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First Look: ‘How To Dance in Ohio’ opening this Sunday December 10
First look photos have been released from the new musical How to Dance in Ohio – inspired by Alexandra Shiva’s Peabody Award-winning documentary of the same name – which is set to open this Sunday, December 10 the Belasco Theatre (111 W. 44thSt). With book and lyrics by Rebekah Greer Melocik (she/her), music by Jacob Yandura (he/him), choreography by Mayte Natalio (she/her), and direction by Sammi Cannold (she/her) – all making their Broadway debuts – How to Dance in Ohio began previews on November 15, 2023.
Reprising their roles on Broadway from the world premiere engagement at Syracuse Stage, the cast was heralded by The Syracuse Post Standard as, “both reflecting and respecting neurodivergence, with every single actor onstage delivering a distinguished, joyous, jaw-dropping performance.” In the parts of the real-life autistic young adults featured in the HBO documentary, are a cast of seven autistic actors, all making their Broadway debuts: Desmond Edwards (he/they) as Remy, Amelia Fei [Yi-Hsuan Fei] (she/her) as Caroline, Madison Kopec (they/she) as Marideth, Liam Pearce (he/him) as Drew, Imani Russell (they/them) as Mel, Conor Tague (he/him) as Tommy, and Ashley Wool (she/her) as Jessica.
Broadway veteran Caesar Samayoa (he/him; Come from Away, Sister Act) stars as renown psychologist Dr. Emilio Amigo and Cristina Sastre (she/her; Legally Blonde at The Muny) plays his daughter Ashley Amigo. Also featured in the cast are Broadway veterans Haven Burton (she/her; Shrek the Musical, Violet) as Terry, Darlesia Cearcy (she/her; Shuffle Along, Once On This Island) as Johanna, Carlos L Encinias (he/him; Les Miserables), Nick Gaswirth(he/him; …The Great Comet of 1812), and Melina Kalomas (she/her; Young Frankenstein). Completing the cast are Jean Christian Barry (they/them; Stranger Sings), Collin Hancock (he/him), Hunter Hollingsworth (he/him), Marina Jansen (they/them), Martín Solá (he/him; On Your Feet!). Ayanna Nicole Thomas (she/her), and Marina Pires (she/her; Aladdin, On Your Feet!).
How to Dance in Ohio is a heartfelt and poignant new musical about the desire to connect and the courage it takes to put yourself out into the world. As a group of seven autistic young adults prepare for their first ever formal dance—they face a challenge that breaks open their routines as they experience love, stress, excitement, and independence. How to Dance in Ohio is a story about people on the cusp of the next phase of their lives, facing down hopes and fears, ready to take a momentous first step…and dance.
The musical was originally developed with the late, legendary Broadway director Harold Prince and is dedicated to his instrumental work on the project.
The full creative team includes Tony Award nominated scenic designer Robert Brill (Ain’t Too Proud, Thoughts of a Colored Man), Tony Award nominated costume designer Sarafina Bush (For Colored Girls…), two–time Tony Award winning lighting designer Bradley King (Hadestown; Natasha, Pierre, and the Great Comet of 1812) and sound designer Connor Wang (The Cher Show – assist). Orchestrations are by Tony Award winner Bruce Coughlin (The Light in the Piazza), Music Direction is by Lily Ling and Scott Rowen (Hamilton) is the production stage manager. The production is cast by Benton Whitley, CSA & Micah Johnson-Levy of Whitley Theatrical. General management is by ShowTown Theatricals, Music Consultation is by Mary-Mitchell Campbell, Production counsel is Doug Nevin/ Klaris Law and the Production Manager is Bethany Stewert (What the Constitution Means to Me).
How to Dance in Ohio played its World Premiere engagement at Syracuse Stage in the fall of 2022 with The Syracuse Post-Standard declaring it “an exhilarating, groundbreaking, celebratory musical. You’ll walk out of the theater wiping your eyes. You’ll pause in the lobby to catch your breath, clear your head, and see if anyone else is as giddy as you are. How to Dance in Ohio is the musical you’ll talk about for the rest of your life.”. The News House calls the show “joyful and uplifting …celebrating the trials and tribulations of human connection,” and The Ithaca Times says, “tender, funny, and charming in the best sense, How To Dance In Ohio offers a fresh look at the musical genre.”
Through a dedication to authentic autistic representation, the musical’s creators adhere closely to the documentary’s narrative and spirit, offering a visible platform for autistic actors in a way that has never happened before in a new musical, either on or off the stage. Ava Xiao-Lin Rigelhaupt (she/her) serves as the production’s Autistic Creative Consultant with Becky Leifman (she/her) as the Director of Community Engagement. The Accessibility Team also includes Jeremy Wein (Associate Producer) and Nicole D’Angelo (Assistant Music Director). The How to Dance in Ohio production has also been developed to be inherently sensory-friendly (an environment accommodating to individuals with sensory sensitivities), and the team is working on several elements in the theater to ensure an experience that is accessible for as many audience members as possible. Elements that have been implemented and are being developed include: advance information (videos & maps) about the theater experience, sensory tool kits, cool-down spaces, and a performance sensitivity list. Updates and announcements regarding accessibility will be posted on the show’s website and social media pages. In addition to guidance from the show’s Accessibility Team, the production uses the resources found here.
Ticketsand Performance Schedule: Tickets for How to Dance in Ohio are now on sale via Telecharge.com. The ticket range is $39-$179. The regular performance schedule is: Tuesdays, Thursdays, Fridays @ 7pm; Wednesday & Saturdays @ 2pm & 7:30pm; and Sundays @ 3pm. Holiday weeks may vary, check howtodanceinohiomusical.com for the most up to date schedules.
Wine Pro Alan Tardi Returns to NYC for Beyond Bubbles Class December 13
Alan Tardi has worked as a chef, a restaurateur, a sommelier, a consultant to some of New York City’s biggest and best fine dining restaurants. He’s also written for magazines and publications, such as Wine Spectator, Wine and Spirits, Decanter, of course, the New York Times.
Today Wine Expert Alan Tardi returns for a conversation about his new Champagne, Prosecco and Lambrusco sparkling wine class Beyond Bubbles on December 13 at New York Wine Studio.
NYC Wine: Wine Pro Alan Tardi Hosts Popular NYC Wine Classes: Beyond Bubbles on December 13
Alan, thank you so much for coming back. You have a new class called Beyond Bubbles.
Can you just give us an idea of Beyond Bubbles about the class itself?
Alan Tardi: The class is going to take place on December 13th. That’s a Wednesday from 6 – 7:30pm. And the venue is the New York Wine Studio located at 126 East 38th Street between Park and Lexington, so a couple blocks away from Grand Central Station in New York City.
It’s going to be called Beyond Bubbles. I’m really focusing on three archetypal sparkling wines. Champagne, Lambrusco, Prosecco.
And I have to say Prosecco from the original growing area, Cornigliano Valdiviadene, not the extended one right now.
These are the sparkling wines that, to me, took their own path and they can, in the case of Lambrusco and Prosecco they’re really ancient grape varieties that have been going on for a very long time.
Champagne, they’ve been making wine for a very long time. But as we’ll talk about, which is really fascinating, they’re adjacent to Burgundy and they’re both in close proximity to Paris where the King and the royal kingdom was. They were very competitive with their wine.
The counts in Champagne and the Dukes in Burgundy. They were really vying for their wine for the favor of the King. But Champagne, like Burgundy, began making it for a long time, hundreds of years, still wines. And when, and that was what they made for a long time.
In your class Beyond bubbles, can you give us an idea of how many bottles are going to be tasting from and learning about, and maybe one or two that are extra special to you?
