeep, and he rode around in the villages and he became known as “Mr. Jeeper Man”. Two years later, he said, I think I’m just gonna name my vineyards Jeeper. So there it was born Jeeper in 1949 because of a wonderful gift that the US Army bequeathed to him.
We still have the Jeep today on property.
Can we talk about the terroir of the region?
We are located in Faverolles et Coëmy, a commune near Reims in the north-west of the Champagne region. In the Montagne de Reims, the Côte des Blancs and the Marne Valley.
We are mostly a chardonnay house and we use Chardonnay as our primary grape.
We make eight different wines under the Jeeper label. We have two great certifications for being biodynamic and organic. Our flagship for the winery is our Blanc de Blanc. Our bottles are color coded in terms of the labels so that they stand out significantly to consumers.
That area has cool nights. A little bit of frost, but beautiful, pristine, crisp grapes from those regions, from the sub regions in Champagne. We own about 80 hectares. We don’t buy any grapes. We use our own grapes. We have the capacity to make 3.5 million bottles, but we hope to make more with some partnerships that we’ve kind of acquired.
Having Michel Reybier as a new partner with Nicholas, the current owner of and partner, who makes the wines too. Nicholas Dubois makes us stand apart from that we’re not right in the middle of Reims. We’re out there, believe it or not.
So when you come to Reims, you’re not gonna see us. You’re gonna have to get on the train or take a little cab and make it to Jeeper.
I love talking about process. Our audience is a mix of very basic drinkers up to connoisseurs.
So can you share a little bit of the process and how, how, what, what makes your champagne so unique?
What makes us a little bit more unique is a lot of champagne houses only use steel vats. We’re still kind of old school. We do use some Burgundy barrels. We have one of the biggest barrel rooms behind Krug and Bollinger. We have about 1200 barrels that we use. So for instance, our Grande Assemblage, which happens to be our brut non vintage, we age 20% of the chardonnay that we use in that blend for two years in used burgundy oak barrels and then we do the aging of the lees. We lay it down for about four years. So that’s two years for the 20% Chardonnay laying down for two years. Then the four years makes it a total of six years. So you get a totally different taste. There’s a little bit of maturity there with the oak barrels.
It’s something completely different. I’ve worked for houses that were stainless steel, so this is something new for me as well too. The aging process, there is some lactic, it just depends on which cuvee we’re speaking about.
Withholding our wines a little bit longer. We’re not big production, we’re not a grower champagne house by any means. We’re just over the hump as a boutique champagne house. We’re just getting started here in the United States. Our biggest production and where we sell the most champagne is in France.
But opening up the United States, it’s tough to build a champagne brand in the US, believe it or not. It’s super tough.
You have to find a way to differentiate yourself, what makes you stand out. I think that’s Jeeper having the name and the story and the total difference of not having stainless steel aging, and that we’re malolactic and that we do use oak barrels in some of our cuvee’s.
One of the reasons I wanted to talk to you is a few weeks ago when I had the chance to actually taste through the bottles, they did have such a unique taste.
So let’s talk about the actual bottles.
I’ve mentioned the Grande Assemblage, which is our brut non-vintage. It’s a green label, and I just told you a little bit about that. But the one that is our flagship is our Blanc De Blanc.
I think our bottles are beautiful. We have a patent on the bottle. People notice how easy it was to take off the foil.
So there’s still a little label underneath the foil that says Jeeper, which is kind of neat for us and it speaks volumes because it doesn’t leave you a mess or end up getting paper cuts from the foil cuts.
The Blanc de Blanc is big, full-bodied, rich. Also super elegant. It’s clean. It’s crisp, even though it has a big mouthful.
Our champagnes are the categories in the last 7 to 10 years that have really ended up getting some traction. I think people are walking away from the norm. They’re walking away from big commercial houses because they wanna see what else is out there.
Their curious is curiosity’s sake and I think it’s really helped the champagne business. I think the champagne business has always been cyclical, but in the last 7 to 10 years, it’s really gotten a hold and people are really embracing champagne to great success
Because there’s so many beautiful wines out there, so many different styles and so many cool things that you can learn. I think the more the people, because of the terroir, I always say that champagne is a reflection of the mood of the terroir.
Champagne, the terroir from where we are, its chalky soil limestone. It lends itself to so many different characteristics in the wine. We’re not a big vintage champagne house. 2008 was probably one of the best vintages of the century. It was gone in a flash. With our 2008, we age it for 12 years on the lees. It’s 88% Chardonnay and 12% Pinot Noir. So there’s that wonderful characteristic and it has a little maturity on it, a little oxidation.
