The Legend Returns for NYFW. Ralph Lauren Hosts His First New York Fashion Week Show in 4 Years.
Ralph Lauren is known as a master of style and character; and this year he returns to hosting a runway in Manhattan for New York Fashion Week.
According to Women’s Wear Daily, the 83-yr old American master of style plans to debut a new womenswear line at his show on the evening of September 8.
In 2019, Lauren’s last appearance at NYFW, he held a show in a decadent ballroom on Wall Street rebranded as “Ralph’s Club”. Since then, he’s held off-calendar events in NYC and Los Angeles.
NYFW: Ralph Lauren Hosts His First New York Fashion Week Show in 4 Years
His shows often attract A-listers such as John Legend, Jennifer Lopez, Diane Keaton, Jessica Chastain.
Lauren’s American return has also ignited his International spotlight. The designer touched down in Milan earlier this summer with “Dolce Vita” his Purple Label collection at magnificent Palazzo Ralph Lauren in Via San Barnaba.
To say the least, anticipation is very high for what he’ll debut this September at NYFW
Peter Do from Helmut Lang will Open New York Fashion Week.
Helmut Lang’s new creative director Peter Do will show his first collection to launch the Spring/Summer 2024 edition of New York Fashion Week on Sept. 8, according to the CFDA’s preliminary schedule.
Do became a fashion favorite for his work at the head of Helmut Lang in May. His much-anticipated debut hopes to refresh the brand, after a major restructuring
”New York Fashion Week is an integral part of New York City’s vibrant culture and sense of constant evolution and discovery,” said CFDA chief executive Steven Kolb. “This season’s official New York Fashion Week schedule plays to this sentiment and will once again showcase the best of American fashion, both emerging and established.”
Returning after a few seasons away, Jonathan Cohen and Phillip Lim will also stage NYFW comebacks.
Other returning brands include regulars such as: Altuzarra, Brandon Maxwell, Gabriela Hearst, Jason Wu, Carolina Herrera, Proenza Schouler and Michael Kors.
New additions to the schedule are Advisry, Chan Chit Lo, FFORME, Grace Ling and Sho Konishi. The CFDA/Vogue Fashion fund finalists — including Colin LoCasio, Kim Shui and Who Decides War — will host collection showcases throughout the week.
Coach will show on Sept. 7, before the week’s official kick-off.
The search for the grail continues, on Broadway this fall!
Direct from a sold out run at the Kennedy Center, producer Jeffrey Finn (Vice President & Executive Producer of Theater and Artistic Director, Broadway Center Stage at The Kennedy Center) announced today that the Tony Award-winning Best Musical comedy Monty Python’s SPAMALOT will return to Broadway this fall at the St. James Theatre (246 West 44th Street).
Performances begin Tuesday, October 31, 2023, and the official opening knight is Thursday, November 16, 2023.
SPAMALOT will be the first production from the Kennedy Center’s Broadway Center Stage series to transfer to Broadway since its inception in 2018 under Finn’s leadership. Josh Rhodes (Bright Star, Cinderella) will return from the Kennedy Center production to direct and choreograph on Broadway.
The musical, which first galloped onto Broadway in 2005, features a book & lyrics by Eric Idle and music by John Du Prez and EricIdle. The original Broadway production was nominated for fourteen Tony Awards and won three, including Best Musical, Best Direction of a Musical (Mike Nichols) and Best Featured Actress (Sara Ramirez as The Lady of the Lake) and featured choreography by Casey Nicholaw.
“I’m thrilled to see SPAMALOT back on Broadway,”
said Eric Idle.
“More than ever, it seems we need a good laugh and it’s inspiring to see audiences still embracing this, the most happy of shows I have ever worked on. So put the News Cycle on Rinse Cycle and take a couple of hours to relax with the Lady of the Lake, King Arthur and the Knights Who Say Ni because we’re not dead yet!”
“As we near the almost 20th anniversary of the original production, it is a great honor to restore SPAMALOT’s place on Broadway for fans who have longed for its return and for new audiences to meet the Knights of the Round Table for the first time,” said producer Jeffrey Finn. “I’m thrilled to continue the Kennedy Center’s legacy of bringing great productions from D.C. to audiences in the town that never sleeps – Camelot!…I mean, New York!”
Lovingly ripped from the film classic, Monty Python and the Holy Grail,SPAMALOT has everything that makes a great knight at the theatre, from flying cows to killer rabbits, British royalty to French taunters, dancing girls, rubbery shrubbery, and of course, the lady of the lake. SPAMALOT features well-known song titles such as “Always Look on the Bright Side of Life,” “The Song That Goes Like This,” “Find Your Grail” and more that have become beloved classics in the musical theatre canon.
TICKETS:
The Fan Pre-sale will begin on Tuesday, August 8th at 10AM ET. Tickets will go on-sale to the general public on Wednesday, August 9 at 10AM ET.
As the official card sponsor of Spamalot, American Express® Card Members have access to tickets through the American Express Preferred Seating program, available exclusively to eligible Card Members. Terms apply.
BLACK THEATRE UNITED Announces 2023 Gala Performers & Honorees
Black Theatre United (BTU) is proud to announce its inaugural Gala on Monday, October 30 at the Ziegfeld Ballroom in New York.
“A Salute to Broadway Legends: Past, Present, and Future”
Supported by Business for Good (BFG), the theme is “A Salute to Broadway Legends: Past, Present, and Future” and will be a star-studded evening in celebration of the indelible mark that Black culture has had and continues to have on Broadway.
Featuring performances by BTU Founders Vanessa Williams, Norm Lewis, Audra McDonald, LaChanze, Billy Porter, Capathia Jenkins, Brian Stokes Mitchell, Darius de Haas, Natasha Yvette Williams and Lillias White, the Gala will honor Grammy-winning producer, singer and songwriter Kandi Burruss; actress, director, producer and philanthropist LaTanya Richardson Jackson; Academy Award-winning actor and philanthropist Samuel L. Jackson; President of Trate Productions Robyn Coles; Chairman of the Board for Cerevel Therapeutics Dr. N Anthony Coles; and Award-winning Arts & Culture Executive and Director of Steve Jobs Theatre at Apple Dr. Indira Etwaroo.
In addition to an evening of performances honoring trailblazing leaders in Black theatre who are inspiring the next generation of Black theatre professionals, there will also be a live auction featuring one-of-a-kind experiences. Additional talent will be announced at a later date.
BTU Co-Founder Vanessa Williams said, “Black Theatre United is thrilled to have Business for Good be our lead sponsor for our first annual gala. BFG invests in people to build better businesses, stronger communities, and a more equitable world. A perfect alignment for BTU’s vision and commitment. Diversity is a fact but inclusion is a choice.“
You can also be a part of the call to action to inspire the next generation of Black theatre professionals in all communities across the country by becoming an inaugural sponsor.
BTU, a 501(c)3 nonprofit, was founded to build pathways of access and opportunities for Black and other students and industry professionals who have been historically marginalized in the theatre community. Proceeds from the gala will support BTU’s empowering programs in Mentorships, Student Internships, BTU’s Annual Advocacy Summit and BTU’s Education program.
AWARENESS • ADVOCACY • ACCOUNTABILITY
As members of the Black theatre community, we stand together to help protect Black people, Black theatre, and Black lives of all shapes and orientations in communities across the country. Our voices are united to educate, empower, and inspire through excellence and activism in the pursuit of justice and equality. We will tell our stories, preserve our history, and ensure the legacy of Black theatre as American culture. Join us.
This call to action is just the beginning. It was the latest manifestations of police brutality that galvanized Black Theatre United into being. With roots reaching into all 50 of the United States this coalition can harness invaluable political scope and influence. To elevate a cause or to overturn policies that target black people in any one state or community, the group will draw on members with local connections to use their visibility and influence for good in theater and on the national stage.
Passionate and committed, BTU’s founding group of actors, directors, musicians, writers, technicians, producers and stage management includes: Lisa Dawn Cave, Darius de Haas, Carin Ford, Capathia Jenkins, LaChanze, Kenny Leon, Norm Lewis, Audra McDonald, Michael McElroy, Brian Stokes Mitchell, Wendell Pierce, Billy Porter, Anna Deavere Smith, Allyson Tucker, Tamara Tunie, Lillias White, NaTasha Yvette Williams, Schele Williams and Vanessa Williams.
ABOUT BUSINESS FOR GOOD
With values rooted in equity, access, opportunity, and prosperity, Business for Good has advanced the model of traditional venture philanthropy to Do Good and Give Back to communities in the Greater Capital Region of Albany.