Alan Tardi: We’re going to be tasting 10 wines. Three from Lambrusco, a very misunderstood wine. The grapes for Lambrusco are wild. Prosecco and Champagne.
The class is Beyond Bubbles. Wednesday, December 13th, tickets are on sale. Now it’s coming up very quickly.
Let’s really dive deep for a second and just get to know champagne’s history. The whole idea of sparkling wine was an accident.
Alan Tardi: Yes. It was originally considered a flub because they were trying to make still wines to be in competition with Burgundy and they were very good at it. The still wines of Champagne were highly regarded.
So it did happen by accident. What happened is that Champagne is much further North than Burgundy. It’s at the breaking point beyond 45 degrees North where grapes can’t grow anymore. So they had a hard time making wine. it got very cold after harvest. One of the big customers for champagne was England and they shipped a lot of wine in barrel to England.
They were put into barrels once the fermentation stopped, because it got very cold and then they would ship them to England eventually in the springtime..
Because they finished their fermentation too early because it got cold, the fermentation stopped. Once it got warm again, the ferment: the remaining sugar went to work on the remaining yeast and it created bubbles in a closed container.
So when people opened up the barrel, it was fizzy.
When that happened in France, people did not like it because it was considered a flaw. England didn’t have a problem with that.
Eventually the producers said, wow, these people really want to have the bubbly wine. The King of France became very fond of this wine. So it really took off from there, but it happened in England first.
Talk a little bit about who “The Father of Champagne” was and how he tried to prevent this from happening.
Alan Tardi: It’s a really great story. Dom Perignon is considered to be the father of champagne. He was a chef and while he was a monk, he took over as the steward.
The convent had a lot of land given to them as dues to the church. He was managing the winery there in order to sell wine to support the monastery.
He would select different grapes from different places. He created fractional blending and fractional pressing of the grape so it’s very gentle and soft, which is very important for the development of champagne. But this was a still wine.
He was trying to make a still wine. When it spontaneously started sparkling, he considered it a flaw. He tried to avoid it with everything that he could possibly do.
It became extremely popular.
He said, “Brothers, I see stars in my glass.” And he was supposed to be blind by that point.
This whole thing of Don Perignon being the the father of champagne and seeing stars was made up as a marketing ploy by Robert de la Vogue, who was the head of a major champagne house. So they created this story around it. It’s a great story. I love it.
I wonder if that’s one of the reasons why champagne does swell during the holidays. When there’s decorations out and it really is a celebration.
Alan Tardi: I think it is. Sparkling wines bring something with them. There’s this effervescence, It’s like shooting stars. When they’re in the glass and you’re, you put them in your palate and they’re tingling and that’s all good.
Once the sparkling version was approved around 1725 by the King, it expanded throughout the world, it was a worldwide phenomenon.
You’ve mentioned the words method and process, share more about traditional champagne method?
Alan Tardi: It is a very stable process. You have to make a base wine. So you ferment grapes. They started sourcing different grape varieties from different areas throughout the extensive Champagne area. They would blend them together to make a decent wine. That’s the first fermentation.
Then they add a liqueur, called the tirage in French, it consists of primarily sugar, could be beet sugar or cane sugar; and yeast.
They’re put in individual bottles and then the bottle is sealed with a crown cap to keep the wine in the bottle. They would sit in a cellar for a period of time to create the secondary fermentation in a closed container. Like the initial fermentation process where the sugar goes to the yeast that is added to it. That creates a combination of sugar and yeast creates alcohol and carbon dioxide.
The carbon dioxide goes up, the alcohol stays in, and that’s how wine is made. But because [in still wine] it’s in an open container, the carbon dioxide goes out.
In a closed container [like in sparkling wine], in this case, a bottle, the carbon dioxide that was given off from the second fermentation was trapped inside the bottle. So once you open the bottle, the carbon dioxide would come up and out. And that’s where it comes from. That is what gives it the sparkle.
In Champagne, their method is known as the Method Champenoise.
They carry out the secondary fermentation in a closed bottle. Then, in the third part, they make the method Champenoise. It’s removing the sediment from the wine. There are many different ways to do it.
The most important common grapes for sparkling wine are Pinot Noir, Pinot Meurnier, Chardonnay. But your class reveals “lost grape varieties”. Tell me more about that.
Alan Tardi: These were grape varieties, typical of the area, that were used initially, but then people just put them by the side. The most important grape varieties were Chardonnay and Pinot Noir. Meunier was used as a workhorse, a filler, but it didn’t have the same identity that that Chardonnay and Pinot Noir had. Those are the three principal ones. Then [there was] these other varieties.
There’ve been major changes in the past 10 – 15 years in Champagne. It was driven by the Maison. Thousands of growers who supplied grapes to the Maison. Many times they would actually press the grapes, vinify the wine and then send the wine to the Maison.
They produced it for the houses. They didn’t have their own labels. That changed. A lot of the grower producers started labeling and selling their wine on their own. They got a lot of attention.
Some of these people were very loyal to the old grape varieties that were left on the side – they like Pinot Blanc, Pinot Gris – not very rare grape varieties, but people are not aware they are part of the grape varieties of Champagne.
Some people are really trying to promote those because it’s part of their culture. It’s part of their history.
There’s two others, Petit Mellier and Arban. It brings a whole new aspect to Champagne.
So we’re talking with Alan Tardi. On Wednesday, December 13th he hosts his new class Beyond Bubbles. One of those bubbles we’re going to be talking about is Prosecco. Frizzanti, Spumanti. Help us understand what these words mean, the region, how it all relates
Alan Tardi: Prosecco is one of the most misunderstood wines out there. There’s a lot more to it than most people are aware of. It’s not just a base for a Bellini or a cocktail, or just a cheap fix. There’s a lot more going on there than often meets the eye.
It’s a very old wine growing area. The original area is Conigliano Valdobbiadene. Fifiteen towns that make up the area in the hills just at the foot of the Dolomites in Veneto. They’ve been making wine there for a long time.
I have a feeling that the people who originally planted grape vines there were members of this Celtic Ligurian tribe that were up in Northern Italy, like in the Botellina and over in Liguria. They have this amazing capacity to plant vines in places where it’s very difficult.
Prosecco is very different from Champagne. I was living in Italy. I was going to Prosecco a lot because I did a story for Wine and Spirits Magazine about the Cartice area in Val di Biadena.
It blew my mind away. At the same time, I was starting to go to Champagne to research my book and I spent a lot of time there. I was finding a lot of similarities between these two very different wines.
Champagne began as a still wine called Coteaux Champenois. It had another wine in between. A sparkling wine, but a softer, lower amount of pressure called Cremant de Champagne.
In Prosecco, the traditional way of making wine was fermenting the wine. Then, they would put it in a container, either a barrel or a cement tank or in a bottle. The same thing happened. The fermentation would stop prematurely because it got too cold. Then, in the spring, when the temperature rose, the wine would wake up and the sugar would go back to work on whatever yeast was left.
Being in a closed container it would be fizzy. Now, in the bottle. The Italians had no problem with the sediment in the bottle.
I remember going there in 2013, I heard about this kind of Prosecco where the sediment was left in the bottle and people were a little bit embarrassed to show it.
This is actually called the Method Ancestral like they did in Limu.
They left the sediment in the bottle. It was just part of the wine. m In 1895, someone at Vinicultural Research Research Center in Asti named Martinotti, figured out they had a lot of sparkling wines in that area like Moscato.
Martinotti invented a system instead of having to do this process in the bottle, he created a large container with a top under pressure where the second fermentation could take place under pressure and then bottle it from there. It’s called the Martinotti Method that he created and patented in 1895.