I’m a vintage champagne girl and a no dousage champagne girl so this one fits the bill for me, but it may not be for everyone’s taste profile.
I can always tell at the beginning when I’m doing a tasting with the two lead wines that you start off with in Champagne, what someone is gonna like in the rest of the range. It never fails me. It’s always about 95% full proof.
It’s so subjective. The 2008 for me is interesting. We’re getting ready to release a new release of Blanc de Blanc coming in May, which I’m super excited about. It’ll be no dousage.
We also now have a partnership, as I mentioned, one of our owners, Michel Repier. There’s a gentleman by the name of Tony Parker, who’s a former four-time NBA champion. A hall of famer. I was just with him a couple weeks ago. Super, super person. He told us his story about where he came from and how much he loves gastronomy. He’s French. A lot of people don’t realize that. He’s from Lyon, and I’m sure the Parisians would beg to differ, but Lyon is supposedly now the gastronomy capital of Paris. So we have him as an ambassador; a gentleman who really loves wine and is very enamored with it, wants to roll his sleeves up.
He’s helped us with our Rose project that we have in Provence, but helping me with Jeeper as well. It’s a great collaboration. It’s been great for me, for the brand, for helping us build the brand here in the US because we’re building our distribution network.
Which is not an easy thing to do, as I can tell you having done it for many years. So we’re looking for new partners that want to build a brand with us who we want to be on the ground floor with. I feel like the people that bring you to the party are the people you need to stick to.
It’s easy to be a fair weather friend, but I am all about loyalty and building a brand with someone. And making it happen. The wine business is exploding, so there’s a lot of opportunities out there. It’s just finding our niche and letting people know the story and taste the wines.
I don’t know that champagne gets enough love when it comes to food. Let’s talk about food pairings.
A previous maison I worked for didn’t want us to suggest pairing champagne with chocolate or strawberries. I think that fallacy of Pretty Woman when she’s having her “floor picnic” as she called it in the movie. She’s drinking champagne and having strawberries – they are very acidic. But I think it’s really what you want to do.
Do I think it’s the best pairing? Absolutely not.
I’ve gone through this with many chefs in the past where I’ve asked them not to use chocolate or strawberries, and [while they weren’t happy with that] luckily they did talk to me at the very end of it, but they weren’t very happy. But there’s so many great things out there that you can pair champagne with and the new thing is, Champagne and chicken fried chicken.
As a southerner, I’m a fried chicken lover. It’s an incredible pairing.
I also think sea salt potato chips with a non-dosage champagne are absolutely fabulous. But let’s look at the classics. What about ratatouille from France? You know, something that you don’t really ever think about. It’s always the ones that are there that you can think about.
Gratin potatoes are an amazing pairing if you’re a big potato lover as I am. It’s just great. So I think the sky’s the limit depending on what it is you’re drinking. Of course, no dosage champagnes aren’t gonna be great with everything. I also love Dim Sum and champagne, to be completely honest with you.
So all the pairings that are non-traditional, if you will, kind of thinking outside the box. Really making it an opportunity to see: where you can take it? Are you gonna push the limit? I’m all about pushing the limits on a lot of things. Nobody should be chastised for that on any level.
So if somebody likes what they like, they like what they like. I think the traditional [concept] many years ago: Are you having chicken for dinner? You can only have white [wine]. I love the fact that that’s out the door now.
People learn more and more about wine every day. They’re so enamored with it. I think the pandemic gave us all an opportunity to stop, take a minute, take a breath, slow down, maybe enjoy things or get into things that we didn’t have the time to do. I think gastronomy is one of them.
People now love to make food at home. People love to drink wine at home. We saw that with the pandemic. There’s a lot of opportunity, everywhere you look. I like the classics. I’m a foodie.
But I love food and I think drinking it the way you want to drink it and the way you want to enjoy is paramount. Paramount. I don’t think there should be any rules put around that on any level.
As everyone’s hearing the Jeeper story and getting to know your bottles, what can our audience do for Jeeper Champagne?
Helping Jeeper is to buy some [bottles] where we’re distributed. Give something new a chance. Wherever you buy wine, take an opportunity to just treat yourself to something completely different because you never know what’s gonna happen.
It could end up being your favorite wine and you just don’t realize it. Expand your opportunity and your horizons, and that’s what life is all about.
Think outside the box. Live a little, okay. You, you bought a bottle, but there’s some great champagnes out there that are really economical. We know we’ve taken a little bit of a price increase, but treat yourself, you’ll be glad that you did. I think it, it expands your horizons and makes you see so many other things you didn’t see
Where can we find Jeeper Champagne on social media to follow?