Formed in 2020, BFG seeks to give back to move forward and is rooted in the core principle of “for good, not gain.” Its efforts were recognized on a national level with a 2022 Fast Company’s World Changing Ideas Honorable Mention, which recognizes pioneering teams that are playing an important role in the betterment of the world through intentional philanthropy. Comprised of a mission-focused team, Business for Good™ believes no challenge is insurmountable through hard and thoughtful work. With a goal to provide businesses and organizations with sustained support, BFG invests in people for the long term and in every way.
Business for Good: building better businesses, stronger communities, and a more equitable world. To learn more, visit bfg.org.
BIOGRAPHIES
KANDI BURRUSS is a Grammy Award-winning singer/songwriter, TV personality, actor, producer of television/film/stage and Broadway, serial entrepreneur and restaurateur. Never one to slow down, she is juggling her wide array of business ventures from Kandi Koated Entertainment, Bedroom Kandi, Kandi Koated Cosmetics, Tags Boutique, and her Atlanta restaurants, Old Lady Gang and Blaze Steak and Seafood; as well as maintaining her spot on-top dominating music, Broadway, film and television.
LATANYA RICHARDSON JACKSON is a critically acclaimed actress, director and producer of the stage and screen. She recently made history as the first female to direct an August Wilson play with her Broadway directorial debut of August Wilson’s “The Piano Lesson” revival starring Samuel L. Jackson, John David Washington, and Danielle Brooks. In 2014, Richardson Jackson received a Tony Award Best Actress nomination for her performance as “Lena Younger” in the Broadway revival of Lorraine Hansberry’s “A Raisin in the Sun.” She also received the Distinguished Performance Drama League Award nomination. Richardson-Jackson also starred on Broadway as “Calpurnia” in Aaron Sorkin’s critically acclaimed adaptation of “To Kill a Mockingbird,” alongside Jeff Daniels, Celia Keenan-Bolger and Dakin Matthews, and directed by Bartlett Sher. In 2020, Richardson Jackson and her husband, Samuel L. Jackson produced EPIX award nominated docu-series ENSLAVED via their production company UppiTV. In 2018, Richardson Jackson narrated the feature length documentary “Sighted Eyes/Feeling Heart” on playwright Lorraine Hansberry, who penned the iconic “A Raisin in the Sun.” Richardson Jackson has received numerous awards for her philanthropic work including The United Negro College Fund and the N.Y. Keeper of the Dream Award. She was honored by the Ladylike Foundation, which is a faith based non-profit organization whose purpose is to educate, empower and inspire young women living in underprivileged communities. In 2016, she and her husband Samuel L. Jackson were honored by the Children’s Defense Fund for their longstanding commitment to the organization and their “Leave No Child Behind” mission. Richardson and her husband Samuel L. Jackson established the Samuel L. & LaTanya R. Jackson Foundation to carry out their commitment to a range of philanthropic issues in the United States and Africa. A graduate of Spelman College, she has served on their Board of Trustees and presently serves on the Advisory Board of their Women’s Center. She serves on the advisory council of Atlanta’s True Colors Theatre, the Ebony Repertory Theatre of Los Angeles, and is currently a board member of the American Theatre Wing and the National Museum of African American History and Culture in Washington, D.C. LaTanya Richardson Jackson and her husband Sam have one incredible, Emmy Nominated daughter, the beautiful Zoe Dove.
SAMUEL L. JACKSON. Appearing in well over 100 films, Samuel L. Jackson is one of the most respected actors in Hollywood. Jackson’s portrayal of ‘Jules’, the philosopher hitman, in Quentin Tarantino’s “Pulp Fiction” made an indelible mark on American cinema. In addition to unanimous critical acclaim, he received Academy Award, Golden Globe, and Tony nominations, as well as a Best Supporting Actor award from the British Academy of Film and Television Arts. Among his many award-winning performances, Jackson made movie history with his portrayal of a crack addict in Spike Lee’s Jungle Fever when he was awarded the first and only Best Supporting Performance Award ever given by the judges at the Cannes Film Festival. Jackson received an honorary Academy Award at the 12th Annual Governors Awards in January 2022. Most recently, Jackson can be seen reprising his role of Nick Fury in the Disney + original series, “Secret Invasion,” which premiered in June 2023. Jackson executive produced and starred in this latest installment in the Marvel Cinematic Universe alongside Emilia Clarke, Don Cheadle, and Kingsley Ben-Adir. Last year, Jackson returned to Broadway with a revival of August Wilson’s Pulitzer Prize-winning drama, “The Piano Lesson.” The show opened onThursday, October 13th and ran until Sunday, January 29th . Jackson’s performance earned him his first Tony nomination for Best Performance by a Featured Actor in a Play. In 2022, Jackson produced and starred in the critically acclaimed Apple TV+ original series, “The Last Days of Ptolemy Grey.” Jackson received a Critic’s choice nomination for Best Actor in a Limited Series for Television for his performance in the deeply emotional drama based on the bestselling novel.The series also received seven Black Reel Award nominations, four of which it won, and six NAACP Image Award nominations. In 2021, Jackson reunited with Salma Hayek and Ryan Reynolds for Lionsgate’s “The Hitman’s Wife’s Bodyguard,” the sequel to the 2017 film, “The Hitman’s Bodyguard.” He can also be seen in the newest “Saw” sequel, “Spiral,” with Chris Rock and Max Minghella and in Lionsgate’s “The Protégé.” In 2020, Jackson starred in the EPIX docuseries, “Enslaved,” which he also executive produced with LaTanya Richardson Jackson. “Enslaved” won three awards at the 2021 Canadian Screen Awards and two awards at the 2021 Impact Docs Awards. He also starred opposite Anthony Mackie in the Apple drama “The Banker.” In 2019, Jackson starred in Warner Bros.’ “Shaft” and Sony’s “Spiderman: Far From Home.” Jackson also starred as a young ‘Nick Fury’ opposite Brie Larson in the massive global hit, “Captain Marvel.” Jackson also reprised his role as ‘Mr. Glass’ in M. Night Shyamalan’s “Glass.” The film is the final installment of the universe Shyamalan created, which also includes “Split” and “Unbreakable.” In 2018, Jackson lent his voice to the Academy Award-nominated film “Incredibles 2,” reprising his role of ‘Lucius Best/Frozone.’ In 2017, Jackson starred in Warner Bros. “Kong: Skull Island” with Brie Larson and Tom Hiddleston. In 2015, Jackson appeared in Quentin Tarantino’s Oscar-nominated Western “The Hateful Eight.” He starred as Major Marquis Warren, alongside Walton Goggins, Jennifer Jason Leigh and Kurt Russell. That same year, Jackson appeared in Matthew Vaughn’s “Kingsman: The Secret Service” and Spike Lee’s “Chiraq.” In 2016, Jackson was seen in David Yates’ “The Legend of Tarzan,” starring alongside Alexander Skarsgård, Margot Robbie and Christoph Waltz in addition to Tim Burton’s “Miss Peregrine’s Home for Peculiar Children.” Also in 2016, Jackson completed production on Brie Larson’s directorial debut “Unicorn Store,” “The Last Full Measure” with Sebastian Stan, Christopher Plummer and Ed Harris as well as Dan Fogelman’s “Life Itself.” In 2012, he co-starred in Quentin Tarantino’s “Django Unchained” as ‘Stephen,’ with Christoph Waltz, Jamie Foxx and Leonardo DiCaprio. He also starred in “The Avengers,” which is part of his 9-picture deal with Marvel Studios. Jackson reprised his role in both Marvel’s “Captain America: The Winter Soldier,” which was released in April 2014, and the 2015 sequel “The Avengers: Age of Ultron.” Jackson made his Broadway debut in 2011 at the Bernard B. Jacobs Theater in “The Mountaintop,” where he portrayed Martin Luther King Jr. The play also starred Angela Bassett and was directed by Kenny Leon. Jackson’s career began onstage upon his graduation from Morehouse College in Atlanta with a degree in dramatic arts. Among the plays were Home, A Soldier’s Play, Sally/Prince and The District Line. He also originated roles in two of August Wilson’s plays, The Piano Lesson and Two Trains Running at the Yale Repertory Theatre. For the New York Shakespeare Festival, Jackson appeared in Mother Courage and Her Children, Spell #7, and The Mighty Gents. Additional film credits include: “RoboCop,” “Oldboy,” “Mother and Child,” “Iron Man 2,” HBO’s “The Sunset Limited,” “Lakeview Terrace,” “Soul Men,” “The Spirit,” “Jumper,” “Resurrecting the Champ,” “1408,” “Black Snake Moan,” “Snakes on a Plane,” “Freedomland,” “Coach Carter,” “Star Wars: Episode III: The Revenge of the Sith,,” “S.W.A.T,” “Changing Lanes,” “Formula 51,” “Stars Wars Episode II: Attack of the Clones,” “Caveman’s Valentine,” “Eve’s Bayou,” “Unbreakable,” “Rules of Engagement,” “Shaft,” “Deep Blue Sea,” “Star Wars Episode One: The Phantom Menace,” “The Negotiator,” “The Red Violin,” “Jackie Brown,” “187,” “A Time to Kill,” “Die Hard with a Vengeance,” “Jungle Fever”, “Sphere,” “The Long Kiss Goodnight,” “Ragtime,” “Sea of Love,” “Coming to America,” “Do the Right Thing,” “School Daze,” “Mo’ Better Blues,” “Goodfellas,” “ Patriot Games,” and “True Romance.” On the small screen, Jackson served as Executive Producer for the Spike TV animated series, “Afro Samurai” which premiered in 2007. The series received an Emmy Award nomination for Outstanding Animated Program from the Television Academy of Arts and Sciences. The first edition of the “Afro Samurai” video game launched in February 2009. Jackson also starred in John Frankenheimer’s Emmy Award-winning “Against the Wall” for HBO. His performance earned him a Cable Ace nomination as Best Supporting Actor in a Movie or Miniseries, as well as a Golden Globe nomination.