Then 15 years later, in France he applied a sterilizing system. It’s referred to as the Sharma Method. That is the typical Way to make Prosecco not the traditional way.
Most producers in the area did not advance their methods until after World War II happened.
Mionetto, a very big Prosecco producer, only started using autoclaves in 1987.
At my tasting in New York on December 13, we’re going to taste three Prosecco’s. One is a still version from a winery called Bortolomeo, one of the most significant wineries of the area
After World War Two, he was very instrumental in creating a small group of producers and protecting their tradition of making wine in the area.
Now their daughters are running the winery. They’re still making a Prosecco. It’s part of the disciplinary of the rules for Prosecco Cornigliano Valdobbiadene.
That used to be the same with Coteau Champenois, the still wine of Champagne. You would not find those around.
While we’re talking about Prosecco, tell us about their growth — between the DOCG and the DOC?
Alan Tardi: One thing I want to say is that in the very small area of Corneliano, Corneliano about to be out in a Prosecco, DOCG. In about 2009, because of the large demand for Prosecco, and because of the fact that people were growing grapes and making wine outside
That appellation covers the entire region of Friuli and three quarters of the region of Veneto. So it’s a huge area, mostly flat. Higher yields, most of the vineyards can be worked, can be harvested mechanically. It’s a very different wine and that accounts for the vast majority of the 500 million bottles that are being produced.
The little area up in the hills has a much more complex growing area, soil to topography.
It hasn’t really been touched since the earth rose when that, when the sea and the sea receded on the other side of Cornigliano, there was a glacier that happened up in the north and it came down and just took all the land with it.
If you look at the map, the part is very narrow and the Cornelia part spreads down and is very wide and lower altitudes. So you have two very different soil makeups and different sections within the area. So it’s much more complex.
In 2009, they created the DOC and that’s when the original area, called Prosecco, changed its name to Corneliano Valdobbiadene and they were elevated to a higher level, a DOCG category.
They created subzones within this very small area. 43 different areas within the overall territory. If grapes come from one of those areas, they can have the name of that on the label.
At Beyond Bubbles on December 13, we’re going to be tasting the Tranquilo Prosecco from Botolomeo. We’ll taste a Colfondo from a young guy who’s been carrying on his family’s winery.
He always made wine in the cofondo method, and he just also started using the method traditionnel as well.
We’re going to taste his Cofondo, and then we’re going to taste Prosecco, Brut Nature, no sugar added, from the Cornigliano side, different softer, denser soil, lower altitude.
You can taste the difference.
That sounds incredible. We’re celebrating Beyond Bubbles, Alan Tardi’s new class coming up December 13th. One of the bottles, the Lambrusco. Can you talk a little bit about its reputation?
Alan Tardi: I think we should feel very excited. In the United States people still think about Lambrusco as a sweet, red, bubbly wine.
Lambrusco has really changed and it’s very complex. Usually wines don’t do well in flat areas, but in the Po Valley, that’s where they come from, they started out as wild vines.
They were cultivated by this old ancient tribe who lived in the area from about 12 to 6 BC, and then they just disappeared There are 12 different Lambrusco grapes. Three of them are really the most important because they have their own distinct identity and growing area.
Sorbara comes from the town of Sorbara, takes its name after it, and it has its own appellation.
Grasparosa di Casavetro, down in the south, it’s flat, but it starts to go up a little bit into the hills.
And then Salomino, in the north, which is the powerhouse of the three.
It’s really fascinating. They’re considered to be the most elegant because they’re all red grapes. In Champagne, it’s mostly white grapes. in Prosecco, the grapes are also predominantly white. There’s Pinot Noir that was one of these international grapes. It was permitted but only as a
The Sorbara is very light, transparent, elegant. There’s a lot of finesse to it.
The Graspa Rosa is dark red, juicy, fruity, floral, intense, foamy.
The Salomino is the workhorse, Sorbata is not self pollinating. And Solomino is often the pollinator for Sorbata.
At Beyond Bubbles on December 13, we’re going to be talking about unusual bottles. Tasting a Salomino wine from a winery called Lini 910, a wine is made using the method Traditionnelle. This wine is going to be 2006 vintage, and it’s spent nearly 14 years on the lees.
At our Beyond Bubbles class, I’m going to start with the Lambrusco, the oldest of the wines. Then the Prosecco. Then the Champagne. So there’s a buildup to that.
After the champagne, there’ll be a still champagne from the Valley de la Marne from the Mounier grape, and the Philipponat Champagne vintage.
After that, I thought it would be really interesting to look at two wines from made by people who went to the champagne area in the turn of the 20th century and they fell in love with champagne and they were compelled to go back to where they came from and make a wine using the champagne style method in their own way.
A wine from Trentino, Giulio Ferrari. And the other one is RTOs in in Catalonia in Spain, compare.
Alan Tardi’s class Beyond Bubbles will take place December 13, 2023 at New York Wine Studio. 126 East 38th Street New York, NY 1001. Readily accessible between Park and Lexington Avenue, just minutes from Grand Central Station.
DOC NYC 2023: Grand Jury Prize Winner ‘Total Trust’ Opens Theatrically Dec 8
For two decades, China has implemented cutting-edge security and surveillance to monitor its citizens. In this fascinating and chilling documentary, Jialing Zhang (co-director of ONE CHILD NATION) immerses us in this daily reality: half a billion cameras pointed at the populace, invasive neighborhood watch programs (“Sharp Eyes”), employees monitored for stress levels, and a “social credit” point system that rewards for community service and penalizes perceived societal infractions.
With the assistance of dozens of anonymous locals, Zhang focuses on three courageous women fighting for civil liberties and justice, including independent journalist Sophia Xueqin Huang, one of the first Chinese reporters to investigate #MeToo accusations and subsequently arrested for “inciting subversion of state power.” A bracing portrait of a society for whom privacy is all but extinct and a warning for democracies employing surveillance tools in unprecedented ways.
Zhang is an Emmy-Award nominated independent Chinese filmmaker based in the U.S. She produced IN THE SAME BREATH in 2021 (Oscar® shortlisted); and co-directed/produced the 2019 Film Forum premiere, ONE CHILD NATION (Sundance Grand Jury Prize winner, Oscar® shortlisted). Zhang was nominated for two PGA Awards for Outstanding Producer of Documentary and a DGA Award for Outstanding Directorial Achievement in Documentary. She won a Ridenhour documentary Prize in 2020, a duPont-Columbia Award, and a Peabody Award in 2022.
TOTAL TRUST (2023)
Directed by: Jialing Zhang
Produced by: Filmtank (Knut Jäger, Michael Grotenhoff),
Saskia Kress, Jialing Zhang
Co-Produced by: Witfilm, Interactive Media Foundation, ZDF/arte, NTR Cinematography by: Cuier (Anonymous), RCS (Anonymous), J.V. Chi (Anonymous)
DOC NYC 2023: WINNER – U.S. Competition Special Mention – ‘HAPPY CAMPERS’ Documentary Feature from director Amy Nicholson
Synopsis
Finding your tribe is one of life’s greatest pleasures—and losing it is one of the greatest sorrows. In Amy Nicholson’s beautifully observed film, working-class Americans gather every summer at a seaside trailer park in Chincoteague, Virginia, to enjoy the simple pleasures of a scrappy, no-frills vacationland, and each others’ company. When a developer buys the land and reimagines the property, the inhabitants of this shabby Shangri-La wistfully eke out the joys of one last summer together as a melancholic twilight hangs in the air. – Jaie Laplante
DOC NYC Continues Online “Happy Happy” Available
Now Through November 26
About the Filmmaker Amy Nicholson
Amy Nicholson is a documentary filmmaker and commercial director based in New York City. In a previous life, she served as an advertising Creative Director, conceiving campaigns for clients like Got Milk? and Nike. Nicholson’s most recent documentary is a short titled Pickle. After winning audience awards at multiple festivals including Aspen Shorts and Full Frame, Pickle was nominated for an IDA Documentary Award and Cinema Eye Honors, selected for New York Times’ Op Docs and featured on the Criterion Channel. Nicholson has produced and directed two feature projects. Zipper: Coney Island’s Last Wild Ride won a special jury prize at DOC NYC and was held over twice at the IFC Center. Muskrat Lovely premiered at Hamptons International Film Festival and was broadcast on the Emmy Award-winning PBS series Independent Lens. Nicholson’s third feature Happy Campers debuts at DOC NYC in November. Her films have been selected to screen at Sheffield, Hot Docs, Full Frame, DOK Leipzig, BFI London, Florida, Hot Springs, Camden, Montclair, Traverse City, Rooftop Films, and the MOMA.