Jeeper is on most major social media channels. Please give us a follow and visit our website at: https://www.champagne-jeeper.com/
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High Line Art Annc’s 2022 High Line Channels Featuring works by Kevin Jerome Everson, Ilana Harris-Babou, Jasmina Cibic, Cheng Ran
High Line Art announces 2022 season of exhibitions for High Line Channels Featuring works by Kevin Jerome Everson, Ilana Harris-Babou, Jasmina Cibic, Cheng Ran
High Line Art announces the 2022 season of exhibitions for High Line Channels—an ongoing series of video projections in the semi-enclosed passageway on the High Line at 14th Street.
High Line Channels is the only video program in a New York City park available 365 days a year, and features emerging and established artists from around the world.
Rotating every two months, this year’s program includes solo presentations by Kevin Jerome Everson, Ilana Harris-Babou, Jasmina Cibic, and Cheng Ran, as well as a thematic group exhibition, Spiritual Technology.
The films and videos presented by these artists explore a broad range of themes:
birds and our relationship to wilderness with Kevin Jerome Everson;
self-improvement and wellness culture with Ilana Harris-Babou;
how governments assert power and values through architecture with Jasmina Cibic;
the poetics of daily life in China with Cheng Ran in a US premiere, and the relationship between techno-utopias and psychic connections to the earth in Spiritual Technology.
In addition to these five exhibitions, a sixth program, the next High Line Originals commissioned film, will be announced in the coming months.
High Line Channels is organized by Melanie Kress, High Line Art associate curator.
Kevin Jerome Everson State Bird January 6–March 16, 2022 Kevin Jerome Everson (b. 1965, Mansfield, Ohio) is an artist based in Charlottesville, Virginia, and Professor of Art at the University of Virginia.
Everson, whose practice encompasses printmaking, photography, sculpture, and film, makes work that reflects gestures or tasks caused by certain conditions in the lives of working class African Americans and other people of African descent. Everson’s sculptures are often casts of everyday objects made in the factories in his Ohio hometown.
For the High Line, Everson presents four films: Brown Thrasher (2020), Mockingbird, (2020), Cardinal (2019); and The Foothills of the Allegheny Plateau (2019). The films begin with a pair of binoculars made in the Mansfield Ohio Westinghouse factory during WWII (where the artist was briefly employed) that Everson cast in bronze and rubber, rendering them useless. Everson staged the films in Georgia, Mississippi, and Ohio (the first three films are named for those places’ state birds), inviting family members to “look” for birds with the props. Everson limits these films to the extreme foreground, denying viewers any clarity as to the exact place of filming. Presented on the High Line from winter into early spring, the exhibition brings brightness to winter days in the park and ushers us into the season when the birds start to sing again in New York and the park comes alive.
Ilana Harris-Babou Help Yourself March 17–May 11, 2022 Ilana Harris-Babou (b. 1991, Brooklyn, New York) is an artist living and working in Brooklyn. Harris-Babou is known for her videos that parody reality television tropes such as cooking and home-improvement shows, and star her and her mother, Sheila Harris. Across her videos and sculptures, she focuses on “self-improvement” and how aspirations for health and wellness become framed as moral decisions in contemporary culture. Especially in Harris-Babou’s most recent work, she shifts her frame to question how inequality in the US is presented as a failure of personal decision-making and commitments to wellness.
For the High Line, Harris-Babou shares four films: In Cooking with the Erotic (2016), the artist and her mother use real food, art materials, and construction materials to offer tutorials for absurd concoctions. Finishing a Raw Basement (2017) is filled with home-improvement buzzwords like “modern,” “transitional,” and “classic” alongside Harris’s calls for reparations. In Fine Lines (2020), Harris performs her beauty routine tutorial for a meeting with a real estate developer who is trying to buy her Brooklyn home. For Leaf of Life (2021) Harris-Babou interviewed her sister about her experience working as a disillusioned health-care professional, as well as diet and wellness practices following the popular health guru, herbalist, and healer Dr. Sebi.
Jasmina Cibic Halls of Power July 7–September 14, 2022 Jasmina Cibic (b. 1979, Slovenia) works in film, sculpture, performance, and installation to explore “soft power” and the ways that governments use state-sanctioned culture—dance, music, painting, and architecture—to communicate certain principles and aspirations. She begins her projects in archives, researching moments in history through what she calls “historical readymades”: speeches, government meeting minutes, architectural plans, or even dances or songs that reflect government values. Her artworks often focus on how Modernist architecture has been used to establish various state identities, particularly during moments of ideological and political crises.