ROBYN COLES is currently President of TRATE Productions, a producer of television, film, and theater. Mrs. Coles is an avid supporter of the arts and social justice. Mrs. Coles is a board member of the NAACP Legal Defense Fund, the Damon Runyon Cancer Research Foundation, Black Economic Alliance, American Theatre Wing and former trustee of Playwrights Horizon, Alvin Ailey, A.C.T. SF, the San Francisco Opera Guild and the United States Olympic and Paralympic Foundation and a member of their finance committee.. Mrs. Coles is a Co-Producer and Tony Award winner of A Strange Loop and Parade. Prior to her current duties, Mrs. Coles served as the CEO of Computer Marketing Services and CEO of Scientific Supplies Network, a medical supply company. Mrs. Coles received her bachelor’s degree in Urban Affairs and Economics from Goucher College.
N ANTHONY COLES, M.D. has served as the Cerevel Therapeutics chairperson of the board of directors since December 2018 and previously was also the chief executive officer of Cerevel from September 2019 to June 2023. Previously, Dr. Coles served as co-founder and Chief Executive Officer of Yumanity Therapeutics, LLC, from October 2014 until September 2019, and he continues to serve as the Executive Chair of the Board. Dr. Coles served as President, Chief Executive Officer and Chairman of the Board of Onyx Pharmaceuticals, Inc., a biopharmaceutical company, from 2012 until 2013, having served as its President, Chief Executive Officer and a member of its board of directors from 2008 until 2012. Prior to joining Onyx in 2008, he was President, Chief Executive Officer, and a member of the board of directors of NPS Pharmaceuticals, Inc., a biopharmaceutical company. Dr. Coles currently serves on the board of directors of Regeneron Pharmaceuticals, Inc., the Council on Foreign Relations and is board Co-chair of Black Economic Alliance. Dr. Coles is a member of the Board of Trustees for Johns Hopkins University, The Metropolitan Museum of Art in New York and is currently the chair of the Council for the Smithsonian’s National Museum of African American History and Culture in Washington, D.C., In 2022, Dr. Coles was inducted into the American Academy of Arts & Sciences. Educated at Johns Hopkins University, Dr. Coles earned a medical degree from Duke University and a master’s degree in public health from Harvard University. He completed his cardiology and internal medicine training at Massachusetts General Hospital and was a research fellow at Harvard Medical School.
INDIRA ETWAROO (Award-winning Producer, Director, Scholar, and Arts and Culture Executive) has worked across the world to develop multiplatform venues and content that represents the exquisite and complex diversity of the world. She currently serves as the Director of the Steve Jobs Theater at Apple in California. Dr. Etwaroo was a major force for content innovation and inclusion in the public media field, as the Founding Executive Producer of The Greene Space in NYC and Founding Executive Producer of NPR Presents to bring live, on-air and online content to audiences across the world. She Executive Produced the American Broadcast Premiere of the 75th Anniversary of Zora Neal’s Hurston’s Their Eyes Were Watching Godand the first-ever recordings and live broadcasts of August Wilson’s entire American Century Cycle. She led The Billie Holiday Theatre in Brooklyn through radical growth, as its Executive Artistic Director, leading to the Presidential Medal of the Arts for the 2020-2021 season under her tenure. In response to the converging pandemics of 2020, she spearheaded the launch of the first-ever national strategic plan for Black theater institutions across the nation, raising $10.5 million for the field. Dr. Etwaroo has been a professor of graduate studies at Temple University and NYU and has lectured and published extensively on the performing arts, race, womanhood and equity.
Sarah Paulson to Return to Broadway in Branden Jacobs-Jenkins’ Appropriate at Second Stage Theater
Second Stage Theater (Carole Rothman, President and Artistic Director; Lisa Lawer Post, Interim Executive Director) today announced that Emmy, Golden Globe, and SAG Award winner SARAH PAULSON returns to Broadway starring in Branden Jacobs-Jenkins’ APPROPRIATE, directed by Lila Neugebauer.
This production marks Ms. Paulson’s return to the New York stage since she was last seen co-starring opposite Danny Burstein in Lanford Wilson’s Talley’s Folly in 2013.
Part of Second Stage’s 45th Anniversary Season, APPROPRIATE will begin previews Tuesday, November 28th and will officially open on Monday, December 18th at Second Stage’s Hayes Theater (240 West 44th street).
This production marks Mr. Jacobs-Jenkins’ Broadway debut.
Two-time Pulitzer Prize finalist and Obie Award winner Branden Jacobs-Jenkins (An Octoroon) and Drama Desk Award winner Lila Neugebauer (The Waverly Gallery, 2ST’s Mary Page Marlowe) invite you to one helluva reunion in the darkly comic American family drama,APPROPRIATE.
It’s summer, the cicadas are singing, and the Lafayette family has returned to their late patriarch’s Arkansas home to deal with the remains of his estate. Toni (Paulson), the eldest daughter, hopes they’ll spend the weekend remembering and reconnecting over their beloved father. Bo, her brother, wants to recoup some of the funds he spent caring for Dad at the end of his life. But things take a turn when their estranged brother, Franz, appears late one night, and mysterious objects are discovered among the clutter. Suddenly, long-hidden secrets and buried resentments can’t be contained, and the family is forced to face the ghosts of their past.
Additional casting and creative team members will be announced in the coming weeks.
Emmy, Golden Globe, and Screen Actors Guild Award winner SARAH PAULSON last appeared onstage in New York in the Roundabout Theatre Company’s production of Lanford Wilson’s Pulitzer Prize winning play Talley’s Folly in spring 2013. Other stage appearances include the Broadway productions of Collected Stories, opposite Linda Lavin, and The Glass Menagerie alongside Jessica Lange; the Mark Taper Forum production of The Cherry Orchard opposite Alfred Molina and Annette Bening; and off-Broadway in Tracy Letts’ critically acclaimed Killer Joe. Paulson received the Emmy Award for Outstanding Lead Actress in a Miniseries or Movie for her portrayal of attorney Marcia Clark in FX’s critically acclaimed miniseries “The People v. O.J. Simpson: American Crime Story.” Paulson also received a Golden Globe® Award, a Screen Actors Guild Award, a Critics’ Choice Award and a Television Critics Association Award for this role. Her many additional TV credits include her performance as Linda Tripp in FX’s “Impeachment: American Crime Story” (Emmy nomination, also Executive Producer); the title role in the Netflix series, “Ratched” (also Executive Producer), which debuted at number one across 50 countries worldwide and earned Paulson a Golden Globe® nomination; the FX on Hulu Emmy-nominated limited series, “Mrs. America,” opposite Cate Blanchett; Aaron Sorkin’s “Studio 60 on the Sunset Strip” (Golden Globe nomination); HBO’s “Coastal Elites” and “Game Change” (Emmy and Golden Globe nominations); ten installments of Ryan’s Murphy’s award-winning television series “American Horror Story,” where she also made her directorial debut with the 78-minute crossover episode, “Return to Murder House.” Paulson has received five Emmy® nominations for her roles in the franchise, as well as two Critics’ Choice Awards for her roles in the anthology series. Paulson’s many film credits include Warner Bros.’ Ocean’s 8; Todd Haynes’ critically acclaimed Carolalongside Cate Blanchett and Rooney Mara; Steve McQueen’s 12 Years a Slave, which received an Academy Award® for Best Picture. She has also appeared in Steven Spielberg’s The Post opposite Tom Hanks and Meryl Streep; Aneesh Chaganty’s Run for Hulu; M. Night Shyamalan’s thriller Glass for Universal; Netflix’s Bird Box opposite Sandra Bullock; DreamWorks Animation’s Abominable. Other film credits include Martha Marcy May Marlene; Down with Love; What Women Want, The Other Sister. Upcoming, she will executive produce and star in Searchlight’s horror thriller, Dust; will appear in Bruce Norris’ film adaptation of his Pulitzer, Tony, and Olivier award-winning play, Clybourne Park, directed by Pam MacKinnon; and in Bad Robot’s series adaptation of Glennon Doyle’s memoir, “Untamed.”