DOC NYC 2023: Cherry Jones and Bill T. Jones live in-person for ‘Obsessed with Light’ North America Premiere
North American Premiere of OBSESSED WITH LIGHT at DOC NYC followed by a Q&A with filmmakers and a live dance performance by Jody Sperling, choreographer and artistic director of Time Lapse Dance. She is featured in the film.
Synopsis
Obsessed with Light is a meditation on light and the enduring obsession to create. The film pulls back the curtain on Loïe Fuller, a wildly original performer who revolutionized the visual culture of the early 20th century. Creating a dialogue between the past and the present, the documentary features Jody Sperling and her Time Lapse Dance ensemble and delves into the astonishing influence Fuller’s work has on contemporary culture including artists like Red Hot Chili Peppers, Taylor Swift, Bill T. Jones, Shakira and William Kentridge. In the process, the film uncovers commonalities that connect these creative luminaries to Fuller and each other.
The American creator of modern dance, Fuller (1862-1928) created a completely new kind of spectacle which combined dance, fabric and movement. She also pioneered the ingenious use of electricity for the stage, even building a glass floor so that she could be lit from below. Fuller propelled herself into swirling abstractions that made audiences gasp and she immediately understood the importance of protecting her ownership of these innovations. Always struggling against a flood of imitators, Fuller was the first choreographer to attempt to copyright her dances and sued in court as early as 1892. Given the recent Supreme Court decision in the dispute between the Andy Warhol Foundation and photographer Lynn Goldsmith, Fuller’s early battles against copyright infringement are incredibly relevant.
Anyone who has been to a rock concert has seen a modern version of the lighting designs that Fuller patented over a century ago.
Fuller shot to international stardom after performing at the Folies Bergère in Paris. Her rise to fame was intertwined with the very beginning of cinema and her Serpentine dance became an iconic subject for the earliest filmmakers like Georges Méliès and Alice Guy Blaché. It was also among the earliest footage ever to be hand colored. All of the hand coloring or tinting in the archival clips in Obsessed with Light is original.
Obsessed with Light is a film about transformation. It is about a Midwestern vaudeville performer who performed with Buffalo Bill before becoming a world-famous star of Belle Époque Paris and the embodiment of the Art Nouveau movement with her elaborate productions of ephemeral, shape-shifting abstractions. It’s about a woman, described by contemporaries as “odd and badly dressed,” who transformed herself into the “Fairy of Light” onstage. It’s about a woman who became famous on her own terms– unapologetic about her body type and open about her sexuality. And it’s about a visionary artist who disrupted the prevailing notions of dance and the imagined limits of the human body. Lastly, the film is about a lost modernist whose story is crucial to understanding both early cinema and performance.
Directed by: Sabine Krayenbühl and Zeva Oelbaum
Produced by: Zeva Oelbaum, Sabine Krayenbühl
Executive Produced by: Elizabeth Rodriguez Chandler, Denise Benmosche, Ruedi Gerber, Susan Margolin
Voice of Loïe Fuller: Cherry Jones
DOC NYC 2023: Shari and Lamb Chop World Premiere Nov 11.
Shari Lewis was a dancer, singer, and magician but is best known as the ventriloquist behind sock puppets Charlie Horse, Hush Puppy and, of course, Lamb Chop. This lively doc charts the life, loves, and career hits and misses of this spunky perfectionist, who forever changed the face of children’s television. Featuring ventriloquists who she inspired and nostalgia-inducing clips, this upbeat portrait of brilliant Bronx native turned beloved TV personality brims, like Lewis, with warmth and charm. – Karen McMullen
The first screening will be followed by a Q&A with director Lisa D’Apolito, subject’s daughter Mallory Lewis, and special guest Lamb Chop. The second screening will be followed by a Q&A with Lisa D’Apolito.
This film contains the following accessibility options for viewers:
Closed Captioning for in-person screenings at IFC Center and Village East by Angelika
Descriptive Audio for in-person screenings at IFC Center and Village East by Angelika
Closed Captioning for online screenings
All in-person screening venues provide sound amplification headphones upon request with venue management. IFC Center can also provide a T-Coil loop for compatible devices.
Executive Producer: Nigel Sinclair, Jeanne Elfant Festa, Joseph Mellicker, Jordan Walker-Pearlman, Bob Valentine, Sophia Dilley, Wesley Adams, Michael Cho, Mimi Rode, Tim Lee, Caitlin Gold, Naomi McDougall Jones, Lindsay Lanzillotta, Carlene C. Laughlin, Steve Cohen, Paula Froehle, Benjamin J. Murphy, Robert Dietz (Co-Executive Producer), Scott Pascucci (Co-Executive Producer), Charles Hopkins (Co-Executive Producer)
Producer: Cassidy Hartmann, Nicholas Ferrall, Morris Ruskin, Douglas Warner, Lisa D’Apolito
Check out the creepiest, craziest, tastiest Halloween events in NYC.
It’s that time of year when NYC gets their haunted freak on.
Village Halloween Parade
1. The Village Halloween Parade
The Village Halloween Parade is NYC’s creative and spooky march in Greenwich Village and it’s coming back this year on Halloween, Tuesday, October 31.
Thousands of monsters, zombies, ghouls, witches take over the streets. Whether you march or watch from the sidelines, don’t miss this iconic Halloween event, which is celebrating 50 years in 2023!
The Halloween Parade is a 0% tolerance for alcohol event.
2. The Great Jack O’Lantern Blaze
Since 2005, more than 2 million visitors have been delighting in this walk-through experience, where thousands of hand-carved pumpkins in elaborate displays light up the night. Now in two New York locations, in Westchester at Van Cortlandt Manor in Croton-on-Hudson and in Nassau County at Old Bethpage Village Restoration in Old Bethpage, this fun fall festival features larger-than-life installations, along with synchronized lighting, and an all-original soundtrack. It’s a magical, family-friendly experience for all ages.
Blaze is uniquely located at two National Historic Landmarks, providing hundreds of thousands of visitors the opportunity to experience these treasured sites and learn about the culture of the region.
Great PUPkin Dog Costume Contest
3. Great PUPkin Dog Costume Contest
Now in their 25th year in Fort Greene Park, and sponsored by Fort Greene PUPS, the Great PUPkin is Brooklyn’s largest and most outrageous dog costume contest.
Scads of dogs enter and ruthlessly compete for the coveted Great PUPkin rosettes for the top pups!
And remember, your entry fee is a tax-deductible donation to Fort Greene PUPS, a 501(c)3 nonprofit organization! Your receipt will serve for tax purposes. Thank you for your support!