On the High Line, Cibic shares three films. In The Pavilion (2015), five dancers assemble an architectural model that merges two buildings created to house patriarchal desire: the pavilion the Kingdom of Yugoslavia built for the 1929 Barcelona EXPO and the unrealized house for iconic performer Josephine Baker designed by Austrian architect Adolf Loos. Nada: Act II (2017) restages famed Hungarian composer Béla Bartók’s 1924 pantomime ballet The Miraculous Mandarin, as selected by Yugoslavia to represent its new political and aesthetic direction at the 1958 Brussels EXPO. State of Illusion (2018) posits the disappearing act of a nation state— former socialist Yugoslavia—as a magician’s illusion. Taking place on the High Line, a relic of infrastructure that has become a civic monument for industrial reuse, this exhibition invites us to think about the ways that the buildings and structures around us reflect the values of those who build them.
Cheng Ran Chung Kuo (Ck2k2x) September 15–November 9, 2022 Cheng Ran (b. 1981, Inner Mongolia, China) lives and works in Hangzhou, China. He is best known for his poetic films and videos that describe specific places and the experience of living in them. Cheng staged some of his earliest video works in his apartment, on the streets of Amsterdam, on a car ride through Iceland, telling grand truths through the mundane poetry of everyday life. His works have since expanded to immersive multi-channel installations and epic films that contrast historical sagas and rapid modernization. For the High Line, Cheng presents the US premiere of his feature-length film Chung Kuo (Ck2k2k) (2017–2022). The film revisits famed Italian filmmaker Michaelangelo Antonioni’s controversial documentary portrait Chung Kuno—Cina (1972). Anotioni filmed the work at the invitation of the Chinese government, but focused on the people presumed to have been at the edges of his official tour.
The final film sparked outrage among Chinese cultural critics and the general public for its failure to show an accurate portrait of the country. Cheng’s film offers a new portrait of contemporary China, opening with the question “Is this another dream?” The film comprises 100 short documentary-style videos, each ranging from a few seconds to almost one hour. Taking place among skyscrapers, farmland, and wilderness, some of the clips are staged while others are filmed from life. With this work, the artist records the present and imagines future ghosts of modernization. ART Spiritual Technology November 10, 2022–January 4, 2023 Spiritual Technology features three artists exploring how relations between spirituality and technology shift over time, including links between science, myth, belief systems, and our connection to the planet. Science fiction holds up a mirror to our potential futures and to our present. The works in this exhibition tease apart tensions between techno-utopian promises and intuitive connections to the biological world. Cannupa Hanska Luger’s (b. 1979, Standing Rock Reservation, North Dakota) We Live Future Ancestral Technologies Entry Log (2019) is an Indigenous science fiction film wherein two figures perform land-based rituals, wearing regalia that mutes the senses. The film describes a mass exodus from earth by those who destroyed much of it, and those remaining behind to repair it. Ursula Mayer’s (b. 1970, Ried im Innkreis, Austria) Atom Spirit (2016) is also set in the near future, one of increasing biomedical innovation. Made with individuals from the LGBT community in Trinidad and Tobago, the work follows a group of evolutionary geneticists creating a cryogenically frozen arc of DNA from all forms of life on the islands. In Suzanne Treister’s (b. 1958, London, England) HFT The Gardener (2015), Hillel Fisher Traumberg is a stock trader who experiences hallucinogenic states while observing high-frequency trading graph patterns.
Deep research into psychoactive drugs converts Traumberg into a technoshamanic outsider artist, connecting psychoactive plant names with companies in the Financial Times Global 500 in a search for the true nature of consciousness.
ABOUT HIGH LINE ART
Founded in 2009, High Line Art commissions and produces a wide array of artwork, including site-specific commissions, exhibitions, performances, video programs, and a series of billboard interventions. Led by Cecilia Alemani, the Donald R. Mullen, Jr. Director & Chief Curator of High Line Art, and presented by the High Line, the art program invites artists to think of creative ways to engage with the unique architecture, history, and design of the park, and to foster a productive dialogue with the surrounding neighborhood and urban landscape. For more information about High Line Art, please visit thehighline.org/art.
ABOUT THE HIGH LINE
The High Line is both a nonprofit organization and a public park on the West Side of Manhattan. Through our work with communities on and off the High Line, we’re devoted to reimagining public spaces to create connected, healthy neighborhoods and cities. Built on a historic, elevated rail line, the High Line was always intended to be more than a park. You can walk through gardens, view art, experience a performance, enjoy food and beverage, or connect with friends and neighbors—all while enjoying a unique perspective of New York City. Nearly 100% of our annual budget comes through donations. The High Line is owned by the City of New York and we operate under a license agreement with NYC Parks.
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Would love to visit
Our family is a huge fan. So glaf they’re coming closer to us in FL.