BRANDEN JACOBS-JENKINS is a Brooklyn-based playwright and producer and two-time Pulitzer Prize finalist.
BRANDEN JACOBS-JENKINS is a Brooklyn-based playwright and producer and two-time Pulitzer Prize finalist.
Recent theatre credits include The Comeuppance, which recently ran at the Signature Theatre; Girls (Yale Rep); Everybody (Signature Theatre), War (Yale Rep; Lincoln Center/LCT3); Gloria (Vineyard Theatre); Appropriate (Obie Award; Signature Theatre); An Octoroon (Obie Award; Soho Rep, Theatre for a New Audience); and Neighbors (The Public Theater).
He was showrunner, executive producer, and writer for HULU/FX’s drama series, “Kindred,” based on Octavia E. Butler’s groundbreaking novel. He currently teaches at Yale University and serves as Vice President of the Dramatists Guild council and on the boards of Soho Rep, Park Avenue Armory, the Susan Smith Blackburn Prize, and the Dramatists Guild Foundation. Honors include a USA Artists fellowship, a Guggenheim fellowship, the MacArthur fellowship, the Windham-Campbell Prize forDrama, and the inaugural Tennessee Williams Award.
LILA NEUGEBAUER is an award-winning stage and screen director.
LILA NEUGEBAUER is an award-winning stage and screen director. Broadway: Kenneth Lonergan’s The Waverly Gallery.
Recent Off-Broadway credits include Simon Stephens’ Morning Sun (MTC), Tracy Letts’ Mary Page Marlowe (Second Stage); Annie Baker’s The Antipodes; Branden Jacobs-Jenkins’ Everybody; Edward Albee’s At Home at the Zoo: Homelife/The Zoo Story (Signature Theatre); Sarah DeLappe’s The Wolves;and Zoe Kazan’s After the Blast (Lincoln Center).
As co-Artistic Director of The Mad Ones: Mrs. Murray’s Menagerie (Ars Nova) and Miles for Mary (Playwrights Horizons), among others. Lila is an alum of the Drama League, Soho Rep Writer/Director Lab, Lincoln Center Theater Directors Lab, an Ensemble Studio Theatre member, New Georges Affiliated Artist, and New York Theatre Workshop Usual Suspect. Obie Award, Drama Desk Sam Norkin Special Award, and Princess Grace Award recipient. TV: “Maid” (Netflix), “The Last Thing He Told Me” (Apple TV+), “The Sex Lives of College Girls,” and “Room 104” (HBO Max). Lila’s directorial feature debut Causeway, starring Jennifer Lawrence and Brian Tyree Henry (Oscar nomination), is available on AppleTV+.
Second Stage Theater’s programs are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council, and by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
The Season is supported by a grant from the Howard Gilman Foundation.
Second Stage Theater’s 45th Anniversary Season will kick off in November
Second Stage Theater’s 45th Anniversary Season will kick off in November at the Tony Kiser Theater with the world premiere of Guggenheim Fellow Jen Silverman’s (Collective Rage) play, SPAIN, directed by Tyne Rafaeli (TheCoast Starlight), off-Broadway at the Tony Kiser Theater (305 West 43rd Street). The season will also include the world premiere of an untitled new play by Pulitzer Prize winner Paula Vogel (How I Learned To Drive), directed by Tina Landau (The SpongeBob Musical) at the Hayes Theater. Additional productions will be announced at a later date.
Single tickets for APPROPRIATE will go on sale at a later date. Currently, Season Subscriptions are available: full season 5 Show packages are $445; 3 Show packages are $350. For those 30 years of age and younger, Flip the Script 5 Show packages are $150. To purchase a subscription, please visit 2ST.com or call 212-246-4422. Subscribers receive early access to a winter festival of plays and readings by new American writers.
SECOND STAGE THEATER operates three New York City venues
Under the artistic direction of Carole Rothman, SECOND STAGE THEATER operates three New York City venues, exclusively dedicated to producing living American playwrights.
Among Second Stage’s 180 productions are the 2015 Pulitzer Prize winner Between Riverside and Crazy by Stephen Adly Guirgis; the 2010 Pulitzer Prize winner Next to Normal by Tom Kitt and Brian Yorkey; the 2012 Pulitzer Prize winner Water by the Spoonful by Quiara Alegria Hudes; Mary Page Marlowe by Tracy Letts; The Last Five Years by Jason Robert Brown; Dogfight by Benj Pasek, Justin Paul and Peter Duchan; Dear Evan Hansen by Benj Pasek, Justin Paul, and Steven Levenson; Clyde’s and By the Way, Meet Vera Stark by Lynn Nottage; Trust and Lonely, I’m Not by Paul Weitz; Grand Horizons by Bess Wohl; The Elaborate Entrance of Chad Deity by Kristoffer Diaz; Everyday Rapture and Whorl Inside a Loop by Dick Scanlan and Sherie Rene Scott; Let Me Down Easy and Notes From the Field by Anna Deavere Smith; Becky Shaw by Gina Gionfriddo; Torch Song by Harvey Fierstein; Eurydice by Sarah Ruhl; The Little Dog Laughed by Douglas Carter Beane; Metamorphoses by Mary Zimmerman; The 25th Annual Putnam County Spelling Bee by William Finn and Rachel Sheinkin; Jitney by August Wilson; Crowns by Regina Taylor; Saturday Night by Stephen Sondheim; Afterbirth: Kathy & Mo’s Greatest Hits by Mo Gaffney and Kathy Najimy; This Is Our Youth by Kenneth Lonergan; Coastal Disturbances by Tina Howe; A Soldier’s Play by Charles Fuller; The Good Times Are Killing Me by Lynda Barry; andTiny Alice and Peter and Jerry by Edward Albee.
The company’s more than 170 citations include the 2022 Tony Award for Best Revival of a Play for Take Me Out, as well as Best Featured Actor in a Play for Jesse Tyler Ferguson; six 2017 Tony Awards for Dear Evan Hansen (Best Musical; Best Lead Actor in a Musical, Ben Platt; Best Featured Actress in a Musical, Rachel Bay Jones; Best Book of a Musical; Best Original Score; Best Orchestrations); the 2009 Tony Awards for Best Lead Actress in a Musical (Alice Ripley, Next to Normal), Best Score (Tom Kitt and Brian Yorkey, Next to Normal), and Best Orchestrations (Tom Kitt and Michael Starobin, Next to Normal); the 2007 Tony Award for Best Actress in a Play (Julie White, The Little Dog Laughed); the 2005 Tony Award for Best Book of a Musical (Rachel Sheinkin, …Spelling Bee) and Best Featured Actor in a Musical (Dan Fogler, …Spelling Bee); the 2002 Tony Award for Best Director of a Play (Mary Zimmerman for Metamorphoses); the 2002 Lucille Lortel Award for Outstanding Body of Work, 29 Obie Awards, 11 Outer Critics Circle Awards, four Clarence Derwent Awards, 20 Drama Desk Awards, 11 Theatre World Awards, one Dorothy Louden Award, 20 Lucille Lortel Awards, the Drama Critics Circle Award and 23 AUDELCO Awards.