After preregistering, you will receive a receipt, which you should print or bring on your phone to check in starting at 11:00 a.m. on the day of event.
IMPORTANT: If you do not check in at the registration table located at Monument Plaza (top of stairs) by 11:45 a.m., your entry will be forfeited. Judging of all entrants begins at the bottom of the monument stairs at 12pm sharp!
The PUPkin is FREE to attend – registration is ONLY required if your dog is competing in the contest!
Each year, Central Park hosts a Halloween celebration on the Harlem Meer that’s perfect for the entire family.
There are a variety of children’s activities, including crafting, storytelling, scavenger hunts, and a spirited Halloween parade.
At twilight, a procession of illuminated jack-o’-lanterns is guided across the Harlem Meer by a whimsical witch or mischievous goblin.
Celebrate Halloween on Thursday, Oct. 26th by watching the Harlem Meer light up with floating pumpkins. Feel free to dress for the occasion!
If you would like to see your own jack-o’-lantern floating in the parade, improve your chances by entering a pumpkin that is approximately 8 lbs. after its been carved up (include the lid – think the size of a soccer ball) and make sure you don’t use any decorations that are unnatural such as paint, glitter, marker, food dye, paper, or plastic. You don’t want to pollute the Harlem Meer or harm the wildlife. Candles and lights to illuminate the pumpkins will be provided.
Stop by the information table between 4:00 and 5:30 at the Charles A. Dana Discovery Plaza with your masterpiece and they will let you know where to drop it off. Space on the float is limited and offered on a first-come, first-served basis.
You can reclaim your pumpkin at the conclusion of the flotilla at 7:00 PM. Pick-up is at the Harlem Meer Beach near Fifth Ave and E. 108th Street.
This event is FREE and weather permitting.
Halloween House at The Oculus
5. Halloween House at The Oculus
Halloween House is a completely immersive, one of a kind Halloween experience where you are transported to an all Halloween world. Every one of our impeccably detailed, fully realized rooms is a different Halloween theme designed to make every Halloween lover’s experience unforgettable.
Visit the #1 ranked Halloween attraction for all ages! If you love the decor of a haunted house, but don’t want the stress of being touched and scared, Halloween House is for you. And if you do love haunted houses, you’ll love Halloween House too!
Halloween lovers unite! Our uniquely themed, fully immersive rooms include the one of a kind “Trick or Treat” Room, the “Glow in the Dark” Room, the Horror Movie Graveyard, our Vampires’ Lair, and more!
THE OCULUS
185 Greenwich St, New York, NY 11006
(Main Level – in the corridor near Sephora)
You can get tickets at the Halloween House website; adult entry costs $40, while tickets for kids and under are set at $35.
Dreams of Dracula: An Immersive Masquerade Experience
6. Dreams of Dracula: An Immersive Masquerade Experience
Step into the Dracula universe retold as an immersive vampire theatrical play. Walk through the darkness of Castle Dracula, meet The Virgin and the Vampire. Two floors and four rooms of the 25,000 square foot venue offer a choose-your-own adventure style journey through the intricate details of Bram Stoker’s original classic vampire novel.
You may engage with Dark Romantics, Lord Byron, John William Polidori, and Mary Shelley. Exchange a bon mot with Oscar Wilde in their famous salon, or step into the Alchemical Study of Sigmund Freud.
Be warned! Hypnosis, tarot readings, scary tales, darkness, flashing lights, thunder, and lightning will all be a part of this experience. You may be touched by our performers.
Attire Note: Your version of black tie is highly suggested on Friday and Saturday nights, but basic black will always get you in the door. For all other shows, all black attire is required for entrance.
Written and Directed by Jonathan Albert and Nicole Coady. Choreography by Arianne Meneses. Music composed by Dian Shuai.
The production opens on October 4 and runs through November 11 at Musica NYC in Hell’s Kitchen; previews begin September 22. Gothic and Victorian costumes are “very much encouraged,” event organizers say.
Bronx Zoo Pumpkin Nights, an ALL NEW nighttime family Halloween event, will take place on select evenings this fall! Follow an animal-themed illuminated jack o’lantern trail and learn about animal behavior after dark, plus enjoy games and treats.
Pumpkin Nights will feature gorgeous scenes of more than 5,000 illuminated pumpkins, together with atmospheric sounds and colored lights, to provide a festive family atmosphere as you follow a half-mile trail to holiday excitement right here in NYC.
Pumpkin Nights will debut on Thursday, September 28 and run Thursdays, Fridays, Saturdays and Sundays through Sunday, October 29 from 6pm to 10pm.
Tickets for Pumpkin Nights range from $26.95-$36.95 for adults; kids’ tickets range from $24.95-$26.95 for kids.
In addition to the new Pumpkin Nights, the Bronx Zoo will continue the tradition of Boo at the Zoo, which will return on Saturdays and Sundays, September 30 through October 29, plus Monday, October 9.
Halloween Extravaganza and Procession of the Ghouls
8. Halloween Extravaganza and Procession of the Ghouls
The Cathedral’s beloved annual Halloween celebration returns for 2023!
Following the film screening of The Cabinet of Dr. Caligari with live organ accompaniment, ghouls and goblins from the Mettawee River Theater Company emerge to scare and delight audiences.
Mark your calendar for an evening of classic thrills, spooky chills, and autumnal spells!
Tickets are now available!
Two viewings will be offered at 7 and 10 pm for the Halloween Extravaganza, with $40 tickets available on the cathedral’s website.
Also on October 27 and 28, the cathedral’s famous Crypt Crawls will make their grand return from 1:30 pm to 2:30 pm and from 3:30 pm to 4:30 pm, guiding visitors down into the rarely-seen depths of the Gothic building. You will hear stories of the entombed and learn the origins of Halloween as a Celtic New Year celebration and later transformation into All Hallows Eve. Grab tickets for the guided tour here.
NYBG’s Fall-O-Ween at the Botanical Garden
9. NYBG’s Fall-O-Ween at the Botanical Garden
Make NYBG your pumpkin headquarters this fall! The tricks and treats of the season come to life with plentiful pumpkins, gourds, and ghouls—and all sorts of fun-filled activities to celebrate this season of frights and foliage! Day or night, there’s something for everyone as we offer special weekends of pumpkin parades and pumpkin carving face-offs, as well as the return of our popular beer sampling weekend, Bales & Ales! Evening events give kids (and adults!) the chance to show off their Halloween costumes in New York City’s most beautiful landscape, while you can savor the flavors of the season with artisan demos, food and drink talks, and so much more as autumn in the Bronx brings vibrant color to your backyard.
While you’re here, don’t miss your opportunity to capture picture-perfect fall photos at the Reflecting Pool and on the adjacent lawn, where you’ll find hundreds of pumpkins and gourds of all shapes, sizes, and colors!
Rooftop Cinema Club is screening rooftop movies this fall with a packed slate of films running all the way through October 31.
Sip wine and eat vegan popcorn while watching classics like When Harry Met Sally, The Addams Family, Hocus Pocus and lots more this autumn. Tickets are on sale here.
October’s lineup include scary screenings such as Rosemary’s Baby, Paranormal, The Exorcist, The Shining, American Psycho and other cult classics as well as family favorites like Coco and Monsters, Inc. That all leads up to All Hallow’s Eve’s screenings of Hocus Pocus and Halloween.
Get in on the fun at The Drunken Laboratory, a bar in Brooklyn where you’ll wear lab coats and goggles for a night of sipping drinks and doing science.
The bar’s Haunted Laboratory experience includes a ghostly drink menu, haunted decor and scare actors for a truly immersive experience
Tickets are on sale now starting at $45; the experience begins on September 22 in Bed-Stuy with dates running through the finale on Halloween night.
Halloween Harvest at Luna Park
12. Halloween Harvest at Luna Park
Experience Fall & Halloween themed activities during our 10th annual Halloween Harvest! Halloween Harvest activities are FREE with your Wristband purchase, on our website or at our ticket booths, for park visits from September 22 through October 29.
The fun doesn’t stop there as we will be offering fall-flavored food items across popular dining options including Half Moon Food Court, Coney’s Cones and Salt & Sizzle. For all pumpkin-spice lovers, guests can indulge in Pumpkin Spiced Funnel Cake, Pumpkin Spiced Gelato, Purple & Orange Halloween-themed Cotton Candy and more!
Halloween Harvest activities are FREE with Wristband purchases* valid for visits from September 22 through October 29.
The park’s Halloween celebrations kick off on September 22 and run through October 29 on weekday holidays, Fridays, Saturdays and Sundays in Coney Island.
Pumpkin Point at Governors Island
Pumpkin Point at Governors Island
Pumpkin Point, Governors Island’s annual free pumpkin patch and fall festival, returns to Nolan Park for 2023! Visitors are invited to pick out their own pumpkins (free with suggested donation) on the weekends of October 21 – 22 and October 28 – 29, 2023, from 10am to 5pm. Come early in the day to make sure you have your pick of the pumpkin patch, and please limit pumpkins to one per person per household.
Governors Island food vendors will be on-site both weekends with fall-themed food and drink available for purchase, including Little Eva’s, Governors Beer Co., Brigs Sweet Shop, El Toro Rojo, Deploy Coffee, Rosie’s Empanadas, and Fauzia’s Heavenly Delights.
Pumpkin Point is rain or shine. Please be advised, a large number of visitors is expected for Pumpkin Point, so leave extra time to board and ride the ferry.
Pumpkins left over from Pumpkin Point will be composted on Governors Island by Earth Matter, which runs a Compost Learning Center at the Urban Farm on Governors Island.
14. Historical Hallowe’en Party
Happy Hallowe’en New York City! Get dressed in your Halloween best and come join us for our annual evening of hands-on games, spooky and silly stories, historical Hallowe’en crafts, and buckets of candy!
Have you ever heard of mourning jewelry? It was quite fashionable during the Victorian era. These sentimental keepsakes helped keep the memory of beloved family and friends close and included some unusual design elements, like real human hair! Learn more about this unique tradition and make a piece of mourning jewelry (with fake hair!) to take home.
Discover the many ways clothing and accessories were used to show remembrance! Historical interpreters will share the meaning of their outfits, from widow’s caps and pins, to dress colors.
This is also the time of year Día de los Muertos (the Day of the Dead) is celebrated in Mexico and beyond by many families. Take part in this unique holiday by creating your own special offering to place on our communal ofrenda (altar).
We’ll be playing Hallowe’en bingo, reading jack-o’-lantern stories, crafting costume accessories, and more!
For even more Halloween fun, expect hands-on games, Hallowe’en bingo, spooky stories, historical Hallowe’en crafts and buckets of candy.
This all-ages celebration at the Upper West Side museum runs from 4-6pm on Halloween night, Tuesday, October 31. Costumes are encouraged.
Reviewed and revealed. Time for you to find your mattress in 2023. Most of us spend a third of our lives asleep. Science says it’s how we repair, recharge and dream. With hybrid work or work from home, we sometimes rest more. Some of us work from our bed.
You’re moving? You upgraded your house? Either way, it’s time for a new mattress. And a lot of changed since the old days of mattress shopping. Even if “the old days” was just 5 years ago.
Big changes. Real science upgrades depending on sleep position, body type, health conditions, body temperature, temperature of the room and flexibility, adaptability of all of these variables.
It’s a lot of decisions that you probably don’t want to research. You just want an awesome night’s sleep.
So we did the mattress research for you
Brooklyn Bedding’s Signature
What’s the best mattress overall?
Brooklyn Bedding’s Signature is pretty amazing. The Brooklyn Bedding Signature Hybrid is the brand’s flagship bed.
The mattress offers three firmness options, a strong steel coil foundation layer, a comfy “give” that rests your aching bones, strong and durable hybrid construction.
Their hybrid mattress (a bed made with coils and foam) offers a neutral-foam feel that’s more light and airy than traditional memory foam. It also offers improved edge support, thanks to a thick layer of pocketed coils with reinforced coils around the edges of its support bed.
Accommodating for all body types and even suits any sleeping position.
If you time it right (they have sales), it’s surprisingly affordable.
Price is usually closer to $1200, but with the right timing (discounts), you can sleep well for under $1000.
Layla Hybrid mattress
Best Mattress for Side Sleepers
Layla Hybrid mattress is special! Generations ago, flippable mattresses were popular and the Layla brand is bringing back the trend. So yes, it’s flippable and both sides offer different firmness levels – so yes, you have two choices to pick from to match your personal preference.One side is soft and pressure relieving while the other is firmer and more supportive.
Also, Layla’s primary comfort layers are made with copper-gel memory foam which helps regulate temperature, while the material feels ultra light and airy. This is more responsive than the foam’s traditional slow-bouncing nature.
The Layla Hybrid is ultra plush and soft. Indulgently comfortable. A. great choice for side sleepers of all body shapes and sizes.
The Layla Hybrid comes in a range of sizes: twin to California king sizes and prices range from $1,299 to $1,899.
Saatva Classic
Best Firm Mattress
The Saatva Classic offers both plush comfort with premium support. Its thick and supportive construction provides contouring that fits each of your body’s curves. Unique from most hybrid beds, it offers two coil layers (one innerspring layer and one pocketed coil layer), memory foam, Lumbar Zone Active Spinal Wire and a quilted, zoned pillow-top add to a luxury experience. Designed to promote comfort and spinal alignment.
The innerspring mattress hybrid construction is the magic behind why this bed is so supportive and firm.
The Saatva Classic’s special lumbar technology is designed to keep your spine aligned while comforting your shoulders and hips.Also allows you to choose how firm you want your firm bed to be.
The Saatva Classic comes in sizes twin XL to split California king and prices range from $887 up to $2,296.
New York Wine Studio starts classes this October in NYC, Wine Expert Alan Tardi reveals why you need to Enroll
He’s worked as a chef, a restaurateur, a sommelier, a consultant to some of New York City’s biggest and best fine dining restaurants. He’s also written for magazines and publications, such as Wine Spectator, Wine and Spirits, Decanter, of course, the New York Times.
Today Wine Expert Alan Tardi visits us for a conversation about NYC, restaurants, Italian wine and his new classes starting this fall (October) at New York Wine Studio.
As a get to know you question for everyone out there who loves food and wine and spirits, but they don’t necessarily know your background so much.
You’ve been in the wine world, the hospitality world, the restaurant world for many years. Tell us about a celebration in your life that inspired you to join these industries?
Alan: Sure. First I should say that, when you introduced me, you said I was a chef and a restaurateur and all that’s true. But before I was a chef, I was a cook. And actually before I was a cook, I was a dishwasher. I took a little bit of a break from college and went to Europe and traveled around and then came back and wanted to come visit my sister in New York City.
And so I did. And I ended up staying. And at a certain point, I thought okay, I’m going to go back and finish my undergraduate degree, but I also want to get a job. So I walked into a place that could have been a shoe store or whatever. A gas station. But it happened to be a restaurant.
One of the new, the first restaurants in this area called Tribeca, when it was just starting to take shape and walked in there and said, ‘Hey, I’m looking for a job.’
The person who was in the back that they sent me back to talk to in the kitchen was washing the dishes. And he said, Yeah, I’m the owner. You want to wash dishes? Yeah, sure.