In 1999, Second Stage Theater opened The Tony Kiser Theater, its state-of-the-art, 296-seat theater, designed by renowned Dutch architect Rem Koolhaas. In 2002, Second Stage launched “Second Stage Theater Uptown” to showcase the work of up-and-coming artists at the 99-seat McGinn/Cazale Theater.
In 2018, Second Stage began producing at its 581 seat Broadway home, The Hayes Theater. Originally named “The Little Theater” and built in 1912, the city landmark has been remodeled by David Rockwell of Rockwell Group.
The Theater supports artists through several programs that include residencies, fellowships and commissions, and engages students and community members through education and outreach programs.
BACK TO THE FUTURE: The Musical begins previews on Broadway Friday, June 30th, 2023, at Broadway’s Winter Garden Theatre .
A limited number of $45 tickets will be available via digital lottery, subject to availability. The digital lottery opens at 12AM ET one day before the performance and winners are drawn at 10AM ET and 3PM ET that same day.
Tickets are non-transferable and limited to 2 tickets per person. For additional rules and to enter visit rush.telecharge.com.
A limited number of $40 in-person general rush tickets will be available every day when the Winter Garden Theatre box office opens, on a first-come, first-served basis. Maximum of two tickets per person, subject to availability. Seat locations and the number of tickets available are subject to availability and determined at the discretion of the box office.
Produced by Colin Ingram, together with Robert Zemeckis and Bob Gale, and based on the Universal Pictures/Amblin Entertainment film, the 2022 Olivier Award-winning Best New Musical, BACK TO THE FUTURE: The Musical has a book by Bob Gale, new music and lyrics by Emmy and Grammy Award-winning Alan Silvestri and six-time Grammy Award-winning Glen Ballard, with additional songs from the film including “The Power of Love” and “Johnny B. Goode.” Bob Gale is the co-creator and co-writer of the Back to the Future film trilogy and Alan Silvestricomposed the iconic film score for the series. BACK TO THE FUTURE: The Musical officially opens Thursday, August 3, 2023 at Broadway’s Winter Garden Theatre (1634 Broadway).
Tickets for BACK TO THE FUTURE: The Musical are now on sale at www.BackToTheFutureMusical.com, through Telecharge by calling 212-239-6200 or visiting Telecharge.com, or at the Winter Garden Theatre box office. Prices start at $69.
BACK TO THE FUTURE: The Musical stars Tony Award winner Roger Bart (Doc Brown), Casey Likes (Marty McFly), Olivier Award nominee Hugh Coles (George McFly), Liana Hunt (Lorraine Baines), Jelani Remy (Goldie Wilson/Marvin Berry), and Nathaniel Hackmann (Biff Tannen). The ensemble includes Merritt David Janes (Strickland), Mikaela Secada (Jennifer Parker), Amber Ardolino, Will Branner, Victoria Byrd, Brendon Chan, Kevin Curtis, Nick Drake, Samuel Gerber, Marc Heitzman, Kimberly Immanuel, Joshua Kenneth Allen Johnson, Hannah Kevitt, JJ Niemann, Becca Petersen, Emma Pittman, Jonalyn Saxer, Blakely Slaybaugh, Gabi Stapula, and Daryl Tofa.
BACK TO THE FUTURE: The Musical is directed by Tony Award winner John Rando and features a multi-Tony and Olivier Award-winning design team that includes Tim Hatley (set and costume design), Tim Lutkin and Hugh Vanstone (lighting), Gareth Owen (sound) and Finn Ross (video), with choreography by Chris Bailey, musical supervision and arrangements by Nick Finlow, illusions by Chris Fisher, orchestrations by Ethan Popp and Bryan Crook, dance arrangements by David Chase, music direction by Ted Arthur and casting by Tara Rubin.
Marty McFly is a rock ‘n’ roll teenager who is accidentally transported back to 1955 in a time-travelling DeLorean invented by his friend, Dr. Emmett Brown. But before he can return to 1985, Marty must make sure his high school-aged parents fall in love in order to save his own existence.
The critically acclaimed West End production of BACK TO THE FUTURE: The Musicalhas been seen by over 800,000 people to date, broken Adelphi Theatre box office records and recently extended to February 11, 2024. The production won the Best New Musical Olivier Award as well as multiple WhatsOnStage Awards and a Broadway World Award for Best New Musical. BACK TO THE FUTURE: The Musicalhad its world premiere at the Manchester Opera House on March 11, 2020 and officially opened in London on September 13, 2021.
The Original Cast Recording of BACK TO THE FUTURE: The Musical is available now from Sony Masterworks Broadway in all formats, including vinyl. (https://soundtracks.lnk.to/BTTFAlbum)
Back to the Future the film was released in 1985, starring Michael J. Fox as “Marty McFly” and Christopher Lloyd as “Dr Emmett Brown.” The film grossed $360.6 million at the box office worldwide and the total box office for all three films in the Back to the Future franchise was $936.6 million (over $1.8 billion in today’s money).
BACK TO THE FUTURE: The Musicalis produced by Colin Ingram, Donovan Mannato, Tom Viertel/ Steven Baruch/ Marc Routh/ Richard Frankel, Hunter Arnold, Playing Field, Robert L. Hutt, Ivy Herman/Hallee Adelman, Teresa Tsai, Bob McLynn, Gavin Kalin, Kimberly Magarro, Crush Music, Universal Theatrical Group, Sony Masterworks, Augury, Robert Zemeckis, Bob Gale, in association with Neil Gooding Productions, Ricardo Marques, James L. Nederlander.Bespoke Theatricals serves as General Manager.
Hugh Coles is appearing with the support of Actors’ Equity Association. The Producers gratefully acknowledge Actors’ Equity Association for its assistance with this production.
Follow BACK TO THE FUTURE: The Musicalat @bttfbway on Facebook, Twitter & Instagram.
Tina Fey And Amy Poehler Announce New ‘Restless Leg’ Tour Dates
After the incredible success of their first live sold out tour this Spring, Amy Poehler and Tina Fey announced their Restless Leg Tour will continue. The comedy icons, writers, producers, actresses and Saturday Night Live alumni will first stop in Cleveland, OH followed by Denver, CO, Austin, TX, Las Vegas, NV, Philadelphia, PA and Portland, OR.
TICKETS: Presales begin Wednesday, June 21 at 10 AM local time, including an artist presale with code RESTLESS. General on-sale begins Friday, June 23 at 10 AM local time on tinaamytour.com.
Limited VIP merchandise bundled tickets will be available at each show.
Thur Sept 21 – Cleveland, OH – State Theatre at Playhouse Square
Sun Oct. 1 – Denver, CO – Bellco Theatre
Thur Oct 12 – Austin, TX – Bass Concert Hall
Fri Nov 10 – Las Vegas, NV – Resorts World Theatre*
Sat Nov 11 – Las Vegas, NV – Resorts World Theatre*
Thur Dec 14 – Philadelphia, PA – The Met
Sat Jan 13 – Portland, OR – Alaska Airlines’ Theater of the Clouds
*not a Live Nation tour date
About Tina Fey:
TINA FEY is an award-winning writer, actress, author and producer, known for creating and starring as ‘Liz Lemon’ in 30 Rock. 30 Rock holds the record for the most Emmy nominations in one season for any comedy series (22), and received a total of 103 Emmy nominations and 16 wins over 7 seasons.Prior to creating 30 Rock, Fey completed nine seasons as head writer, cast member, and co- anchor of “Weekend Update” on Saturday Night Live. While at SNL, Fey also wrote the screenplay for the hit comedy film, Mean Girls, which Fey subsequently adapted for Broadway(12 Tony Award nominations) and again as a new musical feature film, now in pre-production for Paramount.
On film, Fey starred with Amy Poehler in Baby Mama and Sisters, with Steve Carell in Date Night, as lead voice in Pixar’s Oscar winning animated feature film Soul, and co-stars in Kenneth Branagh’s “A Haunting in Venice.” Fey also co-created, with Robert Carlock, the Emmy nominated hit Netflix original comedy, Unbreakable Kimmy Schmidt, and Mr. Mayor starring Ted Danson. Fey Executive Produced the Netflix animated series, Mulligan, as well as Girls5eva from creator Meredith Scardino, which wrapped production on Season 3 for Netflix. Fey’s memoir, Bossypants, topped the New York Times best seller list and remained for 39 consecutive weeks, and went on to sell over 5 million copies in the US thus far.