So I started washing dishes there in this restaurant. And then after a while I would, I became a bus boy on the floor. Then when I would come into work, oftentimes the kitchen was a little bit behind. So I would help them out. I ended up going to the kitchen while I was going to school at the same time.
For me, it was a job and while I was going to college in the village after my classes in the evening, I found this tiny little restaurant on Greenwich Avenue in the village called Chez Brigitte.
It was like a counter basically, they had two little tables on the side, but there was a counter there with maybe eight seats. And there was this French woman named Brigitte who was cooking food back there. I started to go there, so I didn’t go home by myself and have supper.
I started to get half bottles of wine from a nearby wine shop and took it to this place, Chez Brigitte. I spoke French. I was talking to the woman cooking there.That was a celebration for me, and I was there all by myself. I would go there after, after my schooling before I went back home.
So that was like a celebration. I would go there two or three times a week. And that was my own sort of really like dining. But it was very casual. It was an open kitchen. But that was my celebration factor. And then after I finished my degree I thought I’m actually into cooking.
I was cooking in this restaurant in Tribeca. And so I went and knocked on the door of a little restaurant in Soho, which was called Chanterelle. It was a legendary restaurant for about 25 years. And the woman, the manager, the wife of the chef, Karen Weltuck, and David Weltuck was a chef.
She hired me. I was the third person. Before that, there were two people in the kitchen. I became the third person in the kitchen doing Garde Manger. Then after six or nine months, I was promoted to he sous chef. So I went from a Garde Manger to the sous chef in this really legendary restaurant.
So that was my celebration.
The fact that you grew up behind the scenes in the back of the house makes me curious.
For a couple – whether it’s a date night, an anniversary or a business dinner,
do you have any tips for how to take that fine dining experience and make it really truly memorable
Alan: First of all, we talk about fine dining. To me, sometimes you have the best experiences in a very simple, very unpretentious place. When I was working at Chanterelle, I was there for a little over three years. Every August, the restaurant would close for the month and most of the staff would go off on a gastronomic tour.
I went with some of my colleagues to France two years in a row. We would go through all the three star Michelin restaurants. At that time, you had to write a letter in French asking for a reservation at a certain time.
You had to reserve ahead of time because you had three star Michelin restaurants, highly sought after. Three or four days a week we would be eating in these fancy restaurants, sometimes lunch and dinner. It’s crazy. But there would be the down days too, right?
When you’re just traveling somewhere, you’re going to a different part. Some of these meals were amazing, that it was a whole new world for me. You get the menu, all the service and the cheese and the wines and everything. It was a great experience.
On the off days, you would just find a place to eat. And sometimes we would go to a little aubergine. I remember one in Normandy, walking into this place. It was just a few doors down from where we were staying overnight, waiting for our next kind of big meal. We went to this little aubergine and they had the most banal dish, trout almondine, right?
Trout almondine. It was in Normandy, however. There were women in the kitchen, not men, and usually in these three star restaurants, it was all male at that point.
I realized that some of those down meal nights and simple places, they had no stars at all. You had amazing food.
The meals were on the same par as some of the best three Michelin restaurants I had. So that was an important distinction for me to make. When you’re talking about how to really create – whether it’s in a very simple environment or kind of more fancy – how to really make it special. I think it has genuinity.
Just being what you are and trying to take care of your guests as best as you possibly can. That can really make it very special. You need to have good food, you need to have good wine, you need to have good service. All of those factors play in. But the most important thing is really trying to take care of your customer.
And I think you can do the same thing at home, your customers, whoever’s coming to your home and you’re going to offer them something and you want to try to make it as special as you can, even if it’s just hamburgers, but that can be really great and memorable.
We’re going to stick with the restaurant for a second, but move toward the wine list.
What are some tips for someone who wants to have a nice bottle out at dinner and they just don’t even know where to start?
Alan: That’s a great question. When I had my restaurant I decided to take a certain approach to the wine program, which was to find the best regional wines that would really best accompany the food.
Many of them were wines that people were unfamiliar with, they were just not among the top 10 that people would go to automatically. This is some years ago when a lot of the wine lists in the restaurant were the most famous ones you see all over the place because people are comfortable with that. So sometimes it threw people off and they would ask questions. What is that? Don’t you have this other one that’s very popular and all over the place?
No, but we have this and – we didn’t always say this – but it’s actually much better and it costs less.
So people would try it. They would take a leap of faith and for the most part they always loved the wines, and they went very well with their food. Not only was I the chef and the owner but I was also the sommelier as well.
We tried to train the staff very well about the wines and inform them. We had monthly tastings with them so they could taste the wines.
If people were really interested, I would come out of the kitchen and explain, make a suggestion based on what they said they liked. Sometimes it’s very difficult for people to explain what they want, so you have to read into that a little bit, but it’s something that really worked.
I know you love Italian wine, you’re an expert in Italian wine. Are there some Italian wine regions that deserve more attention?
Alan: Absolutely. I love wine from all over the place. Initially I spent time in France, delving into the wine regions there and they’re amazing and superb. When I was working at Chanterelle after the two first years going to France and the three Michelin restaurants, the third year I said maybe I’ll go to Italy and just try that out.
When I actually went there, it totally blew my mind. We rented a little house outside of Siena and explored the area. We went to a fantastic restaurant and it’s still in existence, La Chiusa, in a tiny little village called Montefollonico.
That really blew my mind completely. Because it was in an old olive oil mill, outside of this tiny little village up in the hills. The food was both very traditional and also very kind of cutting edge. They were trying to expand a little bit, but there was a really great balance of that. I actually went back there to do a stage, a summer stage working in the kitchen.
What really blew my mind was the fact that everything there was local. It was right, very close to Montepulciano and I would go walk in the vineyards. A lot of the food they got was made from grapes in the vineyards outside the restaurant. And the cheese was the pecorino.
The cheeses in Tuscany were made locally and everything was from that particular area. This was long before farm to table.
So it was a tremendous experience and that was just the beginning because Italy has 20 different regions, each one of them very different.
We think of Italy’s being old, the ancient Romans and the Etruscans. That’s true. But Italy is a country just a little bit more than a hundred years old. 150 years old. It was formed in 1861 bringing together the Italy that was once where it was fragmented after the fall of the Roman Empire.
Up until that point, you had all these different city states that had their own language, their own identity, their own cuisine, their own architecture. And while it’s been now collected into one country, each region is very independent and different from one another.
It’s changing a little bit now. At one point the dialects were very strong. When I moved to Piemonte. In the village where I lived for over 12 years, when I moved there in 2003, most of the people – who are over 50 years old, spoke Piedmontese as their first language. They had gone to school, so they learned Italian, but they spoke Piedmontese whenever they could.
In Italy there’s an incredible diversity of different places within the country. And it goes into the wine. The wines are very different. The grape variety, there are more grape varieties in Italy than most any other place.
I appreciate how you fit all these areas together: the wine, the food, the identity of the people themselves. When people Google you, they can find a lot. Your videos, your books, your webinars.
What do you think is a tip to being a great speaker when it comes to food, wine, travel, these types of genres?
Alan: I feel like I’m very humble, especially when you’re talking about wine, there’s always something new to learn and it never really stops. So I’m learning too, as I go along..
I approach it as I want to learn about something myself. Then I want to explain it and talk about it to other people and fill them in on it as well, because it’s exciting for me it might be also interesting and exciting for other people.
The other thing is really trying to share that information in a meaningful way. I’m not trying to be an expert. I just want to share that excitement that I’ve felt myself.
Tell me how your background and the learning we’re talking about informed your decision to launch the New York Wine studio?