About Amy Poehler:
AMY POEHLER is one of Hollywood’s most versatile and sought-after talents, with credits including actress, writer, executive producer, and bestselling author. Poehler, perhaps best known for her starring role on the Emmy-nominated NBC comedy series Parks and Recreation, can currently be seen as co-host alongside Maya Rudolph in the second season of Peacock’s Baking It, where she also serves as executive producer. Other recent projects include serving as executive producer and narrator of Peacock’s unscripted series The Gentle Art of Swedish Death Cleaning, co-creator, executive producer, and the lead voice of FOX’s animated series Duncanville, executive producer of Netflix’s Emmy-nominated series Russian Doll, Amazon’s Harlem and Adult Swim’s Three Busy Debras. On March 4, 2022, Poehler made her documentary directorial debut with Amazon’s Emmy-winning documentary Lucy & Desi, where she also executive produced alongside Imagine Documentaries & White Horse Pictures. She recently starred and directed in Netflix’s Moxie and appeared as co-host (alongside Nick Offerman) and executive producer of the hit crafting competition series Making It. She has several additional projects in development as part of her successful production company Paper Kite Productions, including the upcoming First Time Female Director, which premiered at the Tribeca Film Festival, thriller-drama The Mother-In-Law, and the Netflix animated feature Steps.
Take a Deep Dive into Pop Culture with Woke Boomers Fritz Coleman, Louise Palanker on Media Path Podcast
Fritz Coleman and Louise Palanker are hosting a virtual dinner party. It’s a fun time, a good time, with lots of laughs, smiles, and a deep dive into pop culture past and present.
Have you ever become obsessed with a topic and taken a deep dive into consuming all you could uncover about it?
Media Path Podcast is here to indulge your creative obsessions. Co-hosted by Los Angeles weatherman/humorist Fritz Coleman and filmmaker/columnist and co-founder of Premiere Radio Louise Palanker.
Today we had a conversation (via zoom) with Fritz Coleman and Louise Palanker. This conversation has been edited for length and clarity.
What’s the best way to introduce this fun, flavorful conversation?
Louise: We tell folks, this is what you would be talking about if you got together with a group of friends anyway. What have you been watching? What should I stream? What’s good? So this is where every conversation eventually devolves. We just get there very rapidly
Fritz: Wheezy and I grew this podcast out of a friendship we’ve had for about 35 years, where we found out surprisingly and wonderfully, that we see eye to eye on lots of entertainment, movies, books, TV shows, and we thought, why not make this a podcast? It is a continuation of our common interests in our conversation.
So that’s what we do. We start each show with some suggestions on what people can watch, listen to, read, and that takes eight minutes. And then we always have a guest on; guests from all walks of life. We found that one of our sweet spots is television personalities from the Los Angeles area particularly ones from our growing up period, the 1960’s and 1970s boomer material and older.
But we do everything. We do politicians, we do singing stars. We’ve had very interesting books and topics that aren’t generally known to the public. I’ll give you an example. Two weeks ago. We had a show about a man who wrote a book about a woman by the name of Connie Converse, who I suppose you could describe as one of the great undiscovered musical talents in America.
She was a great songwriter and a great singer. She was never discovered, which was sad and then she just magically and mysteriously disappeared. So the book this guy wrote was about somebody that not everybody was familiar with, but it was fascinating because it was like a, ‘whodonnit’ and also the heartache of an undiscovered musical talent, that lady that started in Greens Village and all those things.
All that to say it’s Weezy and I discussing stuff we find fascinating and we hope you come along.
From the episodes I’ve watched, it feels like the most interesting dinner party you’ve been to in a long time.
Fritz: We appreciate that.
We’re gonna use that as a sales tool from now on. The most interesting dinner party you’ve ever been to. Yeah,
Louise: the food is awful.
Fritz: My dinner with Weezy.
Louise: Yeah, there’s some hard candies and it’s bring whatever you can in your purse because we, I’ve got some granola bars on the coffee table, but that’s it.
Fritz: We want the intimacy of a conversation among friends and so you, you analyzed it well. Beautiful.
Because everyone watching and listening loves food. Do you have a favorite food you’d recommend either you per personally and enjoy or something that we should be eating or cooking while we listen and watch your show?
Louise: I’m gonna recommend some water. This comes out of a filtration system near my sink. It’s just lovely.
Fritz: I happen to be a fan of Northern Italian cuisine. I won’t name specific dishes, but in general, I love risotto with a great protein like shrimp or chicken.
I love penne with a bolognese sauce. I love capellini alla checca, which is a great when you add shrimp to it and then you add a checca sauce, which is the red sauce with garlic. And so I like Northern Italian Cuisine. I don’t cook, but I can buy the best food in America. Just walking out my front door here.
Louise: Have you ever put salmon on a pizza?
Fritz: I’ve had that actually. That’s actually very good.
Louise: Very good. Goat cheese. Wonderful. I love let’s see, chicken parmesan, I think that’s what I would order.Maybe that sounds very pedestrian. But comfort foods are delicious.
Meatloaf, mashed potatoes, chicken parm. That’s the kind of stuff – any potato really, you can’t do anything to a potato that would offend me.
Fritz: I’ll tell you, LA is wonderful for that lately cuz there’s all sorts of interesting fusions going on. You have Vietnamese food and Italian food and a fusion menu.
And if you like to experiment with different palettes, this is a great city to do it in. It really is, thanks to Wolfgang Puck and some of the gourmet chefs in the town. Completely
I think what we’re all, what we’re all noticing immediately is the two of you have phenomenal chemistry. What’s the origin story?
Louise: Yes, absolutely. We know each other quite well. It’s very natural, and I’ve been podcasting since you could, you go back to 2005 whenever you got that new iPhone that said, would you like to listen to a podcast? And then you said, what’s a podcast? And then the adventure begins.
So I’ve been doing it from jump and Fritz was contractually obligated to not speak outside of his news job about anything that did not concern a weather pattern. Your newsman cannot have an opinion. That’s very distracting, especially now in our divided sensibility.
Fritz: You just can’t say anything smart, that would embarrass the station. That’s all.
Louise: So you couldn’t do commercials. It makes sense if you’re talking about the weather, you don’t wanna be thinking, oh, this guy sells batteries. You just, you wanna just get your weather cast.
So as soon as he retired we jumped on board together because I had done four podcasts before this one, and I was prepared in terms of what a podcast requires, how difficult it is. And so for Fritz, I just need his mind, his preparation, his wit and his fascination with all things interesting.
And he’s more than ready to take on the podcasting world. He’s the best.
Fritz: And this is not a brag but it’s true. You cannot manufacture chemistry. You can see two people on television. You hear them on the radio or hear them in a conversation, and you know that these two people should not be in the same room together, let alone host their own presentation.
But we just have a natural thing that was born out of our friendship really, and our common interest in stuff. One of our sweet spots is baby boomer and older music, old rhythm and blues. Weezy’s interest in music goes back to the old harmony groups like the Mills Brothers, cuz she was personal friends.
So all those things we find fun and so when we get in there we I think that the fun we’re having resonates to the audience. I hope it does.
Louise: We geek out together. It’s like watching Jimmy Fallon. You’re just so giddy that he’s that giddy. So hopefully we bring that kind of enthusiasm and just to get to meet the people that we grew up watching.
And also the excitement of when you have an author reading the book and then getting to talk to the author and, rather than having to scour YouTube for interviews that the author did, because now you’re fascinated. We actually get to talk to the person. And so we find that exciting. It’s like going to grad school for free.
Fritz: One of the great joys is having a topic that you don’t know anything about. For instance, this Connie Converse topic and the one we’re having this week we’re preparing for now, this is a guy that wrote a book about the friendship between Henry Ford, John Burrows, and Thomas Edison.
These three geniuses in a different venue, each one, but they all had this spectacular friendship and they all took a road trip in a model T Ford. I knew a little bit about Henry Ford, you know it from the Industrial Revolution and extreme antisemitism. But I didn’t realize that he had interests outside there. Louise and I are just gonna be blank slates and come into this interview with just being inquisitive, and that’s always fun. You discover something you had no idea about.
Let’s talk about both of your backgrounds.
We’re gonna go to Fritz second. Louise, bring everyone up to speed about what you’ve accomplished and those other podcasts you’ve worked on so people know the background that you bring to this show.
Louise: Yes, I began my career as a studio page, and it was one of those things where you get your foot in the door and one thing leads to the other thing.
So I became a studio page at a place called Metro Media Tape. We were doing all of the Norman Lear sitcoms. We had the John Davidson talk show. Which was where a person like me gets to meet Van Johnson. It was just crazy. Look, I’m from suburban Buffalo and here I am with Van Johnson.