Alan: As you alluded to, I’ve been teaching for quite a while. All these things just happened almost organically. I didn’t say I’m going to become a restaurateur or a chef. I just started. From there, I really got interested in wine because there’s a very strong correlation between wine and food.
I got really interested in wine. I was doing a lot of panel tasting with Wine and Spirits magazine, whose office was very close to my restaurant. Josh Green, the editor there and a friend of mine for quite a while. At one point he said, Hey, do you want to write an article? I said, sure. So I started writing for them a lot and it just went into other venues as well.
Teaching is the same thing. I started giving presentations at wine conferences like Society of Wine Educators annual conference I started teaching around 2015 for the Wine Scholar Guild. I was teaching for about six years.
I’ve been doing it in many different forms. Italian Wine Scholar. French Wine Scholar and Spanish Wine Scholar as well.
I thought maybe it would be a good idea to offer this program, the IWS, Italian Wine Scholar program, in New York City. No one is doing it here. Why? Why is that? So rather than doing it online, I thought it would be really great to do it in person. Where you can actually interact with the students that are there rather than just having them in the background on a computer from many different places in the world.
So I wanted to offer that along with wine because that’s a very important component. Obviously, if you’re talking about wine and explaining different Appalachians and different growing areas and different winemaking traditions, it’s good to be tasting the wines while you’re learning about that.
I came across a place that was willing to host these presentations, a beautiful wine tasting area, right in midtown Manhattan, close to Grand Central.
In addition to the Italian Wine Scholar Program, to start things up, do four individual classes that are theme oriented.
Is it fall and spring, or what’s the schedule?
Alan: Right now we’re going to be starting this fall beginning in October, I want to ease into it. I’m not loading up an entire schedule of things, but I’m going to be offering part one of the Italian Wine Scholar program, because There are two parts to this certification program.
The first part of the Italian Wine Scholar program will be this fall. Six 3-hour sessions live in-person with wine once a week during October and November.
Then to add something else, in the evenings, we’ll be doing four courses. One in October, two in November, and one in December. Two hour courses with wine, as well, and they’re not regionally driven, they’re thematically driven.
The first theme class is going to be: the many faces of Sangiovese because Sangiovese is a grape variety, Italy’s most widely planted grape variety, and of course it’s very closely tied to Tuscany, where there are at least five major appalachians that really focus on that grape variety.So we’ll be showcasing 10 different San Gervasio based wines. Five of them from Tuscany and then other San Gervasio based wines from other regions that, that really featured that like Umbria and Marche and even up in the north, Romagna, which is part of the Emilia Romagna region. Emilia and Romagna are completely different places.
There will also be individual classes on volcanic wines, Appassimento wines, which are wines that are made from grapes that have undergone this drying process.
Then also sparkling wines, which I’m a big fan of. My second book was about champagne and I’m really deeply into champagne. It’s going to involve sparkling wines from three different countries.
It sounds like this might be the most in-depth Italian class you can find in Manhattan.
Alan: To be careful, I would say it is “one of”, the most comprehensive program in Italian wine anywhere.
This program has not, has never been offered in New York City. It’s kind of a first time for that. It’s very comprehensive. It covers all 20 regions, all of the significant Appalachians and there are many of them.
All of the significant diverse grape varieties and I say significant because it might even be a little bit more now in the Italian National Register of Grape Varieties. Many people think that there are more than 2,000 different grape varieties. They just haven’t been genetically defined before.
Because it’s so deep with knowledge, it’s great for trade. New York City is a huge foodie and restaurant dining scene.
Alan: If you want to have all these post nominal certifications, that’s good. Nothing wrong with that. The most important thing, however, of course is knowledge and understanding. that you can use if you’re in the trade.
The understanding, the awareness of wine that you can then transmit to your customers in a restaurant or to your customers in a wine shop where you’re selling to.
It’s a very comprehensive program, but you don’t have to be in the trade to do it. There are a lot of people who are just really fascinated and interested in wine. This is certainly a great comprehensive program for people who just are really fascinated by Italian wine and they want to learn more about it.
What are the goals for the New York Wine Studio? What’s the future for you? What’s the future for the studio itself?
Alan: For me, it’s this and I’m very excited about it. I like this sort of counterpoint between the really focused credential certification course with an exam at the end, and then the other ones that are more mixing it up and comparing / contrasting these different wine regions.
Next spring I plan to do Italian Wine Scholar Part Two. There’s also an introductory course, used to be called Italian Prep, now I think it’s called Italian Essentials. It is for people who aren’t ready to jump into a whole certification program with all that detail, but it’s an introduction to Italian wine.
I would also love to do the French Wine Scholar, along with some additional classes in the evening.
Tell us where we can find more. Websites? Social Media?
Alan: Check out the website www.NewYorkWineStudio.com. It talks about the programs, the IWS program with the schedule mapped out and the four individual classes.
Reneé Rapp Discusses New Album with Drew Barrymore and Performs at NYC’s The 92nd Street Y Aug 21.
Acclaimed singer-songwriter and actress Reneé Rapp visits 92NY on Monday, August 21 at 7:30 pm for a conversation with Drew Barrymore about her debut LP Snow Angel, followed by a special performance.
In-person and online tickets are available on 92NY’s website.
Reneé Rapp visits 92NY to perform
Earning scores of fans and accolades for her time both on the stage and screen (and a sold-out national tour), Rapp enters new territory on Snow Angel. Centering her voice and songwriting, the debut album is a piercing collection of songs wrought from emotional upheaval and personal transformation.
Reneé Rapp visits 92NY for fan favorites “Snow Angel” and “In the Kitchen”
Hear Rapp discuss the making of the record, the personal experiences behind new songs like “Snow Angel” and fan-favorites like “In the Kitchen,” stories from the studio, and much more — followed by an intimate, special performance.
Reneé Rapp began harnessing her natural creativity by writing and recording songs when she was just a teenager. Eventually, her career took off when she landed the coveted role of Regina George in the Tony-nominated Mean Girls musical on Broadway. Shortly after, she found widespread recognition and praise—from the likes of W, Harper’s Bazaar, and The Hollywood Reporter for her performance as Leighton on the HBO Max series The Sex Lives of College Girls written by Mindy Kaling.
Reneé Rapp visits 92NY to discuss her career
Rapp then turned her attention back to music, sharing her threadbare insecurities on debut single “Tattoos.” Since then, her songs have caught on like wildfire with listeners. The multi-hyphenate’s entire debut headline tour sold out in a matter of minutes, her inspiring single “Too Well” has impacted the Top 40, and her discography has amassed over 200 million streams and counting. Not only that, she will be reprising the role of Regina George in the forthcoming Paramount+ feature adaptation of the Broadway musical Mean Girls.
Rapp’s 2022 debut EP Everything to Everyone, as well as its deluxe edition, firmly established her pop staying power, while her debut LP, Snow Angel , is an elevated showcase the hitmaker’s vulnerable approach to songwriting and stunning vocal range.
About The 92nd Street Y, New York
The 92nd Street Y, New York (92NY) is a world-class center for the arts and innovation, a convener of ideas, and an incubator for creativity. Now celebrating its 150th anniversary, 92NY offers extensive classes, courses and events online including live concerts, talks and master classes; fitness classes for all ages; 250+ art classes, and parenting workshops for new moms and dads. The 92nd Street Y, New York is transforming the way people share ideas and translate them into action all over the world. All of 92NY’s programming is built on a foundation of Jewish values, including the capacity of civil dialogue to change minds; the potential of education and the arts to change lives; and a commitment to welcoming and serving people of all ages, races, religions, and ethnicities.