It was crazy. So I’ve always just been so grateful to work in entertainment. I just consider it to be an honor. But that led to a job at a show called PM Magazine, which led to me meeting Rick Dees who was a local radio personality. I went to write his syndicated countdown show, which is called the Rick Dees Weekly Top 40, which led to me meeting other personalities at KISS FM and forming a company with them called Premier Radio Networks.
And that was a 15 year rocket ship that led to that company being sold to Clear Channel, which is now iHeart Media. At one point I went to one of my partners and I said, Hey, Craig, what are what’s the chance of me having my own show? And he said, none. And I said, I have two words for you, podcast.
Because he didn’t know that they were just the one word at that time. And I, that’s how new it was. I was doing standup comedy at the time, so I went to do standup comedy that night and I said to my friend, Laura Swisher, have you heard of a podcast? And she said, I just heard about it today.
It was just like, it was hot off the press, right? So we were like, let’s make one. That led to 100 episodes of Weezy In The Swish, which was my first podcast. And then I did one with K with teenagers where I was like giving teenagers advice cuz like I love to mentor young people.
And that one was called Journals Out Loud. And then I did one with some of my comedy friends called things I Found Online, which was people our age discovering the interne. Then Fritz retired and now I’m working with Fritz.
I never was a radio personality at Premier. I was a creator. I was in charge of all of the creative output, but Premier had shows that did not involve or include me other than behind the scenes.
And now Fritz obviously. My words, you’re an LA icon. For more than 40 years…
Fritz: Contactually, you have to say that about me. Every time you introduce me. I’m an LA icon.
Not only do you own LA TV, but you own LA stages because for those who don’t know, seeing you live is a phenomenally fun, entertaining evening. Was it a very conscious segue to get into podcasting?
Fritz: My involvement with her podcast is totally her both blame and her gift that she gave to me after I retired.
People find this hard to believe. Real meteorologists hate this story, but I’ll tell it to you anyway. I was working at the Comedy Store in 1982 and because I talked on stage about having done the weather earlier in my broadcasting career, the news director from Channel Four and his wife were in the audience that night and he came up to me after the show and he said, I really enjoyed your show, particularly the thing about doing the weather in the Navy, but not knowing anything about it.
He said, would you have any desire to come to Channel Four and do some vacation relief, weather forecasting? I was making $25 a night at the Comedy Store, and so I almost passed out. I said, of course, when do you want me to start? He said you have to audition. So I auditioned and got the job, and I did two years as a vacation relief guy on the weekends.
Filling in on the weekends and filling in for people on vacation. And then two years later, I was bumped up to the weekday weather cast position and I retired two weeks shy of my 40th anniversary. And it’s just unbelievable. I didn’t set out to have a career in weather. This opportunity presented itself.
I could continue to do standup. I came out here from Buffalo, New York where we Weezy’s from to do standup. Even as the weather job I was able to continue to do standup. And so I had two careers. One paid for my children’s education. The other exercised my ego, and as they, it both worked out.
How do you two decide on the topics and when you bring up your guests, how do you decide on your guests?
Louise: We get a lot of offers coming our way now. There’s definitely people that we go after. But we have so many folks that are pitching, when someone has something new that comes out, they make the rounds. And so we just know what our sweet spots are and we email each other with our producer Dina, and we say, does this sound good?
So for example we did not know anything about that Elvis story that you’re talking about. And when it was pitched to us, we just said Absolutely. Exactly. This is what we wanna delve into. So that is what you’re referring to, is a book about a woman who researched Elvis’s health history and discovered that he wasn’t a drug addict because he enjoyed drugs. He was a drug addict because he was trying to feel normal. He was born with disease in 9 out of the 11 systems of the body, and this is why everyone on his mother’s side dies in their forties, including Elvis.
Fritz: That was a great example of what I was talking about.
Weezy and I were just flabbergasted. I mean we’ve all known a lot about Elvis, especially Weezy and I, because we’re students of music, but there was so much in there that we didn’t realize. And that’s a great example of discovering things that you weren’t aware of that made the podcast so much fun.
Louise: And the book is by Sally Hodel and it’s called Elvis: Destined to Die Young.
I think so many people are looking for that level of knowledge and a deeper dive. I think both YouTube and podcasts allows for those deeper dives.
What do the two of you look for when it comes to interviews? Is there different angles you’re both looking to achieve or how does that happen?
Louise: If we find it interesting, we just believe that other folks will find it interesting. So we just gauge it on what fascinates us.
We’re a pretty good barometer.
Louise: We’re always looking for politics. We both call ourselves “woke boomers”.
We’ll take it. And we love history. We love biographies, we love documentaries. We’re both news junkies. We love TV, especially the TV that is close to people because they grew up with it. We believe firmly that what you loved at 10 you love forever. We talked to Marty Croft and we talked to former child stars and we talk to folks like that.
This week we talked to Nellie Oleson, Alison Arngrim from Little House on the Prairie as well. We love talking to those folks and learning what life was like as a child growing up making the television that other kids were so in intrigued by, and of course the music of our era, sixties, seventies, eighties,
Fritz: We had two documentary filmmakers on a couple of about a month or so ago. They made a documentary about Blood, Sweat and Tears, which was one of the iconic groups of the late sixties and early seventies. They and Chicago were the first bands to use horns in mainstream rock and roll. But there’s a great backstory about how Blood, Sweat and Tears were bamboozled into making a tour behind the Iron Curtain. They were the first American rock band that had ever been allowed to tour behind the Iron Curtain.
And there’s hundreds of hours of video of these guys experiencing Romania and all these less than welcoming countries. And that was fantastic because, again, we’d always been fans of Blood, Sweat and Tears. But this was an aspect of their career we didn’t know anything about. That was fantastic.
And we had Bobby Columby, who was the drummer for Blood, Sweat and Tears in the studio with us. It was really fun.
You both brought up in your own ways, “happy accidents” with guests. Can either of you suggest guests we should go back through your archives and find?
Louise: My favorite episode features Joyce Bouffant. She wrote a book called My Four Hollywood Husbands. It’s absolutely a tremendously entertaining read. She was married to James MacArthur, The son of Helen Hayes. So this kid who has a impoverished childhood and suddenly she’s hanging out with Helen Hayes. Launches a career of taking care of alcoholic husbands and finally winding up with the man of her dreams.
And it’s just, it’s quite a ride and remarkably entertaining.
Fritz: And we have guests that will always be our favorites. One of our only repeat guests, Henry Winkler, who happens to be a close friend to Weezy’s. We had him on, but not because he’s a close friend. Because when you just have a very casual conversation with him, you realize his appeal to the world.
He’s one of the most down to earth, non-condescending, brilliant guys who never talks down to you. He’s just the loveliest man in the world and who has had an astonishing career. And we’ve had him on, and we’re gonna try to get him on again because he has an autobiography coming out soon. So we hope we can coerce him into coming back on.
But yeah, we love those too. We haven’t had anybody else on twice? I don’t think so. Adam Schiff. The politician. Now his life has changed because he’s running for senator from California.
Louise: He’s Fritz’s Congressman, so he’s congressionally obligated to attend our podcast.
He’s wonderful and very funny guy as well. We’re always just really honored to speak to him. Another favorite show of mine is: The Steve’s. Steve Young and Steve O’Donnell, both wrote for David Letterman. Steve Young has created this documentary called BathtubsOver Broadway, where Steve Young becomes obsessed with industrial musicals.
It’s on Amazon Prime right now and it still gets a lot of views.
It’s fun to talk to Pat Boone and Vicky Lawrence and Johnny Whitaker and Christopher Knight. All of our comedian friends, but those are the stories that you love. Uncovering is things that you didn’t know were there and that delight you.
Let’s tell the audience where to find your show – Where do we find you?
Louise: Anywhere you type Media Path Podcast it’s gonna come up. Website, podcast, youtube, iphone.
Fritz: I have a new comedy special, which is streaming on Tubi. It’s called Unassisted Living. It’s just describing life for people of our demographic: that is old people and their parents.
That’s gonna be fun. Can we find you live on stage soon?
Fritz: I think I’m gonna be having a residency at the El Porto Theater in North Hollywood, California. It’s a fairly legendary theater, called the Maryland Monroe Forum.
And I’m gonna be doing a show there once a month for a while as I work out new material. And I’ll be advertising that on social media and elsewhere.
Melissa Etheridge Comes To Broadway – 9 weeks only – This Fall with MY WINDOW; Begins Sept 14 at Circle in the Square Theatre
Melissa Etheridge Comes To Broadway – 9 weeks only – This Fall with MY WINDOW; Begins Sept 14 at Circle in the Square Theatre
Grammy and Academy Award-winning rockstar Melissa Etheridge will debut her acclaimed theatrical event, Melissa Etheridge: My Window on Broadway in a limited nine-week residency at the Circle in the Square Theatre (235 West 50th Street) beginning Thursday, September 14, with an official opening night of Thursday, September 28, 2023. Tickets are on sale now at Telecharge.com.
Etheridge said:
“I truly love Broadway, and it’s long been a dream of mine to tell my story and share my music there.
I never felt more connected to this community and New York audiences than I did after telling my life story off-Broadway last year.
The intimacy of the live theatrical stage is like no other, and Circle in the Square is going to be a magical home for my show’s Broadway debut. I can’t wait to come back to the City! It’s a deeply personal experience to be able to tell these stories again, in a fresh and exciting way, and reconnect with my fans and theatergoers.”
Known for her confessional lyrics and raspy, smoky vocals, Melissa Etheridge has lit up airwaves and arenas across the world for more than two decades with instant classics like “I’m the Only One,” “Come to My Window,” “I Want to Come Over,” and more. Melissa Etheridge: My Window is an intimate experience like never before, inviting theatergoers into an exhilarating evening of storytelling and music. From tales of her childhood in Kansas to her groundbreaking career highlights – with all of life’s hits and deep cuts between – Etheridge opens her heart and soul on stage to fearlessly dazzle audiences of all generations.
In October 2022, Etheridge celebrated the world premiere of Melissa Etheridge Off Broadway: My Window – A Journey Through Life. The three-week, sold-out engagement was performed at New World Stages in New York City. The New York Times calls the show “honest and searing. The smoky-voiced, out-and-proud trailblazer finds her own way in ‘My Window’…. pairing completely charming tales with staggeringly beautiful renditions of her songs.” Theatermania says My Window is “A GREAT Party. Etheridge delights us with a dry sense of humor and a whole lot of tremendous music as she recounts her life. She’s an amazing performer – had me in the palm of her hand!” Queerty declares, “Etheridge’s star power is undeniable, she delivers the emotional ferocity that is the very definition of rock ‘n roll. And her stories have the well-crafted arc and casualness of sitting at your favorite bar with a bestie.”
Melissa Etheridge Comes To Broadway – 9 weeks only – This Fall with MY WINDOW; Begins Sept 14 at Circle in the Square Theatre
The Broadway residency is produced by Michael Cohl and EMC Presents; in association with Larry Mestel, Deborah Klein, and Steven Greener for Primary Wave Music. Glenn Orsher serves as Executive Producer.
Melissa Etheridge: My Window is written by Melissa Etheridge, with additional material by Linda Wallem-Etheridge (“Nurse Jackie” showrunner, “That ‘70s Show”), and directed by Amy Tinkham (Aerosmith’s “Deuces Are Wild” Las Vegas Residency, Dancing with the Stars Live). The creative team includes scenic design by Emmy Award nominee Bruce Rodgers (Super Bowl Halftime shows since 2010), lighting design by Abigail Rosen Holmes (Phish, David Byrne’s “Contemporary Color”), projection design by Olivia Sebesky (James Taylor, Chad Deity), and sound design by Colle Bustin (West Side Story).
PERFORMANCE SCHEDULE & TICKETING
Tickets start at $99.50 plus fees and are on sale now at Telecharge.com. The regular performance schedule is Wednesday at 7 pm, Thursday at 7 pm, Friday at 8 pm, Saturday at 8 pm, and Sunday at 3 pm. (Note: There are also several Monday and Tuesday evening performances.) The performance schedule varies; check the website for the most up-to-date information.
ABOUT MELISSA ETHERIDGE
Melissa Etheridge (Writer/Performer) stormed onto the American rock scene in 1988 with the release of her critically acclaimed self-titled debut album, which led to an appearance on the 1989 Grammy Awards show. For several years, her popularity grew around such memorable originals as “Bring Me Some Water,” “No Souvenirs” and “Ain’t It Heavy,” for which she won a Grammy® in 1992. Etheridge hit her commercial and artistic stride with her fourth album, Yes I Am (1993). The collection featured the massive hits, “I’m the Only One” and “Come to My Window,” a searing song of longing that brought Etheridge her second Grammy® Award for Best Female Rock Performance. In 1995, Etheridge issued her highest-charting album, Your Little Secret, which was distinguished by the hit single, “I Want to Come Over.” Her astounding success that year led to Etheridge receiving the Songwriter of the Year honor at the ASCAP Pop Awards in 1996.
In February 2007, Melissa Etheridge celebrated a career milestone with a victory in the “Best Song” category at the Academy® Awards for “I Need to Wake Up,” written for the Al Gore documentary on global warming, An Inconvenient Truth. As a performer and songwriter, Etheridge has shown herself to be an artist who has never allowed “inconvenient truths” to keep her down. Earlier in her recording career, Etheridge acknowledged her sexual orientation when it was considered less than prudent to do so. In October 2004, Etheridge was diagnosed with breast cancer, a health battle that, with her typical tenacity, she won. Despite losing her hair from chemotherapy, Etheridge appeared on the 2005 Grammy® telecast to sing “Piece of My Heart” in tribute to Janis Joplin. By doing so she gave hope to many women afflicted with the disease.
On October 7, 2016, Melissa Etheridge released Memphis Rock & Soul, her first album since 2014’s critically lauded This Is M.E. Recorded at Royal Studios in Memphis, the album received stellar reviews from the likes of Entertainment Weekly, Parade, Rolling Stone, American Songwriter and more. She followed that up with the release of The Medicine Show in April 2019. For The Medicine Show, Melissa reunited with celebrated producer John Shanks and sounds as rousing as ever, bringing a new level of artistry to her 15th studio recording. The Medicine Show deals with universal themes of renewal, reconciliation, reckoning, compassion, and, most profoundly, healing.
In June 2020, Etheridge launched her own live-streaming subscription and single-ticket concert platform, Etheridge TV, and has done over 200 live stream events since 2020.
On September 17, 2021, Melissa released a new album called One Way Out. The 9-track album is a collection of songs Etheridge wrote in the late ‘80s and early ‘90s that never made the cut….until now! The time is finally right, and fans will finally get a deeper glimpse into who Melissa was then.
Maria Bamford brings Big Laughs at Patchogue Theatre November 19
Stephen Colbert called her his “favorite comedian on earth” and Judd Apatow said she is “the funniest woman in the world.”
Maria Bamford agrees that she is very talented and may, in fact, have a gift. (As do we all. AS DO WE ALL!) Maria is the first female comic to have two half-hour “Comedy Central Presents” specials. And now, two well-received specials on Netflix called “The Special Special Special” and “Old Baby.”
Awarded Best Club Comic at the American Comedy Awards and Breakout Comedy Star at the Montreal Comedy Festival, her critically acclaimed work includes her web series “The Maria Bamford Show” (featured at MOMA NY), “Ask My Mom” (recommended by The New Yorker), and her Netflix series “Lady Dynamite” (2 seasons).
Maria’s writing has been featured in The New York Times, LA Weekly and The Onion. She has 5 hours of stand-up available on iTunes that includes her latest recording “20%.” 20 percent is the amount of effort Maria puts into Everything She Does, if not five.
Maria has contributed comedic voice overs for such animations as Netflix’s “Big Mouth” and “BoJack Horseman,” Cartoon Network’s “Adventure Time,” PBS’s Emmy-winning series “Word Girl,” Nickelodeon’s “Kung Fu Panda” and “Legend of Korra,” and the international hit “Talking Tom and Friends.” She can do about 11 voices, not including her own, but just a little higher and faster.
For her mental health advocacy, she’s been presented with The OCD Foundation’s Illumination Award and featured at the Psychotherapy Networker Symposium, The Chautauqua Institution and the Saks Institute for Mental Health Law, Policy and Ethics Symposium. She’s not always right for these rooms, but she’s on time and pleasant.
In terms of showbiz, Maria has enough work and has made it and is swimming in a gravy boat, filled with scrumptious gravy. The goal for Bamfooco, Inc. is to give 11% of net profits to charity, and she is working towards that goal with a calculator. She loves trees, comedians, people, the world, personal finance and reality shows and lives in Altadena with her husband, artist Scott Marvel Cassidy and their dog Jackie Onassis.
